The White Lotus

Main

• Murray Bartlett as Armond,[11] the manager of the White Lotus resort and a recovering drug addict who has been sober for five years
• Connie Britton as Nicole Mossbacher,[11] a CFO of a search engine company
• Jennifer Coolidge as Tanya McQuoid,[11] a rich, needy and self-absorbed heiress whose mother recently died and who is seeking inner peace and discovery
• Alexandra Daddario as Rachel Patton,[11] a newlywed struggling journalist who does clickbait gigs
• Fred Hechinger as Quinn Mossbacher,[11] Nicole and Mark's socially awkward, screen-addicted teenage son
• Jake Lacy as Shane Patton,[11] Rachel's husband, who is a demanding, entitled, wealthy and arrogant real estate agent
• Brittany O'Grady as Paula,[11] Olivia's less privileged but equally caustic friend from college
• Natasha Rothwell as Belinda Lindsey,[11] the resort's kind and empathetic spa manager, who develops a complicated relationship with Tanya, offering emotional support but also hoping to pitch a business proposal to the heiress
• Molly Shannon as Kitty Patton,[12] Shane's overbearing, wealthy mother, who pays for his honeymoon and makes a less than welcome unannounced visit
• Sydney Sweeney as Olivia Mossbacher,[11] Nicole and Mark's sardonic, edgy daughter who is a college sophomore
• Steve Zahn as Mark Mossbacher,[11] Nicole's husband who is dealing with a health crisis and trying to get past a previous infidelity incident

Recurring

• Lukas Gage as Dillon,[12] a young staffer at the White Lotus
• Kekoa Scott Kekumano as Kai,[12] a Native Hawaiian staffer at the White Lotus who forms a romantic connection with Paula
• Jon Gries as Greg Hunt,[12] a White Lotus guest who romantically connects with Tanya
• Alec Merlino as Hutch,[13] a waiter at the White Lotus

Guest

• Jolene Purdy as Lani,[12] a trainee at the White Lotus who disguises her late-stage pregnancy due to needing a job

Main

• F. Murray Abraham as Bert Di Grasso,[14] Dominic's elderly, womanizing father
• Jennifer Coolidge as Tanya McQuoid-Hunt,[11] reprising her role from the first season
• Adam DiMarco as Albie Di Grasso,[14] Dominic's affable, socially awkward son, a recent Stanford graduate
• Meghann Fahy as Daphne Sullivan,[15] Cameron's seemingly sweet but manipulative stay-at-home wife
• Beatrice Grannò as Mia, a local aspiring singer who resists her friend Lucia's attempts to introduce her to prostitution[16]
• Jon Gries as Greg Hunt, Tanya's volatile husband, reprising his role from the first season[17]
• Tom Hollander as Quentin,[14] a wealthy gay British expat living in Sicily
• Sabrina Impacciatore as Valentina, the strict, no-nonsense manager of the White Lotus in Sicily[16]
• Michael Imperioli as Dominic Di Grasso,[18] a sex-addicted Hollywood producer traveling with his father, Bert, and son, Albie
• Theo James as Cameron Sullivan,[15] a cocky and scheming investments manager, Daphne's husband and Ethan's college friend
• Aubrey Plaza as Harper Spiller,[19] a strait-laced employment lawyer, Ethan's wife
• Haley Lu Richardson as Portia,[14] Tanya's rudderless young assistant whom she brings on her vacation
• Will Sharpe as Ethan Spiller,[15] a newly wealthy tech entrepreneur, Harper's husband and Cameron's college friend
• Simona Tabasco as Lucia Greco, a local hustler and prostitute[16]
• Leo Woodall as Jack, a charismatic young man from Essex, whom Quentin introduces as his "cheeky nephew"[15]

Recurring

• Federico Ferrante as Rocco, a concierge at the White Lotus to whom Valentina has taken an inordinate dislike
• Eleonora Romandini as Isabella, a concierge at the White Lotus with a permanent smile
• Federico Scribani Rossi as Giuseppe, a lecherous middle-aged lounge singer and pianist at the White Lotus
• Francesco Zecca as Matteo, Quentin's friend
• Paolo Camilli as Hugo, Quentin's friend
• Bruno Gouery as Didier, Quentin's friend
• Nicola Di Pinto as Tommaso, the captain of Quentin's yacht

