Manic Street Preachers

Manic Street Preachers formed in 1986 at Oakdale Comprehensive School, Blackwood, South Wales, which all the band members attended.[8] Bradfield and the slightly older Moore are cousins and shared bunk beds in the Bradfield family home after Moore's parents divorced.[9]

During the band's early years, Bradfield, alongside the classically trained Moore, primarily wrote the music while Wire focused on the lyrics. The origin of the band's name remains unclear, but the most often-told story relates that Bradfield while busking one day in Cardiff, got into an altercation with someone (sometimes said to be a homeless man)[8] who asked him "What are you, boyo, some kind of manic street preacher?"[2]

Original bassist Flicker (Miles Woodward) left the band in early 1988, reportedly because he believed that the band were moving away from their punk roots.[2] The band continued as a three-piece, with Wire switching from guitar to bass,[2] and in 1988 they released their first single, "Suicide Alley". Despite its recording quality, this single provides an early insight into both Bradfield's guitar work and Moore's live drumming.[10] The Manics intended to restore revolution to rock and roll at a time when Britain was dominated by shoegaze and acid house. The NME gave "Suicide Alley" an enthusiastic review, citing a press release by Richey Edwards: "We are as far away from anything in the '80s as possible."[3]

After the release of "Suicide Alley," Edwards joined the band on rhythm guitar and contributed to lyrics alongside Wire. Edwards also designed record sleeves and artwork and drove the band to and from gigs.[2]

In 1990 the Manic Street Preachers signed a deal with label Damaged Goods Records for one EP. The four-track New Art Riot E.P. attracted as much media interest for its attacks on fellow musicians as for the actual music.[2] With the help of Hall or Nothing management, the Manics signed to indie label Heavenly Records. The band recorded their first single for the label, entitled "Motown Junk". Their next single, "You Love Us", sampled Krzysztof Penderecki's "Threnody to the Victims of Hiroshima" as well as Iggy Pop. The video featured Nicky Wire in drag as Marilyn Monroe and contained visual references to the film Betty Blue and to Aleister Crowley.

On 15 May 1991, during an interview with then-NME journalist Steve Lamacq following a gig at Norwich Arts Centre, Edwards carved the phrase "4REAL" into his arm with a razor blade in a bid to prove the sincerity of the band.[11] He was taken to hospital and received seventeen stitches.[2] NME subsequently ran a full-page story on the incident, including a phone interview with Richey on his motivations for doing it. A recording of the editorial meeting discussing whether or not they could publish the image was included as a b-side on the band's 1992 charity single Theme from M.A.S.H. (Suicide Is Painless), featuring Lamacq, the then-editor of NME Danny Kelly and James Brown (who went on to edit Loaded and the British version of GQ).[2]

As a result of their controversial behaviour, the Manics quickly became favourites of the British music press, which helped them build a dedicated following.[12] Columbia Records of Sony Music UK signed the band shortly afterwards and they began work on their debut album.[2]

Manic's James Dean Bradfield in Chicago circa 1992

The band's debut album, Generation Terrorists, was released in 1992 on the Columbia Records imprint. The record contained six singles and sold 250,000 copies.[2] The liner notes contained a literary quote for each of the album's eighteen songs and the album lasted just over seventy minutes. The album's lyrics are politicised like those of the Clash and Public Enemy,[13] with the album's songs regularly switching from a critical focus on global capitalism to more personal tales of despair and the struggles of youth. Other tracks combine personal and political themes; "Nat West-Barclays-Midlands-Lloyds" was written as a critique of overseas banking credit policies, but also concerned Richey Edwards' issues involving overdrafts and refused loans.[14] The single "Motorcycle Emptiness", meanwhile, criticises consumerism as a "shallow dream"[14] that makes human life overtly commercialised.[15] "Little Baby Nothing", a duet between Traci Lords and Bradfield, was described by Priya Elan of the NME as a "perfect snapshot of [female] innocence bodysnatched and twisted".[16]

The band also made a cover version of the song "Suicide Is Painless" which peaked at number 7 in the UK charts, spending 3 weeks in the Top 10, and giving the band their first ever Top 10 hit single.[17]

