Queen (band)

Queen are a British rock band formed in London in 1970. The band comprised Freddie Mercury (lead vocals, piano), Brian May (guitar, vocals), Roger Taylor (drums, vocals) and John Deacon (bass). Their earliest works were influenced by progressive rock, hard rock and heavy metal, but the band gradually ventured into more conventional and radio-friendly works by incorporating further styles, such as arena rock and pop rock.

Queen
Clockwise from top left: Brian May, Freddie Mercury, Roger Taylor, John Deacon
Background information
OriginLondon, England
GenresRock
Years active1970–present
Labels
Spinoffs
  • Queen + Paul Rodgers
  • Queen + Adam Lambert
Spinoff ofSmile
Members
Past members
Websitequeenonline.com

Before forming Queen, May and Taylor had played together in the band Smile. Mercury was a fan of Smile and encouraged them to experiment with more elaborate stage and recording techniques. He joined in 1970 and suggested the name "Queen". Deacon was recruited in February 1971, before the band released their eponymous debut album in 1973. Queen first charted in the UK with their second album, Queen II, in 1974. Sheer Heart Attack later that year and A Night at the Opera in 1975 brought them international success. The latter featured "Bohemian Rhapsody", which stayed at number one in the UK for nine weeks and helped popularise the music video format.

The band's 1977 album News of the World contained "We Will Rock You" and "We Are the Champions", which have become anthems at sporting events. By the early 1980s, Queen were one of the biggest stadium rock bands in the world. "Another One Bites the Dust" from The Game (1980) became their best-selling single, while their 1981 compilation album Greatest Hits is the best-selling album in the UK and is certified nine times platinum in the US. Their performance at the 1985 Live Aid concert is ranked among the greatest in rock history by various publications. In August 1986, Mercury gave his last performance with Queen at Knebworth, England. In 1991, he died of bronchopneumonia, a complication of AIDS. Deacon retired in 1997. Since 2004, May and Taylor have toured as "Queen +", with vocalists Paul Rodgers and Adam Lambert.

Queen have been a global presence in popular culture for more than half a century. Estimates of their record sales range from 250 million to 300 million, making them one of the world's best-selling music artists. In 1990, Queen received the Brit Award for Outstanding Contribution to British Music. They were inducted into the Rock and Roll Hall of Fame in 2001, and with each member having composed hit singles all four were inducted into the Songwriters Hall of Fame in 2003. In 2005 they received the Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers, and Authors, and in 2018 they were presented the Grammy Lifetime Achievement Award.

History

1968–1971: Foundations

Queen in 1970. Left to right; Mike Grose, Roger Taylor, Freddie Mercury and Brian May

The founding members of Queen met in West London during the late 1960s. Guitarist Brian May had built his own guitar with his father in 1963, and formed the group 1984 (named after Orwell's novel) the following year with singer Tim Staffell.[1] May left the group in early 1968 to focus on his degree in Physics and Infrared Astronomy at Imperial College and find a group that could write original material.[2] He formed the group Smile with Staffell (now playing bass) and keyboardist Chris Smith.[3] To complete the line-up, May placed an advertisement on a college notice board for a "Mitch Mitchell/Ginger Baker type" drummer; Roger Taylor, a young dental student, auditioned and got the job.[4] Smith left the group in early 1969, immediately before a gig at the Royal Albert Hall with Free and the Bonzo Dog Doo-Dah Band.[5]

While attending Ealing Art College in west London, Staffell became friends with fellow student Freddie Bulsara, who was from Zanzibar and of Indian Parsi descent.[6][7] Bulsara had studied fashion design for a year before switching to graphic art and design,[8] and soon became a keen fan of Smile. He asked if he could join the group as lead singer, but May felt Staffell would not give up that role.[9] He also ran a stall in Kensington Market with Taylor.[10]

PRS for Music heritage award commemorating Queen's first performance, Prince Consort Road, London

