Theresa Chromati

Theresa Chromati (born 1992) is an American visual artist of Guyanese descent, whose primary medias are painting and collage. She is from Baltimore, Maryland and lives in Brooklyn, New York.[1][2]

Theresa Chromati
Born1992 (age 30–31)
Alma materPratt Institute (BFA, 2014)

Background and career

Theresa Chromati, who was born in 1992, grew up in East Baltimore. Chromati she attended Wilmington's Delaware College of Art and Design, and holds a bachelor of fine arts in graphic design from Pratt Institute (2014), New York, where she currently lives.[1] The artist's parents nurtured a creative environment at home, and hand-painted birds in the family car themselves.[3]

Artistic practice

Through an abstract figurative approach to painting and collage, the artist comments on Black femininity and womanhood as key subjects for her artistry. Chromati combines acrylic paint with industrial materials such as glitter and vinyl in addition to organic materials such silk, cotton, bandanas that evokes Western African textiles and patterns.[4][5] Among her themes, her artworks elaborate on issues of self-representation, and female objectification in the digital world, particularly in the Me Too era.[6] Chromati was selected by visual artist Mickalene Thomas for her curatorial project Mickalene Thomas: A Moment's Pleasure, at the Baltimore Museum of Art, the exhibition was on view between 2019 and 2022.[7]

Her work has been featured in Vogue magazine, Architectural Digest, and the New York Times Magazine.[8][1]

Critical reception

In an essay for Studio Museum in Harlem magazine, New York, art critic Eric Booker comments on Chromati's practice.[9]

Through her genre-bending practice, Chromati's protagonists refuse to be one-dimensional. Their potential is too vibrant to be traditionally understood. Her work is an act of love and defiance.[9]

Exhibitions

Solo shows
  • 2023 Theresa Chromati: A Living Record ( Her Arrival Was Once Steps Taken), Jessica Silverman Gallery, San Francisco[10]
  • 2022 Interlude in Crusted Wounds, Veta Galeria, Madrid, Spain[11]
  • 2020 Stepping Out To Step In, The Delaware Contemporary, Wilmington[12][13]

Collections

Chromati's work has been incorporated in notable museum and academic collections around the Americas such as

  • The bull is out and my foot is in my mouth (are we staying or leaving)?, 2019. Pérez Art Museum Miami, Florida[14]
  • tearing me apart, so much so that I become beautiful ( woman exploring a smile ), 2019. Nasher Museum of Art at Duke University, North Carolina[6]
  • Stepping Towards My Darkest Bits to Hear a Familiar Song. The Words Have Changed, But the Melody Caresses Me All the Same (Woman Led by Her Intuition, Supported by Scrotum Flowers), 2020. Baltimore Museum of Art, Maryland[15]

Awards

In 2020, Chromati was commissioned to paint the facade of The Delaware Contemporary in commemoration of the 100th anniversary of the women's suffrage in America. Although scheduled for June 5 of that year, the public art project had its opening celebrated with a public "drive-thru" on June 19 in support of the Black Lives Matter movement, and anti-police brutality, protests taking place all over the country in the summer months of 2020.[16]

References
  1. "An Artist Making a Powerful Statement — by Creating Work About Herself (Published 2019)". August 7, 2019. Retrieved August 9, 2023.
  2. "On how your work can push you to where you need to be". thecreativeindependent.com. Retrieved August 16, 2023.
  3. "Theresa Chromati explores the power of uncertainty". i-d.vice.com. Retrieved August 16, 2023.
  4. Benson, Eben. "Juxtapoz Magazine – Grace In Her Space: Theresa Chromati". www.juxtapoz.com. Retrieved August 16, 2023.
  5. "theresa chromati is creating a world run by carefree black women". i-d.vice.com. Retrieved August 16, 2023.
  6. "Theresa Chromati, tearing me apart, so much so that I become beautiful ( woman exploring a smile )". Nasher Museum of Art at Duke University. May 26, 2020. Retrieved August 9, 2023.
  7. "Mickalene Thomas: A Moment's Pleasure | Baltimore Museum of Art". Mickalene Thomas: A Moment’s Pleasure | Baltimore Museum of Art. Retrieved August 16, 2023.
  8. "Theresa Chromati". Anderson Ranch Arts Center. Retrieved August 16, 2023.
  9. "Practice in Print: Theresa Chromati". The Studio Museum in Harlem. June 3, 2019. Retrieved August 16, 2023.
  10. Waddoups, Ryan (May 16, 2023). "A Giant Scrotum Flower Whispering Words of Encouragement". SURFACE. Retrieved August 9, 2023.
  11. "Theresa Chromati | May 12 – July 30, 2022". Veta Galeria. Retrieved August 9, 2023.
  12. "INTERVIEW: Artist Theresa Chromati On Complexity, Intuition, and Public Art". archive.pinupmagazine.org. Retrieved August 9, 2023.
  13. "Theresa Chromati". The Delaware Contemporary. Retrieved August 16, 2023.
  14. "The bull is out and my foot is in my mouth (are we staying or leaving)? • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved August 9, 2023.
  15. "Fresh Look, Fresh Faces". Baltimore Magazine. May 17, 2021. Retrieved August 9, 2023.
  16. Ober, Cara (June 3, 2020). "Stepping Out to Step In: Theresa Chromati's Commission at The Delaware Contemporary". BmoreArt. Retrieved August 16, 2023.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.