The Pink Panther

The Pink Panther (1963), the original film of the series, centered on the Phantom/Sir Charles Lytton, portrayed by David Niven. It is set in the ski resort of Cortina d'Ampezzo. Peter Sellers's performance was so popular that the resulting series was built on the Clouseau character, rather than the Phantom character. Niven and Sellers's co-stars included Capucine, Robert Wagner, and Claudia Cardinale.

A Shot in the Dark (1964) was released less than a year after The Pink Panther, and was the first to feature the Clouseau character as the protagonist of the film, investigating a murder set in a mansion in Paris. This film marked the first appearance of many of the tropes and supporting characters long associated with the series, including Commissioner Dreyfus (portrayed by Herbert Lom), his assistant François (portrayed by André Maranne), and Clouseau's manservant, Cato (portrayed by Burt Kwouk). Elke Sommer, George Sanders, Graham Stark, Tracy Reed and Douglas Wilmer also appeared in the film.

The 1968 film Inspector Clouseau stars Alan Arkin as Clouseau, and does not feature any other recurring characters from the rest of the series. Although it was produced by the Mirisch Corporation (who owned the rights to the Pink Panther and Clouseau characters), key people associated with the earlier films, such as Peter Sellers, Blake Edwards, and Henry Mancini, were not involved in the making of this film.

More than a decade after his previous portrayal, Peter Sellers returned as Clouseau in 1975's The Return of the Pink Panther. The film marked the return of the famous "Pink Panther" diamond as well as most of the creative team associated with the prior films, including director Blake Edwards, composer Henry Mancini, Herbert Lom as Dreyfus, Burt Kwouk as Cato and André Maranne as François. David Niven did not reprise the role of Sir Charles Lytton, who is portrayed in the film by Christopher Plummer instead. The film also co-starred Catherine Schell, Peter Arne, and Graham Stark.

In The Pink Panther Strikes Again (1976), Dreyfus' insanity reached its zenith, as he tried to blackmail the rest of the world into killing Clouseau. It co-starred Leonard Rossiter, Lesley-Anne Down, Michael Robbins, Colin Blakely, and featured an uncredited cameo by Omar Sharif.

Revenge of the Pink Panther (1978) pitted Clouseau against the French Connection. It is the last in which Sellers played Clouseau. It co-starred Dyan Cannon, Robert Webber, Robert Loggia and Graham Stark.

Trail of the Pink Panther (1982) was the first Pink Panther film made after Peter Sellers' death in 1980. Sellers' role is created by using scenes cut from Strikes Again, as well as flashbacks from the previous Pink Panther films. This movie was intended as a tribute to Sellers, but after its release, Sellers' widow Lynne Frederick successfully sued Edwards and Metro-Goldwyn-Mayer for tarnishing her late husband's memory. David Niven and Capucine reprise their original roles from the first Pink Panther film. Trail was a critical and commercial failure.

1983's Curse of the Pink Panther is the first to feature a different lead character, blundering American detective Sgt. Clifton Sleigh, portrayed by Ted Wass. Inspector Clouseau and the Pink Panther diamond, both of which had disappeared in Trail, are pursued by Sleigh. Clouseau returns, after having plastic surgery to disguise his identity, in a cameo appearance by Roger Moore (who is credited as "Turk Thrust II"). Although intended to spawn a new series of misadventures for the inept Sergeant Sleigh, the film's dismal box-office performance and critical drubbing, along with a complicated series of lawsuits between Edwards and Metro-Goldwyn-Mayer, led to a decade-long hiatus of the series. The lawsuit was eventually settled out of court in 1988, around the time Edwards came up with one final film idea that would ultimately become the unofficial series finale.

In Son of the Pink Panther (1993), Blake Edwards made one final attempt to revive the Pink Panther series, this time by casting Italian actor Roberto Benigni as Gendarme Jacques Gambrelli, Inspector Clouseau's illegitimate son by Maria Gambrelli, the murder suspect from A Shot in the Dark (1964). Once again, regular Panther co-stars return – Herbert Lom, Burt Kwouk, and Graham Stark, and a star of the original 1963 film, Claudia Cardinale. Although intended to relaunch the series with the blundering Jacques as a lead, Son failed both critically and commercially and became the final installment in the original Pink Panther series. It was also the final film for both retiring director Blake Edwards and composer Henry Mancini, who died in 1994.

This reboot launches a new Pink Panther film series starring Steve Martin as Inspector Clouseau and Kevin Kline as Chief Inspector Dreyfus. Not a remake of the original film, it forms a new starting point for a contemporary series, introducing the Clouseau and Dreyfus characters along with the famous diamond to a new generation.

The film was panned by most critics, but was a financial success, grossing $164.1 million against an $80 million budget.

The sequel to Steve Martin's 2006 film. Martin reprises his role, but John Cleese replaces Kevin Kline as Chief Inspector Dreyfus.