The group's second album, Gold Against the Soul, had a more commercial, grungy sound. It was released to mixed reviews but performed well, reaching number eight in the UK album chart. The band stated that the choice to work with Dave Eringa again was important for this album.[18] The band have described Gold Against the Soul as their least favourite album and the period surrounding the album as being the most unfocused of their career. The band's vocalist and guitarist James Dean Bradfield has said "All we wanted to do was go under the corporate wing. We thought we could ignore it but you do get affected."[19]

By early 1994, Edwards' difficulties became worse and began to affect the other band members as well as himself. He was admitted into The Priory in 1994 to overcome his problems and the band played a few festivals as a three-piece to pay for his treatment. During one such three-piece performance at Reading '94, James played Richey's black Gibson as a mark of respect (although James later commented that he regretted playing Richey's guitar).[2]

The group's next album, The Holy Bible, was released in August to critical acclaim, but sold poorly. The album displayed yet another musical and aesthetic change for the band, largely featuring army/navy uniforms. Musically, The Holy Bible marks a shift from the modern rock sound of their first two albums, Generation Terrorists and Gold Against the Soul.[20] In addition to the album's alternative rock sound the album incorporates various elements from other musical genres, such as hard rock,[21] British punk, post-punk,[22] new wave, industrial, art rock and gothic rock.[2][23]

Lyrically the album deals with subjects including prostitution, American consumerism, British imperialism, freedom of speech, the Holocaust, serial killers, the death penalty, political revolution, childhood, fascism and suicide.[24] According to Q: "the tone of the album is by turns bleak, angry and resigned".[25] There was also an element of autobiographic subjects, like in the song "4st 7lb" where the lyrics clearly tackle Richey's own experience with anorexia. The song was named after 4 stones 7 pounds, or 63 pounds (29 kg), because it is the weight below which death is said to be medically unavoidable for an anorexic sufferer.[26]

The title "The Holy Bible" was chosen by Edwards to reflect an idea, according to Bradfield, that "everything on there has to be perfection".[27] Interviewed at the end of 1994, Edwards said: "The way religions choose to speak their truth to the public has always been to beat them down [...] I think that if a Holy Bible is true, it should be about the way the world is and that's what I think my lyrics are about. [The album] doesn't pretend things don't exist".[28]

In support of the album the band appeared on Top of the Pops, performing its first single, "Faster", which reached No. 16. The performance was extremely controversial at the time, as the band were all dressed in army regalia. Bradfield wore a "terrorist-style" balaclava. At the time, the band was told by the BBC that they had received the most complaints ever.[29] The album eventually has sold over 600,000 copies worldwide and is frequently listed among the greatest records ever recorded.[30]

In April and May 1994 the band first performed songs from The Holy Bible at concerts in Thailand and Portugal and at a benefit concert for the Anti-Nazi League at Brockwell Park, London.[31] In June, they played the Glastonbury Festival.[32] In July and August, without Richey Edwards, they played T in the Park in Scotland, the Alte Wartesaal in Cologne, the Parkpop Festival in The Hague and the Reading Festival.[33] During September, October and December there was a headline tour of the UK and Ireland and two tours in mainland Europe with Suede and Therapy?.[34] In December, three nights at the London Astoria ended with the band smashing up their equipment and the venue's lighting rig, causing £26,000 worth of damage.[35]

Edwards disappeared on 1 February 1995, on the day when he and James Dean Bradfield were due to fly to the US on a promotional tour.[36] In the two weeks before his disappearance, Edwards withdrew £200 a day from his bank account, which totalled £2,800 by the day of the scheduled flight.[37][38] He checked out of the Embassy Hotel in Bayswater Road, London, at seven in the morning, and then drove to his apartment in Cardiff, Wales.[37][39] In the two weeks that followed he was apparently spotted in the Newport passport office,[40] and the Newport bus station.[37][41] On 7 February, a taxi driver from Newport supposedly picked up Edwards from the King's Hotel in Newport, and drove him around the valleys, including Blackwood (Edwards' home as a child). The passenger got off at the Severn View service station near Aust and paid the £68 fare in cash.[39][42]

