Timothy Ogene

Timothy Ogene is a writer and lecturer at Harvard.[1] He is the author of Descent & Other Poems, The Day Ends Like Any Day, and Seesaw.

Timothy Ogene
BornPort Harcourt, Nigeria
OccupationWriter
LanguageEnglish
Alma mater
  • St. Edward's University
  • University of East Anglia
  • Wolfson College, Oxford
  • Darwin College, Cambridge
PeriodContemporary
GenreLiterary fiction, satire
Notable awardsBook of the Year Award – Creative Writing, African Literature Association
Children1
Website
timothyogene.com

Biography

Born and raised in the outskirts of Port Harcourt in southern Nigeria, he has since lived in Liberia, the UK, and the US.[2] His work has appeared in Granta,[3] The Johannesburg Review of Books,[4] Harvard Review,[5] Tincture Journal,[6] Numero Cinq,[7] One Throne Magazine,[8] Poetry Quarterly,[9] Hong Kong Review of Books,[10] Glasgow Review of Books,[11] Tahoma Literary Review,[12] The Missing Slate,[13] Stirring, Kin Poetry Journal, Mad Swirl, Blue Rock Review, and other places.

Ogene holds a first degree in English and History from St. Edward's University and a Master's in World literatures in English from the University of Oxford, where his thesis on Chinua Achebe was co-supervised by Elleke Boehmer and Tiziana Morosetti [14][15] He later completed a Master's in Creative Writing at the University of East Anglia[16] and gained a PhD in English from the University of Cambridge. His dissertation on contemporary African writing was supervised by Christopher Warnes.[17][18] He also studied at the Summer School in Global Studies and Critical Theory at the University of Bologna.[19]

Twice nominated for a Pushcart Prize, he was shortlisted for the 2010 Arvon International Poetry Competition,[20] and his collection, Descent & Other Poems, was included in the Australian Book Review's Books of the Year 2016[21] and was also listed as a Literary Hub favourite for 2017.[22] Of his poetry, Felicity Plunkett writes: "Timothy Ogene’s poems are writings of witness, displacement and beauty. Instead of a home address there are poems as address, at once exquisitely gentle and acute. The sharpness of the poems’ blades—whether literal, like the blades that peel Cassavas and leave the speaker's arms scarred, or deeper injuries of trauma and loss—sits alongside their subtlety and tenderness. These are poems of deep attentiveness to the smallest encounters, and to the largest questions of love, doubt, solitude and migration. Their crafting reveals Ogene's deep reading, both of poetry and of the landscapes the poems explore. How do poems that bear witness to violence, loss and displacement open so gently to the reader? This paradox is one of many in these wise, important poems. I am reminded of Hélène Cixous’s description of Paul Celan’s poetry as ‘writing that speaks of and through disaster such that disaster and desert become author or spring’. Where trees hold ‘time in absent leaves’, these poems mourn roots but refrain from ‘easy paths’, offering, instead, the force and grace of a numinous poetics."[23]

In 2008, Timothy was selected to participate in the first Jane Goodall Global Youth Summit,[24] and in 2009 he was awarded a Dekeyser & Friends Fellowship by the Dekeyser & Friends Foundation. As part of the Dekeyser & Friends Fellowship, he "worked with [Markus Wasmeier and] an international group of young people to restore a 17th-century farmhouse in the German Alps utilizing original materials, traditional tools, wood-crafting and handicraft techniques."[25] [26]

While living in Liberia, he was a mentor at the Strongheart Fellows Program, "an innovative educational program to help exceptional young people from extremely challenging backgrounds rise above circumstance and excel in our larger shared world."[27] He also volunteered part-time teaching literature at Robertsport High School in Grand Cape Mount County.

Bibliography

Poetry

  • Descent & Other Poems, 2016 (finalist, Glenna Luschei Prize for African Poetry)[28]

Novels

  • The Day Ends Like Any Day, 2017 (winner, Book of the Year Award – Creative Writing, African Literature Association)[29]
  • Seesaw, Swift Press, 2021[30]

References

  1. "Timothy Ogene". aaas.fas.harvard.edu. Retrieved 23 August 2021.
  2. "Timothy Ogene | United Agents". www.unitedagents.co.uk. Retrieved 23 August 2021.
  3. "Timothy Ogene". Granta. Retrieved 9 April 2022.
  4. "[Fiction Issue] 'He was the sort of writer who saw himself as the carrier of his continent's honour'—Read an excerpt from Timothy Ogene's novel Seesaw". The Johannesburg Review of Books. 9 December 2021. Retrieved 9 April 2022.
  5. "Timothy Ogene | Harvard Review Online". harvardreview.fas.harvard.edu. Retrieved 29 March 2017.
  6. "A Sequence", Tincture Journal.
  7. "Absent Calls", Numero Cinq.
  8. "Notes from A Discarded Memoir", One Throne Magazine.
  9. Poets, Contributing (Winter–Summer 2012). Poetry Quarterly. ISBN 978-0615659077. Retrieved 24 August 2021.
  10. hongkongrb (25 January 2017). "Welcome to Lagos". HONG KONG REVIEW OF BOOKS 香港書評. Retrieved 10 February 2017.
  11. Glasgow Review of Books (29 March 2017). "A TROUBLING TRANSFORMATION: A. Igoni Barrett's 'Blackass'". Glasgow Review of Books. Retrieved 29 March 2017.
  12. "Monologue for Country and Ex-Neighbours", Tahoma Literary Review. Retrieved 21 November 2016.
  13. "A Strand of Ice", The Missing Slate. Retrieved 21 November 2016
  14. New Perspectives on Chinua Achebe, or the Writer Outside his Writing – http://bit.ly/2gfqZW3
  15. "Dr Tiziana Morosetti". www.africanstudies.ox.ac.uk. Retrieved 18 November 2022.
  16. "The Day Ends Like Any Day by Timothy Ogene". newwriting.net. Retrieved 24 August 2021.
  17. "Faculty of English: Graduate Students". University of Cambridge. Retrieved 23 August 2021.
  18. "Writing away : old affinities and new itineraries in contemporary African writing. - British Library". explore.bl.uk. Retrieved 18 November 2022.
  19. "PARTICIPANTS 2017 | Academy of Global Humanities and Critical Theory". aghct.org. Retrieved 15 November 2022.
  20. "Shortlist for Arvon Competition Announced | Write Out Loud". www.writeoutloud.net. 21 October 2010. Retrieved 4 February 2017.
  21. 2016 Books of the Year, Australian Book Review.
  22. "Our Favourite Collection of 2017". Literary Hub.
  23. Ogene, Timothy (2016). Descent & Other Poems. ISBN 978-0997505108.
  24. "Jane Goodall's Global Youth Summit". Flickr. Retrieved 26 December 2019.
  25. "Markus Wasmeier", Wikipedia, 22 May 2023, retrieved 25 May 2023
  26. "MUSEUM PROJECT – Dekeyser & Friends". Retrieved 3 January 2020.
  27. "History". Strongheart Group. Retrieved 26 December 2019.
  28. africanpoetrybf. "Ugandan Poet Juliane Okot Bitek Wins 2017 Glenna Luschei Prize for 100 Days". African Poetry Book Fund. Retrieved 27 June 2019.
  29. "Book of the Year Award – Creative Writing | African Literature Association". Retrieved 27 June 2019.
  30. "Seesaw by Timothy Ogene | Waterstones". www.waterstones.com. Retrieved 6 October 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.