Allan Jones (actor)

Jones was born in Old Forge, Pennsylvania, and raised in nearby Scranton, where he graduated from Central High School.[1] His father and grandfather were Welsh coal miners, and he worked in coal mines early in his adult life. He left that occupation to study voice at New York University.[2]

In an interview in 1973, Jones recalled that his father and grandfather were musically talented: "My father had a beautiful tenor voice. So did my grandfather...Grandfather taught violin, voice, and piano when he could. My father sang every chance he could get and realized his ambition through me."[3]

Jones appeared on Broadway a few times, including 1933's Roberta and the short-lived 1934 revival of Bitter Sweet[4] after debuting in Boccacio in 1931.[2]

Allan Jones and Jane Frazee in When Johnny Comes Marching Home, 1943

Jones starred in many film musicals during the 1930s and 1940s. The best-known of these were the original film version of Show Boat (1936) and The Firefly (1937)[5] where he first performed what became his signature song: "The Donkey Serenade". Jones is best remembered today as the romantic lead opposite Kitty Carlisle and Maureen O'Sullivan, respectively, in the first two films the Marx Brothers starred in at Metro-Goldwyn-Mayer (MGM): A Night at the Opera (1935) and A Day at the Races (1937), filling the straight-man role opened by the departure of Zeppo Marx from the team.

Jones made a brief appearance in the 1936 Nelson Eddy–Jeanette MacDonald film Rose Marie, singing music from Charles Gounod's Romeo et Juliette and Giacomo Puccini's Tosca, but according to Merchant of Dreams, Charles Higham's biography of Louis B. Mayer, Eddy, who apparently considered Jones a rival and a potential threat, asked that most of Jones's footage in Rose Marie be cut, including his rendition of the great Puccini aria E lucevan le stelle, and MGM agreed to Eddy's demand. Jones's final film for MGM was Everybody Sing (1938) opposite Judy Garland and Fanny Brice, in which he introduced the pop standard "The One I Love".

In 1940, Jones moved to Universal Pictures for two musicals: The Boys from Syracuse, with the stage score by Rodgers and Hart, and One Night in the Tropics with a score by Jerome Kern and Dorothy Fields, which was also the screen debut of Abbott and Costello. After these two films, he slipped to leads in several "B" musicals, at Paramount and Universal, including a reunion with his A Night at the Opera co-star Kitty Carlisle in Larceny with Music (1943). The same year, he made a guest appearance, as himself, in the Olsen and Johnson musical Crazy House, where he again performed "The Donkey Serenade".

Jones recorded prodigiously throughout his career, primarily for RCA Victor. His 1938 recording of "The Donkey Serenade" ranks third among the all-time best-selling single records issued by RCA Victor.[2]

In the mid-1940s, Jones and pianist Frankie Carle starred in the Old Gold Show on CBS radio.[6]

Jones continued performing until the 1980s, starring in stage productions of Man of La Mancha,[7] Paint Your Wagon, Guys and Dolls, and Carousel. In December 1980, Jones made his final screen appearance on an episode of the ABC-TV series The Love Boat also starring his son Jack Jones as his estranged son and Dorothy Lamour as his wife and Jack's mother.

Jones also bred and raised racehorses on his ranch in California.[8]

Jones was married four times. He was married to actress Irene Hervey from 1936 to 1957. American pop singer Jack Jones is their son.[9] His other wives included Hervey, Esther Marie Villavincie,[2] and Mary Florsheim (granddaughter of Milton S. Florsheim).[10][11]

Jones died of lung cancer at Lenox Hill Hospital in New York City on June 27, 1992, at age 84.[12]

• Martyn, Marguerite (August 19, 1932). "A New Muny Opera Hero" St. Louis Post-Dispatch

Wikimedia Commons has media related to Allan Jones (actor).

• Allan Jones Tribute
• Allan Jones at IMDb
• Allan Jones at the Internet Broadway Database
• Photographs of Allan Jones