The Defender (Studio One)

Walter Preston and his son Kenneth, fresh out of law school, defend Joseph Gordon, who is charged with felony murder. Gordon is accused of robbing the apartment of a psychiatrist, Victor Wallach, and strangling his wife. Francis Toohey is the prosecutor.

The story turns on Walter Preston's belief that his client is guilty, and his son's belief that the client is innocent. Gordon is consistent throughout by insisting he is innocent.

Gordon was the delivery boy for a butcher shop. He was assigned to deliver meat to the Wallach apartment on the morning of the crime. He did not return to the butcher shop after the delivery. The police found him at his home and arrested him there.

The victim's maid testifies that she was hit by an intruder, who she identifies as Gordon. When she regained consciousness, Mrs. Wallach was dead. Despite efforts to shake her story on cross-examination, the maid insists that Gordon was the man who struck her. She has no doubt.

Father and son have different views regarding how far to go to raise doubt in the minds of jurors. The prosecutor pursues the case aggressively. Walter is reluctant to use some aggressive tactics, telling his son that he has to live in this community. Kenneth asks, "Shouldn't there be someone to fight as hard to free him as Toohey fights to kill him?"

Walter agrees to use his son's proposed tactic. He recalls the maid to identify the man who hit her. She identifies the man sitting at the defense table. The defense then calls Joseph Gordon, who rises from a seat in the audience. The man sitting at the defense table, the man identified by the maid, is a law student having nothing to do with the case but who bears some resemblance to the defendant.

While expressing disapproval of the tactic, the court grants a motion for a directed verdict and frees the defendant. Walter remains unsure whether his client was guilty and whether he did the right thing.

The cast included performances by:[1][2]

The program aired as a live television play on CBS on successive Monday nights, February 25 and March 4, 1957. Herbert Brodkin was the producer and Robert Mulligan the director. Reginald Rose, who also wrote Twelve Angry Men (1954), wrote the story specially for Studio One.[1][2]

It was reported to be the first live television drama divided for broadcast on separate nights, and one of the first cliffhanger television broadcasts.[3][4] One critic objected to the decision, noting that splitting of dramas into multiple parts has the effect of "leaving audiences dangling on the cliff".[5] Writer Reginald Rose opted for a two-parter because he felt the telling of the story required nearly two hours of air time.[4]

The story led Reginald Rose to develop a spinoff series, The Defenders, which began airing in 1961.[6]

The program was revived in 1997 by the Showtime cable network.[7] Showtime producer Stan Rogow hearkened back to the original program, noting that Studio One in 1957 "had a stature and tone to it, and nothing like that is done anymore".[8]

Clips of the play were incorporated into an episode of the television series Boston Legal in 2007. The clips were used as flashback sequences for the William Shatner character, Denny Crane. "Son of the Defender" was episode 18 of season 3, and aired on April 3, 2007.

After the first hour, Jack Gould of The New York Times wrote that it was "not especially impressive" and was "consumed by rather tedious exposition that easily could have been summarized in far less time".[9]

Critic Bill Ladd was more positive. He praised the "superb" camera direction and Rose's "compelling" story, and compared the courtroom drama to Twelve Angry Men and The Caine Mutiny Court-Martial. He also praised Bellamy's performance: "Bellamy is at his best, than which there is no better."[10]

After the second hour aired, critic Hope Pantell praised the "fine acting", and praised the courtroom scenes as "well done and fascinating".[5]

When the show re-aired more than 30 years later, David Bianculli called it "one of the best dramas of the so-called Golden Age of Television".[6]