The Nine Ages of Nakedness

‘World famous photographer of nudes’ Harrison Marks visits an Indian psycho-analyst on Harley Street. While most male viewers imagine that Marks seems to have a dream job, his life taking pictures of naked ladies isn't without its downside, as depicted in the slapstick opening credits in which clumsy models knock over Marks' cameras, he gets a pie in the face for trying to touch up one of his subjects, and accidentally snapping a girl in a park causes him to be chased by her boyfriend Burt (Howard Nelson). Worried that his ancestors bad luck is rubbing off on him, Marks tells the psychiatrist stories about how his ancestors have also suffered misfortune through the ages-mainly because of their involvement with nude women and ‘the arts’.

Marks’ first anecdote takes place in the prehistoric age. Sculptor ‘Harry Stone Marks’, fresh from carving Stonehenge, is employed to draw a cavewoman housewife (June Palmer) in the nude (in slate) only to end up pelted with rocks when her husband (Bruno Elrington) takes a fancy to Marks’ blonde secretary (Maj-Britt Mannson).

In ancient Egypt, Harrison Hubergritz a lowly Jewish slave is ordered by Pharaoh Akenaten (Julian Orchard) to spend a lifetime painting the Pharaoh's harem, symbolized by the accumulation of a powdered beard. After finally completing his masterpiece- Hubergritz accidentally knocks his pyramid home down causing himself and the girls to be buried under a hail of boulders.

In Ancient China, the Fu-Manchu like "Ha-Ri-Son" an oriental offshoot of the Marks family, curses his wife (Suzan Long) when he finds her in the arms of the gardener (S'Zeto). This story is narrated by the actor Charles Gray.

An elderly Greek scholar, who constructs nude statues, has the misfortune to fall in love with every model he meets.

Set during the Oliver Cromwell era. While staying at the manor house of Sir Rupert (Howard Nelson), Harrison De Chandelier, a renowned painter of nudes is asked to paint a portrait of the lady of the house. Unfortunately roundhead soldiers appear at the Manor, and their leader (Max Wall) orders the painting be destroyed and its creator put in the stocks.

This is a semi-remake of one of Marks earlier 8mm glamour films called "The Bare Truth" in which Stuart Samuels played the Max Wall role.

In Victorian England, music hall impresario ‘The Great Marko’, is down on his luck. However a chance meeting with a Cockney cleaning lady -who he imagines topless- provides Marko with the idea of presenting a show based around ‘Living Statues’. A pre-striptease concept of women posing motionless in the nude. The show is a great success however on the verge of making his fortune Marko is arrested on obscenity charges. The mere mention of ‘Living Statues’ causes the Judge in charge of the case (Cardew Robinson) to imagine himself running around naked –save for a judges wig- and ravishing one of Marko's models. Passing sentence on the buck toothed impresario, the judge gives him a knowing wink and fines him 7’6 pence.

Marks distinct buck teeth and wig disguise in this episode was later re-used when Marks played Cornelius Clapworthy in Come Play With Me. Marks’ daughter Josephine Harrison Marks plays the baby girl in this episode, and appears visibly distressed by her fathers made-up appearance.

Poet Byron Marks waxes lyrically about nudes.

Marks plays "Professor Frankenstein Harrison Marks".

Finally Marks imagines a space age future where women dress in leather and (in the context of the sexes) also wear the trousers. Men played by the same grunting cavemen seen in the first story, are whipped and forced to grovel at the feet of the Space Leader (Monique Devereaux). This is the only story in which Marks does not feature in one of the roles.