On 14 February, Edwards' Vauxhall Cavalier received a parking ticket at the Severn View service station and on 17 February, the vehicle was reported as abandoned. Police discovered the battery to be flat, with evidence that the car had been lived in.[36][37][43] Due to the service station's proximity to the Severn Bridge (which has been a renowned suicide location in the past)[44] it was widely believed that he took his own life by jumping from the bridge.[45]

Manic Street Preachers was put on hold for six months and disbanding the group was seriously considered, but with the blessing of Edwards' family, the other members continued.[2] Edwards was legally "presumed dead" in 2008, to enable his parents to administer his estate.[46][47] The band continue to set up a microphone for Edwards at every live performance.[48]

The first album without Edwards, Everything Must Go, was released on 20 May 1996. The band had chosen to work with new producer Mike Hedges, mainly for his work on Siouxsie and the Banshees' single "Swimming Horses" that Bradfield rated highly.[49] Everything Must Go debuted on the UK Albums Chart at number 2, so far the album has gone Triple Platinum in the UK and is their most successful album to date, spending 103 weeks in the Top 100 with the album still in the Top 5 a year after its release.[17] Containing five songs either written or co-written by Edwards the album was released to overwhelmingly positive reviews. The No. 2 hit single "A Design for Life" was the first to be written and released by the band following the disappearance of Richey Edwards the previous year. James Dean Bradfield later recalled that the lyric had been a fusion of two sets of lyrics-"Design for Life" and "Pure Motive"-sent to him from Wales by bassist Nicky Wire, while he was living in Shepherd's Bush. The music was written "in about ten minutes" and Bradfield felt a sense of euphoria with the result. The song was credited with having "rescued the band" from the despair felt after the disappearance of Edwards, with Wire describing the song as "a bolt of light from a severely dark place".[50]

The album was shortlisted for the 1996 Mercury Prize award for best album and won the band two Brit Awards for Best British Band and Best British Album,[5] as well as yielding the hit singles "Australia", "Everything Must Go" and "Kevin Carter". The album has sold over two million copies around the world, and it is still considered one of the finest releases of the decade,[51] a classic album from the 1990s[52] and frequently voted in polls in the category of best albums of all time by many publications.[53] The success of Everything Must Go at the 1997 Brit Awards ensured that sales of their earlier albums Generation Terrorists, Gold Against the Soul and The Holy Bible enjoyed a late surge; the band's debut sold an extra 110,000 copies.[2]

In 1997 the band performed a special gig at the Manchester Arena for more than 20,000 people. Bassist Nicky Wire said that was the moment he knew that the band had "made it".[2] The recording was released as a VHS video on 29 September 1997 and has only been reissued on DVD in Japan.

The band's next album, This Is My Truth Tell Me Yours (1998), was the first number 1 of the band in the UK, remaining at the top of the albums chart for 3 weeks,[54] selling 136,000 copies in the first week and spending a total of 74 weeks in the Album Chart.[17] The title is a quotation taken from a speech given by Aneurin Bevan, a Labour Party politician from Wales.[55] The cover photograph was taken on Black Rock Sands near Porthmadog, Wales.[56] Around the world the album also peaked at number 1 in countries like Sweden and Ireland, and it sold over five million copies worldwide.

The "If You Tolerate This Your Children Will Be Next" poster

With their fifth album, the group also had a No. 1 single, "If You Tolerate This Your Children Will Be Next". The song's theme is taken from the Spanish Civil War, and the idealism of Welsh volunteers who joined the left-wing International Brigades fighting for the Spanish Republic against Francisco Franco's military rebels. The song takes its name from a Republican poster of the time, displaying a photograph of a young child killed by the Nationalists under a sky of bombers with the stark warning "If you tolerate this, your children will be next" written at the bottom.[57] The song is in the Guinness World Records as the number one single with the longest title without brackets.[58] The album also included the hit singles "You Stole the Sun from My Heart", "Tsunami" and "The Everlasting". The Manics won Best British Band and Album awards at the BRIT Awards in 1999.[5] This Is My Truth Tell Me Yours was also shortlisted for the 1999 Mercury Prize and the band received a further nomination in the category of Best UK & Ireland Act in the 1999 MTV Europe Music Awards, where the band performed live the single If You Tolerate This Your Children Will Be Next. In the NME Awards in 1999, the band won every single big prize, Best Band, Best Album, Best Live Act, Best Single and Best Video, as well as the Best Band in the World Today award in the Q Awards 1998.[59]