In 1970, Staffell quit Smile, feeling his interests in soul and R&B clashed with the group's hard rock sound and being fed up with the lack of success. He formed the group Humpy Bong with former Bee Gees drummer Colin Petersen.[11] The remaining members accepted Bulsara as lead singer, and recruited Taylor's friend Mike Grose as bassist. The four played their first gig at a fundraising event in Truro on 27 June 1970.[12] Bulsara suggested the group should be renamed to "Queen". The others were uncertain at first, but he said, "it's wonderful, dear, people will love it".[12] At the same time, he decided to change his surname to Mercury, inspired by the line "Mother Mercury, look what they've done to me" in the song "My Fairy King".[13] The group played their first London gig on 18 July.[14] The early set consisted of material that would later appear on the first two albums, along with various rock and roll covers, such as Cliff Richard and the Shadows' "Please Don't Tease". They attracted the attention of producer John Anthony, who was interested in the group's sound but thought they had the wrong bass player.[13] After three live gigs, Mike Grose decided not to continue with the band and was replaced by Barry Mitchell (ex Crushed Butler) on bass guitar. Mitchell played thirteen gigs with Queen between August 1970 to January 1971. [15] In turn, Barry Mitchell left in January 1971 and was replaced by Doug Bogie for two live gigs.[16]

1971–1974: Queen and Queen II

In February 1971, John Deacon joined Queen. In addition to being a seasoned bassist, his quiet demeanour complemented the band, and he was skilled in electronics.[17] On 2 July, Queen played their first show with the classic line-up of Mercury, May, Taylor and Deacon at a Surrey college outside London.[18] May called Terry Yeadon, an engineer at Pye Studios where Smile had recorded, to see if he knew anywhere where Queen could go. Yeadon had since moved to De Lane Lea Studios' new premises in Wembley, and they needed a group to test out the equipment and recording rooms. He tried asking the Kinks but couldn't get hold of them. Therefore, he told Queen they could record some demos in exchange for the studio's acoustic tests.[19] They recorded five of their own songs, "Liar", "Keep Yourself Alive", "Great King Rat", "The Night Comes Down" and "Jesus". During the recording, John Anthony visited the band with Roy Thomas Baker. The two were taken with "Keep Yourself Alive" and began promoting the band to several record companies.[20]

Queen guitar (right, next to a Rolling Stones guitar) at the Cavern Club in Liverpool, marking a 31 October 1970 Queen concert at the venue

Promoter Ken Testi managed to attract the interest of Charisma Records, who offered Queen an advance of around £25,000, but the group turned them down as they realised the label would promote Genesis as a priority. Testi then entered discussions with Trident Studios' Norman Sheffield, who offered the band a management deal under Neptune Productions, a subsidiary of Trident, to manage the band and enable them to use their facilities, whilst the management searched for a deal. This suited both parties, as Trident were expanding into management, and under the deal, Queen were able to make use of the hi-tech recording facilities used by signed musicians.[21] Taylor later described these early off-peak studio hours as "gold dust".[22]

Queen began 1972 with a gig at Bedford College, London where only six people turned up. After a few more shows, they stopped live performances for eight months to work on the album with Anthony and Baker.[21] During the sessions at Trident, they saw David Bowie with the Spiders From Mars live and realised they needed to make an impact with the album, otherwise they would be left behind.[23] Co-producers Anthony and Baker initially clashed with the band (May in particular) on the direction of the album, bringing the band's inexperience in the studio to bear.[24] The band's fighting centered around their efforts to integrate technical perfection with the reality of live performances, leading to what Baker referred to as "kitchen sink overproduction".[25] The resulting album was a mix of heavy metal and progressive rock.[24] The group were unhappy with the re-recording of "The Night Comes Down", so the finished album uses the De Lane Lea demo. Another track, "Mad the Swine" was dropped from the running order after the band and Baker could not agree on a mix.[26] Mike Stone created the final mix for "Keep Yourself Alive", and he would go on to work on several other Queen albums.[27] By January 1972, the band finished recording their debut album, but had yet to secure a record contract.[24] In order to attract record company interest, Trident booked a "showcase" gig on 6 November at The Pheasantry, followed by a show at the Marquee Club on 20 December.[28]

