Tivadar Csontváry Kosztka

Csontváry was born on 5 July 1853 in Kisszeben, Sáros County, Kingdom of Hungary (today Sabinov, Slovakia), and died 20 June 1919 in Budapest. His father, Dr. László Kosztka, was a physician and pharmacist, his mother was Franciska Hajczelmajer of Darócz (now Šarišské Dravce, Slovakia).[3] His ancestors on his father's side were Poles who settled in Hungary.[4] Although Csontváry was obsessed with his Magyar roots, he grew up speaking Slovak mixed with German.[5] He was a pharmacist until his twenties.[6]

On the hot sunny afternoon of 13 October 1880, when he was 27 years old, he had a mystic vision. He heard a voice saying, "You are going to be the greatest painter of the world, greater than Raphael."[7] He took journeys around Europe, visited the galleries of the Vatican, and returned to Hungary to earn money for his journeys by working as an apothecary. From 1890, he traveled around the world. He visited Paris, the Mediterraneum (Dalmatia, Italy, Greece), North Africa and the Middle East (Lebanon, Palestine, Egypt, Syria) and painted pictures. Often his pictures are very large, several meters (yards) wide and height is not unusual.

He painted his major works between 1903 and 1909. He had some exhibitions in Paris (1907) and Western Europe. Most of the critics in Western Europe recognized his abilities, art and congeniality, but in the Kingdom of Hungary during his life, he was considered to be an eccentric crank for several reasons, e. g. for his vegetarianism, anti-alcoholism, anti-smoking, pacifism, and his cloudy, prophetic writings and pamphlets about his life (Curriculum), genius (The Authority, The Genius) and religious philosophy (The Positivum). Some of his biographists considered this as a latent, but increasingly disruptive schizophrenia.[8] Although he was later acclaimed, during his lifetime Csontváry found little understanding for his visionary, expressionistic style. A loner by nature, his "failure" impaired his creative power.

After his death, 42 of Csontváry's paintings lay rolled up, and his heirs almost sold them to be used as cart tarp. They might have been lost forever, if an architect named Gedeon Gerlóczy had not been searching for a studio at the very time and in the very place, stumbling upon the paintings and buying them. For fifty years, these works of art were gathering dust in Gerlóczy's apartment.

He painted more than one hundred pictures, the most famous and emblematic of which is probably The Lonely Cedar (Magányos cédrus). His art connects with post-impressionism and expressionism, but he was an autodidact and cannot be classified into one style. He identified as a "sunway"-painter, a term which he created.

Csontváry is remembered as the “mad painter” in Hungary. Sources, including his own diary indicate that he had suffered from mental disorder at least from the time of his first auditory hallucination experienced at age 27.[7] Many believe that his unique artistic style is a product of his mental difficulties,[9] although opinion is split as to what, if any mental disorder affected the Csontváry and whether that is reflected is his art.[10]  

Traui at sunset

• The Csontváry Museum in Pécs, Hungary, was founded in his honor and holds many of his works.

"I, Tivadar Kosztka, who gave up his prime of youth for the rebirth of the world, accepting the call of the invisible Spirit, had a regular civil job, comfort, wealth then (...) Going to Paris in 1907 I oppositely stood alone in front of millions with only the result of the divine providence, and I beat the vanity of the world hollow, but I haven't killed 10 million people, only sobered them, I haven't made commercials from things, because I didn't care for the pedlar's press; I retired from the world instead, going to the top of the Lebanons, and I painted cedars."

T., Cs. K.: The Positivum.

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  Woman sitting in the window.
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  Deer.
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  Bird of Prey.
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  Tennis party.
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  People passing a bridge, 1901
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  Castellamare di stabia, 1902
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  Panorama of Selmecbánya
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  Rendez-vous of Lovers, c. 1902
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  Old Fisherman
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  Waterfall at Schaffhausen 1903
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  Waterfall at Jajce
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  Tivadar Csontváry Kosztka, painting 1903
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  Springtime in Mostar, 1903, Csontváry Museum, Pécs
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  The praying Prophet (The Young Man from Nain), 1903.
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  The Wailing Wall in Jerusalem, 1904
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  The Mount of Olives in Jerusalem
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  Pilgrimage to the Cedars in Lebanon, 1907, Hungarian National Gallery, Budapest
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  The Lonely Cedar, 1907, Csontváry Museum, Pécs
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  Maria's well in Nazareth
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  The riders at the sea, 1909
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  Ruins of Greek Theatre at Taormina, 1905, Hungarian National Gallery, Budapest

• Mansbach, Steven A.; V. West, Richard (1991). Standing in the tempest: painters of the Hungarian avant-garde, 1908-1930. Santa Barbara Museum of Art. ISBN 978-0-262-13274-9.

• Németh, Lajos. Csontváry. Budapest: Corvina, 1992. ISBN 963 13 2635 7.

Wikimedia Commons has media related to Csontváry Kosztka Tivadar.

Wikiquote has quotations related to Tivadar Csontváry Kosztka.

• An extremely high-res photo of painting Ruins of Greek Theatre at Taormina (courtesy of Hungarian National Gallery)
• Csontváry Museum, Pécs (after first switching to English)
• Fine Arts in Hungary
• Short biography
• Csontváry (1980) at IMDb
• Csontvary on the Oceanbidge
• Csontvary in Encyclopedia - Britannica Online Encyclopedia
• Csontváry Geniusz exhibition in Budapest, 2015