After headlining Glastonbury Festival, T in the Park and V Festival, the band played the Leaving the 20th Century concert at the Millennium Stadium in Cardiff on 31 December 1999, the first concert to be held there, with 57,000 people attending and the final song being broadcast around the world by satellite as part of 2000 Today. The concert is available on VHS and DVD. Subtitled English lyrics, available as an extra, contain errors when compared to the official lyrics in the band's album booklets and in between some of the tracks there are interview clips where the band discusses their history and the songs.[60]

In 2000, they released the limited edition single "The Masses Against the Classes". Despite receiving little promotion, the single sold 76,000 copies in its first week and reached number one in the UK Singles Chart on 16 January 2000, beating "U Know What's Up" by Donell Jones to the top. The catalogue entry for the single was deleted (removed from wholesale supply) on the day of release, but the song nevertheless spent 9 weeks in the UK chart.[17]

In 2001, they became the first popular Western rock band to play in Cuba (at the Karl Marx Theatre) and met with President Fidel Castro. Their concert and trip to Cuba was documented and then released as a DVD entitled Louder Than War. At this concert, they revealed many tracks from their upcoming sixth album, Know Your Enemy, which was released on 19 March. The left-wing political convictions of the Manic Street Preachers are apparent in many of the album's songs, such as "Baby Elián" as they comment on the strained relations between the United States and Cuba as seen in the Elián González affair, a hot topic around the album's release.[61]

The band also pays tribute to singer and civil rights activist Paul Robeson in the song "Let Robeson Sing", but the song "Ocean Spray", which was a single, was written entirely by James about his mother's battle with cancer. The first singles from the album, "So Why So Sad" and "Found That Soul", were both released on the same day. The final single "Let Robeson Sing" was released later. The Manics also headlined Reading and Leeds Festival.

The greatest hits (plus remixes) album Forever Delayed was released in 2002, containing two new songs, "Door to the River" and the single "There by the Grace of God". Several songs were edited for length ("Motorcycle Emptiness," "You Love Us", "Australia," "Everything Must Go," "Little Baby Nothing," and "The Everlasting") so that more tracks could fit onto the CD (though not listed as edits in the liner notes).[62]

The Forever Delayed DVD was released in 2002 together with the greatest hits CD and photo book that bear the same name, and features all the promo music videos from the start of the band's career released before the DVD. Along with the promo videos, there is a selection of 14 remix videos, where the visual material is taken from clips of the other promo videos as well as backdrop visuals from the band's live concerts. The album peaked and debuted on the UK Albums Chart at #4.[63]

An album of B-sides, rarities, and cover versions was released in 2003 entitled Lipstick Traces (A Secret History of Manic Street Preachers), which contains the last song the band worked on with Edwards. The album received a far more positive reception from fans than the Forever Delayed greatest hits album, which was heavily criticised for favouring the band's more commercially successful singles. The only recurring criticism of Lipstick Traces was the exclusion of the fan favourite "Patrick Bateman", from the "La Tristesse Durera (Scream to a Sigh)" single. The band explained that it was excluded mainly because it was almost seven minutes long and simply would not fit on the album.[62]

The band's seventh studio album, Lifeblood, was released on 1 November 2004 and reached No. 13 on the UK album chart. Critical response to the album was mixed. The album was more introspective and more focused on the past, Wire talked about the ghosts that haunted this record and stated that the record was a retrospective: "The main themes are death and solitude and ghosts. Being haunted by history and being haunted by your own past. Sleep is beautiful for me. I hate dreaming because it ruins ten hours of bliss. I had a lot of bad dreams when Richey first disappeared. Not ugly dreams, but nagging things. Until we wrote 'Design for Life', it was six months of misery. Lifeblood doesn't seek to exorcise Edwards' ghost, though, just admits that there are no answers".[64] Tony Visconti helped the band produce three songs on the album, which was followed by a UK arena tour in December 2004. "Empty Souls" and "The Love of Richard Nixon" were the two singles released from the album, both reaching No. 2 in the UK.[65]

