Theme to the Gaurdian
Theme to the Gaurdian is the debut album by American jazz guitarist Bill Connors. It was recorded in 1974 and released by ECM Records.[1]
Theme to the Gaurdian | ||||
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Studio album by | ||||
Released | 1975 | |||
Recorded | November 1974 | |||
Studio | Arne Bendiksen Studio, Oslo, Norway | |||
Genre | Jazz | |||
Length | 40:30 | |||
Label | ECM | |||
Producer | Manfred Eicher | |||
Bill Connors chronology | ||||
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Critical reception
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz | [3] |
The Rolling Stone Jazz & Blues Album Guide | [4] |
The Virgin Encyclopedia of Jazz | [5] |
The AllMusic review by John W. Patterson awarded the album four stars stating, "this release of Connors is truly excellent acoustic guitar work with some of the most unique compositions and playing style you will find anywhere. Connors dubs one track as a sort of complex and exotic chordal progression base structure of strummed rhythms and/or a tapestry of finger roll picking. Over this landscape of dreamy, moody, surreal or frenetic design Connors solos and augments the original track of his playing. The effect is a ghostly dance of melancholy angst and passionate wailings".[2]
Track listing
All tracks are written by Bill Connors except where noted
No. | Title | Length |
---|---|---|
1. | "Theme to the Gaurdian" | 5:20 |
2. | "Childs Eyes" | 4:26 |
3. | "Song for a Crow" | 4:16 |
4. | "Sad Hero" | 4:30 |
5. | "Sea Song" (Glenn Cronkhite) | 5:06 |
6. | "Frantic Desire" | 2:56 |
7. | "Folk Song" | 6:37 |
8. | "My Favorite Fantasy" | 4:26 |
9. | "The Highest Mountain" | 3:25 |
Personnel
- Bill Connors – guitar
References
- ECM discography accessed September 5, 2011
- Patterson, J. W. Allmusic Review accessed September 5, 2011
- Cook, Richard; Morton, Brian (2000). The Penguin Guide to Jazz on CD. Penguin Books. p. 327.
- Swenson, John, ed. (1999). The Rolling Stone Jazz & Blues Album Guide. Random House. p. 173.
- Larkin, Colin, ed. (2004). The Virgin Encyclopedia of Jazz. Virgin Books. p. 199.