Child prodigy

A child prodigy is defined in psychology research literature as a person under the age of ten who produces meaningful output in some domain at the level of an adult expert.[1][2][3] The term is also applied more broadly to young people who are extraordinarily talented in some field.[4]

Wolfgang Amadeus Mozart, a well known child prodigy, started composing at the age of five.

The term Wunderkind (from German Wunderkind; literally "wonder child") is sometimes used as a synonym for child prodigy, particularly in media accounts. Wunderkind also is used to recognize those who achieve success and acclaim early in their adult careers.[5]

Memory capacity of prodigies

PET scans performed on several mathematics prodigies have suggested that they think in terms of long-term working memory (LTWM).[6] This memory, specific to a field of expertise, is capable of holding relevant information for extended periods, usually hours. For example, experienced waiters have been found to hold the orders of up to twenty customers in their heads while they serve them, but perform only as well as an average person in number-sequence recognition. The PET scans also answer questions about which specific areas of the brain associate themselves with manipulating numbers.[6]

One subject never excelled as a child in mathematics, but he taught himself algorithms and tricks for calculatory speed, becoming capable of extremely complex mental math. His brain, compared to six other controls, was studied using the PET scan, revealing separate areas of his brain that he manipulated to solve the complex problems. Some of the areas that he and presumably prodigies use are brain sectors dealing in visual and spatial memory, as well as visual mental imagery. Other areas of the brain showed use by the subject, including a sector of the brain generally related to childlike "finger counting", probably used in his mind to relate numbers to the visual cortex.[6]

Working memory/cerebellum theory

"My mother said that I should finish high school and go to college first."

Saul Kripke in response to an invitation to apply for a teaching position at Harvard[7]

Noting that the cerebellum acts to streamline the speed and efficiency of all thought processes, Vandervert[8] explained the abilities of prodigies in terms of the collaboration of working memory and the cognitive functions of the cerebellum. Citing extensive imaging evidence, Vandervert first proposed this approach in two publications which appeared in 2003. In addition to imaging evidence, Vandervert's approach is supported by the substantial award-winning studies of the cerebellum by Masao Ito.[9]

Vandervert[10] provided extensive argument that, in the prodigy, the transition from visual-spatial working memory to other forms of thought (language, art, mathematics) is accelerated by the unique emotional disposition of the prodigy and the cognitive functions of the cerebellum. According to Vandervert, in the emotion-driven prodigy (commonly observed as a "rage to master") the cerebellum accelerates the streamlining of the efficiencies of working memory in its manipulation and decomposition/re-composition of visual-spatial content into language acquisition and into linguistic, mathematical, and artistic precocity.[11]

Essentially, Vandervert has argued that when a child is confronted with a challenging new situation, visual-spatial working memory and speech-related and other notational system-related working memory are decomposed and re-composed (fractionated) by the cerebellum and then blended in the cerebral cortex in an attempt to deal with the new situation.[12] In child prodigies, Vandervert believes this blending process is accelerated due to their unique emotional sensitivities which result in high levels of repetitious focus on, in most cases, particular rule-governed knowledge domains. He has also argued that child prodigies first began to appear about 10,000 years ago when rule-governed knowledge had accumulated to a significant point, perhaps at the agricultural-religious settlements of Göbekli Tepe or Cyprus.[13]

Development
Further information: Nature versus nurture

Some researchers believe that prodigious talent tends to arise as a result of the innate talent of the child, and the energetic and emotional investment that the child ventures. Others believe that the environment plays the dominant role, many times in obvious ways. For example, László Polgár set out to raise his children to be chess players, and all three of his daughters went on to become world-class players (two of whom are grandmasters), emphasizing the potency a child's environment can have in determining the pursuits toward which a child's energy will be directed, and showing that an incredible amount of skill can be developed through suitable training.[14]