A tenth-anniversary edition of The Holy Bible was released on 6 December 2004, which included a digitally remastered version of the original album, a rare U.S. mix (which the band themselves have admitted to preferring to the original UK mix)[33] and a DVD of live performances and extras including a band interview.

In April 2005, the band played several shows as the Past-Present-Future tour—announced as their last for at least two years. The band released an EP entitled God Save the Manics with only a limited number of copies available and given out to fans as they arrived at the venue. After all the copies were gone, the band made the EP available as a free download on their website.[66] In September, the band contributed the new track "Leviathan" to the War Child charity album Help!: A Day in the Life.

In 2006 the band received the prize for the Q Merit Award in the Q Awards 2006 and also the 10th-anniversary edition of Everything Must Go was released on 6 November. It included the original album, demos, B-sides, remixes, rehearsals and alternate takes of the album's songs, spread out over two CDs. An additional DVD, featuring music videos, live performances, TV appearances, a 45-minute documentary on the making of the album, and two films by Patrick Jones, completed the three-disc set.[62]

In the 10th-anniversary edition, the band itself claims that they're still fond of the record, and Wire goes further saying: "I think it's our best record, I am not afraid to say that."[62]

Manic Street Preachers live in Brighton in 2004

The band's eighth studio album, Send Away the Tigers, was released on 7 May 2007 on Columbia Records. It entered the official UK album charts at No. 2. Critical response to the album was largely positive, with some critics hailing the album as the band's best in a decade. A free download of a song entitled "Underdogs" from the album was made available through the group's website on 19 March 2007.[62] The first official single released from the album was "Your Love Alone Is Not Enough", featuring Cardigans vocalist Nina Persson. According to singer Bradfield, the title was the last line of a suicide note left by the friend of someone close to the group.[67] The second single, "Autumnsong", and a third, "Indian Summer", were released in August. "Indian Summer" peaked at number 22, making it the first Manics single not to chart in the Top 20 since 1994's "She Is Suffering". The album sleeve features a quotation from Wyndham Lewis: "When a man is young, he is usually a revolutionary of some kind. So here I am, speaking of my revolution".[68]

A Christmas single, "The Ghosts of Christmas", was released as a free download on the band's official website throughout December 2007 and January 2008. In February 2008, the band were presented with the God-Like Geniuses Award at the NME Awards ceremony.[69]

The ninth Manics album, Journal for Plague Lovers, was released on 18 May 2009 and features lyrics left behind by Edwards. Wire commented in an interview that "there was a sense of responsibility to do his words justice."[70] The album was released to positive critical reviews and reached No. 3 on the UK Album Chart. However, the cover of the album generated some controversy, with the top four UK supermarkets stocking the CD in a plain slipcase, as the cover was deemed "inappropriate".[71]

Several tracks refer to Edwards' time in a couple of hospitals in 1994. Bradfield commented that Journal for Plague Lovers was an attempt to finally secure the legacy of their former member Richey Edwards and the result was that, during the recording process, it was as close to feeling his presence since his disappearance: "There was a sense of responsibility to do his words justice. That was part of the whole thing of letting enough time lapse. Once we actually got into the studio, it almost felt as if we were a full band; it [was] as close to him being in the room again as possible."[72]

The band's tenth album Postcards from a Young Man was recorded with producer Dave Eringa and was mixed in America by Chris Lord-Alge.[73] The album cover art uses a black and white photograph of British actor Tim Roth.[74] The first single from the album, "(It's Not War) Just the End of Love", was released on 13 September. The album was supported by the Manics' most extensive tour of the UK to date,[75] starting in Glasgow on 29 September 2010. British Sea Power were the support act for the band on the tour. Two further singles were released from the album—the McCulloch-featuring "Some Kind of Nothingness" and the title track "Postcards from a Young Man". "Some Kind of Nothingness" peaked at No. 44 in the UK making it the first-ever Manics single to not make the Top 40 since they signed to Sony in 1991.