Guest

• Laura Dern as the voice of Abby, Dominic's estranged wife[20]
• Angelina Keeley and Kara Kay as two hotel guests.[21]

On October 19, 2020, HBO gave The White Lotus a limited series order that consisted of six episodes.[4] The series was created, written and directed by Mike White. White also serves as executive producer alongside David Bernad and Nick Hall.[35] In an interview with Ben Travers of IndieWire at the 2021 ATX Television Festival, White explained his creative inspiration for the first season. White wished to explore the question of "how money can pervert even our most intimate relationships," to examine the "ethics of vacationing in other people's realities," and to present the "flesh and blood" experience of being gripped by the power dynamics of "today's culture wars".[36] Cristobal Tapia de Veer is the series' composer and Ben Kutchins is the cinematographer for the series.[37]

On August 10, 2021, HBO renewed the series for a second season,[38] which consists of seven episodes and is titled The White Lotus: Sicily.[39] White initially envisioned the second season taking place in a political setting, such as a Bilderberg conference, but scrapped this idea and chose Italy instead.[40] White said regarding this choice, "The kind of mythology of Sicily, at least from the point of view of Americans, is the archetypal sexual politics and role play that you associate with, like, opera and the mafia and Italian romance. I felt like it should be more focused on men and women and relationships and adultery and have an operatic feel to it, so I pivoted."[40] Asked to describe the second season, White likened it to "a bedroom farce with teeth".[41] Kim Neundorf served as an additional composer for season two.[42]

On November 18, 2022, HBO renewed the series for a third season.[8] Following the season two finale, creator Mike White hinted that the third season would be set in Asia and invoke a "satirical and funny look at death and Eastern religion and spirituality", similar to how the first season focused on money, and the second season on sex.[43]

In March 2023, Variety reported season 3 is likely to take place in one of Four Seasons resorts chain in Thailand.[9]

The third season production has been disrupted by the 2023 Writers Guild of America strike, which has delayed its release date to 2024.[44]

Upon the limited series order announcement, Murray Bartlett, Connie Britton, Jennifer Coolidge, Alexandra Daddario, Fred Hechinger, Jake Lacy, Brittany O'Grady, Natasha Rothwell, Sydney Sweeney, and Steve Zahn were cast to star.[45] On October 30, 2020, Molly Shannon, Jon Gries, Jolene Purdy, Kekoa Kekumano, and Lukas Gage joined the cast in recurring roles.[46] Alec Merlino, who was a fellow contestant on Survivor: David vs. Goliath with Mike White, was cast as Hutch, a waiter.[13]

Upon the announcement of the second season renewal, HBO announced that a predominantly new cast of characters would be focused on at another White Lotus property for the second season, though Mike White had stated there was a possibility for a few cast members from the first season to return as their characters.[47] On October 15, 2021, Coolidge was reported to be set to return for the second season.[48] In January 2022, Michael Imperioli, Aubrey Plaza, F. Murray Abraham, Adam DiMarco, Tom Hollander, and Haley Lu Richardson were confirmed to be cast to star in the second season.[18][19][14] In February 2022, Theo James, Meghann Fahy, and Will Sharpe joined the cast as series regulars while Leo Woodall was cast in a recurring role for the second season.[15] In March 2022, Beatrice Grannò, Sabrina Impacciatore, and Simona Tabasco joined the starring cast for the second season.[16] The second season features White's fellow Survivor: David vs. Goliath contestants Kara Kay and Angelina Keeley in cameo roles.[49] Upon the third season renewal announcement, producers confirmed that there will be a new cast of characters on another White Lotus resort.[8] In April 2023, Natasha Rothwell was reported to be reprising her role as Belinda for the series' third season.[10]

