National Academy of Arts of Ukraine

The work of Kyiv-Mohyla and Ostroh Academies had a strong influence on the development of Ukrainian Arts in the 16th and 17th centuries. Theatrical performances, dramas, and music concerts performed by students with other important events have taken place in the aforementioned academies on the eve of holidays and festivals. In general, the foundation of academies in Ukraine is historically connected with the growth of the cultural level of Ukrainian society and with essential changes in the development of the education of artists. Increasing the possibilities for development of talented youth's creativity and carrying out complex, scientific research lies at the base of academics.

On the 18th of December 1917, the Ukrainian State Academy of Arts (nowadays The National Academy of Fine Arts and Architecture), was founded.[2] The founding of the academy, one of the highest level art education centers in Europe, and its further development in the history of Ukrainian culture was a remarkable event in the life of Ukrainian Art and is regarded as continuing glamorous Ukrainian traditions in Art and the realization of nation's cultural needs and desires. In 1922, the academy was reorganized and renamed the Institution of Plastic Arts.[3] In 1924 it was renamed as the Kyiv Fine Arts Institute.[3]

The creative potential of the outstanding masters of Ukrainian culture required further development. So the idea of founding an academy of a scientific-creative type appeared in the 1920s. From 1927 to 1928, on behalf of the government, the presidium of the Ukrainian Academy of Science formed a special committee headed by AS academician of Ukraine O. P. Novytskyy. The committee prepared special documents so that the Ukrainian Academy of Arts could be established. Afterwards, due to repressions of artistic intelligentsia, of which a number of art critics, for example F. L. Ernst, M. F. Bilyashyvskyy, D. M. Scherbakivskyy, M. O. Makarenko and others were subjected, the foundation of the academy was postponed. In 1941 at the request of artistic intelligentsia the Ukrainian authorities resumed planning for the academy's foundation, but this time the Second World War was the obstacle.

Right after the war a range of scientific research institutions for building-architectural and artistic profile were opened in Ukraine within the Academy of Architecture (in 1956 it was reorganized into the URSS Academy of Architecture and Building and it was liquidated in 1964). The Institution on the Theory and History of Architecture, the Institution of Monumental Painting and Sculpture, and the Institution of Artistic Industry were among them. Scientific Research departments on the theory and history of Art, post graduate education, workshops for art critics, artists and architects were contained in the structure of these establishments. The masters of Art and Architecture P. O. Biletskyy, H. N. Lohvyn, V. H. Zabolotnyy, P. M. Zholtovskyy, O. S. Shovkunenko carried out theoretical and practical work there.

Numerous fundamental works on the History of Art and Architecture were published during those days, including "The History of the Ukrainian Art" in six volumes. In 1960 many of the scientific research institutions within the Academy of Architecture and Building were liquidated while others were distributed into different departments. Haphazard reorganization and eradication of the Ukrainian Art School in the years of repression destroyed a rich inheritance of traditions and ideas. From 1970s to 1980s, the art community brought up the question a number of times of founding the academy and its corresponding institutions. At last the idea of organizing the State Scientific Research Institution was approved by the Ukrainian government and was fulfilled on December 14, 1996.

• Department of Visual Arts
• Department of Music Arts
• Department of Theatric Arts
• Department of Cinematic Arts
• Department of Theory and History of Arts
• Department of Plastic Arts Synthesis

• Modern Arts Research Institute
• Institute of Culturology