Manic Street Preachers playing live in 2010

National Treasures – The Complete Singles was released on 31 October 2011, preceded by the release of the single "This Is the Day", a cover of the song by The The.[76] On 17 December 2011, the group performed 'A Night of National Treasures' at O₂ Arena in London to celebrate the band's 25 years to date, and enter into a period of hiatus where the eleventh album was written. The band performed all 38 singles, with around 20,000 people in attendance, as well as guest performers including Nina Persson from the Cardigans who sings with the band on the single "Your Love Alone Is Not Enough" and Gruff Rhys from Super Furry Animals who sang with the band that night on the track Let Robeson Sing.[77] In April and May 2012, the band embarked on a European greatest hits tour.[78] The compilation was voted by NME magazine as the best re issue of 2011, beating Nirvana's deluxe and super deluxe edition of Nevermind to the top spot.[79]

Despite the "complete singles" title, National Treasures does not contain every Manic Street Preachers single. Notable omissions are the band's very first single, "Suicide Alley" (1989), "Strip It Down" from the New Art Riot EP (1990), for which the band's first promotional video was made,[80] and "You Love Us (Heavenly Version)" (1991). For singles originally released as double-A sides, only one song is included: therefore from "Love's Sweet Exile/Repeat" (1992) and "Faster/P.C.P." (1994), only the first of each pair are included.[62]

A film-interview-documentary about their album Generation Terrorists was screened on Saturday 20 October 2012 at Chapter Arts Centre as part of the Sŵn Festival, with all profits donated to Young Promoters Network.[81] The film was made available in the 20th-anniversary re-issue of Generation Terrorists.[82]

In May 2013, the band announced an Australasian tour for June and July, that would see them play their first-ever show in New Zealand.[83] This tour coincided with the British and Irish Lions rugby tour to Australia and the Melbourne concert on the eve of the 2nd Test featured Lions' centre Jamie Roberts as a guest guitarist on "You Love Us".

In May 2013 the Manics released information about their most recent recording sessions, saying that they had enough material for two albums; the first would be almost exclusively without electric guitars.[84] The name of the first album and title track was revealed to be Rewind the Film on 8 July.[85] In a statement, the band announced, "(If) this record has a relation in the Manics back catalogue, it's probably the sedate coming of age that was This Is My Truth Tell Me Yours."[86] The band also stated via Twitter, "MSP were in the great Hansa Studios in January with Alex Silva (who recorded The Holy Bible with us). Berlin was inspirational... Sean been playing a french horn in the studio today—sounding wonderful."[87] The lead single of the album, "Show Me the Wonder", was released on 9 September 2013 to a positive critical reception. The album itself was released on 16 September 2013 and reached No. 4 on the UK Album Chart. The second single of the album "Anthem for a Lost Cause" was released on 25 November 2013.

The other album, Futurology, the band's twelfth studio album, was released on 7 July 2014 and it received immediate critical acclaim. The lead single from the album, "Walk Me to the Bridge", was released as a digital download on the day of the announcement, on 28 April.[88] The album sold about 20,000 copies in its first week and reached No. 2 on the UK Albums Chart. The title track, "Futurology", was the second and final single released from the album on 22 September, the video debuted on YouTube on 10 August. The video was directed by the British Academy of Film and Television Arts winner Kieran Evans, who worked with the band on videos from their previous effort Rewind the Film. The band promoted the album with a tour around the UK and Europe from March to May 2014, they also made appearances in festivals like T in the Park in Scotland and Glastonbury Festival in the summer.

