List of motion picture film stocks

This is a list of motion picture films. Those films known to be no longer available have been marked "(discontinued)". This article includes color and black-and-white negative films, reversal camera films, intermediate stocks, and print stocks.

3M

3M no longer manufactures motion picture film.

  • CR 160 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)[1]
  • CR 250 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
  • CR 64 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
  • Fine Grain Release Positive, Type 150, B&W, 35mm & 16mm (discontinued)
  • Reversal Print, Type 160, B&W, 16mm (discontinued)
  • Color Print, Type 650, 35mm & 16mm (discontinued)

Note: 1973 is first and last appearance in American Cinematographer Manual (4th edition).

Agfa

Although a very early pioneer in trichromatic color film (as early as 1908), invented by German chemists Rudolf Fischer and Benno Homolka, Agfa was first made commercially available in 1936 (16 mm reversal and 35 mm),[2] Agfa-Gevaert has discontinued their line of motion picture camera films. Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. Agfa label was also used as such in widely produced East German film stock based on Agfa patents before the introduction of ORWO in 1964.

XT
  • XT100 (35 mm & 16 mm) (discontinued)
  • XT125 (35 mm & 16 mm) (discontinued)
  • XTR250 (35 mm & 16 mm) (discontinued)
  • XT320 (35 mm & 16 mm) (discontinued)
  • XTS400 (35 mm & 16 mm) (discontinued)

Black-and-white
  • Agfapan 250 250 D/200 T (discontinued)

Note: 1993 is the last appearance of Agfa film stocks in the American Cinematographer Manual (seventh edition).

DuPont

DuPont no longer manufactures film. It first entered the 35mm motion picture market in 1926.[3][4]

  • Rapid X Reversal Pan (discontinued)

The list below is of film stocks in use in 1956; the "B" designation was for 35mm, "A" was 16mm.[5]

  • Superior 1, Type 904B (ASA 23 Day, 20 Incandescent) B&W (discontinued)
  • Superior 2, Type 926B (ASA 80 Day, 64 Incandescent) B&W (discontinued)
  • Superior 3, Type 927B (ASA 125 Day, 100 Incandescent) B&W (discontinued)
  • Duplicating Negative, Type 908B, Fine grain, panchromatic B&W (discontinued)
  • Master Positive, Type 828B, Fine grain B&W (discontinued)
  • Sound Recording, Type 801B, Variable area or density optical sound tracks (discontinued)
  • VA Sound Recording, Type 831B, Variable area optical sound tracks (discontinued)
  • Fine Grain Sound Recording, Type 837B, (to increase sharpness) (discontinued)
  • Release Positive, Type 803B, High speed, normal grain (discontinued)
  • Fine Grain Release Positive, Type 825B, for optimum picture and sound quality (discontinued)
  • Title Stock, Type 805B, a high contrast film (discontinued)
  • Low Contrast Positive, Type 824B, for kinescope recording (discontinued)

The list below is from 1960; "A" was 16mm, "B" was 35mm.[6]

  • Superior 2, Type 936 B and A (ASA 125 Day, 100 Tungsten) B&W (discontinued)
  • Superior 4, Type 928 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
  • Panchromatic Film, Type 914A (could be used as negative or reversal) B&W (discontinued)
  • Rapid Reversal Film, Type 930A (could be used as negative or reversal) B&W (discontinued)
  • High Speed Rapid Reversal Film, Type 931A (could be used as negative or reversal) B&W (discontinued)

The list below is from 1966; "A" was 16mm, "B" was 35mm.[7]

  • Fine Grain Superior 2 Negative, Type 936 B and A (ASA 125 Day, 100 Tungsten) B&W (discontinued)
  • Superior 3 Negative, Type 937 B and A (ASA 250 Day, 200 Tungsten) B&W (discontinued)
  • Superior 4 Negative, Type 928 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
  • Rapid Reversal, Type 930A, (ASA 64 Day, 50 Tungsten) B&W (discontinued)
  • High Speed Reversal, Type 931 B and A (ASA 160 Day, 125 Tungsten) B&W (discontinued)
  • Ultra Speed Reversal, Type 932 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
  • Fine Grain Duplicating Negative, Type 908 B and A, B&W (discontinued)
  • Pan Rapid Reversal Duplicating, Type 910A, B&W (discontinued)
  • Fine Grain Release Positive, Type 825 B and A, B&W (discontinued)
  • TV Recording Film, Type 834 B and A, B&W (discontinued)

The 1969 list is identical to 1966.[8] 1969 is the last appearance of DuPont motion picture film stocks in the American Cinematographer Manual.

