Vonetta McGee

Born Vonetta Lawrence McGee in San Francisco, California, to Lawrence McGee and Alma McGee (née Scott).[3] McGee graduated from San Francisco Polytechnic High School in 1962. She was diagnosed with Hodgkin's Lymphoma at the age of 17. Her family encouraged her to be a lawyer.[4]

She enrolled at San Francisco State University to study pre-law and acted with the racially conscious Black theater group Aldridge Players West. She eventually dropped out of college and went abroad to seek active work.[5]

McGee landed her first role in 1968, when she performed alongside Jean-Louis Trintignant and Klaus Kinski in Sergio Corbucci's Spaghetti Western The Great Silence, and made her first released film appearance earlier that year as the eponymous character in the Italian comedy Faustina.[1] She later became well known for her parts in the 1972 Blaxploitation films Melinda and Hammer. In the action thriller Shaft in Africa (1973), McGee took the role of Aleme, the daughter of an emir, who teaches John Shaft (Richard Roundtree) Ethiopian geography. Earlier that year she had appeared in a supporting role as an occult priestess in The Norliss Tapes. In 1974, McGee appeared as Thomasine, alongside Max Julien as Bushrod, in the western action film Thomasine & Bushrod, which was intended as a counterpart to the 1967 film Bonnie and Clyde. The next year, she starred alongside Clint Eastwood in the action thriller The Eiger Sanction (1975).

The 1977 film, Brothers, in which Mcgee played a character similar to Angela Davis, was pulled from the box office because of the fear of riots. That same year she noted in an interview with Ebony Magazine the decrease in black-led films over the last 2 years.[4]

She appeared in an episode of the TV series Starsky & Hutch named "Black and Blue" in 1979. She appeared as Marlene, the high-energy lot manager, in the 1984 cult classic Repo Man.

Vonetta McGee always discussed the racism that existed within the industry.  When singer Diana Ross landed lead roles and was hailed as proof of equal opportunity Hollywood, McGee argued otherwise. “She has had the luxury of a studio behind her,'' McGee said. ''This is where a lot of us fell short. We all needed a certain amount of protection. But we were on our own.'' [4]

McGee disliked the term Blaxploitation. She told the LA Times the label was “like racism, so you don’t have to think of the individual elements, just the whole.” Instead, McGee preferred the “Black-film genre.” “Black film,” she once said, “is the most valuable art form in pictures since Andy Warhol and Campbell Soup cans, because of the impact it made on the Black community.”[5]

McGee was in a live-in relationship with actor Max Julien from 1974 to 1977. They starred together in the 1974 film Thomasine & Bushrod.

She wanted to focus on writing and filmmaking but she was facing an ongoing battle with Hodgkin's Lymphoma, and took a break to focus on her health in the late 70s and early 80s. The 1984 film, Repo Man marked her return to the screen.[4]

She met Carl Lumbly on the set of Cagney & Lacey, and married him in 1987. They had one child, Brandon, born in 1988. The couple were spokespeople for the American Lung Association.

McGee was diagnosed with cancer in 2001, and Lumbly became her primary caregiver.[4] McGee died of cardiac arrest on July 9, 2010, at the age of 65.[2][6]

• Vonetta McGee at IMDb
• Obituary – LA Times
• Obituary – New York Times