Principal photography for the first season began in October 2020 in Hawaii under COVID-19 guidelines.[50] By November 21, 2020, the series was halfway through filming at the Four Seasons Resort Maui at Wailea and was scheduled to film in December at locations around Maui. This included Lana'i Island where they shot some beach scenes.[51][52][53] Zahn told The Hollywood Reporter that the Four Seasons was closed during filming, which resulted in a bubble for the cast and crew. Both he and Hechinger got PADI certified for the scuba scenes.[54]

On January 20, 2022, the second season was reported to be filmed at the Four Seasons San Domenico Hotel in Taormina, Sicily, Italy;[55] on February 28, 2022, HBO confirmed that production had begun there.[39] The opening theme of the second season, accompanied by a chorus of voices, shows scenes from the frescoes of Villa Tasca in Palermo. Filming took place in various locations in Sicily: throughout the city of Taormina, notably the San Domenico Palace hotel which represents the main location, and in the ancient theatre of Taormina; in Cefalù, with the long beach and the view of the Norman Cathedral; in Fiumefreddo di Sicilia (with the famous Slave Castle); in Palermo, in particular at the Teatro Massimo and at Villa Tasca; the interior scenes of the Opera house in Catania at the Teatro Massimo Bellini; in the city of Noto, in particular Villa Elena; Giardini Naxos; and different views of the seafront of Sicily and Mount Etna.[56][57][58]

Chilean composer Cristobal Tapia de Veer was hired by White to score the series. The theme tune for season one, "Aloha!", was composed to evoke sounds of the jungle. Tapia de Veer used unusual methods, including over-blowing into a flute and performing squawking vocal noises and "monkey sounds" himself. He also used a South American charango, a dozen or so drums from different cultures (mostly handmade drums fashioned from wood and animal skin), a variety of natural shakers, and some piano.[59]

For season 2, Tapia de Veer collaborated with his manager Kim Neundorf to finish original compositions due to his own scheduling conflicts. For the theme tune, Tapia de Veer wanted to keep elements of the season 1 theme but rework it to better fit the Italian setting, including making it more harmonious. The season 2 theme, "Renaissance", begins with oscillating notes on a harp and before the orchestral strings, piano chords, and cymbals are layered in before the return of ululating vocals. This then reaches a high pitch, before a synthetic EDM dance beat builds and drops. Tapia de Veer credits Neundorf for bringing a more organic sound to the production.[60] Singer Stephanie Osorio provided the vocals, whom Tapia de Veer recorded holding a long, single note as she wavered the sound through her hand. Tapia de Veer then sampled this and played different versions of it on a keyboard.[61]

According to Vulture, the costs of production of season 2 remained at under US$3 million per episode, the same as season 1. Italy, where season 2 was filmed, offers up to 40% tax credit to foreign productions taking place in the country.[62]

The first season was released on DVD on September 13, 2022.[64]

Review aggregator Rotten Tomatoes reported an approval rating of 90% for the first season of The White Lotus based on 96 critic reviews, with an average rating of 8.4/10. The website's critics consensus reads, "Though its true intentions can get a bit murky, gorgeous vistas, twisty drama, and a pitch perfect cast make The White Lotus a compelling—if uncomfortable—viewing destination."[65] On Metacritic, the season has a score of 82 out of 100 based on 39 critics, indicating "universal acclaim".[66]

Matthew Jacobs of TV Guide rated it 4.5 out of 5 and wrote that it is "some of the year's best television thus far."[37] Rolling Stone's Alan Sepinwall graded it 3.5 out of 5 stars and called it "frequently uncomfortable, sometimes poetic, occasionally hilarious, and deeply idiosyncratic throughout."[69] White's attention to character detail was praised, with Naomi Fry of The New Yorker lauding his "affection for his characters, who never feel like caricatures",[2] and Judy Berman of Time commenting he is "uniquely attuned to characters' internal conflicts as well as their varying level of self-awareness."[70]The New York Times's James Poniewozik commended White's signature balance of "sardonic and sincere" tones and his "ear for how people can weaponize idealism", though he also noted the writing "sometimes strains to be topical, with its culture-war Mad Libs references to triggering and cucking, canceling and doxxing."[71] The performances of the ensemble cast were widely praised, with Roxana Hadadi of RogerEbert.com giving four stars out of four and writing it reveals a "combination of performances that are nearly universally enthralling."[72] Of the character of Armond, Poniewozik wrote Bartlett shows "the invisible gymnastics that go into this job" and plays him like "a coiled spring".[71] Hadadi lauded Rothwell's "nuanced, elastic work" with a "haunting" final onscreen moment.[72] Berman said Coolidge is poised to be the series' breakout but also praised Zahn, Bartlett, Rothwell, Lacy, Sweeney, and Daddario.[70]

