Walking Men Worldwide

Walking Men Worldwide is a series of public art installations by artist Maya Barkai.[1] The project is a collaboration created by numerous photographers who submit photographs of electronic pedestrian signals - "walking men" - from locations all over the world.[2][3]

Exhibition history

The project debuted in January 2010 in Manhattan in an installation entitled Walking Men 99,[4][5] located at 99 Church Street. Walking Men 99 is a 500-foot-long mural of 99 "walk" symbols from cities worldwide which was exhibited over the following four years. The installation was created as part of the Alliance for Downtown New York's Re:Construction Program,[6][7] with the goal of beautifying construction sites around Lower Manhattan, which is in a constant renewal process since 9/11.

Additional installations include Walking Men PERMM (2010), created in collaboration with the PERMM Museum of Contemporary Art in Perm Krai, Russia,[8] as well as Walking Men Worldwide - The Banner Gallery, which was part of the Art & About Sydney Festival(2013),[9] where more than 600 banners depicting Walking Men icons covered the city. The event was repeated conjunction with Walk 21 Sydney in 2014.

Men At Work, composed of over fifty-five life-size renderings of the ‘working men’ figures from cities around the world, was on display at the Bat-Yam International Biennale of Landscape Urbanism in Israel in 2010.[10] The following year, Barkai presented Men At Work NYC surrounding the construction site of Four World Trade Center. The project, which was unveiled on September 11, 2011, depicted nearly 150 figures.

Special Projects
  • A set of two limited edition screen prints featuring artwork from Walking Men Worldwide, and Men At Work NYC were published in 2012.
  • Imagery from the installation Walking Men 99 decorates the album cover of Between the Times and the Tides, the ninth studio album by the American alternative rock musician Lee Ranaldo (also member of American rock band Sonic Youth), released on March 20, 2012 on Matador Records.

References
  1. "Pictures: little green men of the world". The Telegraph. 23 February 2014. Retrieved 23 July 2015.
  2. Duncan, Alasdair (8 October 2013). "The Banner Gallery". The Brag. Retrieved 23 July 2015.
  3. Kalis, Lisa (4 June 2011). "Causion: Universal Icons At Work". The Wall Street Journal. Retrieved 23 July 2015.
  4. Vogel, Carol (14 January 2010). "Bringing Some Whimsy to Construction Sites". The New York Times. Retrieved 23 July 2015.
  5. Bostwick, Willian (19 January 2010). "New York's Architectural Eyesores Become Public Art". Fast Company. Retrieved 23 July 2015.
  6. "RE:Construction | Downtown Alliance - Lower Manhattan". www.downtownny.com. Archived from the original on 2011-04-29.
  7. Re:Construction (PDF). New York. 2013. pp. 2, 10–11, 14–15, 72. Retrieved 23 July 2015.{{cite book}}: CS1 maint: location missing publisher (link)
  8. Kalis, Lisa (4 June 2011). "Causion: Universal Icons At Work". The Wall Street Journal. Retrieved 23 July 2015.
  9. Suckling, Laura (22 August 2013). "Sydney to Celebrate Flashing Men and Women for Art & About Sydney". Daily Telegraph. Retrieved 23 July 2015.
  10. Kalis, Lisa (4 June 2011). "Causion: Universal Icons At Work". The Wall Street Journal. Retrieved 23 July 2015.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.