The list below is from 1970; "A" was 16mm, "B" was 35mm.[9] Films marked with ‡ could also be processed as a negative film stock

  • Superior 2, Type 936 B and A, B&W Negative (discontinued)
  • Superior 3, Type 937 B and A, B&W Negative (discontinued)
  • Superior 4, Type 928 B and A, B&W Negative (discontinued)
  • Rapid Reversal, Type 930A, B&W Reversal‡ (discontinued)
  • High-Speed Rapid Reversal, Type 931 B and A, B&W Reversal‡ (discontinued)
  • Ultra Speed Rapid Reversal, Type 932 B and A, B&W Reversal‡ (discontinued)

Filmotec/ORWO

Filmotec/ORWO is German company in the tradition of Agfa, manufacturing black-and-white materials. The brand ORWO stands for Original Wolfen.

  • ORWO U(niversal) N(egative Film) 54, ISO 100
  • ORWO N(egative Film) 74, ISO 400
  • ORWO P(ositive) F(ilm) 2 and PF 2 plus with an anti-halo undercoat
  • ORWO D(uplicating) P(ositive Film) 3
  • ORWO D(uplicating) N(egative Film) 2
  • ORWO T(on-) F(ilm) 12 d(igital), orthochromatic
  • ORWO L(eader) F(ilm) 2, ortho. High Contrast
  • ORWO NC500[10]

Fuji

Fujifilm stopped production of all motion picture film stocks on March 31, 2013.[11] For negative stocks, "85" prefix designates 35 mm, "86" prefix designates 16 mm stock. Stock numbers ending in a "2" are Fuji's Super-F emulsions (1990s) and the stocks ending in "3" are the new Eterna emulsions.[12]

Also, Eterna Vivid series negatives' last second suffix as "4", and the ending suffix as different "E.I.".

For intermediate stocks, as negatives', adding "45" prefix designates 35 mm in polyester (PET) base, and "87" prefix designates 65/70 mm.

For positive and print stocks, "35" indicates 35 mm print film, and "36" indicates 16 mm print film.

Fuji also introduced their Reala film, a color stock with a fourth color emulsion layer, which is also the fastest daylight balanced color motion picture stock ever offered at 500 ISO.

As of March 2013, Fuji had ceased production of all motion picture film.[13]

Color negatives (1980s)
  • 8517 100T introduced in 1977
  • 8511/8521 (35 mm & 16 mm) Fujicolor A 125T
  • 8514/8524 (35 mm & 16 mm) Fujicolor AX 500T
  • 8518/8528 (35 mm & 16 mm) Fujicolor A 250T

Reversal (1980s)
  • 8427 (16 mm) Fujicolor RT 125T (reversal)
  • 8428 (16 mm) Fujicolor RT 500T (reversal)

Black-and-white
  • 71112 (35 mm) Fuji FG 80D/64T
  • 72161 (16 mm) Fuji RP 80D/64T

F-Series (1988)
  • 8510/8610 F64T (discontinued)
  • 8520/8620 F64D (discontinued)
  • 8530/8630 F125T (discontinued)
  • 8550/8650 F250T (discontinued)
  • 8560/8660 F-250D (discontinued)
  • 8570/8670 F-500T (discontinued)

Super F-Series (1999)
  • F-64D 8522/8622
  • F-125T 8532/8632
  • F-250T 8552/8652
  • F-250D 8562/8662
  • F-500T 8572/8672
  • F-400T 8582/8682

Reala

Containing a fourth color layer, Reala is nominally considered a part of the Super-F series. Its analogue in the stills market is Superia Reala.

  • Reala 500D 8592/8692 was introduced in December 2001, and discontinued in February 2011[14]

Eterna (2004–2013)
  • Eterna Vivid 160T 8543/8643 introduced in 2007
  • Eterna Vivid 250D 8546/8646 introduced in 2010
  • Eterna 250D 8563/8663 introduced in 2006
  • Eterna 250T 8553/8653 introduced in 2006
  • Eterna 400T 8583/8683 introduced in March 2005, discontinued in July 2011[15]
  • Eterna 500T 8573/8673 introduced in 2004
  • Eterna Vivid 500T 8547/8647 introduced in 2009
  • F-CP 3519 Fujicolor positive film. Polyester (PET) base. Introduced in 1996.
  • F-CP 3519D Fujicolor positive film. High-contrast. Polyester base. Introduced in 1999.
  • Super F-CP 3510/3610 Fujicolor positive film. Polyester base.[16] Introduced in 2002.
  • Eterna-CP 3513DI/3613DI Fujicolor positive film. High-contrast. Polyester base.[16] Introduced in 2002.
  • Eterna-CP 3521XD Fujicolor positive film. High-contrast. Polyester base. Introduced in 2007.
  • Eterna-CP 3514DI/3614DI Fujicolor positive film. High-contrast. Polyester base. Introduced in April 2010.
  • Eterna-CP 3523XD Fujicolor positive film. High-contrast. Polyester base. Introduced in 2010.
  • Eterna-CP 3512/3612 Fujicolor positive film. High-contrast. Polyester base. Introduced in 2010.

