Valerie Samson

Valerie Brooks Samson (born 16 October 1948) is an American composer, ethnomusicologist and performer with a special interest in China. She plays Chinese violin, sheng (bamboo mouth organ), and several other Chinese instruments.[1][2][3]

Samson was born in St. Louis, Missouri.[4] She earned a B.A. from Boston University, an M.A. from the University of California (Berkeley), and a Ph.D. at the University of California (Los Angeles); UCLA).[5] Her dissertation was entitled: The Modern Chamber Concerto as Genre: György Ligeti's Chamber Concerto (1969-1970) And Chamber Concerto (Original Composition).[6] Her teachers included Andrew Imbrie, Hugo Norden, Olly Wilson, and Betty Wong.[7]

From 1969 to 1970, Samson was a radio programmer/announcer at station WTBS in Cambridge, Massachusetts. From 1971 to 1972, she was the music director of Picchi Youth Orchestra in Oakland, California.[8] During the 1970s, Samson began playing zhonghu (2-stringed fiddle) with Betty Wong’s Flowing Spring Ensemble and with Lawrence Lui’s Chinese Instrumental Music Association. She performed on the hichiriki with Suenobu Togi’s Gagaku Ensemble at UCLA.[2] In 1977, Samson became an editor at Ear Magazine, a bimonthly publication on the west coast.[9]

In 1985, Samson was awarded the $1,000 John Lennon Award for graduate students in music. This award funded her video documentary about sheng.[10] She studied the development of the erhu as a participant in the 1988-89 National Program for Advanced Research and Study in China.[11]

Samson belongs to the Association for Chinese Music Research (ACMR), Chinoperl (Chinese Oral and Performing Literature), the International Alliance for Women in Music, the Society for Asian Music, and the Society for Ethnomusicology. At UCLA, she taught classes on Chinese music. She researches the changing role of traditional hugin instruments in today’s performance practice.[2] Her publications include:

Chamber Music
  • Blue Territory I (violin, piano)[1]
  • Duet (two oboes)[8]
  • Experimental Shorts (violin, piano)[1]
  • Mousterian Meander (recorder, cello, piano)[1]
  • Quartet (flute, clarinet, viola, cello)[12]

Orchestra
  • Night Visits[1]

Multimedia
  • Montage: A Journey Through Youth (three sopranos, piano, dancer, lights)[1]

Piano
  • Winter Dances (prepared piano)[1]

Prose
  • ACMR Reports[2]
  • “Music as protest strategy: The example of Tiananmen Square, 1989”, Pacific Review of Ethnomusicology 6 (1991) 35–64[16]

Video
  • Sheng: Bamboo Mouth Organs[17]

References
  1. Cohen, Aaron I. (1987). International encyclopedia of women composers. 2: Sai - Zyb, Appendices (2. ed., revised and enl ed.). New York: Books & Music. p. 612. ISBN 978-0-9617485-1-7.
  2. "Other Musicians". Melody of China. 2019-01-24. Retrieved 2023-08-13.
  3. Stewart-Green, Miriam (1980). Women composers: A checklist of works for the solo voice. A reference publication in women's studies. Boston, Mass: Hall. p. 137. ISBN 978-0-8161-8498-9.
  4. Stern, Susan (1978). Women composers: a handbook. Metuchen London: the Scarecrow press. p. 146. ISBN 978-0-8108-1138-6.
  5. Shirai, Noboru (2001). Tule Lake: An Issei Memoir. Muteki Press. ISBN 978-0-9716108-0-4.
  6. Samson, Valerie Brooks (2000). The Modern Chamber Concerto as Genre: György Ligeti's Chamber Concerto (1969-1970) And, Chamber Concerto (with Original Composition). University Microfilms Incorporated.
  7. Pfitzinger, Scott (2017-03-01). Composer Genealogies: A Compendium of Composers, Their Teachers, and Their Students. Rowman & Littlefield. p. 471. ISBN 978-1-4422-7225-5.
  8. Anderson, Ruth; Anderson, E. Ruth (1976). Contemporary American composers: a biographical dictionary. Boston, Mass: Hall. p. 379. ISBN 978-0-8161-1117-6.
  9. Ear Magazine. New Wilderness Foundation. 1977.
  10. Archives, L. A. Times (1985-12-19). "Graduate Student Gets Grant". Los Angeles Times. Retrieved 2023-08-13.
  11. China Exchange News. Committee on Scholarly Communication with the People's Republic of China. 1986.
  12. Boenke, H. Alais (1988-10-19). Flute Music by Women Composers: An Annotated Catalog. Bloomsbury Publishing USA. ISBN 978-0-313-36831-8.
  13. International League of Women Composers Newsletter. The League. 1986.
  14. Cum Notis Variorum: The Newsletter of the Music Library, University of California, Berkeley. The Library. 1989. p. 19.
  15. The Composer. Composers' Autograph Publications. 1978. p. 28.
  16. rilm (2021-10-14). "The Philippine drug war, a hip-hop response, and an annotated bibliography on music and protest". Bibliolore. Retrieved 2023-08-13.
  17. China Exchange News. Committee on Scholarly Communication with the People's Republic of China. 1986.
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