Viktor Oskar Tilgner

Viktor Oskar Tilgner (25 October 1844 in Pressburg 16 April 1896 in Vienna) was an Austrian sculptor and medailleur.[1]

Viktor Tilgner, Lithograph by Adolf Dauthage (1881)

Life

He was the son of Captain Carl Tilgner. The family moved to Vienna when he was a child. His talent was recognized early by the sculptor Franz Schönthaler, who became his first teacher. Then, at the Academy of Fine Arts, he studied under Franz Bauer and Josef Gasser.[1] Later, he was attracted to engraving and worked with the medailleur Joseph Daniel Böhm. One of Tilgner's student's was German sculptor John Walz.[2]

He belonged to the circle of artists around Count Karol Lanckoroński. During the World Exhibition of 1873, he met the French sculptor Gustave Deloye, who strongly influenced his work.[3] The following year, he took a trip to Italy with Hans Makart, whose "realistic academicism" also influenced Tilgner's style. For the last twenty years of his life, he had a large studio in what was originally a greenhouse at the Palais Schwarzenberg[4]

Despite a long-standing heart condition and recurring chest pain, he spent a strenuous day working on his Mozart monument, to get it ready on schedule.[4] He died of a heart attack the next morning. Often considered to be his greatest work, the monument was unveiled a few days after his death. The bulk of his estate was bequeathed to his hometown and is now on display at the Bratislava City Gallery.

Selected major works

References

  1. Fritz Pollak. (1908), "Tilgner, Viktor Oskar", Allgemeine Deutsche Biographie (ADB) (in German), vol. 54, Leipzig: Duncker & Humblot, pp. 703–705
  2. The Art League Publishing Association (1905). The Artists Year Book. p. 212.
  3. Ludwig Hevesi: Victor Tilgners ausgewählte Werke. Löwy, Vienna, 1897. (11 pages of text and 72 collotypes)
  4.  Victor Tilgner (1844–1896). In: Neue Freie Presse, 17 April 1896, p. 05 (Online at ANNO)Template:ANNO/Maintenance/nfp.
  5. Phidias from SIRIS.
  6. Raphael from SIRIS.
  7. Rembrandt from SIRIS.

Further reading

  • Gerhardt Kapner: Ringstraßendenkmäler. In: Renate Wagner-Rieger, Die Wiener Ringstraße. Bild einer Epoche. Die Erweiterung der Inneren Stadt Wien unter Kaiser Franz Joseph. Vol.9,1. Steiner, Wiesbaden 1973,
  • Maria Pötzl-Malikova: Die Plastik der Ringstraße. Künstlerische Entwicklung 1890–1918. In: Renate Wagner-Rieger, Die Wiener Ringstraße. Bild einer Epoche. Die Erweiterung der Inneren Stadt Wien unter Kaiser Franz Joseph. Vol.9,2. Steiner, Wiesbaden 1976, ISBN 3-515-02391-7.
  • Walter Krause: Die Plastik der Ringstraße von der Spätromantik bis zur Wende um 1900. In: Renate Wagner-Rieger: Die Wiener Ringstraße. Bild einer Epoche. Die Erweiterung der Inneren Stadt Wien unter Kaiser Franz Joseph. Vol.9,3. Steiner, Wiesbaden 1980, ISBN 3-515-03288-6.
  • Contribution by Walter Krause in: Jane Turner: The Dictionary of Art. Vol.30: Summonte to Tinne. Grove, New York 1996, ISBN 1-884446-00-0, pgs.888–890.
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