Intermediate film
  • Eterna-CI 8503/4503(Polyester base)/8603 Fujicolor intermediate film.[17]
  • Super F-CI 8702(65/70 mm)/8502/4502(Polyester base)/8602 Fujicolor intermediate film.[16] (One of the Super F-Series)

Recording film
  • Eterna-RDI 8511/4511(Polyester base) Fujicolor recording film (RDI short for Recording for Digital Intermediate). Designed to be used with Arri Laser.[17]
  • Eterna-RDS 4791(Polyester base) Fujicolor recording film (RDS short for Recording for Digital Separation). The black-and-white recording film designed to be used for digital archive. Process with D96 or D97. Introduced in April 2010.

GAF/Ansco

GAF/Ansco no longer manufactures film.

  • GAF Anscochrome 500 D (discontinued)
  • GAF Anscochrome 100 T (discontinued)

The list below is of 35mm film stocks in use in 1956.[18]

  • Ansco Color Negative, Type 844. E.I. 16 Day (w/ Wratten #85 filter), 25 Tungsten (discontinued)
  • Ansco Color Dupe Negative, Type 846, for Intermediate Negatives (discontinued)
  • Ansco Color Print Film, Type 848, for release prints, balanced for approx. 3,000 degrees K (discontinued)
  • Ansco Color Reversal Duplicating Film, Type 538, for duplication of positive image originals (discontinued)
  • Ansco Supreme, Type 453, panchromatic (black & white?). E.I. 50 Day, 32 Tungsten (discontinued)
  • Ansco Ultra-Speed, Type 456, very high speed, medium grain, panchromatic. E.I. 100 Day, 64 Tungsten (discontinued)

Eastman Kodak
Main article: Eastman Kodak

In films from 1950 on, the first two digits (the prefix) of the four-digit emulsion number identify the gauge and base of film:[19]

PrefixDescription
12Nitrate-base 35 mm negative film
13Nitrate-base 35 mm print film
22ESTAR-base 35 mm (or larger) camera film
23ESTAR-base 35 mm (or larger) lab/print film
32ESTAR-base 16 mm or 8 mm camera film
33ESTAR-base 16 mm or 8 mm lab/print film
PrefixDescription
52Acetate-base 35 mm (or larger) camera film
53Acetate-base 35 mm (or larger) lab/print film
72Acetate-base 16 mm or 8 mm camera film
73Acetate-base 16 mm or 8 mm lab/print film

A "T" suffix designates a tungsten (3200K) balanced negative and a "D" suffix designates a daylight (5600K) negative. The number preceding this is the film's exposure index as determined by Kodak (it is not ISO speed).

Early nitrate films (1916–1941)
NumberNameIntroducedDiscontinued
Cine Negative Film, Type E, orthochromatic19161930
1201Cine Negative Film, Type F, orthochromatic19171930
Super Speed Cine Negative Film, orthochromatic19221930
1203Kodak Panchromatic Cine Film Type I19221941
1218Type II Cine Negative Panchromatic Films192819??
Type III Cine Negative Panchromatic Films192819??
1210Panchromatic K, infrared[20]192819??
1217Super-Sensitive Cine Negative Panchromatic193119??
1227Eastman Super-X19351938
1230Eastman Background-X19381956 (5230 Safety)
1231Eastman Plus-X193819?? (5231 Safety)
1232Eastman Super-XX193819?? (5323 Safety)
Super-XX reversal film, panchromatic19381958
Kodacolor 16 mm192819??

