Władysław Umiński

Umiński was born on the village of Przedecz on 10 November 1865 in the Russian partition of Poland.[1] His father, Julian Umiński, was a painter, and his mother, Tekla, a teacher.[2]^: 118[3]^: 435 From 1874 his family moved to Warsaw, where he attended a school (gymnasium and real school). He wrote his first piece of fiction, a short story "Z Korsyki", when he was 15 years old and published it in a magazine Przyjaciel Dzieci.[3]^: 436[4][5] After the period of obligatory service in the Imperial Russian Army (with specialization of a sapper), he studied at the Department of Natural Sciences at the Saint Petersburg University.[3]^: 436[6]^: 586[5] While in Saint Petersburg, he organized a Polish-language library for the local Poles.[3]^: 436 By late 1880s he returned to Warsaw, where the he took up various jobs; he repressented a company that made artesian wells, cataloged books in the library of the Warsaw University of Technology, and gave guest lectures about topics related to natural and technical sciences. He was also involved in the underground education.[3]^: 436

From 1888 one of his main and overal endurring jobs over the next two or so decades was being a contributor to, and sometimes an editor or publisher for various magazines and newspapers, in which he often run science columns (such as "Chemistry talks", "From the scientific movement", "From pure and applied science", "From the scholar's workshop" or "The Science Chronicle"). He was associated with titles such as: Czytelnia dla wszystkich (1903-05, which he also was the publisher and editor of in 1904), Dziennik Kijowski (editor, after 1905), Dziennik Wileński, Gazeta Warszawska (1898-1901), Gazeta Wileńska (editor, 1905), Kurier Codzienny (1897–1904), Kurier Warszawski (1888–1923; which likely where his first popular science article was published - about cattle), Miesiąc Ilustrowany (1912–1913/14, editor and publisher), Nowa Gazeta (1906-1915), Ogrodnik (editor, 1898), Pielgrzym, Prawda (1894-1910), Przyjaciel Młodzieży (c. mid-1910s) Rolnik i Hodowca, Tygodnik Illustrowany (1896-1899), Tygodnik Mód i Powieści (1895-1914), Wędrowiec (1888–1900) and Wieczory Rodzinne (1909–1912, editor and publisher).[7]^: 328[5][3]^: 436[8] After World War I he reduced jis journalistic activities, although in 1933 he wrote some content for the aviation magazine Lot Polski.[3]^: 436

In 1891 he published his first novel Zwycięzcy oceanu (Conquers of the Ocean), which received a number of editions since (as well as a translation to Czech).[3]^: 436 In 1894 he published his second novel, and the first featuring a (slightly) futuristic gadget, and thus classified as his first science fiction novel (Balonem do bieguna; featuring a ballon-airplane hybrid).[9]^: 70–71 He would go to publish many more novels over the coming years, often, several in a single year. Many would be first published in various magazines he was associated with.[5][6]^: 586[10]^: 205[8]^{: 435–438} Many of his books were published by the Gebethner i Wolff publishing house.[5] In addition to fiction, he also wrote books about science; starting with the aviation-themed Żegluga powietrzna. Balony i aerostaty. Lot ptaków. Maszyny latające. Baterya gazowa do celów aeronautyki (1894). That book, like many of his other science books, were also well received. His 1899 Ocean i jego tajemnice was for some time the first and only Polish-language book about oceanic marine biology; likwise, his is Nansen pośród lodów północy. Odczyt ludowy from the same year credited as the first Polish publication related to the research on the polar regions.[8] In 1921 he published a 15 volume set of his collected works in the series Wybór powieści dla młodzieży (Selection of Novels for the Youth).[6]^: 586 In 1926 he published a novelized version of travel chronicle of Polish scout and explorer, Jerzy Jeliński.[3]^: 438

Although he wrote about many science topics, from engineering to biology and environmental sciences (some of his works were even used in teaching cirricula in high schools), it is likely aviation was his biggest passion. In his youth he constructed models of flying machines and worked in the Museum of Industry and Agriculture, where he met Marie Curie; he also claimed to have invented a military electrocution device, and worked, unsuccessfully, on designed a reciprocating engine for a flying machine.[4][5][8][11] Due to financial difficulties, he could not realize his ideas in reality, which was one of his motivations for literary endeavours.[9]^: 67–69 He founded first registered aviation club in Poland, in Warsaw (sources vary with regard to the date: 1895[7]^: 328 or 1889[12][8]). His 1911 novel Samolotem naokoło świata, and possibly some earlier works, popularized the modern Polish word for the airplane (samolot), which he is sometimes credited with coining in that context.[13]^: 99[5]

Throughout his life, he travelled abroad, as he described later in life, often "with next to no money".[4] Before World War I, he travelled to North and South America; after the war, he visited Brasil Turkey, Italy, France and United Kingdom.[6]^: 586[3]^: 436 During the period of Second Polish Republic he lived in Bydgoszcz, later in Warsaw.[5]

After Poland regained independence, he worked for several government institututions (Emigration Department in 1918; press representative for the Ministry of Internal Affairs, in 1921, later, Film Office).[3]^: 436