In December 2014, the band toured The Holy Bible, playing it in full for the very first time, to coincide with its 20th anniversary reissue.[89] After the tour in the UK, the Manics took The Holy Bible tour to North America, in April 2015, they played in Washington DC, Toronto, New York, Boston, San Francisco, Los Angeles and Chicago.[90] They also played in the Cardiff Castle on 5 June 2015 with 10,000 fans attending the gig, it was broadcast nationwide by BBC Two Wales.[91] In the NME Awards 2015, the album won "Reissue of the Year".[92]

In November 2015, the Manic Street Preachers announced that they were going to celebrate the 20th anniversary of their 1996 album Everything Must Go, with their biggest headline show since 1999, in the Liberty Stadium, in Swansea on 28 May 2016, featuring special guests like Super Furry Animals. The album was performed in full, with Nicky Wire teasing "B-sides, rarities and curios, greatest hits and a few brand-new songs".[93] Before the final show in Swansea the band played: Liverpool, Echo Arena (13 May), Birmingham, Genting Arena (14 May), London, Royal Albert Hall (16–17 May), Leeds, First Direct Arena (20 May) and Glasgow, the SSE Hydro (21 May).[94] In early 2016 the band announced the European tour of Everything Must Go, they played across Europe, in Finland, Denmark, the Netherlands and Germany.[95]

The band announced in March 2016 that they would be releasing a theme song for the Wales national team ahead of the UEFA Euro 2016 tournament in the summer, entitled "Together Stronger (C'mon Wales)", it was released on 20 May, featuring also a video with the band and the Welsh team, the Manics tweeted: "It's with great pride we can announce the Manics are providing the official Wales Euro 2016 song – 'Together Stronger (C'mon Wales)'". All profits from the song went to the Princes Gate Trust and Tenovus Cancer Care.[96] On 8 July the band was at the Cardiff City Stadium to give a home welcome to the Wales football national team after they were knocked out of the UEFA Euro 2016 by Portugal in the semi-finals, the band played a few songs in the stadium including the official theme song "Together Stronger (C'mon Wales)".[97] On the next night, 9 July, the Manics headlined a night at the Cornwall's Eden Project,[98] and later the band managed to secure a new recording studio near Newport, Wales. The city's council ensured that only the band can use the studio, there would be an increase on-site parking and a series of soundproofing measures to ensure nearby properties aren't disturbed by noise.[99] To end the summer, the Manics went on to headline another two festivals, Wasa Open Air in Finland in mid-August[100] and in late August the Victorious Festival in Portsmouth.[101] The band also received a nomination in the 25th British Academy Cymru Awards for the best live outside broadcast after their 2015 gig in the Cardiff Castle, celebrating the 20th anniversary of The Holy Bible.[102]

Manic Street Preachers at the First Direct Arena, Leeds in May 2018

In February 2017 the band revealed a teaser trailer for a documentary entitled Escape from History, charting the band's journey from The Holy Bible, through to the disappearance of lyricist and guitarist Richey Edwards, to the huge success of Everything Must Go. The documentary aired on Sky Arts on 15 April.[103] The band also stated that they would release an album later in that year.[104]

The band released a special edition of their album Send Away the Tigers on 12 May. 2017 marks the 10th anniversary of the record and the Manics said that "this is a very important album" in their career. The special edition featured a remastered album as well as B-sides and rarities spread over two discs, plus a DVD which features the band's 2007 Glastonbury performance, rehearsal footage, an album track-by-track, and promo videos.[105]

On 17 November 2017, the band announced that their thirteenth album, Resistance Is Futile, would be released on 13 April 2018.[106] After much delay, the band wrote "The main themes of 'Resistance Is Futile' are memory and loss; forgotten history; confused reality and art as a hiding place and inspiration", the band say in a statement. "It's obsessively melodic—in many ways referencing both the naive energy of 'Generation Terrorists' and the orchestral sweep of 'Everything Must Go'. After delay and difficulties getting started, the record has come together really quickly over the last few months through a surge of creativity and some old school hard work." It is the first album to be recorded at the "Door to the River" studio.[107]

In January 2018, Manic Street Preachers signed a publishing contract with Warner/Chappell Music, leaving their longtime home Sony/ATV Music Publishing.[108]

