Zoila S. Mendoza

Zoila Silvia del Rosario Mendoza Beoutis (born 1960) is a Peruvian-born anthropologist and documentary filmmaker based in the United States. She has written books on dance and folklore in the Peruvian city of Cusco and is a professor at the University of California, Davis Department of Native American Studies.

In this Spanish name, the first or paternal surname is Mendoza and the second or maternal family name is Beoutis.
Zoila S. Mendoza
Born1960 (age 62–63)
Piura, Department of Piura, Peru
Occupations
  • Anthropologist
  • documentary filmmaker
AwardsGuggenheim Fellow (2010)
Academic background
Alma mater
ThesisShaping Society Through Dance: Mestizo Ritual Performance in the Southern Peruvian Highlands (1993)
Academic work
InstitutionsUniversity of California, Davis

Biography

Zoila Silvia del Rosario Mendoza Beoutis[1] was born in 1960 in the Peruvian city of Piura to Andean migrant parents.[2][3] She was named after her mother and a close friend of the former, musician Yma Sumac.[4]

Mendoza studied at the Pontifical Catholic University of Peru (PUCP), where she got her BA in 1982 and Licenciatura in 1985, and the University of Chicago, where she got her MA in 1987 and PhD in 1993; all of these degrees were both in the field of anthropology.[5] Her PhD dissertation is titled Shaping Society Through Dance: Mestizo Ritual Performance in the Southern Peruvian Highlands.[6] She was a 1988–1989 Fulbright Fellow.[5]

In 1994, she joined the University of California, Davis faculty and has remained with them since.[5] After serving some time as Lecturer, she was promoted to Assistant Professor the same year, before being moved from the Department of Music to the Department of Native American Studies in 1999.[5] She was promoted to Associate Professor in 2001 and eventually Professor in 2008.[5] In 2015, she became chair of the Department of Native American Studies.[5]

As an academic, Mendoza specializes in performance art in the Andes and Peru and in the culture of the Quechua people.[7] In the late-1980s, she started an archive of audiovisual content as part of her research, later housed at the PUCP's Instituto de Etnomusicología Andina.[2] In 2000, she published the book Shaping Society Through Dance: Mestizo Ritual Performance in the Peruvian Andes (2000), which discusses the concept of the Department of Cuzco comparsas.[8] She later published three books on dance and folklore in the Peruvian city of Cusco: Al Son de la Danza: Identidad y Comparsas en el Cuzco (2001);[9] Crear y Sentir lo Nuestro: Folklore Identidad Regional y Nacional en Cuzco, Siglo XX (2006);[1] and Creating our Own: Folklore, Performance, and Identity in Cuzco, Peru (2008).[10] She is also fluent in the Quechua language.[5]

In 2006, she started visiting the Pomacanchi District and participated in her first pilgrimage to the Quyllurit'i religious festival there.[11] She later went to two more pilgrimages in 2008 and 2010.[11] She completed her ethnographic work on the area in 2013, inspiring Qoyllur Rit’i: Crónica de una Peregrinación Cusqueña (a 2021 bilingual Spanish-Quechua book).[11]

In 2015, she produced two documentaries: Memory Walkers, which is about the aftermath of the internal conflict in Peru;[12] and The Pilgrimage to the Sanctuary of the Lord of Qoyllur Rit'i: The Walk Experience, inspired by her experiences with the Quyllurit'i festival.[13][11]

She was appointed as a Guggenheim Fellow in 2010.[2]

Bibliography
  • Shaping Society Through Dance: Mestizo Ritual Performance in the Peruvian Andes (2000)[14]
  • Al Son de la Danza: Identidad y Comparsas en el Cuzco (2001)[9]
  • Crear y Sentir lo Nuestro: Folklore Identidad Regional y Nacional en Cuzco, Siglo XX (2006)[1]
  • Creating our Own: Folklore, Performance, and Identity in Cuzco, Peru (2008)[15]
  • Qoyllur Rit’i: Crónica de una Peregrinación Cusqueña (2021)[11]

Filmography
  • Memory Walkers (2015, documentary)[12]
  • The Pilgrimage to the Sanctuary of the Lord of Qoyllur Rit'i: The Walk Experience (2015, documentary)[16]

References
  1. Mendoza Beoutis, Zoila Silvia del Rosario (2006). "Crear y sentir lo nuestro : folclor, identidad regional y nacional en el Cuzco, siglo XX". Pontifical Catholic University of Peru. Retrieved June 24, 2023.
  2. "Zoila S. Mendoza". John Simon Guggenheim Memorial Foundation. Retrieved June 23, 2023.
  3. "Zoila Mendoza publica crónica de peregrinación a santuario de Qoyllur Rit'i". La República (in Spanish). February 7, 2021. Retrieved June 24, 2023.
  4. Mendoza, Zoila (August 29, 2013). "From Folklore to Exotica: Yma Sumac and the Performance of Inca Identity—The Appendix". Retrieved June 24, 2023.
  5. Mendoza, Zoila S. "Abbreviated CV" (doc). Retrieved June 23, 2023.
  6. "Alumni | Anthropology". University of Chicago. Retrieved June 25, 2023.
  7. "Zoila Silvia Mendoza". Native American Studies at UC Davis. Retrieved June 23, 2023.
  8. Mendoza, Zoila S. "Shaping Society through Dance: Mestizo Ritual Performance in the Peruvian Andes". University of Chicago Press. Chicago Studies in Ethnomusicology. University of Chicago Press. Retrieved June 24, 2023.
  9. Mendoza, Zoila (2001). "Al Son de la Danza : Identidad y Comparsas en el Cuzco". Pontifical Catholic University of Peru. Retrieved June 24, 2023.
  10. "Creating Our Own". Duke University Press. Retrieved June 24, 2023.
  11. "New Book Published by Professor Zoila S. Mendoza". Native American Studies at UC Davis. Retrieved June 24, 2023.
  12. Jylkka, Katja (May 11, 2015). "Peru Takes Steps Forward to Reconciliation". UC Davis Humanities Institute. Retrieved June 24, 2023.
  13. "The Pilgrimage to the Sanctuary of the Lord of Qoyllur Rit'i: The Walk Experience". Berkeley Media. Retrieved June 24, 2023./
  14. Reviews of Shaping Society through Dance: Mestizo Ritual Performance in the Peruvian Andes:
  15. Reviews of Creating Our Own: Folklore, Performance, and Identity in Cuzco, Peru:
  16. Zevallos-Aguilar, Ulises Juan (2017). "Review of The Pilgrimage to the Sanctuary of the Lord of Qoyllur Rit'i: The Walk Experience". Latin American Music Review / Revista de Música Latinoamericana. 38 (1): 120–121. ISSN 0163-0350.
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