Music for the Jilted Generation

Music for the Jilted Generation is the second studio album by English electronic music group the Prodigy. It was first released in 4 July 1994 by XL Recordings in the United Kingdom and by Mute Records in the United States. Just as on the group's debut album Experience (1992), Maxim Reality was the only member of the band's lineup—besides Liam Howlett—to contribute to the album.

Music for the Jilted Generation
Studio album by
the Prodigy
Released4 July 1994 (1994-07-04)
StudioEarthbound, The Strongroom
Genre
Length78:07
Label
Producer
The Prodigy chronology
Experience
(1992)		 Music for the Jilted Generation
(1994)		 The Fat of the Land
(1997)
Singles from Music for the Jilted Generation
  1. "One Love"
    Released: 4 October 1993
  2. "No Good (Start the Dance)"
    Released: 16 May 1994
  3. "Voodoo People"
    Released: 12 September 1994
  4. "Poison"
    Released: 6 March 1995

A remastered and expanded edition of the album titled More Music for the Jilted Generation was released in 2008.[1]

Music and content

Music for the Jilted Generation uses elements of rave,[2] breakbeat techno,[2] techno,[3] and hardcore techno.[4]

The album is largely a response to the corruption of the rave scene in Britain by its mainstream status as well as the United Kingdom's Criminal Justice and Public Order Act 1994, which criminalised raves and parts of rave culture.[2] This is exemplified in the song "Their Law" with the spoken word intro and the predominant lyric, the "Fuck 'em and their law" sample. Many years later, after the controversy died down, Liam Howlett derided the title of the album, which he referred to as "stupid", and maintained that the album was never meant to be political in the first place.[5]

Many of the samples featured on the album are sound clips from, or inspired by, movies. "Full Throttle" contains a reverse sample from the original Star Wars movie, "Skylined" uses a sample of a sound effect from the 2nd episode of the first season of The X-Files and "The Heat (The Energy)" features a sample from Poltergeist III.[5]

When Liam Howlett came to the cutting room for the final phase in the album production, he realised that all the tracks he had originally planned for would not fit onto a CD; so "One Love" was edited (resulting in a cut of approximately 3 minutes and 53 seconds), "The Heat (The Energy)" was slightly cut, and "We Eat Rhythm" was left out. "We Eat Rhythm" was later released on a free cassette with Select magazine in October 1994 entitled Select Future Tracks. Howlett later asserted that he felt the edit of "One Love" and "Full Throttle" could have been dropped from the track listing.[5]

Inner sleeve artwork by Les Edwards

Artwork

The album artwork for Music for the Jilted Generation was designed by Stewart Haygarth (cover) and Les Edwards (inner). The inner art, alluding to the conflicts of raver versus the police during the era of the 1994 Criminal Justice Act, is particularly renowned.[6][7]

Reception
Professional ratings
Review scores
SourceRating
AllMusic[2]
The Boston Phoenix[8]
Christgau's Consumer GuideA[9]
Encyclopedia of Popular Music[10]
The Guardian[3]
NME9/10[11]
Q[12]
Record Collector[13]
Rolling Stone[4]
Select5/5[14]

Music for the Jilted Generation has received critical acclaim. Rolling Stone gave it three-and-a-half stars, calling it "truly trippy" and saying it "generates universal dance fever".[4] Alternative Press said it "throws much darker shapes than its predecessor" and "slams harder and rawer and covers more ground".[15]

Robert Christgau called it "one of the rare records that's damn near everything you want cheap music to be".[9]

Mojo ranked it number 83 in their "100 Modern Classics" list, Spin ranked it number 60 in their "90 Greatest Albums of the '90s" [16] and NME ranked it number 9 in their "Top 50 Albums of 1994".[17]

On 4 December 2008, radio presenter Zane Lowe inducted it into his 'masterpieces' by playing the album in full on his BBC Radio 1 show.

It was nominated for the Mercury Music Prize in 1994 and is included in the book 1001 Albums You Must Hear Before You Die.[18]

"An amazing record," remarked David Bowie. "It impressed me quite a lot."[19]

Track listing

All tracks are written by Liam Howlett, unless indicated otherwise. Tracks 5-9 from the second CD are previously released

No.TitleWriter(s)Length
1."Intro" 0:45
2."Break & Enter" 8:24
3."Their Law" (featuring Pop Will Eat Itself)Howlett, Pop Will Eat Itself6:40
4."Full Throttle" 5:02
5."Voodoo People" 6:27
6."Speedway (Theme From Fastlane)" 8:56
7."The Heat (The Energy)" 4:27
8."Poison"Howlett, Maxim Reality6:42
9."No Good (Start the Dance)"Howlett, Kelly Charles, James Bratton6:17
10."One Love (Edit)" 3:53
11."The Narcotic Suite: 3 Kilos" 7:19
12."The Narcotic Suite: Skylined" 5:56
13."The Narcotic Suite: Claustrophobic Sting" 7:13
Total length:78:07
More Music for the Jilted Generation disc 2
No.TitleLength
1."Voodoo People (Radio 1 Maida Vale Session)"4:18
2."Poison (Radio 1 Maida Vale Session)"4:42
3."Break & Enter (2005 Live Edit)"4:56
4."Their Law (Live at Pukkelpop)"5:27
5."No Good (Start the Dance) (Bad for You Mix)"6:49
6."Scienide"5:49
7."Goa (The Heat The Energy Part 2)"6:03
8."Rat Poison"5:31
9."Voodoo People (Dust Brothers Remix)"5:55