He was a member of the Professional Association of the Polish Writers (Związek Zawodowy Literatów Polskich, ZZLP). In 1949 he also joined the Polish Writers' Union.[3]^: 436

During World War II his house was destroyed during the German invasion of Poland. Since then he lived in Milanówek near Warsaw[5]

On 1952 he was awarded the Officer's Cross of the Order of Polonia Restituta for his lifetime literary achievements.[14] However, around that time he was also in poor financial situation, as the communist regime at that time saw his works as ideologically suspect (he was criticized in particular for favorable portrayal of the United States), and did not support their republication, particularly as Umiński continued to try to get them published through the pirvate Gebethner i Wolff publishing house at the time private enterprises were increasingly discrimianted against. Some of his works were temporarily banned by the censorship agency.[5] His final novel, science fiction story Zaziemskie światy, finished during wartime, was held by censors who cancelled the initial print in 1948, it was published posthumously in 1956.[5][3]^: 438

Tombstone of Władysław Umiński

Umiński died on 31 December 1954 in Warsaw.[1] He was buried in the Powązki Cemetery.[15] He left an unfinished novel manuscript, Świat za lat tysiąc (The World in a Thousand Years), which was likely inspired by Wells' The Time Machine.[16]^: lxv Another novel finished near the end of his life, O własnych siłach (about wartime orphans), and its sequel, were never published and are now considered lost.[5]

His works have featured the themes of science fiction, exploration and adventure, as well as support for Polish independence.[1] His science fiction motif was tied to his intend to popularize science.[6]^: 586 Most of his works have been classified as young adult literature.[10]^: 205

Polish literary critics and historians of literature, Andrzej Niewiadowski and Antoni Smuszkiewicz noted that protagonists of his stories are almost universally charismatic "brave explores, often scientists and brilliant engineers", who use cutting-edge inventions (planes, submarines, etc.) to "establish contact with another civilization, challenge nature... overcome their own fear, prove the strength and power of man who can overcome all obstacles..." and pave way to a brigher future. The books are optimistic; Niewiadomski and Smuszkiewicz write further that "In the clash with nature, civilization achieves an unquestionable victory", and the characters grow through adversity.[10]^: 205 A recurring motif in his works is the failure of advanced gadgets, which the protagonists have to fix or improve to show off their skills – a theme related to the education promotion, as well as the popular in era of the Polish positivism (see also organic work, grassroots work; although Umiński wrote most of his science-fiction works during the era of Young Poland, educational character of his works means they are seen as part of the earlier positivist era).[10]^: 205[9]^: 67 His characters also resemble those of Jules Verne, which can be simply described as Nietzschean Übermensch.[10]^: 205

Umiński's work have also been seen as promoting the cause of Polish independence. Many of his works, mostly written during the period of partitions of Poland, feature Polish protagonists, inventions attributed to Polish scientists or enterpreneuers, and expeditions organized and led by Poles.[10]^: 205

From modern perspective, his works have been criticized for not delving into societal issues or transformation of future society, and his science fiction ideas have been noted to have been not particularly revolutionary or imaginative, rather, simple extrapolations and improvements of existing technologies (gramophones, submarines, aircraft).[10]^: 205[9]^: 70 On the other hand, Smuszkiewicz noted that this meant the inventions presented in his works were more realistic than those of Verne or Wells.[9]^: 69–70 Many of the devices he described in his books have become a reality within a few years of their publication.[9]^: 74 He has been known to adjust details of his inventions in newer editions to reflect the evolving state of technology.[17]^: 44[10]^: 205 Polish literary scholar Kamila Budrowska suggested that his science fiction themes should be seen more through the prism of his educational activities than experiments with imagination.[5] Nonetheless, some of his works also feature space travel, with protagonists of W nieznane światy (1895) trying to contact Mars, and Zaziemskie światy (1948), visiting Venus.[18]^: 116[19]^: 61

Umiński's positive view of technological progress changes in his late works (Zaziemskie światy) which likely reflect his wartime disappointment at the destructive consequences of said trend. In that work,Umiński promotes not technological, but moral progress.[10]^: 205

During his life, he authored about thirty novels and anthologies. He was active in educational activities related to popularizing science, as a writer, translator and publisher; he authored hundreds or perhaps thousands of popular science articles, as well as about forty larger brochures, sometimes classified as books.[5][6]

Niewiadomski and Smuszkiewicz called him one of the better-known Polish science fiction writers.[10]^: 205 Nonetheless, while Umiński was popular during his lifetime, he has been described as "forgotten" by modern readers, and Budrowska suggested that he is much better known these days among the scholars (particularly of Polish science fiction and literature) than average readers.[5][4][8][11]

