The Chameleons

The Chameleons were formed in Middleton, Greater Manchester, England in 1981 by Mark Burgess, Reg Smithies and Dave Fielding. Burgess previously played with the Cliches, while Smithies and Fielding had performed with Years. They started as a trio—Burgess as lead vocalist and bassist, Smithies and Fielding both on guitar—without a drummer. They later recruited fellow Middletonian Brian Schofield, who was soon replaced by Dukinfield-based John Lever, previously of the Politicians. Former Magazine drummer Martin Jackson briefly replaced Lever during 1982–83 while the latter was on sabbatical.[3][6] The band were then inspired by U2's early recordings : "U2's first record was a big album for us. Edge's guitar opened it up in terms of how you could build an ambient atmosphere".[7]

After performing several radio sessions for BBC Radio 1 DJ John Peel,[8] - the first session was recorded in June 1981,[9] the band signed a recording contract with Epic Records, which was then a subsidiary of CBS Records International. Their debut single "In Shreds" released in March 1982,[10] was produced by Steve Lillywhite.[11] The single's cover – a harrowing painting by Smithies, who created the artwork for all of their releases – mirrored the band's tense, atmospheric sound.[4] During this time, the Chameleons' independent style clashed with their label's visions for the band. Wary of the loss of credibility Altered Images had suffered due to buckling to CBS' demands on packaging, the Chameleons were protective of their image and consequently were dropped by the label soon after the release of "In Shreds".[3]

The Chameleons subsequently signed to UK label Statik Records, a subsidiary of Virgin Records, on which they released their debut studio album, Script of the Bridge, in 1983.[6] Script of the Bridge, featuring the singles "Up the Down Escalator", "As High as You Can Go" and "A Person Isn't Safe Anywhere These Days", showcased Burgess's strong vocals and the band's guitar-based sound, with careful use of synthesisers.[4] Upon its release, the UK press said that the artwork looked like a "seventies Genesis style drawing rather unhappily adorning the sleeve".[12] A NME concert review described their music as "guitars slipping and sliding on slopes of echo, snapping their wires, fussing and fretting over stampeding drums, getting angry and staccato and falling to harmonic whispers". Concerning the guitar playing, it was said that there was an influence of U2 and Echo & the Bunnymen.[13]

Statik's status as a subsidiary of Virgin prevented the band from qualifying for the independent charts, which resulted in reduced coverage by the British music press.[14] MCA Records released the album in the United States in an abridged form, minus four songs, which angered the band.[14] However, the US release and a 1984 American tour did earn them significant college radio airplay and a loyal fanbase.[15]

Their second studio album, What Does Anything Mean? Basically, was released in 1985 by Statik, which also reissued "In Shreds" and its B-side "Less Than Human" as the 12" Nostalgia EP, adding the previously unreleased track "Nostalgia".[16] Basically established the band as a promising, guitar-based group.[10]

Regular touring after the release of Basically (1985),[10] along with efforts by the band's manager, Tony Fletcher, persuaded David Geffen to sign the band to Geffen Records, which released their third studio album, Strange Times, in 1986.[6] A dark, complex work,[11] it contained the singles "Tears" and "Swamp Thing",[4] but proved to be their final record of the period.[11] A rift existed within the band, particularly between Burgess and Fielding,[17][18][19] and Fletcher's sudden death in 1987 due to cardiac arrest led to the group disbanding.[6][11]

After the break-up, numerous spin-off bands emerged,[10] none of which achieved much success.[4] Burgess and Lever formed the Sun and the Moon, recruiting Andy Whitaker and Andy Clegg to replace Smithies and Fielding. They released an eponymous studio album on Geffen in 1988, but separated the next year. Burgess then embarked on a solo career, while the remaining members briefly continued on as Weaveworld.[20] Smithies and Fielding formed the Reegs with the help of vocalist Gary Lavery and a drum machine,[4][21] and released two studio albums, Return of the Sea Monkeys (1991) and Rock the Magic Rock (1992), on the independent label Imaginary Records.[21]

Burgess released his debut solo studio album, Zima Junction, in 1993, and toured America the following year with his backing band the Sons of God.[11] He released another studio album, Spring Blooms Tra-La (1994), as well as a live album, Manchester 93 (1994), before partnering with Yves Altana in 1995, releasing Paradyning the same year.[4] Afterwards, he founded Invincible with Altana and drummer Geoff Walker. They self-released their debut studio album, Venus, in 1999, with most sales being digital.[22] He also worked with Bird, the Messengers and Black Swan Lane. Lever later joined Bushart, who released the album Yesterday Is History (2008).

In 1990, the Chameleons posthumously released an EP, Tony Fletcher Walked on Water.... La La La La La-La La-La-La, with the title paying tribute to their former manager. They also issued numerous live albums and compilations.[17]

ChameleonsVox performing at Rock in den Ruinen 2013 in Dortmund, Germany

The Chameleons reconvened in January 2000 to prepare for a series of concerts in The Witchwood, Ashton-under-Lyne, one of the band's favourite venues, in May.[4][11] May 2000 also saw the release of the album Strip, which featured old material in an acoustic format.[10][11] The concerts were a success,[4] and they expanded the reunion tour to include European dates in the summer and two California dates that fall.[11] They released a new studio album, Why Call It Anything, in 2001, followed by another unplugged album, This Never Ending Now, in 2002 and a full American tour.[23] Renewed tensions led to the band dissolving once again in early 2003.[24]

In 2009, Burgess and Lever reformed to play Chameleons back catalogue material under the name ChameleonsVox. They issued an EP, M+D=1(8), in November 2013. In addition to Burgess and Lever, ChameleonsVox line-ups have included guitarists Roger Lavallee,[25] Justin Lomery, Andrew Abernathy, Neil Dwerryhouse and Chris Oliver; bassists Frank Deserto and Jessica Espeleta; and drummers Glenn Maryansky, Yves Altana and Stephen Rice.[26] Lever later went on to leave the band.

In 2014, Lever and Fielding reunited to record an album, Endless Sea, as Red-Sided Garter Snakes. The album, featuring contributions from vocalist James Mudriczki of Puressence and Clegg, was released in July 2015.[27]

Lever died on 13 March 2017, following a short illness, at the age of 55.[28][29]

The Chameleons reformed under the official name in May 2021 when Burgess and Smithies recorded a live album, Edge Sessions (Live from the Edge), with guitarist Chris Oliver and drummer Stephen Rice, who had been members of Burgess' ChameleonsVox group.[30] The live album was released on April 25, 2022 on Metropolis Records.[31]

With Oliver and Rice, the Chameleons announced their first tour in 20 years, they were planning to play the United States in fall 2022 with the Mission and Theatre of Hate but the tour was postponed to 2023.[30][32] Instead, the band opened for She Wants Revenge in fall 2022.[33]