Yamato (magazine)

*Yamato*
Categories	Propaganda magazine; Political magazine;
Frequency	Monthly
Publisher	Istituto Geografico De Agostini
Founded	1941
Final issue	1943
Country	Italy
Based in	Rome
Language	Italian; Japanese;

Yamato was an Italian monthly propaganda magazine which existed between early 1941 and August 1943. The magazine aimed at making the Japanese culture much more familiar in Italy and featured articles written in Italian and Japanese.[1] Its subtitle was Mensile Italo-Giapponese.[2]

History and profile

Yamato was launched in early 1941 following the establishment of the Tripartite Pact in January 1941.[3] It was started under the patronage of Pompeo Aloisi.[4] The magazine was closely connected with an association called Friends of Japan of which the first head was Paulucci di Calboli.[3] Pompeo Aloisi also headed the Friends of Japan Association.[4] The publisher was Istituto Geografico De Agostini (Italian: Geographic Institute De Agostini).[3] The following figures were the members of Yamato's editorial board: Pietro Silvio Rivetta di Solonghello who was also the editorial director, Giuseppe Tucci and Giacinto Auriti.[3] In addition to Italian contributors the magazine had Japanese contributors, including Navy Admiral Tōyō Mitsunobu and Colonel Moriakira Shimizu who were working as military attachés at the Japanese embassy in Rome.[3]

The last issue of Yamato appeared in August 1943 immediately after the end of the Fascist rule in Italy.[3]

References

Daniel Hedinger (2017). "The Spectacle of Global Fascism: The Italian Blackshirt mission to Japan's Asian empire". Modern Asian Studies. 51 (6): 1999–2034. doi:10.1017/S0026749X17000026.
Nadin Heé (2019). "Tuna as an Economic Resource and Symbolic Capital in Japan's "Imperialism of the Sea"". In Rotem Kowner; et al. (eds.). Animals and Human Society in Asia. Historical, Cultural and Ethical Perspectives. Cham, Switzerland: Palgrave Macmillan. p. 238. ISBN 978-3-030-24362-3.
Sergio Raimondo; Valentina De Fortuna; Giulia Ceccarelli (July–December 2017). "Bushido as allied: The Japanese warrior in the cultural production of Fascist Italy (1940-1943)". Revista de Artes Marciales Asiáticas. 12 (2): 89. doi:10.18002/rama.v12i2.5157.
Christian Goeschel (2022). "Performing the New Order: The Tripartite Pact, 1940–1945". Contemporary European History: 14. doi:10.1017/S0960777322000340.

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[1] Daniel Hedinger (2017). "The Spectacle of Global Fascism: The Italian Blackshirt mission to Japan's Asian empire". Modern Asian Studies. 51 (6): 1999–2034. doi:10.1017/S0026749X17000026.

[2] Nadin Heé (2019). "Tuna as an Economic Resource and Symbolic Capital in Japan's "Imperialism of the Sea"". In Rotem Kowner; et al. (eds.). Animals and Human Society in Asia. Historical, Cultural and Ethical Perspectives. Cham, Switzerland: Palgrave Macmillan. p. 238. ISBN 978-3-030-24362-3.

[serr-3] Sergio Raimondo; Valentina De Fortuna; Giulia Ceccarelli (July–December 2017). "Bushido as allied: The Japanese warrior in the cultural production of Fascist Italy (1940-1943)". Revista de Artes Marciales Asiáticas. 12 (2): 89. doi:10.18002/rama.v12i2.5157.

[goes-4] Christian Goeschel (2022). "Performing the New Order: The Tripartite Pact, 1940–1945". Contemporary European History: 14. doi:10.1017/S0960777322000340.