These Birds Walk

In Karachi, Pakistan, a runaway boy's life hangs on one critical question: where is home? The streets, an orphanage, or with the family he fled in the first place? Simultaneously heart-rending and life-affirming, These Birds Walk documents the struggles of these wayward street children and the humanitarians looking out for them.

The starting point of the film is Edhi. He washes naked runaway children who look undernourished, and he says that his philanthropic reputation doesn't mean anything, telling the filmmakers, “If you want to find me, look to ordinary people.” For the rest of the film, Tariq and Mullick follow the children in the Edhi Home, in particular a child named Omar, and the ambulance driver, Asad, who was once a street kid himself.

Omar has run away from his family's home in Taliban country and ends up in Karachi. Aided by Asad, Omar goes to the Edhi Foundation's shelter for homeless children. Asad reveals that until the parents are found or come looking for the boy, Omar, like the other runaway children, will remain under Edhi's care. Asad's responsibilities as an ambulance driver include picking up children from police stations, taking them home, and transporting dead bodies. He admits that driving with dead bodies is easier than returning the children to their homes because sometimes the children must go back to abusive parents.

Omar and the other children are bored and sad in the shelter. They divide their time between praying and fighting, and they bond over conversations about God and what it means to be a man. Omar thinks of himself as strong and fierce, which earns him a fight with a much larger boy in a prolonged fight scene.

Eventually, Asad drives Omar back to his village through the night and returns him to his family. The reunion is underwhelming, and his mother admits that all her children have spent time at the Edhi Foundation.

The filmmakers don't dwell on the boy's personal history or the workings of the Edhi Foundation, rather, the film captures how Omar spends his days while in the home with other runaway children.

These Birds Walk steers away from statistics and social context of child runaways in Pakistan. However, Tariq and Mullick felt that statistics would oversimplify the role of the people in the film, and Tariq said, “They have trusted us with their lives. And we would sidestep it all for this idea of ‘relevance’ or ‘social context.’”[1] The film is also an example of cinema vérité since the filmmakers present the story as they observed it. The film relies on the children’s pure emotion rather than on voiceover commentary or talking heads to tell the story.    

These Birds Walk was met with largely positive reviews. On review aggregator website Rotten Tomatoes, the film has a 96 percent rating and an average rating of 8/10 based on 27 reviews.[2]

Vadim Rizov of Filmmaker Magazine said, “It’s more rough than tender but never gratuitous or exploitative, hard to shake, and a fine entry in cinema’s history of tortured male youth.”[3]

Adam Nayman of Point of View Magazine praised Tariq and Mullick for their use of handheld digital cameras, which “permit an even greater proximity and intimacy with the subjects. As a contemporary example of the practice of ‘direct cinema,’ These Birds Walk is extremely impressive.”[4]

Tom Roston of PBS said at the True/False Film Festival, "This seemingly simple vérité depiction of boys in a Pakistani orphanage has a lyrical quality that shows the beauty and sadness of growing up poor in Pakistan."[5]

• Official website
• These Birds Walk at IMDb