Everything Now

In May 2017, Arcade Fire performed six new songs at an intimate secret show in Montreal.[8] Later that month, a Twitter account designed to look like a Russian spambot started publishing clues pertaining to a new Arcade Fire album.[9]

On May 31, the band released the lead single "Everything Now" on 12" vinyl, selling it at a merchandise stall at the Primavera Sound festival in Barcelona, which they headlined.[10] A day later, a mysterious live stream called "Live From Death Valley" was launched,[11] and the band released a music video for "Everything Now"[12] that appeared to have been shot in Death Valley, California.

On June 3, anagrams of song titles were published on Twitter.[13]

On June 16, the band posted the music video for "Creature Comfort" on its YouTube page. It was marketed with a Facebook post that was purportedly written by a disgruntled "Everything Now Corp" employee, in which he railed against the band's refusal to engage in corporate promotion of its new album.[14]

Similar satirical marketing done in promotion of the album stemmed from a fictional agreement the band was in: a "360 degree agreement" proposed by Everything Now Corp, whereby the band created multiple fake online articles related to events happening within the company and band. These include, but are not limited to, the band providing a "premature premature evaluation" of Everything Now days before release as a spoof of online music reviews, a review of a fake installment in the rhythm video game series Rock Band titled Arcade Fire: Rock Band, and fake advertisements for products based on the names of songs from Everything Now. A collection of promotional articles created by the band are included on the side of a fake website that leads to numerous other fake websites.[15]

The front cover of the album features a picture of an art installation in Death Valley created by the artist JR for the band that consisted of a billboard depicting a mountain range placed in front of the actual mountain range depicted on the billboard, which comments on the blurry line between artifice and reality in the modern world; the album's title appears on a sign below the billboard. The back cover features a man riding a horse, a camp fire, and an arcade machine on fire (a visual pun on the band's name). The entire scene was shot in many different lighting and weather conditions, and two variants of the artwork, labelled "Day" and "Night", were created for CD pressings, while twenty variants of the artwork were created for vinyl pressings, each with the title on the front cover in a different language and a unique photograph of the mountain-and-billboard-scene. The shrink wrap around the album had a radial dotted-line pattern on the front, suggesting the sky in the photograph was printed on the inside of a large dome structure, and a tracklist on the back, which was disguised as the logos of fictional companies that financed the album.

As a continuation of the commercialization theme, the booklet for the album was formatted to resemble a flyer for a supermarket, with the song durations appearing like dollar amounts.

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	6.5/10[17]
Metacritic	66/100[18]
Review scores
Source	Rating
AllMusic	[19]
The A.V. Club	B[20]
Chicago Tribune	[21]
Entertainment Weekly	B+[22]
The Guardian	[23]
The Independent	[24]
NME	[25]
Pitchfork	5.6/10[26]
Q	[27]
Rolling Stone	[28]

At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Everything Now received an average score of 66 based on 39 reviews, indicating "generally favorable reviews";[18] some critics praised the album as one of the year's best, while others stated it was a serious misstep for the band.

Jeremy Winograd of Slant Magazine claimed that "The result is by far Arcade Fire's most upbeat and easily digestible album to date."[7] Barry Nicolson of NME rated the album five stars out of five and wrote that "The Canadian art-rockers are bigger, bolder and more fearful of the future than ever".[25] Will Hermes of Rolling Stone praised the album for its lyrical content, writing that it is "treacherous territory, but the band navigates it bravely, especially when it turns the critical lens on itself."[28]

In a mixed review for The Guardian, Alexis Petridis wrote that the "desire to experiment musically isn't enough to make Everything Now a bad album – there are songs worth hearing and genuinely thrilling music here – but rather a flawed one."[23] Jon Pareles of The New York Times wrote that "The title song finds a breezy balance between earnestness and exhilaration. Elsewhere, that balance falters, and Everything Now becomes a slighter album than its predecessors."[29] Equally negative, Brendan Frank of Pretty Much Amazing wrote that "For the first time in their career, Arcade Fire haven’t made a record; they've manufactured one."[30] Jeremy Larson of Pitchfork wrote that "Conceptually, the songs don't transcend their social critique, they succumb to it."[26] Robert Christgau wrote in 2018 that he had only "laid off" the album because he did not "feel obliged to nail down every possible Honorable Mention"; he mused it might deserve a "One-Star Honorable Mention" (which means "a worthy effort consumers attuned to its overriding aesthetic or individual vision may well like"[31]), but said he did not "consider it [his] obligation to history to make that call."[32]

Everything Now debuted at number one on the Billboard 200 chart in the US with 100,000 album-equivalent units, of which 94,000 were pure album sales.[35] It is Arcade Fire's third US number-one album.[35]

Credits adapted from liner notes[4] and Tidal.[37]