The Ballad of Darren

The band's eighth studio album The Magic Whip was released in April 2015 to critical acclaim and became the band's sixth UK number-one album.[1][2] In April 2017, Damon Albarn's project Gorillaz released their fifth studio album, Humanz which was followed by three other albums, released in June 2018, October 2020, and February 2023 respectively.[3][4][5] Albarn also released his second solo album, The Nearer the Fountain, More Pure the Stream Flows in November 2021.[6] Guitarist Graham Coxon worked on soundtracks for the shows The End of the F***ing World and I Am Not Okay with This, while also releasing his debut album with side project the Waeve in February 2023.[7][8] Meanwhile, drummer Dave Rowntree released his debut solo album, Radio Songs, in January 2023.[9]

Albarn wrote demos for the album while touring with Gorillaz, in 2022. He recalled: "I recorded in a lot of conference rooms but I did actually have a wonderful moment in Montreal. Opposite my [hotel] room was this fantastic mural of Leonard Cohen."[10] Some of the songs were demo'd during that time, and by New Year's Eve he had 24 songs. The album's opening track "The Ballad" is a reworked version of "Half a Song", a demo recorded by Albarn in 2003 during Blur's Think Tank tour and previously released on Albarn's 2003 EP Democrazy.[11] In January 2023, Blur began recording material at Albarn's Studio 13 in London and Devon. James Ford, who previously worked with Gorillaz and Coxon's band the Waeve, produced the album. The record was finished by the first week of May 2023.[12][10] Albarn described The Ballad of Darren as "the first legit Blur album since 13, because we approached it like we would have approached making a record before, with all of us together in the room."[13]

Each member of the band shared a brief commentary on the record.[14] To Albarn, the record signifies "an aftershock, reflection and comment on where we find ourselves now". Coxon added that, with age, it becomes more important "that what we play is loaded with the right emotion and intention".[15] Albarn claimed the album reflects their generation but also "has enough of the modern world in it to kind of be relatable to people younger as well."[16]

The album's cover is a 2004 photograph of a man swimming alone in the Gourock Outdoor Pool in Gourock, Scotland, taken by Martin Parr.[26] Rowntree said of the cover: "There’s quite a bit about that image which is about overcoming some sort of physical situation. There is something about the safety of this lido which can get worryingly rough, which it does, and there are stories of this place where this guy would go down and exercise and there would be sharks washed in by the sea."[10]

The album's title references Darren "Smoggy" Evans, the band's former bodyguard, who currently works for frontman Damon Albarn. Albarn said: "Darren is many people. It is directly one person. [...] There’s a picture of Darren in the album. Not on the front cover. It was going to be but then we put it on the inner sleeve because it’s not the sort of attention Darren will want."[16][12][27][10]

In June 2021, frontman Damon Albarn first hinted at new music from Blur and Gorillaz, ahead of his second solo studio release The Nearer the Fountain, More Pure the Stream Flows. At the time, he was in talks with drummer Dave Rowntree but plans had not come to fruition yet.[28] On 14 November 2022, bassist Alex James spoke on the possibility of new music from the band in nearly eight years.[29] The band announced a London reunion show at Wembley Stadium in summer 2023.[30] The album was announced on 18 May 2023, alongside a short video directed by Toby L. The video shows the band in the studio with a snippet of "The Narcissist" playing in the background.[31][26]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	7.9/10[34]
Metacritic	84/100[35]
Review scores
Source	Rating
AllMusic	[21]
Clash	9/10[36]
The Guardian	[37]
i	[22]
The Independent	[38]
Mojo	[39]
NME	[40]
Pitchfork	7.2/10[41]
Rolling Stone UK	[42]
Under the Radar	9/10[43]

The Ballad of Darren received critical acclaim and a score of 84 out of 100 on review aggregator Metacritic based on 24 critics' reviews, indicating "universal acclaim".[35] Uncut felt that "better than simply a personal or a confessional album, The Ballad of Darren is clever in what it does and doesn't say about its creator's life", while Amanda Farah of The Quietus found the album to have "a gentler approach", describing it as "an almost-pop record with strong choruses but more ambling verses" and "a statement of where Blur are now".[23]

Emma Harrison of Metro in her review said of the album that it was 'Emotive, visceral and full of intent, Darren takes us on a soul searching journey which is a testimonial of how overcoming loss might just help you find yourself, your sound and your friends via the power of music.' and that it was blur's 'most arrestingly intimate work since the likes of 13'.[44]

Joe Goggins of The Skinny remarked that Blur "shake off" their "latter-day heaviness" on "a handsome set that sounds like four mates having fun again".[45] Reviewing the album for Clash, Gareth James stated that the "desire to reflect on those most important to the band is immediately evident", describing opening track "The Ballad" as "gorgeous" and "Barbaric" as "one of their very best" and concluding that the album ends with "no neat resolutions" on "The Heights".[36] Jazz Monroe of Pitchfork described the album as "meticulously polished", writing that its "songs conjure something more real than anguish: the dulling of losses, the warm aura of midlife decline, and the fading belief, with advancing years, that crisis serves to raise the curtain on your next act".[41]

Blur

• Damon Albarn – vocals, backing vocals, keyboards, piano
• Graham Coxon – guitar, backing vocals, lead vocals on "Sticks and Stones"
• Alex James – bass guitar
• Dave Rowntree – drums, backing vocals

Additional musicians

• James Ford – keyboards (tracks 1–6, 8, 10)
• Izzi Dunn – cello (1, 3, 5, 7, 8, 10)
• Ciara Ismail – viola (1, 3, 5, 7, 8, 10)
• Kotono Sato – violin (1, 3, 5, 7, 8, 10)
• Sarah Tuke – violin (1, 3, 5, 7, 8, 10)
• Alistair White – trombone (9)
• Nichol Thompson – trombone (9)
• Chris Storr – trumpet (9)
• Danny Marsden – trumpet (9)

Technical

• James Ford – production
• Samuel Egglenton – additional production, engineering
• Matt Colton – mastering
• David Wrench – mixing
• Mat Bartram – strings engineering (1, 5, 7, 8, 10), brass engineering (9)
• Grace Banks – mixing assistance (1, 2, 4–10)
• Giacomo Vianello – engineering assistance (1–3, 5–10)
• Luke Pickering – engineering assistance (1, 3, 8–10)