Black-and-White (1954–1967)
  • Eastman Tri-X panchromatic Negative film 5233 320D/250T introduced in 1954
  • Plus-X reversal film 7276 50D/40T introduced in 1955
  • Tri-X reversal film 7278 200D/160T introduced in 1955
  • Plus-X Panchromatic Negative film 5231/7231 80D/64T introduced in 1956 (discontinued in 2010)
  • Double-X 5222/7222 250D/200T introduced in 1959
  • Plus-X reversal 7265 (16 mm & 8 mm) 100D/80T
  • Tri-X reversal 7266 (16 mm & 8 mm) 200D/160T
  • Eastman 4-X negative Pan film 5224/7224 500D/400T introduced in 1964 (discontinued in 1990)
  • Kodak 4-X reversal film 7277 400D/320T introduced in 1967 discontinued in 1990
  • Kodak Tri-X TV reversal film 7727, TVTX, no longer identified by EKC
    7727
  • Eastman Background-X Negative Film 5230, ISO 32 (discontinued)
  • Eastman XT Panchromatic Negative Film 5220, 25D/20T, 1964-1970, replacing Background-X

Fine grain color negative films (1950–1968)
  • Eastman Color Negative film 5247 16D introduced in 1950 (discontinued in 1952)
  • Eastman Color Negative film 5248 25T introduced in 1952 (discontinued in 1959)
  • Eastman Color Negative film 5250 50T introduced in 1959 (discontinued in 1962)
  • Eastman Color Negative film 5251 50T introduced in 1962 (discontinued in 1968)
  • Eastman Color Negative film 5254/7254 100T introduced in 1968 (discontinued March, 1977)

Eastman Color Negative II (ECN-2 process 1974–1976)
  • 5247 100T Process ECN-2 introduced in 1974 (discontinued in 1976), it has sharper/finer grain compared to its predecessor 5254
  • 5247/7247 100T (updated) introduced in 1976 (discontinued March, 1983)

Video News Film 16 mm (VNF-1)(1976–1981)
  • Eastman Ektachrome Video News Film 7239 (VNF) 160D, introduced in 1976. Replaced 7241.
  • Eastman Ektachrome Video News Film 7240 125T, introduced in 1976. Replaced 7242.
  • Eastman Ektachrome High-Speed Video News Film 7250 400T, introduced in 1977.
  • Eastman Ektachrome High-Speed Daylight Film 7251 400D, introduced in 1981.

Kodachrome color reversal film
Main article: Kodachrome
  • Kodachrome 16 mm introduced in 1935
  • Kodachrome 35 mm (135) & 8 mm introduced in 1936 (discontinued in 2009)
  • 5262 (16 mm) introduced in 1938 (discontinued in 1946)
  • 5265 (16 mm) introduced in 1940 (discontinued in 1950)
  • 5267 (35 mm) introduced in 1942
  • 5268 (16 mm) introduced in 1946 (discontinued in 1958)
  • 5269 (16 mm) introduced in 1950
  • 7267 25D (16 mm & 8 mm) (discontinued)
  • 7270 40T (16 mm & 8 mm) (discontinued)
Main article: Ektachrome
  • 5239/7239 (reversal) 160D
  • 5240/7240 (16 mm & 8 mm) (reversal) 125T
  • 5285/7285 100D (reversal) introduced in 1999 (discontinued in 2012)
  • 7241 160D, introduced 1966, replaced 7257
  • 7242 125T, introduced 1966, replaced 7258
  • 7250 High Speed 400T
  • 7251 High Speed 400D introduced in 1981
  • 7252 25T introduced in 1970 (discontinued in 1984)
  • 7255 introduced in 1958 (discontinued in 1970, replaced by 7252)
  • 5256/7256 64D, 1963-1984
  • 7257 160D, introduced 1959
  • 7258 125T, introduced 1959
  • 7280 (8 mm) 64T (discontinued in 2010)
  • Ektachrome (Type A) 160T (super 8 mm) introduced in 1971
  • Ektachrome SM 7244 (super 8 mm)(reversal) introduced in 1975
  • 7294 100D (Super-8, 16mm) introduced in 2018, reformulated version of 5285/7285 100D

Eastmancolor Negative (1982–1986)
Main article: Eastmancolor
  • 7291 100T introduced in 1983 (discontinued in 1989)
  • 7292 320T introduced in 1986 (discontinued in 1992) (First partial "T-Grain" stock)
  • 5293/7293 250T introduced in 1982 (discontinued 1983)
  • 5294/7294 400T (35 mm)/320T (16 mm) introduced in 1983, discontinued in 1986
  • 5295 400T introduced in 1986
  • 5297/7297 HS Day 250D introduced in 1986 (discontinued in 1997)

