This Arab Is Queer

This Arab Is Queer: An Anthology by LGBTQ+ Arab Writers is a LGBTQ+ anthology featuring the memoirs of eighteen queer Arab writers, hailing from eleven Arab countries and the diaspora, some of whom are internationally bestselling while others use pseudonyms. The book is edited by Elias Jahshan, a Palestinian-Lebanese-Australian journalist living in London.

This Arab Is Queer: An Anthology by LGBTQ+ Arab Writers
First edition cover
EditorElias Jahshan
Authors
CountryUnited Kingdom
LanguageEnglish
GenreLGBTQ+ anthology
Published2022
PublisherSaqi Books
Media typePrint
Pages288
ISBN978-0-86356-478-9
OCLC1334646295

The stories in the book celebrate the varied experiences of queer Arabs and challenge negative stereotypes often perpetuated by Western media. The book sheds light on the complex and nuanced experiences of queer Arabs, which go beyond state-sanctioned discrimination and family homophobia. Many of the stories touch on themes such as displacement, loneliness, coming out, and the importance of community. The book seeks to reclaim the narrative and allow queer Arabs to tell their own stories on their own terms.[1]

One of the central themes of the book is the idea of intersectionality, or the ways in which different aspects of identity intersect and shape experiences of oppression and discrimination. Many of the writers in the book reflect on the complex ways in which their experiences of being queer and Arab are shaped by factors such as race, class, gender, and religion.

This Arab Is Queer received critical acclaim for its portrayal of queer Arab experiences,[2] with Time magazine calling it a groundbreaking work.[3]

Background

LGBTQ+ people in the Middle East face legal and social challenges that limit their freedoms and restrict their rights.[4] In most of the Middle Eastern countries, LGBT+ individuals have limited rights, face hostility and discrimination, and are often subjected to legal penalties.[5][6] Specifically, same-sex relations are illegal in nine of the 18 countries that make up the region, and in five of those countries, such relationships are punishable by death.[7][8]

The Middle East has some of the world's most restrictive legislation for LGBT+ people, with LGBT+ individuals often living in secrecy and facing vigilante execution, harassment, discrimination, and violence.[9] In some countries, LGBT+ organisations are illegal, and members of the community can be arrested or punished for participating in these organisations or expressing their identity. Furthermore, societal and cultural norms in the Middle East often stigmatise and shame LGBT+ individuals, leading to exclusion, ostracization, and violence from family and community members.[10][11]

In recent years, there have been some signs of progress for LGBT+ rights in the Middle East, with some countries taking small steps towards recognizing and supporting the community.[12][13] However, these efforts have been met with significant pushback from conservative groups, and LGBT+ individuals continue to face significant challenges in the region.[14][15] As such, the fight for LGBT+ rights in the Middle East remains ongoing and challenging, with much work to be done to ensure that all individuals, regardless of their sexual orientation or gender identity, can live freely and without fear.[16][17][18][19]

Content

The editor Elias Jahshan, a Palestinian and Lebanese Australian journalist living in London,[20][21] introduces the book as seeking to reclaim the narrative and allow queer Arabs to tell their own stories on their own terms. The book then delves into the authors' stories.

Mona Eltahawy: The Decade of Saying All That I Could Not Say

Mona Eltahawy, an Egyptian-American journalist and feminist, starts with "I am able to write this because I died ten years ago" after being beaten, sexually assaulted, and detained by Egyptian police. Eltahawy shares their experiences with abortion, sex, and menopause and discusses their journey to embracing polyamory and identifying as queer. They conclude by reflecting on their past feminism, which focused solely on misogyny, and how they eventually came to advocate for the LGBTQ+ community in Egypt.

Saleem Haddad: Return to Beirut

Saleem Haddad, an author and filmmaker of Iraqi-German and Palestinian-Lebanese descent, returns to Beirut after eighteen years and reflects on their past visit, their decision to leave Lebanon, and their parents' return to Lebanon in 2019. Haddad learns about the 2020 Beirut explosion while living in Lisbon and is delaying the mourning of their destroyed family home and the death of the Lebanon they once knew. Haddad reflects on the trauma that has affected their family and friends. Haddad visits a former lover, where they have sex and are reminded of why they could never have a deeper emotional connection with them.

