Tregear's Black Jokes

Tregear's Black Jokes was a collection of more than 40 anti-black racist cartoons, published in London by bookseller Gabriel Shear Tregear in the 1830s. The cartoons could be purchased individually or in bound albums in Tregear's shop. Tregear published two series, Life in Philadelphia (1833) and Tregear's Black Jokes (1834), plus additional cartoons.

Grand Celebration ob de Bobalition ob African Slabery (1833) by I. Harris (a.k.a. Edward W. Clay)

Life in Philadelphia (Tregear)

Tregear's first series was published in 1833 under the name "Life in Philadelphia." This was the same name that had been used by American illustrator Edward Williams Clay for his 1828-1830 cartoon series, published in the United States. "The cartoons were so popular that the term 'Life in Philadelphia' became a standard phrase to refer to fashions, trends, andmost especiallyblack Philadelphians' social practices and sartorial choices."[1]:137 In 1831, British illustrator William Summers redrew and enlarged ten of Clay's cartoons, which were engraved by Charles Hunt, and issued as color lithographs by London publisher Harrison Isaacs.

Of the twelve cartoons in Tregear's initial series, Summers designed and drew nine, two were reissues of Clay cartoons redrawn by Summers (from Isaacs), and Charles Hunt engraved all eleven as lithographs.[2] The last cartoon was credited as "Drawn & Engraved by I. Harris." "I. Harris" is now accepted as a pseudonym for Edward Williams Clay himself.[3] Another eight of the Clay cartoons redrawn by Summers (from Isaacs) were soon reissued to expand the first Tregear series to twenty plates.[4]

While the successful transfer of Clay's cartoons was attributable in part to the shared cultural backgrounds and common understandings of London and Philadelphia, the London cartoons took on a new meaning and form. London artists like Isaacs, Summers, Hunt, and Tregear made changes that signposted shifts in the cartoons' meanings, exaggerated the features of Philadelphian blacks even more grotesquely than had Clay, rendering them more bestial in anatomy and features.[1]:145

Plate Title Image Artist Publisher Year Captions Notes
No. 1 Dark Conversation William Summers G. S. Tregear,
London
c.1833 "Bery Black looking day dis Mons'r."
"Yes Bery stormy. De Blacks flying about so make it Petickly Disagreable."
No. 2 An Unfair Reflection William Summers G. S. Tregrear,
London
c.1833 "It was bery Unfair ob Mifs Carolina to Reflect on de Palenefs ob my
Complexion. I consider dat I hab got a bery Good Color."
No. 3 The New Shoes William Summers G. S. Tregear,
London
c.1833
No. 4 The Lub Letter William Summers G. S. Tregear,
London
c.1833
No. 5 A Black Charge William Summers G. S. Tregear,
London
c.1833 "Please y-'r Worship I hab taken up dis Nigger!! case he-'s -nebriated and
-sulting to de Fair sec."
No. 6 The Valentine William Summers G. S. Tregear c.1833 "Holl'a! What's all dis about
'De rose is Red de Violets blue'
'De Debil's Black and so are You.'
Well dat's bery Fair indeed."
No. 7 A Black Tea Party William Summers G. S. Tregear,
London
c.1833
No. 8 How you find yourself dis hot Weader
Mifs Chloe?
"Engraved by Charles Hunt"
(after Edward William Clay)
Harrison Isaacs,
London
c.1831
No. 9 Have you any Flesh coloured Silk
Stockings, young Man?
"Engraved by Charles Hunt"
(after Edward Williams Clay)
Harrison Isaacs,
London
c.1831
No. 10 A Black Ball William Summers G. S. Tregear,
London
c.1833
No. 11 Grand Celebration ob de Bobalition
ob African Slabery
Drawn & engraved by I. Harris
(Edward Williams Clay)[3]
G. S. Tregear,
London
1833
No. 12 Romeo and Juliet William Summers G. S. Tregear,
London
c.1833 ROMEO._"How Silber sweet, sounds Lubbers Tongues by Night; like
sorptest Music to attending Ears."

JULIET._"Dou know'st de mask ob night is on my face, else would a
maiden blush bepaint my cheek."

Additions

In 1831, William Summers and Charles Hunt copied ten cartoons from Edward Williams Clay's Life in Philadelphia series for publisher Harrison Isaacs.[2] Tregear's version of Life in Philadelphia initially reprinted two of the cartoons from Isaacs, but soon added eight more, bringing its number of plates to twenty.[4]

At least two alternate cartoons, copied from Clay, were reissued by Tregear under the name "Life in Philadelphia."

