The Washington Ballet

Mary Day (née Mary Henry Day; 25 January 1910 – 11 July 2006), a native of Washington, and her mentor, Lisa Gardiner (né Elizabeth C. Gardiner; 1894–1958), established the Washington School of Ballet in 1944.[3] In the 1950s, a pre-professional group of dancers trained at the school joined to perform at the National Cathedral and the D.C. Department of Recreation with the National Symphony Orchestra. This group also toured New York, West Virginia, and the Dominican Republic, where the troupe performed with Alicia Alonso in 1956.[4]

In 1961, the Washington Ballet School premiered Day's The Nutcracker[3] with the National Symphony Orchestra in Constitution Hall. In 1976, Day started The Washington Ballet, a company providing a professional showcase for the students of The Washington School of Ballet. Funded by a grant from the National Endowment for the Arts, Day hired Peter Grigsby as the first administrative director who took advantage of the Department of Labor's Comprehensive Employment and Training Act to hire dancers. He was followed by Alton Miller as director who expanded the touring of the company. The Washington Ballet founding company members included Madelyn Berdes, Patricia Berrend, James Canfield, Sharon Caplan, Robin Conrad, Lynn Cote, Laurie Dameron, John Goding, Robin Hardy, Jon Jackson, Brian Jameson, Terry Lacy, Christine Matthews, Ricardo Mercado, Julie Miles, Patricia Miller, Philip Rosemond, Helen Sumerwell and Allison Zusi.

In 1999, Septime Webre, a Cuban-American, joined The Washington Ballet as the artistic director. Works created for the Washington Ballet by Webre include Juanita y Alicia (2000), Carmen (2001), Journey Home (2002), Cinderella (2003), Oui/Non (2006), and State of Wonder (2006), as well as Carmina Burana, Fluctuating Hemlines, Where the Wild Things Are, and Peter Pan. The company has staged the works of such contemporary choreographers as George Balanchine, Twyla Tharp, Christopher Wheeldon, Mark Morris, Trey McIntyre, Edwaard Liang, and Nacho Duato, in addition to the more classical ballets, like Giselle, Coppélia, and La Sylphide. In October 2000, Webre led The Washington Ballet on an historic tour of Havana, making it the first American ballet company to perform in Cuba since 1960. In 2004, the Washington Ballet premiered Webre's The Nutcracker. Webre created his takes on The Great Gatsby in 2010 and The Sun Also Rises in 2013.[8]

Webre also initiated DanceDC, the Washington Ballet's outreach and education program that combines creative movement with an integrated language arts curriculum for D.C. public school children. Classical pre-ballet technique is taught to interested DanceDC students through a unique scholarship program called EXCEL! Nine boys and nine girls from the DanceDC schools are selected annually to receive on-site professional ballet technique training for an hour once a week at The Washington School of Ballet. In 2005, the company began The Washington Ballet at the Town Hall Education, Arts and Recreation Campus (TWB@THEARC), a home to community programs by the company as well as a branch of the Washington School of Ballet east of the Anacostia River.[9]

In February 2016, Webre announced he'd be stepping down at the end of June.[10] A month later, the company announced Julie Kent, recently retired after dancing with the American Ballet Theatre for 29 years, would take the company's reins starting July 1.[11]

The dancers for the company are:[12]

The dancers for the studio company are:

• Rony Baseman
• Catherine Doherty
• Misha Glouchkova
• Alejandro Molina Leon
• Ethan Slocomb
• Paolo Tarini
• Harry Warshaw
• Jie-Siou Wu

[12]

• Official website
• The Washington Ballet's Facebook page
• Archival footage of The Washington Ballet performing Choo-San Goh's Double Contrasts in 1980 at Jacob’s Pillow Dance Festival.