Wolf Blood

Dick Bannister is the new field boss of the Ford Logging Company, a Canadian logging-crew during a time when conflicts with the powerful Consolidated Lumber Company, a bitter rival company, have turned bloody, like a private war. His boss, Miss Edith Ford, comes to inspect the lumberjack camp, bringing her fiancé Dr. Horton with her. Dick is attacked by his rivals and left for dead. His loss of blood is so great that he needs a transfusion, but no human will volunteer, so the doctor uses a wolf as a source of the blood. Afterwards, Dick begins having dreams in which he runs with a pack of phantom wolves, and some rival loggers are killed by wolves. Soon, the news has spread through the camp and most of the lumberjacks begin to believe that Dick is a werewolf. Dick attempts to jump off a cliff, but is rescued by Edith.

• George Chesebro as Dick Bannister.
• Marguerite Clayton as Miss Edith Ford, owner of the Ford Logging Company.
• Raymond "Ray" Hanford as Dr. Eugene "Gene" Horton, Edith's fiancé.
• Roy Watson as Jules Deveroux, envious owner of the Consolidated Lumber Company.
• Milburn Morante as Jacques Lebeq, notorious bootlegger.
• Frank Clark as Old Pop Hadley, alcoholic woods guard for the Ford Logging Company.
• Jack Cosgrave as Edith's uncle and manager.

The film attempts to use modern techniques unique to horror films at the time with the use of techniques such as eye-line matches, cutaways, and continuity matching. The film also chooses to use many jump cuts and transitional dissolves. According to Neil Worcester [1] these techniques are used very clumsily and are considered jarring or mistimed. Other notable techniques used in this film are low-key lighting, long sequences with very wide angles and stretched-out travelogue sections. There is also the use of color tint on scenes to establish night time and day time in certain scenes[2]

Unlike its famous counterparts vampires, ghosts, and witches, werewolves were only known through old folktales and stories. Because of this George Chesebro was able to use this lack of knowledge at the time to experiment with the myths and legends of werewolves in the later part of the film. Unlike later werewolf movies we know today, this film does not mention any of the modern tropes such as transforming on a full moon, or killing one with a silver bullet. The “werewolf” depicted in this film is not a man transforming into a wolf or wolfman but rather a man changing into a very violent man. Although this film is considered the earliest surviving werewolf film this film would have no impact on later films such as Universal Studios 1935 film Werewolf of London & Universal's 1941 film The Wolf Man.

Many people criticize the film for not truly embodying the genre of horror due to its lack of scare factor and lack of anything actually supernatural. According to Neil Worcester many of the film's cinematography techniques are considered unappealing and jarring.[3] Watchers of the film also criticize the use of romance and drama because they believe it takes away from the original purpose of the film. The initial reception of the film is unknown however this film was George Chesebro's first and only directing role before he became a full time actor.

In his "modern" assessment of Wolf Blood in the 2016 reference Tome of Terror: Horror Films of the Silent Era, film critic Troy Howarth describes its pace as sluggish and overall style a disappointment:

The film spends an eternity dwelling on its old-fashioned romantic scenario before even beginning to toy with the notion of a man turning into a wolf. Even more disappointing, no actual transformation ever occurs. The filmmaking is crude and antiquated, even for its time.[4]

• Wolf Blood at IMDb
• Wolf Blood is available for free viewing and download at the Internet Archive
• Wolf Blood at AllMovie
• Wolf Blood (1925) Review J Luis Rivera