EXR color negative (ECN-2 process 1989–1996)
  • 5245/7245 EXR 50D introduced in 1989 (discontinued in 2006)
  • 5248/7248 EXR 100T introduced in 1989 (discontinued in 2005)
  • 5287/7287 EXR 200T introduced in 1996 (discontinued in 1996)
  • 5293/7293 EXR 200T introduced in 1992 (discontinued in 2004)
  • 5296/7296 EXR 500T introduced in 1989 (discontinued in 1995)
  • 5298/7298 EXR 500T introduced in 1994 (discontinued in 2003)

Vision color negative (ECN-2 process 1996–2002)
  • 5246/7246 Vision 250D introduced in 1997 (discontinued in 2005)
  • 5263/7263 Vision 500T introduced in 2002 (discontinued in 2003)
  • 5274/7274 Vision 200T introduced in 1997 (discontinued in 2006)
  • 5277/7277 Vision 320T introduced in 1996 (discontinued in 2005)
  • 5279/7279 Vision 500T introduced in 1996 (discontinued in 2006)
  • 5284/7284 Vision 500T "Expression" introduced in 2001 (discontinued in 2003)
  • 5289 Vision 800T introduced in 1998 (discontinued in 2004)
  • 7289 Vision 800T (16 mm) introduced in 1999 (discontinued in 2004)

Vision2 color negative (ECN-2 process 2002–2007)
"Vision2" redirects here. For the TV channel, see FMN (TV channel).
  • 5201/7201 Vision2 50D introduced in 2005. discontinued in 2012.
  • 5205/7205 Vision2 250D introduced in 2004. discontinued in 2009.
  • 5212/7212 Vision2 100T introduced in 2004. discontinued in 2010.
  • 5217/7217 (35, 16, & 8 mm) Vision2 200T introduced in 2004. discontinued in 2010.
  • 5218/7218 (35, 16, & 8 mm) Vision2 500T introduced in 2002. discontinued in 2009.
  • 5229/7229 Vision2 "Expression" 500T introduced in 2003. discontinued in 2011.
  • 5260 Vision2 500T introduced in 2009 (35 mm only). discontinued in 2011.
  • 5299/7299 Vision2 "HD Color Scan film" 500T introduced in 2005. discontinued in 2009.

Vision3 color negative (ECN-2 process 2007–present)
  • 5219/7219 Vision3 500T introduced in 2007. SO-219 is ESTAR-base variant.
  • 5207/7207 Vision3 250D introduced in 2009.
  • 5213/7213 (35, 16, & 8 mm) Vision3 200T introduced in 2010.
  • 5203/7203 Vision3 50D introduced in 2011.
Introduced/Discontinued?
Number Name Intro. Disc.? Notes
1302 Eastman Fine Grain Release Positive 1941 1950 Black-and-white, nitrate-base. Replaced by 5302.[21]
5302/7302 Eastman Fine Grain Release Positive 1950 2015 Replaced 1302.
5381 Eastman Color Print 1950 1953 Replaced by 5382.[22] Process ECP, 45 minute wet time.[23] Not the same as 1972 film.
5382 Eastman Color Print 1952 1966 Replaced 5381 ("Better definition"), replaced by 5385.[22]
7282 Eastman Color Print 1952 1961 Replaced by 7383.
7303 Eastman Fine Grain Release Positive 1960 1962 "16mm only. Better image structure than 7302."[24]
5385/7385 Eastman Color Print 1962 1972 Replaced 5382 and 7383. "Improved definition and speed".[24] Process ECP, wet time reduced to 28 min. in 1966, and 20 min. in 1967.[23] Not the same as 1993 film.
7381 Eastman Color Print (super 8 only) 1970 19?? Replaced 7380.[24]
7381 Eastman Color Print (16 mm) 1971 Jan. 1982 Replaced 7385.[24]
5381 Eastman Color Print 1972 Jan. 1982 Replaced 5385 "for 35mm end use".[24] Not the same as 1950 film.
NumberNameIntro.Disc.?Notes
5383/7383 Eastman Color SP Print 1974 1983 Process ECP-2. Similar quality to 5381/7381.[24] "Short Process"[25] (10-minute wet time[23])
5738/7738 Eastman Color SP Low Contrast Print 1977 c.1983 Process ECP-2.[24]
7378 Eastman Color LF print 1978 1982 Process ECP. "Improved cyan dye dark-keeping stability"[23][26]
7379 Eastman Color LFSP print 1978 1983[24] Process ECP-2 counterpart of 7379[23][26]
5384/7384 Eastman Color Print 1982 19?? Replaced 5381/7381, 5383/7283, 7378, 7379. So-called low-fade "LPP." Brought "improved cyan dye dark-keeping" and ECP-2 from 7379, and "reduced sensitivity to process variations" introducing process ECP-2A (persulfate bleach replaced ferricyanide bleach, and bromide concentration was increased). Modified in 1998 for ECP-2B (eliminating formalin).[23][27]
5380/7380 Eastman Color LC Print 1983 c.1993 Replaced 5738/7738. "Low contrast for video transfers."[27] Process ECP-2A, dye stability, and reduced process sensitivity from 5384[28]
5385/7385 Eastman Color LC Print 1993 19?? Replaced 5380/7380.[27] Not the same as 1962–1972 film.
5386/7386 Eastman EXR Color Print 1993 c.2002 Replaced 5384/7384[27]
2386/3386 Eastman EXR Color Print 1994[29] c.1999 ESTAR-base version of 5386, with rem-jet backing.
SO-886 Special Order 886 1997 1998? ESTAR-base. Antistatic layer.[25]
NumberNameIntro.Disc.?Notes
2383/3383 Vision Color Print 1998 no Replaced 5386.[27] ESTAR-base; processes ECP-2D and ECP-2E, no rem-jet backing. (Process ECP-2E removes soundtrack redeveloper and the "first fixer"; it is suitable for cyan-dye soundtrack prints)
2393 Vision Premier Color Print 1998 2015 [27] ESTAR-base; processes ECP-2D and ECP-2E. Higher density blacks than 2383.
2395 Vision Color Teleprint c.1999 2010 Low-contrast prints[30]
2302 Black-and-white Print c.1999 no Complements 5302. Process D97.[31]
NumberNameIntro.Disc.?Notes