On the album, the Manics launched their first single "International Blue" as a download on 8 December 2017.[109] The second single "Distant Colours" was released, also as a download, on 16 February 2018.[110] About the first single the band said that there's was certain naive energy and widescreen melancholia on the song that is reflected through the whole album, comparing it to "Motorcycle Emptiness". Furthermore, the album focused on "(...)things that make your life feel a little bit better. Rather than my internalised misery, I tried to put a sense of optimism into the lyrics by writing about things that we find really inspiring." Said Wire, taking inspiration from David Bowie and seen as almost an escape and a wave of optimism, just like the previous album was described.[111]

On the other hand, "Distant Colours" was written by James Dean Bradfield, rather than Nicky Wire, and inspired by disenchantment and Nye Bevan's old Labour. He said: "Musically, the verse is downcast and melancholic and the chorus is an explosion of disillusionment and tears."[112] The third single "Dylan & Caitlin" was released as a download on 9 March 2018.[113] The fourth single "Liverpool Revisited" is about a magical day in the city, Nicky added that: "It was on the Everything Must Go (anniversary) tour and I got up really early at sunrise to walk around Liverpool, polaroid camera in hand on a balmy day. It sounds clichéd I know, but Liverpool in the sun does take on a hypnotic quality, with the Mersey and the stone."[114] The band also revealed that they were to support Guns N' Roses during their summer tour.[115] The fifth and final single, "Hold Me Like a Heaven", was released as a download on 4 May 2018.[116] Wire said that the song was inspired musically by David Bowie's "Ashes to Ashes", something that the band wanted to write about, and Nicky thinks that this the closest that the band is going to get, sharing also that lyrics were informed by the work of Philip Larkin.[117]

The album sold around 24,000 copies in the first week, entering the UK Albums Chart at number 2,[118] despite being number 1 during the week.[119] It was the highest new entry on the chart, and on physical sales the album peaked at number 1, both on CD[120] and vinyl.[121]

In October 2018, the band announced a twentieth-anniversary collector's edition re-release of This Is My Truth Tell Me Yours. It was made available on digital, CD, and vinyl, with the CD edition featuring bonus demos, live rehearsal recordings, remixes, and B-sides. The album was launched on 7 December 2018 and to promote it, the band went on tour in Spring and Summer 2019, performing the album in full alongside other content.[122]

In March 2020, the Manics announced a deluxe reissue of their Gold Against the Soul album for release on 12 June 2020. Bonus content included previously unreleased demos, B-sides from the era, remixes, and a live recording, while the CD was released alongside a book of unseen photographs from the era with handwritten annotations and lyrics from the band.[123] The next day, the unnamed follow-up album to Resistance Is Futile, their fourteenth overall, was confirmed to NME alongside Bradfield's second solo album. The group's album, including a track called "Orwellian", was described as "expansive" and is due for release in Summer 2021.[124]

On 14 May 2021, the Manics announced the title of their fourteenth studio album: The Ultra Vivid Lament.[125] The first single from the album, "Orwellian", was released on the same day.[126] "The Secret He Had Missed", the second single from the album, was released on 16 July 2021. The Ultra Vivid Lament was released on 10 September 2021 and received generally positive reviews from critics: on Metacritic, the album has a weighted average score of 78 out of 100 based on 12 reviews, indicating "generally favorable reviews".[127] The album sold 27,000 copies in the first week, granting the band their second UK Number 1 album as they narrowly beat Steps to the number 1 spot.[128]

In May and June 2022, Manic Street Preachers opened for The Killers in some of their UK tour dates.

In September 2022, the Manics announced a co-headlining tour of United States and Canada with Suede for November 2022, which would be the first time the two bands would share the stage since they toured Europe together in 1994.[129]

On 24 June 2023 the band played the Glastonbury Festival. Speaking to the Other Stage crowd, Nicky Wire said: "The first time we played was 1994 and it was the four of us, we had the one and only Richard Edwards with us, oh yes, we had a f**king blast. Everything that could go wrong did go wrong, it was f**king fun you know."[130][131]

• Price, Simon (1999). Everything (A Book About Manic Street Preachers). London: Virgin Books. ISBN 0-7535-0139-2.
• Clarke, Martin (1997). Manic Street Preachers: Sweet Venom. London: Plexus. ISBN 0-85965-259-9.