This film received negative reviews and unlike its predecessor only had meager box office success. It grossed a worldwide total of $76 million, against a budget of $70 million.[2]

In March 2014, Metro-Goldwyn-Mayer announced plans to develop a new live-action/CGI hybrid feature film starring the Pink Panther, which was to be directed by David Silverman, with Walter Mirisch and Julie Andrews serving as producers. Andrews, who is the widow of Blake Edwards, would be creatively involved in the process of developing the new project, which unlike previous installments would focus on the titular character instead of the franchise's main character, Inspector Jacques Clouseau.[3] By November 2020, Jeff Fowler had joined the production replacing Silverman as director. Chris Bremner was hired to write the script, while Lawrence Mirisch will serve as an additional producer. The plot will center around the Pink Panther character and Inspector Clouseau.[4][5]

By April 2023, it was announced that after acquiring MGM, Amazon is developing new additions to the franchise in the form of a movie and television series through their subsidiary Amazon Studios (now called Amazon MGM Studios).[6] It was later reported that Eddie Murphy was in talks to star in the film as Clouseau.[7]

Most of the films in the series starred Peter Sellers as Inspector Clouseau and were directed and co-written by Blake Edwards. As detailed in the director's commentary for the first film, the Inspector Clouseau character was originally conceived as a vehicle for David Niven, but once written it was decided he should play the raconteur/thief. Then the role was offered to Peter Ustinov, with Ava Gardner to play his wife. When Gardner dropped out, so did Ustinov, so the role of Clouseau went to Sellers. Apparently, the tone of the film changed after Edwards picked up Sellers from the airport, and during the ride to the hotel, they bonded over their mutual love of old film comedians like Harold Lloyd, Buster Keaton and Laurel & Hardy. The role was then modified to include elements of slapstick. The jazz-based Pink Panther Theme was composed by Henry Mancini. In addition to the credits sequences, the theme often accompanies any suspenseful sequence in the first film and in most of the subsequent films featuring the character of Clouseau.

The "Pink Panther" of the title is a diamond supposedly containing a flaw that forms the image of a "leaping panther" which can be seen if held up to the light in a certain way. This is explained at the beginning of the first film, and the camera zooms in on the diamond to reveal the blurry flaw, which focuses on the cartoon Panther (though not actually leaping) to begin the opening credits sequence. (This is also done in The Return of the Pink Panther [1975].) The plot of the first film is based on the theft of this diamond. The diamond reappears in several later films in the series, The Return of the Pink Panther (1975), Trail of the Pink Panther (1982) and Curse of the Pink Panther (1983). It also appears in the revival of the Inspector Clouseau character in the Steve Martin reboot films The Pink Panther (2006), and its sequel The Pink Panther 2 (2009). The name "the Pink Panther" became attached to Inspector Clouseau in much the same way that Frankenstein has been used in film titles to refer to Dr. Frankenstein's creation, or The Thin Man was used in a series of detective films.

A Shot in the Dark, the second film in the series, was not originally intended to feature Clouseau and is the first of two films in the series (the other being Inspector Clouseau) that features neither the diamond nor the distinctive animated Pink Panther character in the opening credits and ending. Many critics, including Leonard Maltin, regard A Shot in the Dark as the best film in the series.

In the original film, released in 1963, the main focus was on David Niven's role as Sir Charles Litton, the infamous jewel thief nicknamed "the Phantom", and his plan to steal the Pink Panther diamond. Inspector Clouseau was only a secondary character as Litton's incompetent antagonist and provided slapstick to an otherwise subtle, lighthearted caper film, a somewhat jarring contrast of styles which is typical of Edwards's films. The popularity of Clouseau caused him to become the main character in subsequent Pink Panther films, which were more straightforward slapstick comedies.

Mancini's theme, with variations in arrangement, is used at the start of all but the first two of the subsequent films. Mancini's other themes for the first film include an Italian-language set-piece called "Meglio stasera", whose purpose seems primarily to introduce young actress Fran Jeffries. Portions of an instrumental version also appear in the film's musical score several times. Other segments include "Shades of Sennett", a "honky-tonk" piano number introducing the film's climactic chase scene through the streets of Rome. Most of the remaining tracks on the soundtrack album are the early 1960s orchestral jazz pieces, matching the style of the era. Although variations of the main theme would reprise for many of the Pink Panther series entries, as well as the cartoon series, Mancini composed different theme music for A Shot in the Dark; this theme was later adopted by the animated spin-off series The Inspector.

Although official, the live-action film Inspector Clouseau (1968) starring Alan Arkin as Clouseau, is generally not considered by fans to be part of the series canon, since it involved neither Sellers nor Edwards. However, some elements of Arkin's performance and costuming of Clouseau were retained when Peter Sellers resumed the role of Return in 1975. Despite speculation, Alan Arkin does not appear in Trail of the Pink Panther.

The film that launched the second Pink Panther series, The Pink Panther, starring Steve Martin as Clouseau, directed by Shawn Levy and produced by Robert Simonds, was released in February 2006 by Metro-Goldwyn-Mayer and was co-produced with Columbia Pictures. It is set in the present day and introduces different main characters, therefore belonging to a different continuity. Martin also stars in the sequel, The Pink Panther 2, released in 2009.

Romance of the Pink Panther would have been the seventh film in the franchise, and written by Peter Sellers and Jim Moloney.[36] Due to a rift between Blake Edwards and Sellers, Edwards would not have directed the film. The basic plot was to involve Inspector Clouseau becoming smitten with a cat burglar called "the Frog", played by Pamela Stephenson.[37] Two drafts of the screenplay were written before Sellers' death, each with different endings. Shortly after Sellers' death in July 1980, it was reported that Dudley Moore might play Clouseau, but Blake Edwards instead chose to introduce a new character in the series, rather than recast the role of Clouseau. Both Clive Donner and Sidney Poitier were reported at various times to be directing the movie, with Donner's name in that role on the cover sheet of the July 16, 1980 'final draft' script.

In the late 1980s, MGM/UA had been developing a live action/animation hybrid Pink Panther TV series, focusing on a young reporter to be portrayed by Charlie Schlatter who is helped in his investigations by the Pink Panther. The series was encouraged by the success of Who Framed Roger Rabbit, but for unknown reasons, it was not greenlit.[38]