Criticisms of the first season lamented that the nonwhite, native Hawaiian characters who work at the resort, such as Lani and Kai, received little screen time and were the least developed characters. In this way, critics argued the show did not sufficiently engage in the topics of imperialism and white privilege, issues the show seemed poised to critique in its satirization of the affluent, white upper class.[71][73][74] Poniewozik felt the show "could use more attention to the downstairs half of its upstairs-downstairs story; it flicks at, but doesn't really explore, the lives of the native Hawaiian staff busing tables and performing dinnertime rituals" for the guests.[71] Mitchell Kuga of Vox wrote, "scraping at imperialism, The White Lotus mimes a moral center but never engages the topic beyond mere gesture...how successful can a piece of satire be if it replicates the very power structures it purports to satirize?"[74] White has said the intention of giving native characters less screen time was to show how "interchangeable" the workers appear to the more privileged.[75]

Inkoo Kang of The Washington Post said the characters and performances "make for a twisty, queasy, sweatily claustrophobic drama", but opined that next to other popular TV shows that center on white, affluent people, such as Succession, Big Little Lies, The Undoing, and The Crown, The White Lotus does not have anything new "to observe about the trail of casual destruction the moneyed and connected can leave in their unhappy wake."[76] In The Observer, Kyle Turner wrote, "as someone who is very fond of White's usually tender, deft hand at balancing tone", he hoped the show had "more precision in its aimed poisoned arrows."[77] Turner added the show is "too broad to be a good satire, too pointedly critical to be a straight tragedy, too invested in its melodrama to be a broad comedy, until it becomes ouroborosian in its indecision on tone and ethos. It's not that these genres and tropes can't coexist. It's that here, they float adrift, devoid of alchemical balance."[77]

Critics were divided about the season one finale, with Kang saying the "swerve late in the series disappointingly sails the story toward calmer waters. Once the turbulence is over, only froth remains."[76][78] Other critics, such as Emily St. James of Vox, argued that what they considered the anticlimactic nature of the ending was precisely the point of the show and underscored White's commentary on the powerful and the privileged.[79][80]

The first season appeared in the top ten on numerous publications' "Best of 2021" lists, including first for The A.V. Club, The Globe and Mail, The Ringer, Slant Magazine, and The Sunday Times; second for The Boston Globe, Decider, Exclaim!, The Guardian, The Independent, New York Daily News, San Antonio Express-News, Sioux City Journal, Time, and Vulture; and third for Good Morning America, NME, and Uproxx, among others.[81]

For the second season, Rotten Tomatoes reported a 93% approval rating with an average score of 8.20/10, based on 118 reviews. The website's critics consensus states, "Swapping its tropical trappings for Euro chic while focusing primarily on the corrosive influence of carnal desire, The White Lotus remains a cookie full of arsenic that goes down smooth."[67] On Metacritic, the season has a score of 81 out of 100 based on 40 critics, indicating "universal acclaim".[68]

