Malazan Book of the Fallen

There are at least six continents on the Malazan world according to Midnight Tides.[16] However, Return of the Crimson Guard suggests twelve major landmasses exist.[17] The definition of what constitutes a "continent", "subcontinent" or large island in the world has never been firmly defined.

The largest continent on the Malazan world has no overall name. This landmass's eastern region (comprising roughly one-third of the entire landmass) is known as Seven Cities. This region is separated from the rest of the landmass by the vast Jhag Odhan. To the west of this lies the kingdoms of Nemil and Perish, whilst to the south-west lies the substantial Shal-Morzinn Empire.

South of Seven Cities lies the Falari Isles and the small continent of Quon Tali. Quon Tali is the heartland of the Malazan Empire, which was born on an island just off its southern coast. The island of Drift Avalii is located some distance off its south-western coast.

The narrow Strait of Storms divides Malaz Island from the continent of Korelri. Korelri is a large landmass comprising two subcontinents, Fist and Stratem. Fist consists of a vast number of islands and a part of the adjacent landmass. The Aurgatt Range divides the lands of Fist from Stratem.[18] Stratem consists of several peninsulas, divided from one another by a large inlet known as the Sea of Chimes.

South-west of Korelri and Quon Tali, beyond a vast field of floating ice, lies the small island-continent of Jacuruku. Jacuruku is a land of harsh extremes, with burning deserts on the western side and verdant jungle on the eastern.

East of Seven Cities and north-east of Quon Tali, across Seeker's Deep, lies the continent of Genabackis. Genabackis is a narrow but long continent stretching for many hundreds of leagues from north to south. To the east of Genabackis lies the Genostel Archipelago, comprising one large island (itself large enough to be counted as a subcontinent) and many smaller ones. Further east still is the Cabal Archipelago, which may lie closer to the far western coast of Seven Cities.

Due east of Quon Tali and south-east of Genabackis lies the continent of Assail. This is a long landmass comprising two distinct regions, Assail proper (which is regarded as a land of unrelenting hostility) and a more civilised peninsula area in the south, known as Bael.

East of Assail, south of western Seven Cities and south-west of Jacuruku, lies the large continent of Lether, named for its largest nation. Isolated from the rest of the world by distance and the immense ice fields near Jacuruku, Lether had little contact with other lands and nations prior to the arrival of the renegade Malazan 14th Army.

The Kharkanas Trilogy is a prequel series written by Steven Erikson after the completion of the main series. The series deals with the Tiste before their split into darkness, light and shadow. It sheds light on the events that are often hinted at in the background of Malazan Book of the Fallen. Many of the important Tiste characters from the Malazan Book of the Fallen make an appearance like Anomander Rake, Draconus, Spinnock Durav and Andarist.

The Path to Ascendancy is a prequel series set in the world of Malazan, written by Ian Cameron Esslemont.[20] The stories deal with the early adventures of Dancer and Kellanved (Dorin and Wu, in this series) and their eventual rise to power on Quon Tali.

The main series written by Steven Erikson. The first book in the series, Gardens of the Moon, was shortlisted for a World Fantasy Award. The second novel, Deadhouse Gates, was voted one of the ten best fantasy novels of 2000 by SF Site.[24] See the structure section below for more information.

Six-part novel series set in the world of Malazan. It was written by Ian Cameron Esslemont. The novels cover events simultaneous with the Book of the Fallen, like the mystery of the Crimson Guard, the succession of the Malazan Empire, the situation on Korel and Jacuruku and the mystery of Assail. Some of these events are hinted at during the course of the Malazan Book of the Fallen. Characters that appear throughout the novels are Kyle, Greymane and the avowed members of the Crimson Guard like Shimmer, Blues, K'azz, Skinner and Cowl.

Planned trilogy written by Steven Erikson. It will be a sequel to the main series featuring Karsa Orlong and his quest to destroy civilization.

The first three novellas were published together as The Tales of Bauchelain and Korbal Broach, Volume 1. The Tales of Bauchelain and Korbal Broach, Volume 2 includes the second three novellas.

• Blood Follows (2002)
• The Healthy Dead (2004)
• The Lees of Laughter's End (2007)
• Crack'd Pot Trail (2009)
• The Wurms of Blearmouth (2012)
• The Fiends of Nightmaria (2016)
• Upon a Dark of Evil Overlords (2020)

Erikson and Esslemont recommend reading the books in order of publication.[30] Tor.com published a reading order based on the approximate chronological order of events in the series,[31] which the authors did not consider suitable as a reading order for a first-time reader.[30] The publication order of the series is as follows:

Subterranean Press Numbered Edition

Steven Erikson's Signature in Deadhouse Gates, Sub Press Edition

The Malazan world was originally created by Steven Erikson and Ian Cameron Esslemont in 1982 as a backdrop for role-playing games using a modified version of Advanced Dungeons & Dragons.[32] By 1986, when the GURPS system had been adopted by Erikson and Esslemont,[6] the world had become much larger and more complex, approaching its current scope. It was then developed into a movie script entitled Gardens of the Moon. When this was not successful in finding interest, the two writers agreed to each write a series set in their shared world.[32] Steven Erikson wrote Gardens of the Moon as a novel in the period 1991-92 but it was not published until 1999. In the meantime, he wrote several non-fantasy novels. When he sold Gardens of the Moon, he agreed to a contract for an additional nine volumes in the series. The contract with Bantam UK was worth £675,000 [33] making it "among the largest fees ever paid for a fantasy series".[34]

