The Adulteress (1946 film)

The Adulteress (Italian: L'adultera) is a 1946 Italian melodrama film directed by Duilio Coletti and starring Clara Calamai, Roldano Lupi and Carlo Ninchi. It was shot at the Scalera Studios in Rome. Calamai received the Nastro d'Argento for Best Actress for her performance.[1]

The Adulteress
Directed byDuilio Coletti
Written byTullio Pinelli (play)
Ugo Betti
Produced byFrancesco Leoni
StarringClara Calamai
Roldano Lupi
Carlo Ninchi
Delia Brandi
CinematographyUbaldo Arata
Edited byGabriele Varriale
Music byEnzo Masetti
Production
company
Grandi Film
Distributed byArtisti Associati
Release date
16 May 1946
Running time
107 minutes
CountryItaly
LanguageItalian

Cast

Production

The film can be ascribed to the strand of sentimental melodramas, commonly called tearjerkers (later renamed by critics as appendix neorealism), then very much in vogue among Italian audiences.

It was made at the Scalera Film plants in Rome.

Because of the film's theme, adultery (then considered a crime against morality in Italy), it was heavily censored, with several scenes being cut.

Plot

An ambitious peasant woman agrees to marry a very rich but crude and elderly landowner. In the process she leaves her fiancé who skips town. The marriage is not happy and after a few years the husband reproaches the woman for not having given him a child as he threatens to disinherit her in case of his death. Meanwhile, her ex-boyfriend returns to town and an incurable passion ignites between the two that leads to adultery. A son is soon born from the illicit relationship and the husband, unaware of the affair, announces great celebrations. But the young man does not want to adapt to the fiction and demands that she and the child run away with him. Faced with her refusal, she reveals the truth to her husband who savagely kills her lover in revenge. Obsessed with remorse, the woman goes crazy.

References

  1. Moliterno p.58

Bibliography

  • Moliterno, Gino. Historical Dictionary of Italian Cinema. Scarecrow Press, 2008.


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