Samples

Besides the movie samples described above, Liam Howlett also employed a lot of musical material from other artists:[20]

  • "Break and Enter" contains a sample from Baby D's "Casanova". The latter was also remixed by Liam.
  • "Their Law" contains a sample from "Drop That Bassline" by Techno Grooves.
  • "Voodoo People" contains a sample from "You're Starting Too Fast" by Johnny Pate. The guitar riff is based on "Very Ape" by Nirvana and is played by Lance Riddler.[21][22]
  • "The Heat (The Energy)" contains a sample from "Why'd U Fall" by Lil Louis, "Thousand" by Moby and 2-Mad's "Don't Hold Back The Feeling".
  • "Poison" contains a sample from "It's a New Day" by Skull Snaps, "Amen, Brother" by The Winstons and Bernard "Pretty" Purdie's "Heavy Soul Slinger".
  • "No Good (Start The Dance)" contains a sample from "No Good for Me" by Kelly Charles and "Funky Nassau" by Bahamian funk group The Beginning of the End.
  • "One Love" uses the "Arabic Muezzin" a sample from the ethnic vocals section of a Zero G sample CD by Time + Space Records. The same sample was also used in "Everybody Say Love" by "The Magi & Emanation" which was remixed by Liam Howlett.[23]
  • "3 Kilos", Part One of The Narcotic Suite, is based on a riff sampled from Bernard "Pretty" Purdie's Good Livin' (Good Lovin')
  • "Skylined", Part Two of The Narcotic Suite, features a sound also used in the musical score by Mark Snow for The X-Files episode "Deep Throat" (season 1, episode 2).[24]

Charts

Certifications
Region CertificationCertified units/sales
Australia (ARIA)[48] Platinum 70,000^
Canada (Music Canada)[49] Gold 50,000^
Finland (Musiikkituottajat)[50] Gold 20,830[50]
Poland (ZPAV)[51] Gold 50,000*
Sweden (GLF)[52] Gold 50,000^
United Kingdom (BPI)[53] 2× Platinum 600,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Personnel
  • Liam Howlett – performing, synthesizers, keyboards, sampling, drum-machines, production (on tracks 1, 2, 3, 6, 8, 11, 12, and 13) at Earthbound studios, co-production (on tracks 4, 5, 7, 9, and 10) at The Strongroom, mixing, engineering
  • Maxim Reality – co-writer and vocalist on "Poison"
  • Neil McLellan – co-production and mixing (on tracks 4, 5, 7, 9, and 10) at The Strongroom
  • Pop Will Eat Itself – performer on "Their Law"
  • Phil Bent – live flute
  • Lance Riddler – live guitar on "Voodoo People"
  • Mike Champion – management
  • Les Edwards – inside sleeve painting
  • Stuart Haygarth – front cover
  • Jamie Fry – rear sleeve