His works were popular during his lifteime and received numerous editions.[6]^: 586[10]^: 205 There is some disagreement concerning whether they have aged well. Already in 1955 a reviewer noted that his works have not aged well and have mostly historical value.[20]^: 190A similar view was endorsed 2013 by Damian Makuch, who noted that after Umiński's death his works suffered from lack of updating with regards to current technological developments,[11] while Smuszkiewicz in 1982 noted that reprints of his work use the first edition version to stress the historica, anachronistic theme.[9] In 2015 by a Kamila Budrowska suggested that already the youth of 1950s did not appreciate Umiński's style[5]). However, Krystyna Jakowska in 2006 noted that "due to good action scenes, some of his works are still published today".[6]^: 586 Likewise, Niewiadomski and Smuszkiewicz note that despite the increasing obsolescence of the science-fictionish gadgets featured in his works, the stories themselves benefit from "a compact, interestingly constructed plot modeled on the adventurous novels of Thomas Mayne Reid and Robert Louis Stevenson, a simple narrative, and not too obtrusive didacticism, so they are still well-deservedly popular with readers."[10]^: 205

He has been credited with popualrizing science fiction literature in Poland (together with Jerzy Żuławski and Antoni Lange)[10]^{: 166–172, 205} and called "Polish Jules Verne".[21]^: 7[6]^: 586 The comparison to Verne was made as early as 1895 by a reviewer writing for magazine Niwa.[10]^: 205 Smuszkiewicz did note that despite this comparison, Umiński's works are not as innovative with regards to both science fiction themes and the plot construction as those of Verne's, although he notes that his works had significant value in terms of educating youth about science and patrotism.[9]^: 68 He has also been compared to Henryk Sienkiewicz with regards to his action scenes.[8]

He married Anna Natalia Bejn, who died shortly before him.[3]^: 436[5]

The following list contains primarily his fiction.

• Zwycięzcy oceanu (1891, eight editions, and a translation to Czech[6]^: 586[3]^: 436)
• Balonem do bieguna (1894, five editions and translations to French and Russian[6]^: 586[3]^: 436)
• Podróż bez pieniędzy (1894, seven editions[6]^: 586[3]^: 436)
• Wędrowna wyspa (1893, one edition)[3]^: 436
• Żegluga powietrzna. Balony i aerostaty. Lot ptaków. Maszyny latające. Baterya gazowa do celów aeronautyki (1894)[8]
• W nieznane światy (1895; retited in later editions from 1913 as Na drugą planetę, nine editions, and translations to Hebrew and Russian)[6]^: 586[18]^: 116[3]^: 436
• Przygody emigrantów w puszczy brazylijskiej (1895, one edition) [3]^: 437
• W kraju ludożerców (1896, two editions)[3]^: 437
• W pustyniach Australii. Opisy i przygody w podróży, dla młodzieży (1896, three editions and a translation to Hebrew)[3]^: 437
• Od Warszawy do Ojcowa (1897, two editions)[6]^: 586[3]^: 437
• Z odmętów morskich (1897, one edition)[3]^: 437
• Na falach Atlantyku. Przygody rozbitków pośród oceanu (1897, two editions)[3]^: 437
• Ocean i jego tajemnice (1899)[8]
• Nansen pośród lodów północy. Odczyt ludowy (1899)[8]
• Na szczytach (1900, two editions)[3]^: 437
• Podróż naokoło świata piechotą (1900, three editions)[3]^: 437
• Podróż naokoło Warszawy (1901, one edition)[6]^: 586[3]^: 437
• Biały mandaryn. Przygody rodziny polskiej na dalekim Wschodzie (1901, two editions)[3]^: 437
• Tajemnicza bandera i flibustierowie (1901; later editins retitlled and split into Tajemnicza bandera and Flibustierowie; eight editions, a translation to Serbo-Croatian and a radio adaptation)[6]^: 586[8][3]^: 437
• Wygnańcy (1902, one edition)[3]^: 437
• Człowiek leśny. Opowiadanie podróżnika po Afryce (1903, one edition)[3]^: 437
• Historia biednego chłopca w pięciu częściach świata (a three-volume series published from 1903 to 1905, several editions and a translation to Czech and/or Slovakian)[3]^: 437
• W czarnej otchłani. Kartka z życia górników (1908, one edition)[3]^: 437
• Samolotem naokoło świata (1911, three editions)[6]^: 586[3]^: 438
• Synowie puszczy (1911, three editions)[3]^: 438
• Krwawy chleb (1912, one edition titled Znojny chleb), eight editions[6]^: 586[3]^: 437
• Krzyż i półksiężyc. Powieść dla młodzieży na tle ostatniej wojny bałkańskiej (1913, two editions)[3]^: 438
• Po kraju (1913, two editions)[3]^: 438
• Czarodziejski okręt (1916, three editions)[3]^: 438
• Krwawa dola. Powieść z niedalekiej przeszłości (1918, one edition)[3]^: 438
• Przygody wojenne (1919, one edition)[3]^: 438
• W głębinach oceanu (1920, three editions)[3]^: 438
• Przygody łodzi podwodnej i inne opowiadania (1925, one edition)[3]^: 438
• Pod flagą polską. Samochodem naokoło świata. Podróż skauta Jerzego Jelińskiego (1926, two editions)[3]^: 438
• Zaziemskie światy (1948)[7]^: 57

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