Dima Mikhayel Matta: This Text Is a Very Lonely Document (In memory of my father)

Dima Mikhayel Matta, Beirut-based writer and actress, grieves the loss of their father's stories due to a cognitive impairment and sees forgetfulness as a constant slipping away. Matta also reflects on their own relationship with words and the fear of losing them. Matta ends by pondering the question of who their father will be when he is stripped of his stories and what they will be when stripped of their words.

Zeyn Joukhadar: Catching the Light: Reclaiming Opera as a Trans Arab

Zeyn Joukhadar, a Syrian American writer, shares their experiences with music, particularly opera, a predominantly white space, and how it intersects with their identity as a person of colour and their trauma and impostor syndrome. Joukhadar examines how low voices are associated with powerful and villainous characters and how white supremacy creates a binary gender system where non-white bodies are seen as foils. Joukhadar reflects on their own gender-nonconforming Arab identity and how their femmeness is perceived as less white and more dangerous. They also discuss the limitations of language and how it shapes identity in opera.

Amrou Al-Kadhi: You Made Me Your Monster

Amrou Al-Kadhi, a British-Iraqi drag performer and writer, discusses the concept of transgression and how it can be both liberating and dangerous, depending on the context and intention. Al-Kadhi shares their personal experiences of transgression, including how they were perceived as a transgressive entity by their Iraqi family for displaying individuality, which was seen as a threat to the collective self. Al-Kadhi also discusses the benefits and drawbacks of the familial collective mentality, where the individual's actions are seen as a measure of their parents' success in raising them.

Khalid Abdel-Hadi: My.Kali – Digitising a Queer Arab Future

Khalid Abdel-Hadi, editor-in-chief and founder of My.Kali, a digital magazine about the LGBTQ+ community in Jordan, recounts how the media hijacked the cover of the first edition of the magazine and outed him to the public, causing distress and attracting negative attention from journalists and the public alike. Abdel-Hadi refused to close the magazine down despite pressure from friends and censorship and continued to run it, building a team of editors and designers.

Danny Ramadan: The Artist's Portrait of a Marginalised Man

Danny Ramadan, an award-winning Syrian-Canadian novelist and LGBTQ-refugee activist, talks about the harmful tendency of some readers to assume that the work of marginalised authors is solely based on their experiences, which can overlook the complexity of those experiences. Ramadan shares his experience meeting André Aciman, who also faces similar assumptions, and questions the pressure on marginalised authors to be social justice warriors and write excellent literature. He suggests that these authors can write whatever they want, whether based on their experiences or not, and may choose to keep their traumas private.

Ahmed Umar: Pilgrimage to Love

Ahmed Umar during an interview in 2021

Ahmed Umar is a Sudanese-Norwegian artist who creates tactile and object-based artworks to communicate with his audience. He grew up in a conservative Sudanese family living in Mecca and felt societal pressure to conform to certain behaviours and appearances. However, he later kissed his friend Adel, which left him feeling conflicted and questioning his sexuality. Ahmed then had a "halal relationship" with a female and planned to build a home together, but he ended up sharing a mattress with his friend Ashraf on the roof of a bus, and ended up kissing. They continued their intimate relationship for a year and a half before Ahmed moved to Norway.

Amina: An August, a September and My Mother

Mural of Sarah Hegazi in Amman with an excerpt from her suicide message saying "but I forgive" in Arabic[22][23]

Amina, a pseudonym of an Egyptian writer, who shares two moments of joy, one at a Mashrou' Leila concert where brave individuals raised rainbow flags, and another on a romantic beach night where they saw a shooting star with their partner. Despite accepting their queerness and never feeling shame, Amina is unable to share these happy moments with their mother due to societal constraints. Amina also reflects on the suicide of a queer person named Sarah and the fear within the community. They explore their relationship with God and the contrast of their mother's happiness at their brother's wedding versus their potential future wedding.

