Tissue (cloth)

Tissue is a thin, transparent, and lightweight material.[1][2] Tissue fabric is a suitable material for designing various types of garments, including saris.[3] Tissue is characterized by the use of metallic yarns for decorative purposes.[4] The tissue sari is composed of silk threads in the warp and zari in the weft.[5][6]

This article is about tissue fabric. For other uses, see Tissue (disambiguation).

Etymology

The word tissue has its origins in the French language, specifically from the term tissu, which means fabric.[7]

Characteristics and types

The term tissue is used to denote a type of fabrics that are characterized by their delicate, lightweight, and transparent nature.[1][2][7] Tissue gingham is a type of plain-weave fabric that is lightweight and is characterized by its yarn-dyed construction.[8] Tissue fabric may be woven, knitted, or even nonwoven, and features a film-like layer.[9]

Tissue faille is a type of lightweight dress material, which is produced using an acetate warp and rayon in the weft. At one point, it was also recognized as a trademark material and commonly used for blouses.[7]

The tissue figured cloths belong to the class of intricately patterned muslins that are produced using the jacquard weaving technique. These textiles are created using fine threads for the base material, while the designs are formed through the use of thicker filling yarns.[7] Tissue taffeta can be described as a taffeta textile that is both delicate and lightweight, featuring a sheer quality.[7] The fabric known as silver or gold tissue can be characterized as a type of metal cloth, woven from fine threads of silver or gold, and possessing a transparent and gauzy texture.[2] Tissue matalassé was a type of Tissue fabric introduced in 1839, characterized by a surface of small squares resembling quilting. This fabric was commonly used for making overcoats for men.[10]

Use

The mention of court dresses,[11] gowns made from tissue fabric is noted in records from the early 1700s.[12] Tissue has been used as dress material for various types of clothing, such as saris, turbans, veils, and others.[1] Negligee are made from wool and silk blends.[13]

Tissue fabric has been utilized in women's clothing for a considerable period of time. Historical records reveal several instances of dresses made from Tissue fabric, which have been utilized in various ways. Here are a few examples:

  • In 1851, Queen Victoria wore a pink dress made from shot silk and silver tissue to the opening of the Great Exhibition.[14]
  • Princess Charlotte of England wore a trained wedding dress in 1816, which was made of machine-made warp net of silk and embellished with silver thread and strip embroidery. The net borders were adorned with floral, leaf, and shell motifs, while the underskirt was crafted from silver tissue.[14]
  • Tissue satins, alongside other lightweight fabrics such as satin-backed crepes and crepes de Chine, held the predominant position in the realm of women's high fashion during the 1920s.[15]

Tissue sari

A tissue saree (or tar-bana[16]) is typically composed of a pure silk body on the warp, while the weft and borders are made of gold thread. Additionally, the weft is made of gold lace and the silk warp is doubled in both the heddles and reed, resulting in a heavier fabric than usual.[17][18] Brocades on Tissue sarees are woven using silk yarn for the body and feature exquisite zari patterns on the pallu, which is the border of the sari.[19]

Kanchipuram is a well-known hub for crafting Tissue sarees, which are made by skillfully interweaving silk and lace. These sarees are available in different sizes, ranging from 0.61 to 1.32 meters in width and 5.49 to 9.14 meters in length. They are adorned with various colors and designs, and boast attractive borders.[20][21]

Banaras has been renowned for its weaving heritage since ancient times. The city is particularly celebrated for producing various types of sarees in its weaving centers. Among these, several exclusive varieties hold a special place, including jangla, tanchoi, vaskat, cutwork, tissue, and butidar.[22]

Indian fashion designers continue to incorporate Tissue fabric as a decorative element in their dress collections. Designed by Sabyasachi, Alia Bhatt wore an embroidered handwoven tissue veil during her wedding ceremony.[23][24] Manish Malhotra designed a sari which was adorned with large tissue ruffles, worn by Mira Rajput Kapoor.[25]

