The Salt Roads

The novel was called "a fabulous, wonderful, inventive novel... a fine celebration of African heritage" by Jewell Parker Rhodes.[3] Though it has been said that the novel "may have left its sci-fi/fantasy roots behind",[1] it was nonetheless warmly received as a work that was quintessentially "Hopkinson" in many respects, not the least of which was its "re-creation of independent Black space".[1] Hopkinson has been lauded for embracing uncommon vernaculars in her narratives, as well as melding many mythologies and cultural roots into her stories; The Salt Roads was no exception.[1] High expectations surrounded the release of The Salt Roads after the book was identified by Warner Books as having significant crossover appeal beyond the science fiction genre, and Hopkinson went on a tour of ten cities (the biggest of her career at the time) to promote the novel.[2]

Across the restrictions of time and space, the goddess Lasirén experiences and aids the struggles for freedom of the Ginen, the enslaved African people. The story is told through the eyes of Lasirén and the main three women whose lives become intertwined with her consciousness: Mer, an 18th-century slave and respected healer on a plantation in St. Domingue, Jeanne Duval, the 19th century Haitian actress/dancer and mistress to the French poet Baudelaire, and Thais, the fourth century prostitute-turned-saint.[2] Each of the women is on her own life journey, and the goddess interweaves and influences their sexual, personal, and religious experiences.

When Mer, Tipingee, and Georgine go to the river to bury Georgine's stillborn child, their cries induce the '(re)birth' of Lasirén (also referred to as Ezili). As told by the goddess, she is “born from song and prayer".[3] Later on, Lasiren will speak to Mer on the banks of the same river, and will ask Mer to find out why the salt roads are blocked. As told by Mer:

"The sea roads, they're drying up."
"The sea is drying up?"
"Not this sea, Stupid child!" Her tail slapped, sent up a fountain, exploding and drenching me. "The sea in the minds of my Ginen. The sea roads, the salt roads. And the sweet ones, too; the rivers. Can't follow them to their sources any more. You must fix it, Mer" (pg. 65).[3]

The subject of salt roads reappears throughout the novel; the roads are the spiritual connection between the Ginen and their African deities (like Lasirén). By extension, the drying up of the salt roads represents the loss of connection between the enslaved Africans and their heritage. Mer struggles throughout the novel to understand how she can fix these salt roads, and it is understood that freeing the Ginen depends heavily upon the preservation of their roots via maintenance of the salt roads. If The Salt Roads is a story of freeing, in one interpretation or another, the Ginen, its title represents the key to that struggle.

The Salt Roads tells a story of the Ginen fertility god, Lasirén. Lasirén moves through both the ethereal space of the Loa and the physical space of humans. She often does the latter by possession of the bodies of other characters, especially females. While inhabiting them for varying periods of time, Lasirén helps the three main human characters find their place(s) in the world, and she influences their lives and the outcomes of their decisions through direct and indirect means. The novel weaves together the stories of the three women with the common thread of Lasirén's consciousness and her efforts to help the Ginen's struggle for freedom.

The novel begins with the introduction of Mer, a slave and healer on a sugar plantation in St. Domingue. In the opening chapter, Mer and her helper/lover Tipingee deliver the stillborn child of a slave woman named Georgine. The three women later bury the body at the edge of a nearby river, and their songs and prayers deliver Lasirén into being. Lasirén subsequently appears to Mer to inform her that the salt roads are drying up, and tasks Mer with clearing them. This task underpins the majority of Mer's story - her struggles to both understand and undertake the work of clearing Lasirén's path to the minds of the Ginen drive the progression and development of the novel's plot during her lifetime. As the Haitian slaves around her begin to rally against the "backra" (white slave owners), called to violent revolution by the demagogue Makandal, Mer struggles for a more peaceful path to freedom. Her service to Lasirén puts Mer at odds with Makandal's method of obtaining freedom, and Mer's eventual possession by Lasirén at a key point in the story results in the failure of Makandal's revolution, the killing of Makandal, and the loss of Mer's tongue. Though she is later given the chance to escape her own enslavement, Mer chooses to stay with the slaves on the plantation. It is understood that Mer embodies one of Lasirén's aspects - her duty will be to heal the Ginen, and to fight for their freedom by preserving their heritage and thus keeping the salt roads clear for Lasirén.

The second main human character in The Salt Roads is Jeanne Duval, also known as Lemer and Prosper. She is a Haitian actress and singer in Paris who becomes the mistress of the author and poet, Charles Baudelaire. Jeanne's story is a struggle for economic freedom. She seeks joy and comfort, not only for herself but also for her ailing mother. Jeanne's relationship with Charles is tumultuous, and Lasirén's influence varies over the course of Jeanne's lifetime. As wealth comes and goes for Jeanne, the novel explores the importance of love, contentment, and money, as well as their relationship to one another. Ultimately, despite a long life of physical, emotional, and economic detriment, Jeanne finds herself loved and content at the end of her life as a result of Lasirén's influence. If Mer's life is a struggle for freedom from physical enslavement, Jeanne's can be understood as the struggle for freedom from economic and intellectual enslavement.

