Weight/Counterweight

Professional ratings

Review scores
Source	Rating
The Free Jazz Collective	[3]

A reviewer for The Free Jazz Collective awarded the album a full 5 stars, calling it "fantastic," and commenting: "The music... is light as a breeze in its form, with sounds that sometimes barely create ripples in the silence, with zen-like punctuation and formless precision, yet full of substance and power... like a Japanese ink drawing, a few brush strokes are sufficient to evoke everything that needs to be said, a world by itself, creating an incredible memory imprint and listening experience.[3]

Paris Transatlantic's Dan Warburton wrote: "The pace is uniform and leisurely and the mood contemplative, but there's a sense of underlying tension and extreme concentration throughout... Vibraphones and glockenspiels, struck and bowed, envelop Dixon's velvety tones in a warm glow, but there's not the slightest hint of easy listening chillout here: when the music does explode... its power, its weight, is tremendous."[4]

Writing for Arthur, Byron Coley and Thurston Moore called the album "one of the high points of [Dixon's] recording career," and remarked: "the two percussionists provide gorgeous interaction for Dixon's processed trumpet tones, and the 2LP set slides into a very deep zone. Dixon was always a perfectionist, and he rarely played with such grace."[5]

Clifford Allen of Signal to Noise noted the "large, glacial areas with easy-breathing deliberateness" created by the percussionists, and commented: "Dixon says he 'always works orchestrally,' and Weight/Counterweight is powerful evidence of this."[6]

A writer for Still Single described the album as a "slab of pensive atmospheric jazz textures," and stated: "Probably the easiest step you'll be able to take in discovering a legend as of right now, so believers and newcomers are welcome to try this on. Subtlety is redefined. RIP Bill."[7]

Writing for Six Moons, Michael Lavorgna called the album "completely stunning," and remarked: "Dixon sounds at times like a Tibetan monk blowing some long-assed earth-shaking horn. At others more like some minimalist modernist who in a very silent way breathes echoed musical essence into spirit form... Primal, elemental, brutal, forceful, quiet, serene and all that (free) jazz."[8]

• Bill Dixon – trumpet
• Aaron Siegel – percussion
• Ben Hall – percussion