Irwin Winkler

Winkler was born to a Jewish family[1][2] in New York City, to Sol and Anna Winkler. Growing up in Coney Island, one of his first jobs was on a bumper ride on the boardwalk.[3] Winkler graduated early from high school and got into New York University, but felt out of place among the older and more mature students, many of whom were former World War II soldiers that had entered university under the G.I. Bill. At the outbreak of the Korean War, he volunteered to join the Army and was stationed in Louisiana for two years.[3] After completing his service, Winkler returned to New York University and went on to receive a degree in American Literature in 1955.[4]

Winkler's first job after graduating university was at the William Morris Agency (WMA). Among his first clients as an agent were comedians Sammy Shore and Jackie Vernon, though Winkler says of himself he was a "mediocre" agent.[5]

After meeting Robert Chartoff, who managed several comedians, including Jackie Mason, the two set up their own talent management company.[6] One of the "unsuccessful clients"[3] the William Morris Agency allowed him to take with him at the time that he had options on, was the actress Julie Christie, whose screentest for Doctor Zhivago they arranged.[7] Through another of their clients, Winkler and Chartoff brokered the John Schlesinger film Darling to film producer Joseph E. Levine. This deal led them from talent management to film production.[5]

Forming the production company Winkler-Chartoff Productions, Winkler began producing films with his partner Robert Chartoff in the late 1960s. Their first effort (along with Judd Bernard), was Double Trouble (1967) starring Elvis Presley . Their next film was John Boorman's thriller Point Blank (1967) starring Lee Marvin, which is now regarded as a classic. Adding Sydney Pollack to their production team for one project, they garnered critical acclaim for They Shoot Horses, Don't They? (1969). Their next film, The Strawberry Statement (1970), won the Jury Prize at Cannes. Chartoff and Winkler achieved their greatest success yet with Rocky (1976), which earned the Academy Award as Best Picture. Subsequently, the producing duo picked up Best Picture Oscar nominations for Raging Bull (1980) and The Right Stuff (1983), their last project together before Chartoff-Winkler Productions dissolved in 1985.[7]

Winkler produced such noteworthy features as The Right Stuff (1983) which received eight Academy Award nominations with four wins, Round Midnight (1986) which garnered two Academy Award nominations. He then produced back-to-back Costa-Gavras films, Betrayed (1988) and Music Box (1989), which was nominated and won the Golden Bear at the Berlin Film Festival, before receiving another Best Picture Oscar nomination for Goodfellas (1990). He also produced Rocky II (1978), Rocky III (1982), Rocky IV (1985) and Rocky V (1990).

Winkler moved into the director's chair, debuting with Guilty by Suspicion (1991), a drama (which he also scripted) about the Hollywood blacklist that starred Robert De Niro, which was nominated for the Palme d'Or at the 1991 Cannes Film Festival. His second feature, the Night and the City (1992 film) remake of ''Night and the City'', also starred De Niro and was chosen as the closing feature for the 1992 New York Film Festival. Winkler fared excellently at the box office as the writer-director of the Sandra Bullock vehicle The Net (1995), which spawned a series of the same name debuting on the USA Network in 1998.

Life as a House (2001) made its world debut at the 2001 Toronto Film Festival and told the tale of a depressed dying man (Kevin Kline) who funnels his energies into rebuilding the dilapidated beach shack he inherited from his abusive father and, in the process, building bridges between himself and his disaffected son (Hayden Christensen). After this film received critical praise, Winkler re-teamed with Kline for the follow-up De-Lovely (2004), casting the actor as the lead in his biographical film about American composer Cole Porter, which centered on his unique relationship with his wife and muse (Ashley Judd) and was chosen as the closing night film at the 2004 Cannes Film Festival .

While his directorial career would last through 2006, Winkler continued to produce his share of films, including The Shipping News (2001), Enough (2002), the 2014 remake of The Gambler—he'd also produced James Toback's 1974 original—and his further return to the Rocky franchise with Rocky Balboa (2006) and the spin-offs-sequels Creed (2015) which was nominated for multiple awards including 6 NAACP Image Awards, winning 4 and Creed II (2018). His work with Scorsese continued on with The Wolf of Wall Street (2013) and Silence (2016), and The Irishman (2019) which was Winkler's first collaboration with Netflix.[3]

In 2019, Winkler published his autobiography, A Life In Movies: Stories from 50 years in Hollywood.[8] The New York Times wrote: "Winkler looks back fondly on a career producing some of the most successful films of the 20th century."

Winkler married his wife Margo Winkler in 1959 while still working at WMA in New York. They moved to Los Angeles in 1966. Margo was originally from California and her parents, Irma and Charlie Melson, were former Vaudeville performers.[3] The couple have three sons, Charles Winkler, David Winkler, and Adam Winkler. Winkler's youngest son Adam is a professor of constitutional law at the UCLA School of Law and a published author.

Director

As an actor

Thanks

• Irwin Winkler at IMDb