Raja Farah: The Bad Son

Raja Farah, a queer activist and writer from Lebanon, shares a story about Layth, who is at the hospital with his father Nizar. Layth reflects on their troubled relationship while talking to a friend about sex and relationships. Layth meets Mazen, an old flame he met on Grindr, and the passage details their past relationship, which was full of great sex and affection but never developed into a deep romance.

Tania Safi: Dating White People

Tania Safi, an Arab-Australian journalist, reflects on her family's history and her own struggles with cultural identity. Safi also discusses her experiences with racism and denial of her Arab heritage during her teen years in Australia. Additionally, she shares her experiences as a queer Arab person in Sydney, including living with a white lesbian couple and dating a white lesbian who fetishises her Arab heritage.

Amna Ali: My Intersectionality Was My Biggest Bully

Amna Ali, a Somali-Yemeni-Emirati Black and queer rights activist, shares their personal experience growing up in a family of religious immigrants, highlighting the intersectionality of discrimination and oppression. They suffered severe physical and emotional trauma at the hands of their brother, but sought therapy, forgave themselves and cut off homophobic family members. They founded The Black Arabs Collective to share experiences of being Black and Queer but faced rejection from a Saudi YouTuber's podcast after openly identifying as queer, highlighting the ongoing struggle for acceptance.

Hamed Sinno: Trio

Hamed Sinno, a Lebanese-American lead singer of Mashrou' Leila, explores the significance of singing as an act of resistance and agency for marginalized individuals. Sinno shares personal experiences and reflections on the cultural significance of music, gender and sexuality, and the role of antisocial queerness in reclaiming and weaponizing femininity.

Anbara Salam: Unheld Conversations

Anbara Salam, a Palestinian-Lebanese-Scottish writer, reflects on their parents' lack of discussion regarding the queer identity of the protagonist in their second novel. Salam feels disappointed and betrayed by their parents' silence, but acknowledges that the silence around queerness in Arab culture serves a purpose in protecting people from legal and social repercussions. As a diasporic Arab, Salam has a complex relationship with identity and experiences guilt and self-doubt, recognizing that silence can hold a place for concealment, secrecy, deception, and reverence.

Anonymous: Trophy Hunters, White Saviours and Grindr (A queer Arab's search for a husband)

Anonymous, a gay Arab writer and comedian, discusses the difficulties he has faced in finding a partner due to his ethnicity and sexual orientation becausee he feels objectified because of his ethnicity. In addition, Anonymous describes three encounters with individuals who exhibited white saviourism towards him. Anonymous also highlights the societal expectations of marriage and how being gay adds to the challenge.

Hasan Namir: Dancing Like Sherihan

Hasan Namir in 2016

The passage is a personal narrative of a queer Muslim Iraqi-Canadian Hasan Namir, who recounts their earliest memory of being fascinated with Sherihan, an Egyptian performer, and how they struggled to reconcile their attraction to other boys with their religious beliefs and family's expectations of them. Namir describes an incident at the age of ten when a boy named M took advantage of them, and how they emigrated to Canada soon after to escape their shame. Namir also reveals their love for music, performing, and same-sex attraction, and how they came out to their sister when they were fourteen years old.

Madian Aljazerah: Then Came Hope

Madian Aljazerah, Palestinian-Jordanian who was born in Kuwait, was on a flight when they noticed an elderly Palestinian man who was confused and distressed due to Alzheimer's, and had lost his wife fifteen years ago. Aljazerah was moved by the man's love for his wife and realised that they too craved such love, but felt they could never have it due to their displacement.