Lab films
Introduced/Discontinued?
Number Name Intro. Disc.? Notes
5234/7234 Eastman Fine Grain Duplicating Panchromatic Negative film 1958 2017 [22]
2234/3234 Eastman Fine Grain Duplicating Panchromatic Negative film 1958 no ESTAR-based version of 5234.
5235 Eastman Panchromatic film unknown 1998 35 and 70 mm only.
7361 Eastman Reversal BW Print Film 1962 unknown, but disc. 16 mm only, Black-and White.[24]
5249/7249 Eastman Color Reversal Intermediate film 1968 unknown, but disc. Process CRI-1.[24]
5360/7360 Eastman Direct MP Film 1968 unknown, but disc. [24]
NumberNameIntro.Disc.?Notes
5369 Eastman High Contrast Panchromatic Film unknown 2011 35 and 70 mm only.
2369/3369 Eastman High Contrast Panchromatic Film unknown 2011 ESTAR-based version of 5369. Also provided 16 mm.
5272/7272 Eastman Color Internegative II Film 1980 2014 Process ECN-2. Replaced 5271/7271.[27]
5243 Eastman Color Intermediate Film 1976 unknown, but disc. Introduced in 1976,[24] improved in 1986[27]
5244/7244 Eastman Color Intermediate Film 1992 unknown, but disc. Replaced 5243/7243.[27]
2244 Eastman Color Intermediate Film 1992 unknown, but disc. ESTAR-based version of 5244.
NumberNameIntro.Disc.?Notes
5363/7363 Eastman High Contrast Black/White Positive Film c. 1999 no Used for title production
5366/7366 Eastman Fine Grain Duplicating Positive Film c. 1999 no
2374 Kodak Panchromatic Sound Recording Film c. 1999 no ESTAR-based and 35 mm only. For optical soundtrack recording use.
2378E/3378E Eastman EXR Sound Recording Film c. 1999 no ESTAR-based only. For optical soundtrack recording use.
2238 Kodak Panchromatic Separation Film c. 1999 no ESTAR-based version and 35 mm only too.
5242/7242 Kodak Vision Color Intermediate Film c. 1998 no Process ECN-2.
2242/3242 Kodak Vision Color Intermediate Film c. 1998 no ESTAR-based version of 5242. Process ECN-2.
NumberNameIntro.Disc.?Notes
5254/2254 Kodak Vision3 Color Digital Intermediate Film 2010 no Recording film.
2332 Kodak Color Asset Protection Film 2012 2014 Recording film. ESTAR-based. Optimized for productions that originate or are finished digitally.
2237 Kodak Vision3 Digital Separation Film 2012 no Black-and-white recording film. ESTAR-based. Intended for making archival separations from color digital masters.