But on the other hand George Frideric Handel was an example of the natural talent ... "he had discovered such a strong propensity to music, that his father who always intended him for the study of the Civil Law, had reason to be alarmed. He strictly forbade him to meddle with any musical instrument but Handel found means to get a little clavichord privately convey'd to a room at the top of the house. To this room he constantly stole when the family was asleep".[15] Despite his father's opposition, Handel became a skillful performer on the harpsichord and pipe organ.[16]

Prodigiousness in childhood is not always maintained into adulthood. Some researchers have found that gifted children fall behind due to lack of effort. Jim Taylor, professor at the University of San Francisco, theorizes that this is because gifted children experience success at an early age with little to no effort and may not develop a sense of ownership of success. Therefore, these children might not develop a connection between effort and outcome. Some children might also believe that they can succeed without effort in the future as well. Dr. Anders Ericcson, professor at Florida State University, researches expert performance in sports, music, mathematics, and other activities. His findings demonstrate that prodigiousness in childhood is not a strong indicator of later success. Rather, the number of hours devoted to the activity was a better indicator. [17]

Rosemary Callard-Szulgit and other educators have written extensively about the problem of perfectionism in bright children, calling it their "number one social-emotional trait". Gifted children often associate even slight imperfection with failure, so that they become fearful of effort, even in their personal lives, and in extreme cases end up virtually immobilized.[18]

See also
  • Chess prodigy
  • Genius
  • Gifted education
  • Intellectual giftedness
  • Late bloomer
  • List of child music prodigies
  • List of child prodigies
  • List of fictional child prodigies
  • Malleability of intelligence
  • Polymath
  • Savant syndrome

References
  1. Feldman, David H.; Morelock, M. J. (2011). "Prodigies". In Runco, Mark A.; Pritzker, Steven R. (eds.). Prodigies. Encyclopedia of Creativity (Second ed.). Academic Press. pp. 261–265. doi:10.1016/B978-0-12-375038-9.00182-5. ISBN 978-0-12-375038-9. For the purposes of this and future research, a prodigy was defined as a child younger than 10 years of age who has reached the level of a highly trained professional in a demanding area of endeavor.
  2. Rose, Lacey (2 March 2007). "Whiz Kids". Forbes. Retrieved 3 April 2015. At the moment, the most widely accepted definition is a child, typically under the age of 10, who has mastered a challenging skill at the level of an adult professional.
  3. Feldman, David Henry (Fall 1993). "Child prodigies: A distinctive form of giftedness". Gifted Child Quarterly. 27 (4): 188–193. doi:10.1177/001698629303700408. S2CID 144180264.
  4. "Prodigy". Merriam-Webster. Retrieved 22 October 2021.
  5. "wunderkind". Retrieved 6 December 2012.
  6. Butterworth, Brian (January 2001). "What makes a prodigy?". Nature Neuroscience. 4 (1): 11–12. doi:10.1038/82841. PMID 11135636. S2CID 14967746.
  7. Charles McGrath, "Philosopher, 65, Lectures Not About 'What Am I?' but 'What Is I?'", January 28, 2006
  8. Vandervert 2007, 2009a, 2009b
  9. Ito 2005, 2007
  10. Vandervert 2009a
  11. Vandervert 2009a, 2009b, in press-a, in press-b
  12. Vandervert, in press-a, in press-b.
  13. Vandervert, 2009a, 2009b, in press-c
  14. Queen takes all - Telegraph.co.uk, January 2002
  15. Kivy, Peter. Sounding Off: Eleven Essays in the Philosophy of Music. Oxford. p. 24.
  16. Historical Dictionary of British Theatre: Early Period. Scarecrow Press. 10 October 2013. p. 186. ISBN 9780810880283.
  17. Taylor, Jim. "The Problem of Giftedness." Psychology Today, Sussex Publishers, 19 November 2009, www.psychologytoday.com/blog/the-power-prime/200911/the-problem-giftedness.
  18. Rosemary Callard-Szulgit, Perfectionism and Gifted Children. 2nd edition, R&L Education. 31 July 2012.

Further reading
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.