Gondolin

Sketch map of Beleriand in the First Age. Gondolin (centre top) is encircled by mountains.

The city of Gondolin[lower-alpha 1] in Beleriand, in the extreme northwest of Middle-earth, is founded with divine inspiration. The mightiest of the Elvish cities, it is hidden by mountains and endures for centuries before being betrayed and destroyed.[T 2]

Gondolin is founded by King Turgon[1] in the First Age. According to The Silmarillion, the Vala Ulmo, the Lord of Waters, shows Turgon the Vale of Tumladen in a dream. Thus guided, Turgon travels from his kingdom in Nevrast and finds it. Within the Encircling Mountains is a round level plain surrounded by sheer walls; a ravine and tunnel, the Hidden Way, lead out to the southwest. In the middle of the vale is the steep Amon Gwareth, the "Hill of Watch". There Turgon decides to found a city, designed like the Noldor Elves' former city of Tirion in Valinor. Gondolin is built in secret. The Hidden Way is protected by seven gates, all constantly guarded; the first of wood, then stone, bronze, iron, silver, gold, and steel. After it is completed, he brings all his people from Nevrast to dwell in the hidden city—almost a third of the Noldor of Fingolfin's House—and nearly three quarters of the northern Sindar.[T 2]

Gondolin develops its own Sindarin dialect, containing regional elements and words adapted from another Elvish language, Quenya.[lower-alpha 2][T 4]

The Elven smiths of Gondolin make powerful weapons. In The Hobbit, the Gondolin-made swords Orcrist, Glamdring and the dagger later named Sting are found in a Troll-hoard.[T 5] Each of these weapons has the ability to reveal nearby Orcs by glowing; they terrify Orcs in battle.[2]

According to The Book of Lost Tales, the city has seven names: "’Tis said and ’tis sung: Gondobar am I called and Gondothlimbar, City of Stone and City of the Dwellers in Stone; Gondolin the Stone of Song and Gwarestrin am I named, the Tower of the Guard, Gar Thurion or the Secret Place, for I am hidden from the eyes of Melko; but they who love me most greatly call me Loth, for like a flower am I, even Lothengriol the flower that blooms on the plain."[T 6]

Each House of Gondolin had its own emblem; in the House of the Harp, "a harp of silver shone in their blazonry upon a field of black."[T 7]

Tuor's bodyguard "wore wings as it were of swans or gulls upon their helms, and the emblem of the White Wing was upon their shields."[T 7]

Maeglin's House of Moles wore plain black: "Sable was their harness, and they bore no sign or emblem, but their round caps of steel were covered with moleskin."[T 7]

The Book of Lost Tales states that the active male Elves of Gondolin belong to one of the 11 "Houses" or Thlim, plus the bodyguard of Tuor, accounted as the twelfth. Each house has a distinct symbol: a mole, a swallow, the heavens, a pillar, a tower of snow, a tree, a golden flower, a fountain, a harp, a hammer and anvil, and finally the triple symbol of the King, namely the moon, sun, and scarlet heart worn by the Royal Guard.[T 8]

The city stands for nearly 400 years until Maeglin, Turgon's nephew, betrays it to Morgoth. Maeglin is captured while mining outside the Encircling Mountains, against Turgon's orders. Maeglin is promised Lordship as well as Turgon's daughter Idril, whom he had long coveted. The dark lord Morgoth sends an army over the Encircling Mountains during Gondolin's festival of The Gates of Summer, and sacks the city with relative ease. Morgoth's army consists of orcs, Balrogs, dragons and in early versions of the story iron machines powered by "internal fires". These are used to carry soldiers, to surmount difficult obstacles, and to defeat fortifications.[3] Idril, noted for her intuition, had prepared a secret route out of Gondolin prior to the siege.[4] While her father Turgon perishes as his tower is destroyed, Idril flees the city, defended by her husband Tuor, a prince of Men.[T 2]

Tolkien scholars have compared the fall of Gondolin to the sack of Troy, noting that both cities were famed for their walls, and likening Tolkien's tale to Virgil's Aeneid. Both have frame stories, situated long after the events they narrate; both have "gods" (Tolkien's Valar) in the action; and both involve an escape.[5][6][7] David Greenman compares the actions of Tolkien's quest-heroes to those of Aeneas and Odysseus.[6]

Greenman compares and contrasts Idril's part in the story to Cassandra and Helen of Troy, two prominent female figures in accounts of the Trojan War: like the prophetess, Idril had a premonition of impending danger and like Helen, her beauty played a major role in instigating Maeglin's betrayal of Gondolin, which ultimately led to its downfall and ruin. Conversely, Greenman notes that Idril's advice to enact a contingency plan for a secret escape route out of Gondolin was heeded by her people, unlike the warning of Cassandra; and that Idril had always rejected Maeglin's advances and remained faithful to Tuor, unlike Helen who left her husband King Menelaus of Sparta for Prince Paris of Troy.[6]