Other
  • 5600 Primetime EXR 640T Teleproduction Film introduced in 1995 (discontinued)
  • 5620/7620 Primetime 640T introduced in 1997 (discontinued)
  • SFX 200T Color Negative Film (35 mm only) introduced in 1998. Special-order film intended for special effects.[32] (discontinued in 2004)
  • 5230/7230 500T Color Negative Film introduced in 2011 (discontinued in 2012)
  • Ektagraphic High Contrast Slide (HCS) orthochromatic negative film for making reverse-text title slides etc.
  • Fine Grain Release Positive, blue-sensitive negative film specially for motion film duplication
  • Rapid Process Copy (RPC) ultra-slow duplicating film with a blue-tinted base

Ilford

Ilford specialises in B&W films and, until 2003, produced motion picture versions of their photographic films for 16mm and 35mm cameras.

(As used in Hollywood, 1960s)[33][34][35]

  • Ilford Pan F Negative, ASA 25 Day, 20 Tungsten (B&W, 35mm & 16mm)
  • Ilford FP3 Negative, ASA 80 Day, 64 Tungsten (B&W, 35mm & 16mm)
  • Ilford HP3 Negative, ASA 200 Day, 160 Tungsten (B&W, 35mm & 16mm
  • Ilford Mark V Negative, ASA 250 Day, 200 Tungsten (B&W, 35mm & 16mm)
  • Ilford HPS Negative, ASA 400 Day, 320 Tungsten (B&W, 35mm & 16mm)
  • Ilford HRT Television Recording Film (B&W, 16mm)
  • Ilford Fine Grain Safety Positive for release prints (B&W, 35mm & 16mm)
  • Ilford Newsreel Positive (B&W, 35mm)
  • Ilford SFX 200 Negative for Special Effects, ASA 200 Day, 100 Tungsten (B&W, 16mm)

Note: 1973 is last appearance in American Cinematographer Manual (fourth edition).

Slavich

A Russian manufacturer.

  • Black-and-white negative film NK-2 ISO/GOST 32D/25T
  • Black-and-white negative NK-2Sh ISO/GOST 100D/80T
  • Black-and-white positive print film МZ-3 ISO/GOST ~5T

Svema

A defunct Soviet/Ukrainian film manufacturer.

  • OCh 50 Black-and-white reversal, Asa 50 D, 40 T discontinued
  • OCh 200 Black-and-white reversal, Asa 200 D, 160 T discontinued