References
  1. Agrawal, Yashodhara (2003). Silk brocades. Internet Archive. New Delhi : Roli Books. p. 65. ISBN 978-81-7436-258-2.
  2. Picken, Mary Brooks (1999). A dictionary of costume and fashion : historic and modern : with over 950 illustrations. Internet Archive. Mineola, NY : Dover Publications. p. 352. ISBN 978-0-486-40294-9.
  3. Indian Trade Journal. Department of Commercial Intelligence and Statistics. 1963. p. 1209. Archived from the original on 7 April 2023. Retrieved 7 April 2023.
  4. Hart, Avril (1998). Fashion in detail : from the 17th and 18th centuries. Internet Archive. New York : Rizzoli : [Distributed by St. Martin's Press]. p. 222. ISBN 978-0-8478-2151-8.
  5. Dhamija, Jasleen (1995). The Woven Silks of India. Marg Publications. p. 104. ISBN 978-81-85026-28-2. Archived from the original on 25 April 2023. Retrieved 25 April 2023.
  6. King, Brenda M. (3 September 2005). Silk and Empire. Manchester University Press. pp. xviii. ISBN 978-0-7190-6700-6. Archived from the original on 25 April 2023. Retrieved 25 April 2023.
  7. Fairchild's dictionary of textiles. Internet Archive. New York, Fairchild Publications. 1959. p. 559.{{cite book}}: CS1 maint: others (link)
  8. Kadolph, Sara J. (1998). Textiles. Internet Archive. Upper Saddle River, N.J. : Merrill. p. 409. ISBN 978-0-13-494592-7.
  9. Textiles By Kadolph Sara J Marck. p. 1837.
  10. Cumming, Valerie (2010). The dictionary of fashion history. Internet Archive. Oxford ; New York : Berg. p. 274. ISBN 978-1-84788-534-0.
  11. Hayward, Maria (5 July 2017). Dress at the Court of King Henry VIII. Routledge. p. 205. ISBN 978-1-351-56917-0. Archived from the original on 7 April 2023. Retrieved 7 April 2023.
  12. LUSON, Jane (1835). Exhibition of Ancient Female Court Costume ... [By Permission of the Executors of Mrs. Jane Luson.] Third Edition. W. Barnes. p. 19. Archived from the original on 7 April 2023. Retrieved 7 April 2023.
  13. Pinhorn), Jane Thomas (née (1858). The London and Paris ladies' magazine of fashion, ed. by mrs. Edward Thomas. Archived from the original on 7 April 2023. Retrieved 7 April 2023. The mixed tissues of wool and silk are exclusively reserved for negligés .
  14. Baclawski, Karen (1995). The guide to historic costume. Internet Archive. New York : Drama Book Publishers. pp. 99, 225. ISBN 978-0-89676-137-7.
  15. Elegance in an age of crisis : fashions of the 1930s. Internet Archive. New Haven : Yale University Press ; New York : Fashion Institute of Technology. 2014. p. 63. ISBN 978-0-300-20420-9.{{cite book}}: CS1 maint: others (link)
  16. Mohanty, Bijoy Chandra (1984). Brocaded Fabrics of India. Calico Museum of Textiles. p. 29. Archived from the original on 7 April 2023. Retrieved 7 April 2023.
  17. General, India (Republic) Office of the Registrar (1964). Census of India, 1961. Manager of Publications. p. 10. Archived from the original on 7 April 2023. Retrieved 7 April 2023.
  18. Textiles and Dress of India: Socio-economic, Environmental and Symbolic Significance. University of Minnesota. 1992. p. 254. Archived from the original on 7 April 2023. Retrieved 7 April 2023.
  19. Sumathi, G. J. (2007). Elements of Fashion and Apparel Design. New Age International. p. 60. ISBN 978-81-224-1371-7. Archived from the original on 21 April 2023. Retrieved 7 April 2023.
  20. Madras Information. Director of Information and Publicity, Government of Madras. 1968. p. 20. Archived from the original on 21 April 2023. Retrieved 7 April 2023.
  21. Cultures, Institute of Traditional (1968). Bulletin of the Institute of Traditional Cultures, Madras. University of Madras. p. 339. Archived from the original on 7 April 2023. Retrieved 7 April 2023.
  22. Buch, Nidhi; Trivedi, Hetvi (30 December 2021). Geographical Indications of Indian Handlooms: Between Legal Right and Real Right. Taylor & Francis. p. 59. ISBN 978-1-000-52225-9. Archived from the original on 26 April 2023. Retrieved 26 April 2023.
  23. "Alia Bhatt is not your quintessential bride in red lehenga but a stunning Sabyasachi dulhan in ivory saree. We love!". India Today. Archived from the original on 6 April 2023. Retrieved 6 April 2023.
  24. "Did Kangana Ranaut wear Alia Bhatt's wedding saree before her? Find out". TimesNow. 15 April 2022. Archived from the original on 6 April 2023. Retrieved 6 April 2023.
  25. "11 times celebrities proved that ruffled saris are this season's favourite wedding outfit". Vogue India. 20 November 2019. Archived from the original on 6 April 2023. Retrieved 6 April 2023.
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