Thais, also known as Meritet, Mary, and Pretty Pearl, is the third main human character. She is a Nubian slave and prostitute living in Alexandria, Egypt. Thais' journey begins when she and her fellow slave and prostitute, Judah, decide to run away in order to see Aelia Capitolina (present-day Jerusalem). The decision to go to Aelia Capitolina is somewhat influenced by Lasirén's mental influence on Thais. Upon reaching their destination, Thais and Judah find themselves with few resources aside from what their bodies can offer. When she arrives at the famous Christian church that was the motivation for her journey, Thais has a miscarriage in the courtyard. The resulting trauma drives her to wander the desert with Judah for months with little water or food. The experience makes Thais acutely aware of herself and her surroundings, and allows her to interact with Lasirén's consciousness. Her communion with Lasirén drives her eventual sainthood through interactions with a wandering priest named Zosimus, and Thais and Judah go on to wander the desert for the remainder of their lives. Thais's open-ended story can be considered the struggle for freedom from sexual and emotional slavery.

Though the lives of the three human characters are distinct and independent, they are woven together by Lasirén's consciousness and influence. Often, prayers to Lasirén (or one of her other forms) are the catalyst for her possession of a character and the Loa's influence in the physical world. Additionally, each character's life is a facet of the Ginen's struggle for freedom, and the results of their story arcs are each a form or measure of success in that struggle.

The story takes place in multiple settings, switching from character to character as well as place to place. Mer's story takes place in Saint-Domingue, during the late 17th century. It is a time when French colonization was taking place and slaves were used on plantations to harvest crops for trade.

Jeanne's story takes place in Paris and Neuilly, France during the 1840s.

Thais' story is set in Alexandria, Egypt and Aelia Capitolina, or Jerusalem, during 345 C.E..

The novel is broken up into pseudo-chapters with the headings below:
BEAT...,
BREAK/
BEAT!
ONE-
...
DROP
BLUES
SISTER
SOUL
THROWING
WORD
SLIDE
SLIP
RATTLE
CHAIN
BREAK
RATTLE
PROPPING
SORROW
BLOOD
SING
RIP
TIDE
EBB
BEAT
BREAK/
RATTLE
DRINK
SAW
JIZZ
JAZZ
ROCK
DOWN
SEE
BLOW
HOLE
RIFF

The structure and arrangement of these titles mirror three poems that are present in the ROCK chapter. By doing so, Hopkinson is able to make the novel flow along the lines of a verse or chant, emphasizing its poetic sentiments.

The novel moves from first person point of view to third person point of view throughout the whole novel. When telling the stories of each of the three main characters, Mer, Jeanne, and Thais, the point of view is in first person, as each protagonist narrates the story as she sees it. It is also limited, for the characters do not appear to know every thought and detail about other characters, but what is generally accepted as true.

Also, the goddess Lasiren speaks from a first person point of view. When she speaks, the text in the novel appears differently, highlighting her other-worldliness.

There are also times when the story is told from a third person point of view. And those are times that tell the story from another's perspective, usually a lesser character, but they do not adopt a first person point of view.

Tipingee - Slave on the Saint Domingue plantation that belongs to Seigneur Simenon. Wife to Patrice, mother of Marie-Claire, and lover of Mer. She is emotionally and physically attached to Mer, whom she also helps with delivering babies and healing the sick on the plantation. When choosing between the freedom her husband Patrice can provide by marronage and the enslavement she must remain in with Mer, she chooses her sister, lover, and enslavement.
"Tipingee's mouth always ran away with her. The whipping scars on her back went deep from it" (pg. 26).
"Tipingee curled her rebellious toes under, but the music just went dancing along her spine, begging it to move and away in time" (pg. 76).

Georgine- A young slave girl who gets pregnant by a white carpenter man a few months after she comes of age. It is because of her stillborn child that she, Mer, and Tipingee mourn and conjure up the Ginen Goddess. Later, she gets pregnant again and gives birth to a healthy baby boy.
"Good, strong girl, Georgine. I didn't think she would be. And silent too, like a grown woman should be...She's just a whore, though" (pg. 26). (Mer's thoughts on Georgine during the birth of her child.)
"I put my arm around the little thin body of this girl a third my thirty-something years..." (Mer comforting Georgine, pg. 36).

Makandal - Slave on the Saint Domingue plantation. Leader of the slave uprising who refuses to eat salt, giving himself the powers of the gods, which include morphing his body into animals. He has a gimp hand, and every animal he turns into shares this trait. He is burned at the stake for setting the house of Seigneur Simenon on fire.
"There is another power; this Ogu. Not a fractal reflection of me, but something else. New. Male" (pg. 322). (Lasiren about the spirit that overpowers Makandal.)

Patrice - Slave on the Saint Domingue plantation. Husband to Tipingee and father of Marie-Claire. He escaped the plantation a year before on Christmas, but returns exactly a year later to support Makandal and his rebellion. During his marronage, or flight, he was free and had established a family of his own separate from the plantation to whom he returns later.
"Few more days, and you realise you're walking different. your back is straighter. You feel tall, tall. You're tired when you settle down to sleep at night, just like here on the plantation, but you fall asleep thinking of all the things your labour will bring for you. Not for you master. For you. That's what it's like" (pg. 372). (His description of life in the bush, away from the plantation and free from enslavement.)

