Cinema of Yugoslavia

The Cinema of Yugoslavia refers to the film industry and cinematic output of the former Socialist Federal Republic of Yugoslavia, which existed from 1945 until it disintegrated into several independent nations in the early 1990s. Yugoslavia was a multi-ethnic, socialist state, and its cinema reflected the diversity of its population, as well as the political and cultural shifts that occurred during its existence.

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Overview

The Socialist Federal Republic of Yugoslavia had an internationally acclaimed film industry. Yugoslavia submitted many films to the Academy Award for Best Foreign Language Film, six of which were nominated. Film companies included Jadran Film from Zagreb, SR Croatia; Avala Film from Belgrade, SR Serbia; Sutjeska film and Studio film from Sarajevo, SR Bosnia and Herzegovina; Zeta film from Budva, SR Montenegro; Vardar film and Makedonija film from Skopje, SR Macedonia, Triglav Film from Ljubljana, SR Slovenia and others.

Prominent male actors included Danilo Stojković, Ljuba Tadić, Bekim Fehmiu, Fabijan Šovagović, Mustafa Nadarević, Bata Živojinović, Boris Dvornik, Ljubiša Samardžić, Dragan Nikolić and Rade Šerbedžija, while Milena Dravić, Neda Arnerić, Mira Furlan and Ena Begović were notable actresses. Acclaimed film directors included: Emir Kusturica, Dušan Makavejev, Goran Marković, Lordan Zafranović, Goran Paskaljević, Živojin Pavlović and Hajrudin Krvavac. Many Yugoslav films featured eminent foreign actors such as Orson Welles and Yul Brynner in the Academy Award nominated The Battle of Neretva, and Richard Burton in Sutjeska. Also, many foreign films were shot on locations in Yugoslavia including domestic crews, such as Force 10 from Navarone starring Harrison Ford, Robert Shaw and Franco Nero, Armour of God starring Jackie Chan, as well as Escape from Sobibor starring Alan Arkin, Joanna Pacuła and Rutger Hauer. Pula Film Festival was a notable film festival.

Partisan film is a subgenre of war films, made in Yugoslavia during the 1960s, 1970s and 1980s. In the broadest sense, main characteristics of partisan films are that they are set in Yugoslavia during World War II and have partisans as main protagonists, while antagonists are Axis forces and their collaborators. Outside Yugoslavia, Partisan films were especially popular in China.

The Yugoslav Film Archive was a founding member of the International Federation of Film Archives and was the national film library of the former Yugoslavia, founded in 1949 in Belgrade.

Films
Main article: Lists of Yugoslav films

Co-production:

Television

See also

Further reading
  • Daniel J. Goulding (2002). Liberated Cinema: The Yugoslav Experience, 1945-2001. Indiana University Press. ISBN 0-253-34210-4.
  • Anikó Imre (7 August 2012). A Companion to Eastern European Cinemas. John Wiley & Sons. pp. 220–. ISBN 978-1-118-29435-2.
  • Jugoslovenska kinoteka: 1949-1964. Jugoslovenska kinoteka. 1964.
  • Savez filmskih radnika Jugoslavije (1966). Dvadeset 20 godina jugoslovenskog filma 1945-1965. Festival jugoslovenskog filma.
  • Yugoslav Films. Películas Yugoslavas. Jugoslawische Filme.
  • Janevski, Ana. "'We can't promise to do more than experiment.'" (PDF). Quaderns portàtils.
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