Multiple critics voiced that White repeated the success of the first season with sharp writing, his ensemble cast, and more focused plot lines, with some saying it is an improvement on the first season.[82][83][84][85] Lucy Mangan of The Guardian rated it 5 out of 5 and wrote, "The writing is as dense and layered as ever, the plotting is immaculate and the viewers' sympathies – or loathings – are never allowed to rest in one place for too long."[86] Writing for The New Yorker, Inkoo Kang gave a positive review, writing "the airless sociological fatalism of Season 1, which was matched by a claustrophobic production due to covid-19 restrictions, gives way to a more mature drama, as well as a deeper exploration of how the characters' class concerns converge with gendered angst."[87] Brian Tallerico of RogerEbert.com wrote, "Mike White is a writer that is as thrilled with a fascinating dinner conversation as he is a murder mystery, and so even as the plotting sags more than it did the first time, the way that his characters bounce off each other, unpacking their social constructs, remains fascinating."[88] Alison Herman of The Ringer praised the series' pivot to the theme of gender politics, writing "White knows that sex, like money, is a form of power, and that each is intimately bound up in the other."[89] Melanie McFarland of Salon observed, "You may not want to be in the same room with the people you're watching, but the sights alone provided a level of escapism like nothing else on TV."[90] For The Washington Post, Travis M. Andrews wrote "though these new episodes meander at times, Season 2 is more tightly plotted and there are enough new ideas, with even the most staid insights heightened by White's razor-sharp writing, for it to feel fresh."[91] Some critics welcomed the characters Mia and Lucia, two Sicilian sex workers whose plot lines intersect with many of the hotel guests', saying their presence felt like a response by White to criticisms of the previous season's focus on its well-off leads.[89][92][93] Others noted how the second season "has invested in horror imagery in a way the previous outing didn't, and it's been one of this installment's best through lines."[94]

Others thought the shift from the themes of class criticism to gender roles made for a less riveting watch.[93] Writing for Vulture, Roxana Hadadi said season two "centers infidelity, to diminished effect", and that "there's also a new bluntness, and a noticeable tentativeness, that keeps this second season from hitting as hard and bruising as immediately as its predecessor."[92] Vanity Fair's Richard Lawson wrote season two is a "vibrant set of plates to set spinning, which White does with his usual mix of acerbic bite and melancholy. Though, things do feel a little less pointed this season."[95] Shirley Li of The Atlantic noted "Season 2 is as juicy as season 1, but it's not as caustic in its approach."[96] Commenting on the more diminished role of the hotel staff, Linda Holmes of NPR wrote, "Thematically, without that tension between how the guests see themselves and how the staff sees them, The White Lotus seems adrift. With all the criticism of the first season and the fair questions about whether it was satirizing its rich and white characters' lack of interest in the people around them or just reproducing it, it was always clear what the show was trying to be about, or thought it was about. It was trying to be about the foibles of wealth and carelessness; it's much less clear where White is going with this story."[97]

The second season appeared in the top ten on numerous publications' "Best of 2022" lists, including first for Good Morning America, The Independent, and San Antonio Express-News; second for the i; and third for Cleveland Plain-Dealer, Irish Independent, LA Weekly, Newsday, Radio Times, TV Insider, USA Today, and The Washington Post, among others.[98]

The first season received 11 nominations at the 74th Primetime Emmy Awards in the limited or anthology series categories.[99] It was also nominated for nine Primetime Creative Arts Emmy Awards across eight categories, winning five.[100] The series won the most Emmys across both ceremonies, including Outstanding Limited or Anthology Series, Murray Bartlett for Primetime Emmy Award for Outstanding Supporting Actor, Jennifer Coolidge for Outstanding Supporting Actress, and Mike White for both Outstanding Directing and Outstanding Writing. Connie Britton, Alexandra Daddario, Jake Lacy, Natasha Rothwell, Sydney Sweeney, and Steve Zahn also received acting nominations.[101]

The second season received 12 nominations at the 75th Primetime Emmy Awards across five categories and 11 nominations at the Primetime Creative Arts Emmy Awards across 10 categories, moving from limited/anthology series to drama series. Nominations include Outstanding Drama Series; F. Murray Abraham, Michael Imperioli, Theo James, and Will Sharpe for Outstanding Supporting Actor; Coolidge, Meghann Fahy, Sabrina Impacciatore, Aubrey Plaza, and Simona Tabasco for Outstanding Supporting Actress; and White for Outstanding Directing and Outstanding Writing for the episode "Arrivederci".[102]

The series included in the American Film Institute Awards top ten Programs of the Year list for 2021 and 2022.[103][104] Other nominations include three Critics' Choice Television Awards (winning all),[105][106] five Golden Globe Awards (winning two),[107][108] and a People's Choice Award.[109]