References
  1. "More Music for the Jilted Generation", 2008 release (Retrieved 26 May 2008)
  2. Bush, John. "Music for the Jilted Generation – The Prodigy". AllMusic. Retrieved 11 September 2011.
  3. Petridis, Alexis (1 August 2008). "Electronic review: The Prodigy, More Music For the Jilted Generation / Experience Expanded Rermixes & B-Sides". The Guardian. Retrieved 11 September 2011.
  4. Evans, Paul (20 April 1995). "The Prodigy: Music for the Jilted Generation". Rolling Stone. Archived from the original on 13 January 2002. Retrieved 11 May 2016.
  5. Dimery, Robert (2005). 1001 Albums You Must Hear Before You Die. New York, NY: Quintet Publishing. p. 750. ISBN 0-7893-1371-5.
  6. Huw Nesbitt (4 July 2014). "Music for the Jilted Generation: the artwork". Dazed Digital.
  7. Hans-Christian Psaar (1 November 2008). "Commodities for the Jilted Generation". Datacide Magazine.
  8. Freedberg, Michael (2–9 January 1997). "Prodigy: Music For The Jilted Generation (Mute)". The Boston Phoenix. Archived from the original on 5 March 2016. Retrieved 11 September 2011.
  9. Christgau, Robert (2000). "The Prodigy: Music for the Jilted Generation". Christgau's Consumer Guide: Albums of the '90s. St. Martin's Griffin. ISBN 0-312-24560-2. Retrieved 11 September 2011.
  10. Larkin, Colin (2011). "Prodigy". The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN 978-0-85712-595-8.
  11. Fadele, Dele (9 July 1994). "The Prodigy – Music For The Jilted Generation". NME. Archived from the original on 13 October 2000. Retrieved 11 May 2016.
  12. "The Prodigy: Music for the Jilted Generation". Q. No. 266. September 2008. p. 117.
  13. "The Prodigy: Music for the Jilted Generation". Record Collector. 2008. p. 83. Under the booming breakbeats, thrash guitars and inflammatory soundbites, Howlett's supernova's talent was on overdrive...
  14. Harrison, Andrew (August 1994). "Essexpress!". Select. No. 50. p. 81.
  15. "The Prodigy: Music for the Jilted Generation". Alternative Press. No. 81. April 1995. p. 84.
  16. (September 1999, p. 150)
  17. (24 December 1994, p. 22)
  18. Robert Dimery; Michael Lydon (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 978-0-7893-2074-2.
  19. Lowe, Steve (March 2003). "Q200 – David Bowie". Q. No. 200. p. 62.
  20. "The Prodigy samples used in Music For The Jilted Generation era". theprodigy.info.
  21. Moy, Ron (2015). Authorship Roles in Popular Music: Issues and Debates. Routledge. p. 101. ISBN 9781317672746. Retrieved 26 September 2020.
  22. James, Martin (2015). Dave Grohl - Times Like His: Foo Fighters, Nirvana & Other Misadventures. Bonnier Zaffre. p. (No page number). ISBN 9781784187637. Retrieved 26 September 2020.
  23. "Everybody Say Love (Radio Edit) - The Magi and Emanation 1993". Archived from the original on 12 December 2021. Retrieved 4 November 2019 – via www.youtube.com.
  24. "The Prodigy - Samples, Covers and Remixes". WhoSampled.
  25. "Australiancharts.com – The Prodigy – Music for the Jilted Generation". Hung Medien. Retrieved 13 March 2017.
  26. "Austriancharts.at – The Prodigy – Music for the Jilted Generation" (in German). Hung Medien. Retrieved 13 March 2017.
  27. "Ultratop.be – The Prodigy – Music for the Jilted Generation" (in Dutch). Hung Medien. Retrieved 13 March 2017.
  28. "Dutchcharts.nl – The Prodigy – Music for the Jilted Generation" (in Dutch). Hung Medien. Retrieved 13 March 2017.
  29. Pennanen, Timo (2021). "The Prodigy". Sisältää hitin - 2. laitos Levyt ja esittäjät Suomen musiikkilistoilla 1.1.1960–30.6.2021 (PDF) (in Finnish). Helsinki: Kustannusosakeyhtiö Otava. p. 205.
  30. "Lescharts.com – The Prodigy – Music for the Jilted Generation". Hung Medien. Retrieved 13 March 2017.
  31. "Longplay-Chartverfolgung at Musicline" (in German). Musicline.de. Phononet GmbH. Retrieved 13 March 2017.
  32. "Charts.nz – The Prodigy – The Fat of the Land". Hung Medien. Retrieved 13 March 2017.
  33. "Norwegiancharts.com – The Prodigy – Music for the Jilted Generation". Hung Medien. Retrieved 13 March 2017.
  34. "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 13 March 2017.
  35. "Swedishcharts.com – The Prodigy – Music for the Jilted Generation". Hung Medien. Retrieved 13 March 2017.
  36. "Swisscharts.com – The Prodigy – Music for the Jilted Generation". Hung Medien. Retrieved 13 March 2017.
  37. "Official Albums Chart Top 100". Official Charts Company. Retrieved 10 July 1994.
  38. "Official Dance Albums Chart Top 40". Official Charts Company. Retrieved 8 March 2019.
  39. "The Prodigy Chart History (Billboard 200)". Billboard. Retrieved 13 March 2017.
  40. "The Prodigy Chart History (Top Catalog Albums)". Billboard. Retrieved 13 March 2017.
  41. "Jaaroverzichten – Album 1994". dutchcharts.nl. Retrieved 13 April 2021.
  42. "Top 100 Album-Jahrescharts" (in German). GfK Entertainment. Retrieved 13 April 2021.
  43. "Tónlist – Árslisti 1994 - LP/CD". DV (in Icelandic). 5 January 1995. Retrieved 19 May 2022.
  44. "Jaaroverzichten 1995". Ultratop. Retrieved 12 October 2021.
  45. "End of Year Album Chart Top 100 – 1995". Official Charts Company. Retrieved 13 April 2021.
  46. "ARIA Top 100 Albums for 1997". Australian Recording Industry Association. Retrieved 13 April 2021.
  47. "Top Selling Albums of 1997". Recorded Music NZ. Archived from the original on 10 May 2017. Retrieved 16 November 2021.
  48. "ARIA Charts – Accreditations – 1997 Albums" (PDF). Australian Recording Industry Association. Retrieved 9 July 2022.
  49. "Canadian album certifications – Prodigy – Music for the Jilted Generation". Music Canada. Retrieved 15 July 2022.
  50. "Prodigy" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 15 July 2022.
  51. "Wyróżnienia – Złote płyty CD - Archiwum - Przyznane w 1997 roku" (in Polish). Polish Society of the Phonographic Industry.
  52. "Guld- och Platinacertifikat − År 1987−1998" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 17 May 2011.
  53. "British album certifications – The Prodigy – Music for the Jilted Generation". British Phonographic Industry.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.