Ti-Bois - Child slave on the Saint Domingue plantation. Learns from Mer the ways of healing and will ultimately become the healer of the plantation when Mer retires to another manor.
"Poor little one. Never enough to eat, not the kind of food that would make him grow strong... Sweet child" (pg. 136).

Charles Baudelaire - Lover of Jeanne Duval. He is fascinated by her dark skin and often corrects her poor grammar. He supports her for over a decade with money, shelter, and clothing. He loses control of his inheritance to a finance manager and must make ends meet for himself and his mistress. He attempts suicide at a restaurant, leaving in a will all his estate to Jeanne, but is rescued. Even after Jeanne's paralysis and unfaithful actions, he still watches out for her and takes care of her. He eventually dies at home in his mother's home.
"Mother of memories, mistress of mistresses,
O thou, my pleasure, thou, all my desire,
Thou shalt recall the beauty of caresses,
The charm of evenings by the gentle fire,
Mother of memories, mistress of mistresses!"
--From "The Balcony," by Charles Baudelaire (pg. 338)

Lisette - Entertainer and prostitute. Lover of Jeanne. She and Jeanne have dreams of marrying wealthy, well-off men and they both do so in the end.
"Yes, I suppose it is. It's what we dreamed of, you and I. Fine men and fine fortunes" (pg. 362). (Both Lisette and Jeanne's view on success and happiness.)

Joël - Stepbrother of Jeanne, although their relationship is questionable because of their sexual tendencies. He comes back for her during her paralysis and cares for her. However, he soon falls deep in debt because of his gambling habits and asks his sister for money from Baudelaire. During one of her stays at the sanatorium, he takes all her furniture and attempts to sell it without her knowledge. He is then sent to jail by his friend Moustique. After serving his time, he is set up in his own plantation in the Caribbean the same friend.
"He said nothing, but he thumped the wall as he strode out. Big Hands, Joël had. Heavy hands. He slammed the door" (pg. 258).

Moustique - Chef and owner of restaurant. Friend of Joël. He puts Joël in jail after he learns of his illegal actions. He then comes back to Jeanne's apartment to care for her and tell her about her brother. He and Jeanne fall in love and they live together.
"Why, the smooth-tongued charmer! I found myself smiling and inclining my head to him, like I was some grand lady" (pg. 252). (Jeanne's words about Moustique when she first met him.)

Judah - Friend of Thais who works as a male prostitute in Tausiris' tavern. He accompanies Thais on a trip to Aelia Capitolina and stays by her side as she wanders the desert for months.
"Giving his loving away for free, he was, since he was earning his money in other ways. He said the sailors were all beautiful, even the ones with scars or damaged limbs" (pg. 286).

Antoniou - Frequent patron of Thais. He gives her the idea to travel to Aelia Capitolina, but then abandons her when they arrive, seeking another brothel.
"He was a good man, Antoniou. As I cleaned myself up, I could hear his deep, hearty voice out in the bar. Always telling stories from his travels" (pg. 269).

Priest Zosimus - Priest who finds Thais and Judah in the desert. He believes that Thais is a prophet or saint who speaks the word of Mary.
"He looked at me as though I were a leper. 'You couldn't enter the house of our Lord,' he whispered, 'because you debauch your body with men'" (pg. 384).

"Lie down with the dog, get up with fleas" (pg. 2).
"People only see what they see" (pg. 24).
"Money' seems to also be a kind of food, and the woman wants for it often" (pg. 57).
"They sometimes say that the maddest fools have been touched by God" (pg. 86).
"Desire makes us all babies again" (pg. 180).
"Do not ask your future, or you will forget to live in your present" (pg. 184).
"Sometimes the machete slips in your hand and cuts you. It's not the machete at fault then, it's your carelessness" (pg. 201).
"Every act of love, of healing, strikes a blow to the evil we fight" (pg. 306).
"There is a time to fight, fierce as a cornered dog, for your freedom... It is ugly in this world, and when the killing starts, the same stick will beat the black dog and the white" (pg. 376).

"A book of wonder, courage, and magic... an electrifying bravura performance by one of our most important writers" -Junot Diaz, author of Drown
"THE SALT ROADS is a story we all should know." -Nikki Giovani, author of Quilting the Black-Eyed Pea
"Hopkinson's storytelling voice is compelling and unique." -Lalita Tademy, author of Cane River
A diverse ensemble of powerful and unforgettable women...The tale sings with verve and authenticity. A major achievement." -Herb Boyd, editor, The Harlem Reader

This book is a work of historical fiction. In order to give a sense of the times, some names or real people or places have been included.

• Won the Gaylactic Spectrum Award at the Gaylaxicon of 2005.
• Was a finalist at the Nebula Awards of 2004.

• 2003, Canada, Warner Books, ISBN 0-446-53302-5, hard-cover

• Official Website of the Author, Nalo Hopkinson