Vladimir Vasiliev (dancer)

Vasiliev became a principal dancer in 1959 in his second year with the Bolshoi Ballet.

Vasiliev as Basilio with his wife Ekaterina Maximova as Kitri in Don Quixote at the Bolshoi Theatre, 1970

Vasiliev and Ekaterina Maximova, both principal dancers, were the dream couple of the Bolshoi Ballet. Dancing as a pair for the first time in 1949 as classmates at the Moscow Ballet School, they were married in 1961.

New York Times dance critic Anna Kisselgoff described the excitement of one of Vasiliev's United States performances with the Bolshoi Ballet: "Yekaterina Maksimova and Vladimir Vasiliev burst upon New York City in 1959, the greatest of the passionate young dancers who, with Moscow's more established stars, made the Bolshoi Ballet's American debut a total triumph."[10]

The Bolshoi tour to London in 1969 was dominated by the sensational impact of Aram Khachaturian's ballet Spartacus as choreographed by Yury Grigorovich, in which, wrote the leading critic Richard Buckle, "Maximova would melt any tyrant's heart".[11]

The great male dancer Mikhail Baryshnikov recently paid tribute to the couple, saying Maximova, with her "elegant build, beauty, virtuosity and even more so her spontaneity and sincerity", was treated like a "rare treasure" by the indomitable Vasiliev. This gave their performances an almost sacred aura, to which audiences gratefully responded.

Vasiliev and Ekaterina Maximova gleaned wide exposure for their appearances in Franco Zeffirelli's filmed version of Giuseppe Verdi's opera La traviata of 1983. Both performed in Spanish costume, Vasiliev as a matador, in the "divertissements" composed for the equivalent of Act II, scene 2.

The couple was filmed in 1988 by French director Dominique Delouche in a film portrait “Katia et Volodia".[12]

In 2008, the Bolshoi hosted a week-long festival dedicated to Maximova and Vasiliev's 50 years on the Bolshoi stage, during which Vasiliev commented that the secret of partnering was "the man must not get in the way of the woman – she is the most important person on stage." He added that all his life his wife had been his inspiration for two qualities: her beauty and her capacity for hard work.[11]

The marriage lasted for 50 years, until Maximova died in 2009. They had no children.

In March 1995, Vasiliev was appointed the General and Artistic Director of the Bolshoi Theatre after Yury Grigorovich, artistic director of the ballet company since 1963, was dismissed by Russian President Boris Yeltsin.

Among the major projects Vasiliev has spearheaded there were such as the large scale exchange of Bolshoi and Mariinsky Ballet companies in 1998, of the Bolshoi and Paris Opera Ballet to be held, first-ever New Year Ball in the Bolshoi on 31 December 1999, foundation of the International Club of the Bolshoi Friends.[13]

At the end of the 1990s, he was one of the first ballet directors who recognized the class and the outstanding qualities of Svetlana Zakharova, then principal dancer with the Mariinsky ballet.[14] Svetlana Zakharova became a principal dancer with the Bolshoi Ballet in October 2003.[15]

Vasiliev was dismissed as director of the Bolshoi Theater on 28 August 2000.[2] He learned about his dismissal from hearing it on the radio.

Since his exit from the Bolshoi, Vasiliev premiered in the ballet production Lungo Viaggio Nella Notte di Natale, set to Tchaikovsky's music, in Opera di Roma, and continues to choreograph and stage new ballets.

Numerous roles were created for Vasiliev, and he performed throughout the world, usually partnering his wife. Among the most notable were those created by Yury Grigorovich, who gave him the principal roles in his original productions of The Tale of the Stone Flower, Spartacus, The Nutcracker, the ballet version of Ivan the Terrible, Valery Gavrilin's Anyuta (1982), and Yakov Eshpai's Angara (1976). Besides Maximova, Vasiliev's famous partners included Galina Ulanova, Maya Plisetskaya, Alicia Alonso, Carla Fracci, Rita Poelvoorde and Ambra Vallo.[1][2]

Having a body revealing great physical strength, Vasiliev did not embody the ideal physical form for a classical dancer.

He made enormous contributions to the development of classical male dance, embodying the strong new Bolshoi male.[1][2]

"You see — at the beginning we do things only as we have seen them done," said Vasiliev at the end of Katia et Volodia, the 1988 film exploring Vasiliev's artistry and that of his wife and fellow Bolshoi luminary, Ekaterina Maximova. "Afterwards, we do them with what we find inside ourselves."[12]

• 1959 : Gold Medal, Festival of Youth, Vienna[19]
• 1964 : Grand Prix of Varna at the Varna International Ballet Competition [20]
• 1993 : Crystal Turandot Award for theatre arts, along with Ekaterina Maximova[21]