Plate Title Image Artist Publisher Year Captions Notes
No. 13 A Crier Extraordinary "Engraved by Charles Hunt"
(after Charles William Clay)
Harrison Isaacs,
London
c.1831
No. 14 What you tink of my new Poke bonnet,
Frederich Augustus?
"Engraved by Charles Hunt"
(after Charles William Clay)
Harrison Isaacs,
London
c.1831
No. 15 Hurrah! Hurrah for General Jackson!! "Engraved by Charles Hunt"
(after Charles William Clay)
Harrison Isaacs,
London
c.1831
No. 16 Shall I hab de honour to dance the next
quadrille wid you, Mifs Minta?
"Engraved by Charles Hunt"
(after Charles William Clay)
Harrison Isaacs,
London
c.1831
No. 17 Is Mifs Dinah at Home? "Engraved by Charles Hunt"
(after Charles William Clay)
Harrison Isaacs,
London
c.1831
No. 18 How you like de new fashion shirt, Mifs
Florinda?
"Engraved by Charles Hunt"
(after Charles William Clay)
Harrison Isaacs,
London
c.1831
No. 19 Take away dose rosy lips. "Engraved by Charles Hunt"
(after Charles William Clay)
Harrison Isaacs,
London
c.1831
No. 20 How do you like the waltz, Mr. Lorenzo? "Engraved by Charles Hunt"
(after Charles William Clay)
Harrison Isaacs,
London
c.1831
Alternates
The Cut Direct: or How
to get up in the World
unidentified
(after Edward W. Clay)
W. H. Isaacs,
London
c.1832
Sketches of Character:
At Home and Abroad
H. Harrison
(after Edward W. Clay)
W. H. Isaccs,
London
c.1833

Tregear's Black Jokes

Tregear's second series was titled Tregear's Black Jokes, being a Series of Laughable Caricatures in the March of Manners amongst the Blacks.[2] It consisted of twenty new cartoons drawn by Summers and engraved by Hunt, and was published in 1834.

The second series was reissued in 1860 by London publisher T. C. Lewis.[2]

Plate Title Image Artist Publisher Year Captions Notes
No. 1 The Promenade William Summers G. S. Tregrear,
London
1834
No. 2 The Lady Patroness of Allblacks William Summers G. S. Tregrear,
London
1834
No. 3 Marriage ala Mode William Summers G. S. Tregrear,
London
1834
No. 4 The Christening William Summers G. S. Tregrear,
London
1834
No. 5 Venus and Adonis William Summers G. S. Tregrear,
London
1834
No. 6 The Route William Summers G. S. Tregrear,
London
1834
No. 7 The Card Party William Summers G. S. Tregrear,
London
1834
No. 8 The Breaking Up William Summers G. S. Tregrear,
London
1834
No. 9 Othello William Summers G. S. Tregrear,
London
1834
No. 10 The Concert William Summers G. S. Tregrear,
London
1834
No. 11 Miss Whites Birthday Party William Summers G. S. Tregrear,
London
1834
No. 12 The Lubbers Quarrel William Summers G. S. Tregrear,
London
1834
No. 13 Blackberrying William Summers G. S. Tregrear,
London
1834
No. 14 Don Juan and Zerline William Summers G. S. Tregrear,
London
1834
No. 15 Cinderella and the Black Prince William Summers G. S. Tregrear,
London
1834
No. 16 The Portrait William Summers G. S. Tregrear,
London
1834
No. 17 The First Lesson William Summers G. S. Tregrear,
London
1834
No. 18 The Advertisement William Summers G. S. Tregrear,
London
1834
No. 19 The Wedding Feast William Summers G. S. Tregrear,
London
1834
No. 20 The Elopement William Summers G. S. Tregrear,
London
1834

References

  1. Jenna B. Gibbs, Performing in the Temple of Liberty: Slavery, Theater, and Popular Culture (Baltimore: Johns Hopkins University Press, 2014).
  2. Life in Philadelphia (London). from Library Company of Philadelphia.
  3. Life in Philadelphia Caricature from The Encyclopedia of Greater Philadelphia.
  4. Nancy Reynolds Davison, E. W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., University of Michigan, 1980), pp. 85-100.


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