Tony DiPreta

Born July 9, 1921, in Stamford, Connecticut,[3] to a family that included brothers Joe and Leonard,[4] Tony DiPreta grew up during the Great Depression, during which his father had little or no work and his mother sewed in a sweat shop for $7 a week. He decided while in junior high school that he would pursue an art career after reading in the local newspaper that cartoonist H. T. Webster made $50,000 a year. "I thought, 'Boy, that's a lot.' I went down and saw him, and he talked to me. Then I started drawing for my junior high school. It made me feel like I could really draw."[4] DiPreta took art classes when he attended Stamford High School. After graduating, DiPreta and fellow future professionals Red Wexler and Bob Fujitani took classes at the Silvermine Guild, where the trio drew from live models.

DiPreta had worked for a local advertising agency while attending high school, and after a year doing that, he obtained a union job at McCalls Photo Engraving, also in Stamford. During his subsequent year at McCalls, DiPreta began coloring comic books for company client Quality Comics, located a half-mile away. Separately, DiPreta freelanced as a fill-in letterer for Lyman Young's newspaper comic strip Tim Tyler's Luck. DiPreta recalled, "My brother Joe used to caddy [at the old Greenwich golf course]. ... Lyman Young, who did Tim Tyler's Luck, used to play there, and my brother was once lucky enough to caddy for Lyman Young. He told Lyman Young that I wanted to be a cartoonist, and Young said, 'Well, bring him down.' ... I went to see him and he said, 'Why don't you letter my strip?' But this wasn't a permanent job. He'd call me on a Saturday afternoon — when he wanted to play golf — and I'd come over and letter his strips."[5]

After seeing the portfolio samples that DiPreta brought to him during a lunch hour in 1940, Quality publisher Everett M. "Busy" Arnold hired DiPreta as a staff letterer for $25 per week, a wage equal to that of his now-working father's well-paying job as a defense industry worker. Under editor Ed Cronin and Cronin's assistant Gill Fox, DiPreta was sent to Quality artist Lou Fine's Tudor City studio in Manhattan to observe and learn from Fine's highly regarded draftsmanship. Shortly afterward, Arnold was concerned over what he saw as Fine's undynamic storytelling, and had Fujitani and DiPreta do pencil-breakdowns for a story each that Fine would finish penciling and inking; DiPreta's starred the character Uncle Sam. At some point, he studied at Columbia University and the University of Connecticut.[3]

DiPreta's first generally accepted solo art credit in comics is a one-page humor filler in publisher Quality's National Comics #8 (Feb. 1941).[6] His first confirmable credit is a similar filler in the company's Doll Man #2 (Spring 1942).[7]

In 1941, DiPreta visited New York City's Timely Comics, the 1940s predecessor of Marvel Comics. Going on a Saturday, DiPreta recalled, he nonetheless met editor-in-chief Stan Lee, who had DiPreta ink a story for the humor feature "Ziggy Pig and Silly Seal". DiPreta recalled, "I was paid either seven bucks or eight bucks a page. The story was seven or eight pages long. However, it all worked out, I was going to get $57 for this job", which he delivered to Lee the following Saturday. "I thought, 'Hey, 25 bucks a week from Arnold is pretty good, but 57 bucks a week is better'. I decided to go freelance",[8] and did so beginning April 1, 1941.

Following that initial Timely story, DiPreta drew only sporadically for the company during the 1940s due to steady work from former Quality editor Cronin, who by then was at Hillman Periodicals. DiPreta drew such Hillman humor features as "Buttons the Rabbit", "Captain Codfish", "Earl the Rich Rabbit", "Fatsy McPig", "One Wing Spin", "Skinny McGinty" (in Air Fighters Comics) and "Stupid Manny" (in Clue Comics). DiPreta concurrently drew Quality humor features, including "Blimpy" (in Feature Comics), "Windy Breeze", and "Mayor Midge" for Quality.[9]

DiPreta did his first dramatic work, a war story, for editor Vin Sullivan's Columbia Comics. He also drew the lead feature, "Airboy", in at Air Fighters Comics #7-9 (April–June 1943). Also, DiPreta occasionally drew the superheroes "Boy King" and "Zippo" — no relation to the popular brand of cigarette lighter — for Hillman's Clue Comics and "Magno" for Ace Magazines' Super-Mystery Comics, as well as a small amount of comics work for Et-Es-Go Magazines, Lev Gleason Publications, and editor Leonard B. Cole at Holyoke Publishing. DiPreta also drew public service announcement one-pagers with Airboy and Iron Ace.[9]

Afflicted by a heart murmur since age 13, DiPreta was rejected for World War II military service as 4F. As the war progressed, DiPreta read a newspaper article saying anyone not doing war-related work would be drafted no matter their physical condition, and at least work stateside. DiPreta recalled he was re-designated 4C,[8] although 4C is the designation for an alien or dual national. In any event, DiPreta was never called into service.

DiPreta's last known comics credit is A.C.E. Comics' Fantastic Adventures #3 (Oct. 1987), for which he penciled and inked the cover, the four-page humor story "The Score Board Kid" (by writer Jerry DeFuccio), and "The Motor-Man On Wheels!", a six-page DeFuccio profile of DiPreta and the artist's Golden Age character Zippo.[9]

In November 1960, DiPreta married Frances, who died September 26, 2009.[4] The couple had two sons, Richard and Edward, and a daughter, Janet.[4]

DiPreta died of respiratory and cardiac arrest in Greenwich, Connecticut, on June 2, 2010, aged 88.[4]

• Tony DiPreta at the Comic Book DB (archived from the original)