Thomas Heberer (musician)

Heberer leads several projects, including past and present:

• Lip Lab, a trio with Carl Ludwig Hübsch on tuba and Christian Thomé on drums. The group released Lex Luna[4] on JazzHausMusik in 2007.
• Clarino, a trio with clarinetist Joachim Badenhorst and bassist Pascal Niggenkemper, released two albums: Klippe[5] in 2011 (Clean Feed) and 2012's Cookbook[6] (Red Toucan).
• X Marks the Spot, a quartet with guitarist Terrence McManus, bassist Michael Bates, and drummer Jeff Davis, debuted with an eponymous album[7] in 2019 on OutNow Recordings.
• A quartet, featuring saxophonist Ingrid Laubrock, bassist John Hébert, and drummer Michael Sarin. Their debut album The Day That Is[8] will be released on Sunnyside Records on October 22, 2021.

He has recorded and performed solo. Notable recordings include: The Heroic Millipede[9] in 1988 (ITM); "Kill Yr Darlins"[10] in 1997 (Poise); two albums on the Poise label under the pseudonym T.O.M.: Stella[11] in 2001 and Mouth[12] in 2003; the digitally released Sloops in 2007; and a vinyl-only release called One[13] on NoBusiness Records in 2011.

His solo work has been used for films and dance performances, including for two choreographies by Pina Bausch. Choreographer Bausch's Für die Kinder von gestern, heute and morgen[14] (2002) uses a track from "Stella" called German Measles; Bausch's Ten Chi[15] (2004), uses a track called Blue" from the album Mouth.

Wim Wenders used "Blue" in Pina,[16] which was nominated for an Academy Award in 2011 for Best Documentary Feature.[17]

"Blue" and "German Measles" were both used in Pina Bausch,[18] a documentary directed by Anne Linsel (WDR/Arte) in 2006 and re-released by the Goethe-Institut in 2012 (IN2998).

He has been a member of the Instant Composers Pool (ICP) Orchestra[19] from 1993[20] to present. Founded by Misha Mengelberg, Han Bennink and Willem Breuker, ICP currently comprises Han Bennink, Michael Moore, Ab Baars, Tobias Delius, Wolter Wierbos, Guus Janssen, Mary Oliver, Tristan Honsinger, and Ernst Glerum.[21]

During Heberer's involvement, the band has recorded numerous albums for hatOLOGY[22] and ICP,[23] and performed extensively around the world, including tours in Argentina, Australia, Brazil, Canada, China, Colombia, Europe, Japan and the US.[24] Notable US performances with ICP include the Library of Congress,[25] Harvard University, and the Great American Music Hall in San Francisco.

From 1987 to 2000, Heberer was a member of Alexander von Schlippenbach's Berlin Contemporary Jazz Orchestra,[26] which at the time included Evan Parker, Kenny Wheeler, Aki Takase, Paul Lovens and others. During his involvement, the Orchestra recorded three albums for ECM,[27] FMP[28] and DIW,[29] and performed in Europe and Japan.

Heberer was a member of Tome XX[30] with saxophonist Dirk Raulf, bassist Tim Wells (1987-1989), bassist, Dieter Manderscheid (1990-1996), and drummer Fritz Wittek. From 1987 to 1996, the band recorded four albums under the JazzHausMusik label, touring across Europe, Africa and South America.

From 1988 to 1996, Heberer was a member of the European Jazz Ensemble,[31] along with Joachim Kühn, Gerd Dudek, Konrad Bauer, Charlie Mariano, Tony Levin and others. In addition to performing across Europe, he is included on two recordings from the time: "Meets the Khan Family" (MA Music) and "20th Anniversary Tour" (Konnex).

Heberer received significant attention[1] in 1990 with his release of the album Chicago Breakdown: The Music of Jelly Roll Morton, recorded with bassist Dieter Manderscheid.[32] The Penguin Guide to Jazz gave Chicago Breakdown four stars, the publication's highest rating, citing it "highly recommended."[33] Heberer and Manderscheid went on to record two more duo albums: What a Wonderful World (2002), in recognition for the centenary of Louis Armstrong, and Wanderlust (2007), a reflection on American blues music. What a Wonderful World was critically acclaimed and received four out of five stars in Down Beat.[34] As a duo, Heberer and Manderscheid have performed across Europe, Asia and the US.

From 2008 to 2013, Heberer joined drummer Joe Hertenstein's band HNH with bassist Pascal Niggenkemper. The band released two records on Clean Feed: HNH (black album)[35] and HNH (white album).[36] With the addition of clarinetist Joachim Badenhorst, the band made an album called Polylemma[37] on Red Toucan records, released in 2011. That year, Polylemma won the Happy New Ears award from the Free Jazz Collective.[38]

In 2013, Heberer and longtime collaborator Achim Kaufmann released their first recording[39] on Red Toucan called Knoten,[40] followed by a second recording with Ken Filiano joining Kaufmann and Heberer, called Interstices on NuScope Recordings[41] in 2015.

In 2014, Heberer replaced the late Roy Campbell in the Nu Band, which comprises Mark Whitecage, Joe Fonda, and Lou Grassi; they toured Europe in 2014, 2016, 2017 and 2019. Two recordings were issued on Not Two Records: The Cosmological Constant[42] (2015) and Live in Geneva[43] (2017). Upon the passing[44] of Mark Whitecage in 2021, the group was joined by Ken Wessel.

In 2018, Heberer collaborated with tenor saxophonist Yoni Kretzmer and bassist Christian Weber. The trio recorded BIG[45] in 2018, which was released on OutNow Recordings.

In 2020, Heberer collaborated with bassist Joe Fonda and drummer Joe Hertenstein on an album called Remedy,[46] released in 2021 on the Fundacja Słuchaj! label.[47]

He participates as a sideman in numerous ensembles and recordings with leaders such as Muhal Richard Abrams, Peter Brötzmann, Han Bennink, Eugene Chadbourne, Dave Douglas, Joe Fonda, Frank Gratkowski, Barry Guy, Christoph Haberer, Gabriele Hasler, Joe Hertenstein, Guus Janssen, Maria João, Paul van Kemenade], Yoni Kretzmer, Misha Mengelberg, Butch Morris, Bob Moses, Alphonse Mouzon, David Murray, Sunny Murray, Michael Riessler, Alexander von Schlippenbach, Andreas Schmidt, Frank Schulte, Elliott Sharp, Norbert Stein, Steve Swell, Aki Takase, Attila Zoller, John Zorn.[1]