Alexander Bruce writes that Tolkien's tale parallels Virgil's account, but varies the story. Thus, Morgoth attacks while Gondolin's guard is lowered during a great feast, whereas the Trojans were celebrating the Greeks' apparent retreat, with the additional note of treachery. The Trojan Horse carried the Greeks into Troy, where they set fire to it, paralleled by the fire-serpents which carried "Balrogs in hundreds" into Gondolin. Tolkien's serpents are matched by the great serpents with "burning eyes, fiery and suffused with blood, their tongues a-flicker out of hissing maws" which kill the high priest Laocoön and his sons. Aeneas and his wife Creusa become separated during their escape; her ghost pleads with him to leave when he searches for her, and he travels to Italy; in contrast, Tuor and Idril escape to Sirion together, eventually sailing from there to Valinor.[5] Marco Cristini adds that both cities are fatally attacked during a feast; their heroes both leave their wives to fight, and both see their kings die.[7] Cristini comments further that "The most evident analogy is perhaps the behaviour of Creusa and Idril, who clasp the knees of their husbands to prevent them from joining again the battle when all hope is lost."[7] Scholars have noted that Tolkien himself drew classical parallels for the assault, writing that "Nor Bablon, nor Ninwi, nor the towers of Trui, nor all the many takings of Rûm that is greatest among Men, saw such terror as fell that day upon Amon Gwareth".[5][7]

Tolkien appears to have based one scene on another classical source, Euripides' play The Trojan Women. Maeglin tries to throw Idril's son Eärendil from the city wall, just as Hector's son Astyanax is thrown down from Troy's walls. Tolkien changes the outcome: Eärendil resists, and Tuor appears just in time to rescue him by throwing Maeglin from the walls instead.[5][6]

• 
  Tolkien's fire-serpents are paralleled by Virgil's great serpents that kill the Trojan priest Laocoön and his sons
  in the fall of Troy.[5]
• 
  Maeglin's failed attempt to throw Eärendil from the city walls contrasts with Euripides' account of the throwing of the young Astyanax from the walls of Troy.[5]

The scholar of heraldry Cătălin Hriban writes that the emblems of the houses of Gondolin are simple and figurative, depicting familiar real-world objects. He notes that standard British texts on heraldry describe similar devices. He comments that Maeglin the traitor, of the House of Moles, fittingly has the colour black; like the animal, his people are miners, used to living underground in the dark.[8]

In his book Tolkien and the Great War, John Garth states that Tolkien wrote his 1917 story "The Fall of Gondolin" in hospital after returning to England from the Battle of the Somme. In his view, the tale's first half seems to reflect Tolkien's "slow acceptance of duty" at the start of the war, while the second half "surely reverberates to his collision with war itself."[3]

"Beasts like snakes and dragons of irresistible might":[3] a British Mark I tank near Thiepval where Tolkien fought on the Somme in September 1916

To defeat Gondolin, Melkor (at first called Melko) uses monsters, Orcs and Balrogs, supported by "beasts like snakes and dragons of irresistible might that should overcreep the Encircling Hills and lap that plain and its fair city in flame and death". The monstrous beasts are not of flesh and blood, but are made by "smiths and sorcerers". There are three kinds, Garth explains: heavy, slow, bronze dragons that can break gaps in Gondolin's walls; fiery monsters, unable to climb the steep smooth hill on which the city sits; and iron dragons in which Orc-soldiers can ride, and which travel on "iron so cunningly linked that they might flow ... around and above all obstacles", and are armoured so that they clang hollowly when bombarded or attacked with fire. Garth comments that these are not so much like mythical dragons as "the tanks of the Somme", and that to the story's Elf-narrator, a combustion engine would look like "a metal heart filled with flame".[3] Anthony Appleyard similarly likens the mechanical dragons to vehicles driven by internal combustion engines.[9]

• Tolkien, J. R. R. (1937). Douglas A. Anderson (ed.). The Annotated Hobbit. Boston: Houghton Mifflin (published 2002). ISBN 978-0-618-13470-0.
• Tolkien, J. R. R. (1977). Christopher Tolkien (ed.). The Silmarillion. Boston: Houghton Mifflin. ISBN 978-0-395-25730-2.
• Tolkien, J. R. R. (1984b). Christopher Tolkien (ed.). The Book of Lost Tales. Vol. 2. Boston: Houghton Mifflin. ISBN 0-395-36614-3.