Omar Sakr: Tweets to a Queer Arab Poet

"Every reader is different: when words meet a body, they change. You think you know this, know the types of reader, types of people, that you have made them legible, and you have already bent to meet them, already travelled to the middle ground to be accessible to who you have imagined. This is a fantasy. Look around your middle ground. You are the only one there"

Omar Sakr, This Arab Is Queer, p.153

Omar Sakr, a bisexual Muslim Australian writer, essayist and poet of Lebanese and Turkish heritage. Sakr shares a collection of thoughts on various topics such as suicide, fear of loss, authenticity, pandemic, trauma, language, and performance. Sakr encourages readers to embrace movement, welcome their feelings, and let go of shame.

Reception and impact

The book has received critical acclaim for its portrayal of queer Arab experiences, which critics viewed as powerful and moving.[3] It has been hailed as "groundbreaking" by the Time,[3] and a work that challenges stereotypes and promotes understanding and acceptance of LGBTQ+ Arabs.[2][24][25] Pip Ellwood-Hughes admits that being a white gay man makes the text challenging read but one that offers unique perspectives that are not often seen. Ellwood-Hughes found the stories to be eye-opening and to shed light on a part of the queer experience that he had not been exposed to before.[26]

The essays and memoirs in the book was described by the Time as offering a rich and diverse exploration of queer Arab identity, culture, and belonging,[3] and provide heart-warming connections and moments of celebration.[27] Aneesha Hussain compared the book to a painting that may appear obvious at first glance, but upon closer inspection, it reveals its hidden beauty and layers that holds stories that might not be visible to the reader initially but can be discovered with a deeper look.[27] Richard Marcus described the book as "is sometimes difficult, always intriguing and definitely compelling".[28] Khaliden Nas acknowledges some critiques of the writing, but ultimately found the text significant for its unflinching, pointed, and vulnerable portrayal of queer Arab experiences, and its call to remember to imagine hope for ourselves.[29][30]

Sleiman El Hajj analysis of the book highlights the importance of this anthology as a means of reclaiming Arab queerness from Western-centric narratives and the white saviour complex. El Hajj praises the anthology for consciously addressing potential critiques and for its unflinching, vulnerable storytelling that demands readers to look beyond the obvious and acknowledge the stories of those on the margins. The essay notes that the anthology is not without its flaws, such as some writing veering towards repeating inspirational refrains, but overall, "This Arab is Queer" is a significant and impactful read that challenges readers to confront the spaces between the queer community and imagine hope for themselves and others.[30]

