Translate Slowly

Translate Slowly is the 1985 debut album by The Reivers. This album was originally released under the band's original name, Zeitgeist, but was remixed in 1988 and re-released under the band name The Reivers, after another band claimed rights to the name "Zeitgeist."

Translate Slowly
Original cover art
Studio album by
Released1985
GenreRock
Length46:05
LabelDB
ProducerJohn Croslin and John Viehweg
The Reivers chronology
Translate Slowly
(1985)
Saturday
(1987)
Professional ratings
Review scores
SourceRating
Allmusic [1]
Robert ChristgauB−[2]

The album received positive attention from many critics. The Austin Chronicle's Austin Music Awards ranked it the third best album of 1985,[3] and Los Angeles Times critic Robert Hilburn included it on his year-end list of the best 100 records of the year.[4] Ted Simons of Spin magazine called it "one of the better independent releases of the year", although he expressed reservations about what he found to be "heavy-handed" harmonies on some tracks.[5]

The album's opening track, "Araby", was later covered by Hootie and the Blowfish on their 2000 collection Scattered, Smothered and Covered.[6][7] Ryan Adams has named this album as a leading influence on his own musical style.[8]

Track listing

All songs written by the Reivers except where noted

  1. "Araby" – 2:38
  2. "Cowboys" – 2:39
  3. "Legendary Man" – 4:37
  4. "Blue Eyes" (Fred Rose) – 2:57
  5. "She Digs Ornette" – 2:44
  6. "Things Don't Change" – 4:08
  7. "Translate Slowly" – 3:05
  8. "Sound and the Fury" – 2:43
  9. "Without My Sight" – 3:08
  10. "I Knew" – 4:40
  11. "Freight Train Rain" – 2:28
  12. "Hill Country Theme" (Glenn Paxton) – 2:35
  13. "Electra" – 3:04
  14. "Wherehaus Jamb" – 1:51
  15. "Walking the Cow" (Daniel Johnston) – 2:36

The last three tracks are "bonus" songs on the CD, which were not included on the original release of the album. Three tracks--"Wherehaus Jamb," "Freight Train Rain," and "Electra"—had been released previously on a 1984 EP entitled Zeitgeist, produced by John Croslin, recorded by John Viehweg, and released by DB Records.

References

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