Ian Cameron Esslemont's first published Malazan story, the novel Night of Knives, was released as a limited edition by PS Publishing in 2004 and as a mass-market hardcover by Bantam UK in 2007. The second novel, Return of the Crimson Guard, was published in 2008, with a limited PS Publishing edition preceding the larger-scale Bantam UK release. The third novel, Stonewielder, was released on 11 December 2010 in the UK by Bantam, and 11 May 2011 in the US by TOR. Orb Sceptre Throne and Blood and Bone, the fourth and fifth novels, were both published in 2012, and Assail, the sixth, was published in 2014.

After finishing the two main series, Erikson and Esslemont continued on to further projects in the Malazan universe. While writing the last novels in The Malazan Book of the Fallen, Erikson decided that his next project, The Kharkanas Trilogy, would be a "trilogy traditional in form," saying the following:

"If the Malazan series emphasized a postmodern critique of the subgenre of epic fantasy, paying subtle homage all the while, the Kharkanas Trilogy subsumes the critical aspects and focuses instead on the homage."[35]

The first novel in the trilogy, Forge of Darkness, was released in 2012, and the second novel, Fall of Light, was released in April 2016. Information on the third novel, Walk in Shadow, is forthcoming. As for Esslemont, the first novel in his Path to Ascendancy trilogy, Dancer's Lament, was released in February 2016.

At one point, Steven Erikson indicated that the two authors would collaborate on The Encyclopedia Malaz, an extensive guide to the series, which was to be published following the last novel in the main sequence.[36] In an interview on a later date, however, he mentioned talks underway with an RPG 20D group to produce a game adapted from the Malazan universe, in which case the maps and notes created by Erikson and Esslemont would be released through installments or expansions rather than through the publishing of an encyclopedia.[37]

In a general review of The Cambridge Companion to Fantasy Literature, edited by Edward James and Farah Mendlesohn, Erikson fired a shot across the bow of "the state of scholarship in the fantastic as it pertains to epic fantasy,"[38] taking particularly to task James's opening lines in Chapter 5 of that volume. Erikson uses a handful of words from that chapter as an epigraph for a quasi-autobiographical essay in The New York Review of Science Fiction. James's sentences read in full:

"J. R. R. Tolkien said that the phrase 'In a hole in the ground there lived a hobbit' came to his unconscious mind while marking examination papers; he wrote it on a blank page in an answer book. From that short sentence, one might claim, much of the modern fantasy genre emerged. Tolkien's The Lord of the Rings (1954–5) (henceforth LOTR) looms over all the fantasy written in English—and in many other languages—since its publication; most subsequent writers of fantasy are either imitating him or else desperately trying to escape his influence."[39]

Erikson writes, "But epic fantasy has moved on, something critics have failed to notice." He goes on,

"One example of this can be gleaned from my own beginnings as a writer of fantasy, which I suspect was commonplace among my colleagues. In my youth, I sidestepped Tolkien entirely, finding my inspiration and pleasure in the genre through Howard, Burroughs, and Leiber. And as with many of my fellow epic fantasy writers, our first experience of the Tolkien tropes of epic fantasy came not from books, but from Dungeons & Dragons roleplaying games ... As my own gaming experience advanced, it was not long before I abandoned those tropes ... Accordingly, my influences in terms of fiction are post-Tolkien, and they came from conscious responses to Tolkien (Donaldson's Thomas Covenant series) and unconscious responses to Tolkien (Cook's Dread Empire and Black Company series).[38]

Erikson concludes, "So, Professor James, when you say 'since [Tolkien and The Lord of the Rings]... most subsequent writers of fantasy are either imitating him or else desperately trying to escape his influence'—sorry. You're flat-out wrong."

The Malazan series contains many themes around socio-economic inequality and social injustice throughout such as gender equality with Erikson stating "It occurred to us that it would create a culture without gender bias so there would be no gender-based hierarchies of power. It became a world without sexism and that was very interesting to explore."[40] as well as the inevitability of and role of art in civilizational collapse[41] and many other themes rooted in a postmodernist and post-structuralist deconstruction of the fantasy genre and magical realism.[42][43]

The Deck of Dragons resembles a Tarot card deck in that it consists of cards that divine the future. The difference is that a real Deck of Dragons adjusts itself to the changing circumstances of the pantheon. If an entity ascends or dies, the deck will change to reflect this fact. The pictures on the cards reflect the gods/ascendants that each is made to represent. Not all cards are active on all continents; for example, Obelisk is referred to as inactive on Seven Cities until partway through Deadhouse Gates.

As an alternative and older version of the Deck of Dragons, the Tiles of the Holds are also used for divination. Their use is restricted to the continent of Lether, where the influence of the Jaghut warren Omtose Phellack halted the evolution of magic in a less developed state. The Tiles of the Hold are cast rather than read.