References

  1. Dunthorne, Tessa (22 November 2022). "Interview: Elias Jahshan, author of This Arab Is Queer". Country and Town House. Archived from the original on 1 April 2023. Retrieved 1 April 2023.
  2. Whitaker, Brian. "Book review: 'This Arab is Queer'". al-bab.com. Archived from the original on 1 April 2023. Retrieved 1 April 2023.
  3. "'This Arab is Queer' Is a Groundbreaking New Anthology". Time. 18 October 2022. Archived from the original on 29 March 2023. Retrieved 1 April 2023.
  4. "Activists: Lebanese officials try to shut gender conference". AP NEWS. 2 October 2018. Archived from the original on 17 April 2019. Retrieved 31 October 2018.
  5. Linda A. Mooney; David Knox; Caroline Schacht. Understanding Social Problems, 8th ed. Cengage. p. 373.
  6. Allouche, Sabiha (May 2019). "The Reluctant Queer". Kohl: A Journal for Body and Gender Research. 5 (1): 11–22. doi:10.36583/kohl/5-1-3. Archived from the original on 2 June 2021. Retrieved 1 April 2023.
  7. "Syria: Cleric saves transsexual". Archived from the original on 11 July 2011.
  8. Country Reports on Human Rights Practices for 2009, p. 2414
  9. hudson, david (19 April 2021). "Queer Muslims open up about their lives and their struggle for acceptance". INTO. Archived from the original on 1 April 2023. Retrieved 1 April 2023.
  10. "Victims in hiding". BBC News. Archived from the original on 12 May 2019. Retrieved 1 April 2023.
  11. "Ubisoft moves esports event from UAE after fans protest". BBC News. 23 February 2022. Archived from the original on 2 January 2020. Retrieved 23 February 2022.
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  13. "LGBT Rights in Israel". Archived from the original on 24 February 2023. Retrieved 1 April 2023.
  14. Outright International (29 March 2019). "Violence and Discrimination based on Sexual Orientation and Gender Identity in Iraq". Global LGBT Human Rights. Archived from the original on 3 November 2019. Retrieved 4 November 2019.
  15. Collins, Michael; Ochagavia, Ekaterina; Gormley, Jess; Poulton, Lindsay (22 June 2022). "'One good song can do more than 5,000 protests': the queer revolution in the Middle East". the Guardian. ISSN 0261-3077. Archived from the original on 1 April 2023. Retrieved 1 April 2023.
  16. "LGBTQIA+ Non-Profit Organization | Helem Lebanon | Home". www.helem.net. Archived from the original on 20 December 2022. Retrieved 20 December 2022.
  17. "Country Overviews | Outright International". outrightinternational.org. Archived from the original on 20 December 2022. Retrieved 20 December 2022.
  18. "Rainbow Street". Rainbow Street. Archived from the original on 3 November 2019. Retrieved 4 November 2019.
  19. "Ahwaa.org: Serving the Arab LGBT Community". majal.org. Archived from the original on 20 December 2022. Retrieved 20 December 2022.
  20. "LGBTQ+ Pride: Being queer and Arab - Qantara.de". Qantara.de - Dialogue with the Islamic World. Archived from the original on 1 April 2023. Retrieved 1 April 2023.
  21. Welsh, Jack (5 October 2022). "This Arab is Queer | Wed 16 Nov". Liverpool Arab Arts Festival. Archived from the original on 1 April 2023. Retrieved 1 April 2023.
  22. "Egyptian LGBTQI+ Activist Sara Hegazy Dies Aged 30 in Canada". Egyptian Streets. 14 June 2020. Archived from the original on 29 October 2020. Retrieved 2 April 2023.
  23. "Egyptian LGBT rights activist dies by suicide in Canada after 'failing to survive'". Egypt Today. 14 June 2020. Archived from the original on 2 April 2023. Retrieved 2 April 2023.
  24. Freedman, Eliyahu (21 February 2023). ""Η queerness είναι μέρος της παλαιστινιακής κουλτούρας" | LiFO" [Queerness is part of Palestinian culture. We've always been there]. www.lifo.gr (in Greek). Archived from the original on 23 March 2023. Retrieved 2 April 2023.
  25. "Le storie di 6 attivisti LGBTQ+ che stanno cambiando le cose in Africa e Medio Oriente" [The stories of 6 LGBTQ+ activists who are changing things in Africa and the Middle East]. Vogue Italia (in Italian). 14 February 2023. Archived from the original on 6 March 2023. Retrieved 2 April 2023.
  26. Ellwood-Hughes, Pip (16 June 2022). "'This Arab Is Queer: An Anthology by LGBTQ+ Arab Writers' review". Entertainment Focus. Archived from the original on 26 June 2022. Retrieved 2 April 2023.
  27. Hussain, Aneesha. "Review – This Arab is Queer: An Anthology by LGBTQ+ Arab Writers". Red Pepper. Archived from the original on 1 April 2023. Retrieved 1 April 2023.
  28. Marcus, Richard (2022). "LGBTQ+ Pride: Being queer and Arab - Qantara.de". Qantara.de - Dialogue with the Islamic World. Archived from the original on 1 April 2023. Retrieved 2 April 2023.
  29. Nas, Dr Khaliden (13 July 2022). "Book Review: This Arab Is Queer: An Anthology By LGBTQ+ Arab Writers". AZ Magazine. Archived from the original on 12 October 2022. Retrieved 2 April 2023.
  30. El Hajj, Sleiman (6 March 2023). "Reclaiming Arab queerness, debunking white saviors: This Arab is queer, an anthology by LGBTQ+ Arab writers". Journal of Postcolonial Writing: 1–4. doi:10.1080/17449855.2023.2179496. ISSN 1744-9855. S2CID 257396290.
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