The Last Broadcast (film)
The Last Broadcast is a 1998 American horror film written, produced and directed by Stefan Avalos and Lance Weiler, who also star in the film.[3] Told in a pseudo-documentary format and employing the found-footage technique, the fictional film appears to tell the story of a man convicted in 1995 of murdering his team of people one night during an expedition to find the mythic Jersey Devil in the New Jersey Pine Barrens.
| The Last Broadcast | |
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| Distributed by | Wavelength Releasing |
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Running time | 86 minutes |
| Country | United States |
| Language | English |
| Budget | $900 (estimated)[1] |
| Box office | $4 million [2] |
The film is credited as the first feature-length film shot and edited entirely on consumer-level digital equipment.[4] It premiered on October 23, 1998 and was a commercial success despite mixed critical reviews.
Plot
The film deals with a documentary film-maker named David Leigh, and his investigation of the Fact or Fiction murders. In this case, a pair of cable TV hosts of public-access television were murdered in mysterious circumstances. The body of one was never found. Leigh seeks to discover the truth behind these killings while making his documentary.
Fact or Fiction is a show dealing with unsolved mysteries and the paranormal. Its two hosts are Steven "Johnny" Avkast and Locus Wheeler. (Although it was initially a success, Leigh's later investigations find that the show is failing and is threatened with imminent cancellation.) At this point Avkast comes up with the idea of a live Internet Relay Chat section of the show.
A caller suggests the team search for the Jersey Devil, a mythic figure associated with the Pine Barrens. Avkast and Wheeler recruit Rein Clackin, a sound-man who allegedly can record the paranormal, and Jim Suerd, a psychic. Leigh later says that Suerd is emotionally disturbed. The plan is for the four men to go to the Pine Barrens, where Suerd will lead them to the site of the Jersey Devil. During the hunt, they will broadcast a live show simultaneously via television, Internet, and amateur radio.
They enter the Barrens, but only Suerd emerges alive. The others are brutally murdered, and Avkast's body is never found. Suerd was the only suspect, and was charged with murder of the others. During his murder trial, testimony shows that Avkast could not have survived, given the loss of blood found at the crime scene.
Leigh summarizes the trial. The prosecution has bolstered their case by the work of a video engineer (nicknamed "The Killer Cutter"), who compiles a documentary of the group's trip, using the surviving film footage found at the crime scene. Suerd is found guilty and imprisoned. Some observers doubt his guilt, because his clothes were not bloody. In addition, there is evidence he was engaged in an IRC room at the times of the murders.
Before his conviction can be appealed, Suerd dies in prison of unknown causes. Authorities consider the case closed. Leigh receives a box containing a damaged videotape reel, which he at first assumes is tape from the Fact or Fiction team, although none was believed to exist. He hires data retrieval expert Shelly Monarch to reconstruct the images on the tape. She finds that Wheeler and Clacklin's murders were caught on tape, and Suerd could not have killed them. She finds a blurred image of the real killer. As Leigh videotapes her, Monarch uses an image editor to re-construct the image of the killer's face. She completes this image before Leigh's next visit, and is shocked to discover that the killer is Leigh himself.
The camera "shifts" to a third-person perspective, whereas all previous footage had been "shot" by Leigh. From this perspective, viewers see Leigh attack Monarch and suffocate her with a piece of plastic sheeting. He loads her body into his car, drives it out to the woods, and dumps it in a clearing. He begins to tape himself narrating the next segment of his documentary.
Cast
- David Beard as David Leigh, the filmmaker
- James Seward as James "Jim" L. Suerd, the accused
- Stefan Avalos as Steven "Johnny" Avkast, Fact or Fiction host
- Lance Weiler as Locus Wheeler, Fact or Fiction host
- Rein Clabbers as Rein Clackin, paranormal sound man
- Michele Pulaski as Michelle "Shelly" Monarch, data retrieval expert
- Tom Brunt as Thomas "Tom" Branski, Fact or Fiction video engineer
- Mark Rublee as Clair Deforest, video editor for the prosecution
- A.D. Roso as Detective Anthony Rosi, lead investigator
- Dale Worstall as Dr. Dale Orstall, Jim's child psychologist
- Vann K. Weller as Vann K. Waller, forensic pathologist
- Sam Wells as Sam Woods, film and television director
- Jay MacDonald as Jay McDowell, web designer
- Faith Weiler as Joyce Dryer, Jim's landlady
- Marianne Connor as Mary Brenner, TV reporter
Production
The film was made on a budget of $900, and edited on a desktop computer using Adobe Premiere 4.2.[1] $600 was allocated for production, while $240 were utilized for digital video stock, and twenty hours of tape for $12 each.[1]
Release
The Last Broadcast premiered regionally at the County Theater in Doylestown, Pennsylvania on March 9, 1998.[5] It was released theatrically through Avalos and Weiler's independent distribution company, Wavelength Releasing, in seven U.S. cities on October 23, 1998, including Providence, Rhode Island; Orlando, Florida; Minneapolis, Minnesota; and Portland, Oregon.[1] Because the film was not shot on film stock, the screenings were arranged to the select theaters via satellite streaming.[6]
The film grossed $12,097 at the U.S. box office[7] and had a worldwide profit of $4 million.[2]
Critical response
The film received mixed reviews from critics and audiences, earning an approval rating on Rotten Tomatoes of 50% based on 18 critic reviews.[8]
Steven Rea and Desmond Ryan of The Philadelphia Inquirer deemed the film "startlingly good" and a "smart, assured work."[5] Dave Jewett of The Columbian praised the film for its "innovative, low-cost techniques" and its "chilling climax", though he did criticize it for suffering some pacing issues.[9]
The film is sometimes erroneously cited as an influence on The Blair Witch Project, but the concept for that film was developed in 1993 and production began in October 1997, five months before the premiere of The Last Broadcast.[10]
References
- Jewett, Dave (October 22, 1998). "Now 'anyone can do it'–Filmmakers spend just $900 on 'Last Broadcast'". The Columbian. p. F9 – via Newspapers.com.
- Coleman & Hallenbeck 2010, p. 21.
- Deming, Mark (2014). "The Last Broadcast (1998)". Movies & TV Dept. The New York Times. New York. ISSN 0362-4331. Archived from the original on July 26, 2014. Retrieved July 16, 2014.
- Laslett, Alison (January 11, 1997). "The Last Broadcast is A First: The Making of a Digital Feature". Videomaker.com. Archived from the original on July 26, 2014. Retrieved July 16, 2014.
- Rea, Steven; Ryan, Desmond (March 13, 1998). "Art Films: Buck duo's 'Last Broadcast' is creepy and provocative". The Philadelphia Inquirer. p. 4 – via Newspapers.com.
- Halpern, Leslie (October 23, 1998). "Film tunes in to new wavelength". Orlando Sentinel. p. 25 – via Newspapers.com.
- "The Last Broadcast". Box Office Mojo. Retrieved March 9, 2018.
- "The Last Broadcast (1998)". Rotten Tomatoes. Retrieved September 21, 2022.
- Jewett, Dave (October 22, 1998). "Computer-made feature is an interesting experiment". The Columbian. p. F9 – via Newspapers.com.
- "Editorial: 'Blair Witch Project' v. 'Last Broadcast' / Has It Really Come to This?", Indie Wire, August 1998
- "The Last Broadcast". Blu-ray.com. Archived from the original on September 20, 2022.
Sources
- Coleman, Loren; Hallenbeck, Bruce G. (2010). Monsters of New Jersey: Mysterious Creatures in the Garden State. Mechanicsburg, Pennsylvania: Stackpole Books. ISBN 978-0-8117-3596-4.