Year of the Black Rainbow

The band began recording the album in summer 2009 and finished up later that year in November. Vocalist, guitarist and lyricist Claudio Sanchez noted that the album is very melodic.[4]

The album is produced by Atticus Ross (Nine Inch Nails, Jane's Addiction) and Joe Barresi (Queens of the Stone Age, Tool). According to Sanchez, "they have helped us evolve our sound to be more powerful and dynamic than ever and we think it's definitely our best work to date." Sanchez also states that, "musically, there's a very cinematic tone. There is a lot of atmosphere on this record, and that's something I've always wanted to incorporate on the other records, but just never could attain it as we have on this one."[5] The album has a notably different sound to it than the band's other work. It includes light elements of psychedelic rock, which are not present in the band's other albums.

The album also marked drummer Chris Pennie's studio debut with the band, who had been playing alongside Sanchez, lead guitarist Travis Stever and bassist Michael Todd since 2007. Sanchez stated that: "[Pennie] really kicked ass on this record. There are a lot of tunes on this album that I'm not so sure we would've been able to execute had we not have had him."[5]

Year of the Black Rainbow also completed the main tetralogy of The Amory Wars:[6]

When I created the idea of the Amory Wars and the first record being The Second Stage Turbine Blade and that being the second part of the story, I always knew at the end I would revisit the beginning. I think for those fans that are truly invested in the concept, its [sic] really a necessity. I don't know if it was necessary to make prequels for Star Wars, [but] this is where Coheed and Cambria came from. The origins of who they are.

Year of the Black Rainbow's release was preceded by a series of eight intimate club gigs in the northeastern United States, all of which sold out.[7] The band announced a U.S. tour featuring 36 dates (including the eight in March).[8]

The first song released from the album, "The Broken," premiered at midnight on February 9, 2010.[9] On March 10, 2010, a music video for "The Broken" premiered on Myspace.[10]

The first official single from the album, "Here We Are Juggernaut", was uploaded onto the band's Myspace site on March 4, 2010[11] and went on sale March 9, 2010.[12] A special vinyl edition of "Guns of Summer" was released exclusively at Vintage Vinyl for Record Store Day.[13]

The album began streaming on the band's MySpace on April 7, 2010. Two weeks later, "Here We Are Juggernaut", "The Broken" and "Guns of Summer" were released as downloadable content for the Rock Band 2 music store.[14] The album was released by Columbia Records in both a standard format and a deluxe edition, which included a 352-page Year of the Black Rainbow novel, penned by the lead singer Claudio Sanchez and New York Times bestselling author Peter David. In Europe the album was released by Roadrunner Records.

Regarding the album's novelization, Sanchez stated that: "It was kind of tough juggling both of them; recording an album and writing a novel. That was a little strenuous but, for the most part, it was a lot of fun."[15]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	71/100 [16]
Review scores
Source	Rating
AbsolutePunk	85%[17]
AllMusic	[18]
The A.V. Club	B+[19]
Entertainment Weekly	B+[20]
NME	7/10[21]
PopMatters	7/10[22]
Rolling Stone	[23]
Slant Magazine	[24]
Spin	4/10[25]
Sputnikmusic	[26]

The album has received generally positive reviews, garnering a 71/100 on Metacritic from 19 reviews.[16] Rock Sound gave the record a 9 out of 10 and said the album, "is possibly their best record to date."[27] The A.V. Club, who praised the album highly, remarked, "Reconciling its post-hardcore roots with the progressive-rock flourishes that have been eclipsing the band's sound over the past couple albums, tracks like "Here We Are Juggernaut" and "World Of Lines" far outshine the recent output of Coheed’s closest peer, The Mars Volta..."[19] AllMusic, who gave the record a 4 out of 5, concluded that "any fan of heavy progressive rock music may find this music to be of compelling interest, whether one buys into the conceptual nature of the Amory Wars or not."[18] The NewReview rated the album a 4 out of 5 and said "A big portion of the songs on this album are slower in tempo and that makes the listener really analyze the music and appreciate the subtle nuances that this album has to offer."[28] Paul Brannigan of Kerrang! gave the album four stars out of five and called it "a genuine career highpoint for this most idiosyncratic band".[29] Time Out New York gave it a score of four stars out of five and said that "the band wisely refines a winning formula, sounding properly bombastic on 'The Broken,' and effortlessly hooky on 'Here We Are Juggernaut.'"[30] Altsounds gave it 86% and called it "a pretty brilliant album".[31]

Alternative Press gave the album four stars out of five and said it "feels every bit as massive as the world it sets up. It's not just the heaviest record in Coheed's arsenal; it's also one of the strongest."[16] The Boston Globe gave it a favorable review and stated that "The record is further evidence of the quartet's easy chemistry. The band is both bold and geeky, creating a signature sound that typically triggers strong reaction; one man's progressive is another's pretentious."[32] Melodic.net similarly gave the album four stars out of five and said, "Coheed and Cambria always find new ways to bring in their audience and give them all that they have (no pun intended). This is a great album and I think one of their best to date."[33]

However, some reviews are average, mixed or negative: Drowned in Sound gave the album a score of six out of ten and said, "The adventurous nature of Coheed and Cambria was what made them so thrilling. And while this new tangent of popular method could win them a fair few new fans, it may leave some of the loyal wanting more from their next opus."[34] Q gave it three stars out of five and called it "one space saga that's worth presevering with."[16] On the other hand, BBC Music reported that the album "suffers just a little too much from its own grand, sprawling ambition."[35] Billboard gave it a mixed review, stating that the album "lacks the grandiose thematic concepts of previous outings as well as an immediate single, like past songs 'A Favor House Atlantic' or 'The Suffering.'"[36] The Guardian gave it two stars out of five and stated that "Beneath the veneer of baffling musicality, it's evident there's nothing new under the sun, no matter what galaxy you're in."[37]

Slant Magazine lamented, "There's no trace of Coheed's oddball eclecticism here, or of their dynamic pop sensibilities; instead the emotionally and tonally monochrome Black Rainbow gives the impression of a typically humorless metal act." Slant also criticized the album for featuring an "oppressive production job by Atticus Ross and Joe Barressi" that creates "gloomy atmospherics that shroud each and every track".[24] Rolling Stone met the album with lukewarm reception, commenting on "the same old mix of impressive musicianship and arena-size agita," and that "Rainbow feels both silly and retrograde."[23]

The following people contributed to Year of the Black Rainbow:[40][41]

• Year of the Black Rainbow at Metacritic