The Bones of What You Believe

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	7.8/10[15]
Metacritic	80/100[16]
Review scores
Source	Rating
AllMusic	[17]
The A.V. Club	A[18]
Entertainment Weekly	B[19]
The Guardian	[20]
The Independent	[21]
Los Angeles Times	[22]
NME	8/10[3]
Pitchfork	8.5/10[23]
Rolling Stone	[10]
Spin	8/10[24]

The Bones of What You Believe received generally positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 80, based on 39 reviews.[16] Kyle Ryan of The A.V. Club complimented Mayberry's songwriting and wrote that Chvrches "have crafted one of the year's best albums, which means that buzz won't be dying down any time soon."[18] Joe Rivers of Clash lauded the album as "an exceptionally strong debut where every track is a potential single", noting that "[n]ot only do CHVRCHES revive the [synthpop] sound, they push it forward, with wave upon wave of shimmering synths, more hooks than an angling shop and a songwriting acumen that belies the group's relative infancy."[25] Reed Fischer of Alternative Press stated, "The heartbreaking and indignation in Lauren Mayberry's laser-precise voice makes her an imperfect protagonist in the song length dramas found throughout her band's debut", adding that "even more devastation (the building-crushing kind this time) stems from Ian Cook and Martin Doherty's sophisticated and catchy layers of synthesizers and vocal hoops."[26] Larry Fitzmaurice of Pitchfork described the album as "a seamless fusion of emotive theatrics, hook-loaded songwriting, and some of the more forward-thinking sonics in electronic music right now", and found that "the hooks on The Bones of What You Believe are indelible regardless of instrumentation, and the sound is immaculate."[23]

At Spin, Puja Patel opined that the album is "at its best on its revenge tunes", concluding, "In a mainstream landscape that's still reveling in the EDM-fueled fuck-yous of Icona Pop and Charli XCX's 'I Love It,' CHVRCHES' poppy electronic textures and bleakly lyrical brashness raises the bar."[24] Rolling Stone's Jon Dolan expressed, "Even when Chvrches are just competently mopey, their neon-Eighties visions are far from retro pose-striking."[10] Barry Nicolson of NME praised the album's "great songwriting" and felt that "while not every track has the immediacy of 'Lies' or 'Recover', there's not a weak one among them."[3] Heather Phares of AllMusic wrote, "Even on the darkest moments, such as 'Lies' or 'Science/Visions,' there's a disarming emotional directness to The Bones of What You Believe that makes it a unique, fully realized take on a style that seemed close to being played out."[17] Ally Carnwath of The Observer commented that Chvrches are "more robust and melodic than arty peers such as Grimes and Purity Ring—choruses are foregrounded, synthy jabs pummel Lauren Mayberry's vocals, beats drop from satisfying heights—but Mayberry's lyrics also carry a subversive twist of angst and obsession."[27] In a mixed review, Slant Magazine's Kevin Liedel remarked, "While the album has its fair share of sweet spots, the handful of capable melodies never quite balances out its bizarre impulses or the utter lack of thematic unity."[28]

Credits adapted from the liner notes of The Bones of What You Believe.[44]