OCH 50 and OCH 200: Products of TASMA company

Tasma

A Russian company (Russian: Тасма), located in the Russian Republic of Tatarstan

  • NK-1 – ISO/GOST 250D/200T
  • NK-2 – ISO/GOST 100D/80T
  • NK-3 – ISO/GOST 32D/25T

See also

References
  1. American Cinematographer Manual, Hollywood, 1973, pp 234, 238.
  2. Katz, Ephraim (1994). The Film Encyclopedia (2nd ed.) HarperCollins Press. ISBN 0-06-273089-4.
  3. Salt, Barry. Film Style and Technology: History and Analysis, Starword, London, third edition, 2009, pg 198.
  4. American Cinematographer; vol. 6, #11, February 1926, pg 2
  5. American Cinematographer Hand Book and Reference Guide, Jackson J. Rose, 9th Edition 1956, pages 52–53
  6. American Cinematographer Manual, first edition, 1960, pages 128–130
  7. American Cinematographer Manual, 2nd edition, 1966, pages 247–251
  8. American Cinematographer Manual, 3rd edition, 1969, pages 188–192
  9. Carlson, Verne and Sylvia. Professional 16/35mm Cameraman's Handbook, first edition, 1970, page 23
  10. "A New Motion Picture Film Stock Arrives Thanks To ORWO". No Film School. 2023-03-13. Retrieved 2023-03-24.
  11. "Discontinued Films". Fujifilm USA. Archived from the original on 18 January 2018.
  12. Fuji (January 12, 2006). Fujifilm Expands Eterna Family with the Introduction of Eterna 400, Eterna 250 Archived 2006-10-17 at the Wayback Machine Retrieved July 8, 2006
  13. "Discontinuation of Motion Picture Film production". Fujifilm Global. April 2, 2013. Archived from the original on 5 April 2013.
  14. {ja}Discontinue announcement from fujifilm.jp.
  15. {ja}Discontinue announcement from fujifilm.jp.
  16. Fujifilm Motion Picture "FUJIFILM Global | Products | Motion Picture Films | Product Line-up". Archived from the original on 2007-10-07. Retrieved 2007-10-10., Retrieved 10 October 2007.
  17. Released starts early summer of 2007"Fujifilm: Motion Picture Imaging News". Archived from the original on 2007-11-12. Retrieved 2007-10-18., Retrieved 16 April 2007.
  18. American Cinematographer Hand Book and Reference Guide, Jackson J. Rose, 9th Edition 1956, page 51
  19. Kodak H-1: Selecting Films: Film Types, Names, and Numbers, Retrieved 28 March 2007. Archived May 24, 2006, at the Wayback Machine
  20. Mees, C. E. Kenneth. "History of Professional Black-and-White Motion-Picture film", Journal of the SMPTE, Volume 63, October 1954.
  21. Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1889–1939 (Part 1) Archived 2011-07-23 at the Wayback Machine, Retrieved 28 March 2007.
  22. Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1940–1959 (Part 2) Archived 2009-06-25 at the Wayback Machine, Retrieved 29 March 2007.
  23. K.J. Carl, Jr.; J.W. Erwin; S.J. Powell; F.R. Reinking; R.C. Sehlin; S.W. Spakowsky; W.A. Szafranski; R.W. Wien (December 1982), "Eastman Color Print Film 5384", SMPTE Journal, 91 (12): 1161–1170, doi:10.5594/J02009
  24. Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1960–1979 (Part 3), Retrieved 28 March 2007.
  25. Pytlak, John P. Eastman Kodak Corporation. At Film-Tech Forums : Film Handler's Forum, topic "Kodak '4B' print stock" (topic #2835), page 1 (post #4). 27 November 2001 02:22PM (CT)
  26. J. Baptista; J. Erwin; F. Franzwa; C. Hunt; H. Johnston; E. Knutssen; C. Maggiulli; R. O'Connell (1978), "Two New Eastman Color Print Films with Improved Cyan Dye Dark-Keeping Stability", SMPTE 120th Technical Conference, SMPTE
  27. Kodak | Motion Picture Imaging Chronology of Motion Picture Films: 1980-today (Part 4), Retrieved 28 March 2007.
  28. S.J. Powell; C. Didier; B. Gagny; K.J. Carl; J.W. Erwin; I.A. Halman (March 1984), "Eastman Color LC Print Film 5380/7380", SMPTE Journal, 92 (3): 228–234, doi:10.5594/J03621
  29. Pytlak, John P. "Film Notes For the Reel People: A Technical Service for Filmhandlers from Eastman Kodak Company"; Publication H-50-34, October 1994 and H-50-35, December 1994. 2386 was first used on Maverick and Getting Even with Dad.
  30. Kodak Vision Color Teleprint Film, Retrieved 29 March 2007. Archived February 12, 2007, at the Wayback Machine
  31. Kodak Black-and-white print film 2302, Retrieved 29 March 2007. Archived July 7, 2006, at the Wayback Machine
  32. Kodak | Color Negative Films SFX 200T Color Negative Film, Retrieved 29 March 2007. Archived November 5, 2006, at the Wayback Machine
  33. American Cinematographer Manual, Hollywood, 2nd edition, 1966, pp 278–281.
  34. American Cinematographer Manual, Hollywood, 3rd edition, 1969, pp 209–211.
  35. American Cinematographer Manual, Hollywood, 4th edition, 1973, pp 235–237.

´

www.pixpast.com for samples of original 35mm agfacolor film from 1936 to 1945.

  • Brown, Blaine (1994). The Filmmaker's Pocket Reference Focal Press. pp. 160–161. ISBN 0-240-80058-3.
  • Detmers, Fred H. (ed.) (1986). American Cinematographer Manual (6th ed.) ASC Press pp. 67. ISBN 0-935578-07-2.
  • Dr. Ryan, Rod (ed.) (1993). American Cinematographer Manual (7th ed.) ASC Press pp. 127. ISBN 0-935578-11-0.
  • Hummel, Rob (ed.) (2001). American Cinematographer Manual (8th ed.) ASC Press pp. 860–861. ISBN 0-935578-15-3.
  • Herrmann, Karl (January 1990). "Film Stock Tests: Eastman (third in a series)" American Cinematographer Magazine ASC Press. pp. 83–88.
  • Kodak Cinematographer's Field Guide Kodak publication H-2 (September 1998). pp. MPF-4 – MPF-5.
  • Kodak Cinematographer's Field Guide Kodak publication H-2 (January 2006) (12th ed.). pp. MPF-4 – MPF-5.
  • https://web.archive.org/web/20070703225400/http://www.filmotec.de/English_Site/Products/products.html
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