Queen promoted the unreleased album in February 1973 on BBC Radio 1, still unsigned. The following month, Trident managed to strike a deal with EMI Records. "Keep Yourself Alive" was released as a single on 6 July, with the album Queen appearing a week later. The front cover showed a shot of Mercury live on stage taken by Taylor's friend Douglass Puddifoot. Deacon was credited as "Deacon John" while Taylor used his full name, Roger Meddows-Taylor.[29] The album was received well by critics; Gordon Fletcher of Rolling Stone called it "superb",[30] and Chicago's Daily Herald called it an "above-average debut".[31] However, it drew little mainstream attention, and "Keep Yourself Alive" sold poorly. Retrospectively, it is cited as the album's highlight, and in 2008 Rolling Stone ranked it 31st in the "100 Greatest Guitar Songs of All Time", describing it as "an entire album's worth of riffs crammed into a single song".[32] The album was certified gold in the UK and the US.[33][34]

The group began to record their second album, Queen II in August 1973. Now able to use regular studio time, they decided to make full use of the facilities available. May created a multi-layer guitar introduction "Procession", while Mercury wrote "The Fairy Feller's Master Stroke" based on the painting of the same name by Richard Dadd.[35] The group spent the remainder of the year touring the UK, supporting Mott The Hoople, and began to attract an audience.[36] The tour ended with two shows at the Hammersmith Odeon on 14 December, playing to 7,000 people.[37]

In January 1974, Queen played the Sunbury Pop Festival in Australia, where they were jeered and taunted by the audience. Before leaving, Mercury announced, "when we come back to Australia, Queen will be the biggest band in the world!"[38][39] Queen II was released in March, and features Mick Rock's iconic Dietrich-inspired image of the band on the cover.[40] This image would later be used as the basis for "Bohemian Rhapsody" music video production.[41][42] The album reached number five on the British album chart and became the first Queen album to chart in the UK. The Mercury-written lead single "Seven Seas of Rhye" reached number 10 in the UK, giving the band their first hit.[43] The album featured a 'layered' sound which would become their signature, and features long complex instrumental passages, fantasy-themed lyrics, and instrumental virtuosity.[44][45] Aside from its only single, the album also included the song "The March of the Black Queen", a six-minute epic which lacks a chorus. The Daily Vault described the number as "menacing".[46] Critical reaction was mixed; the Winnipeg Free Press, while praising the band's debut album, described Queen II as an "over-produced monstrosity".[47] AllMusic has described the album as a favourite among the band's hardcore fans,[48] and it is the first of three Queen albums to feature in the book 1001 Albums You Must Hear Before You Die.[49] The group ended their early 1974 UK tour with a show at the Rainbow Theatre on 31 March. Mercury chose to a wear a Zandra Rhodes-designed tunic for the gig, changing into a slashed black top midway through the show.[50]

1974–1976: Sheer Heart Attack to A Night at the Opera

In May 1974, a month into the band's first US tour opening for Mott the Hoople, May collapsed and was diagnosed with hepatitis, forcing the cancellation of their remaining dates.[44] While recuperating, May was initially absent when the band started work on their third album, but he returned midway through the recording process.[51] Released in 1974, Sheer Heart Attack reached number two in the UK,[52] sold well throughout Europe, and went gold in the US.[34] It gave the band their first real experience of international success, and was a hit on both sides of the Atlantic.[53] The album experimented with a variety of musical genres, including British music hall, heavy metal, ballads, ragtime, and Caribbean. May's "Now I'm Here" documented the group's curtailed American tour, and "Brighton Rock" served as a vehicle for his regular on-stage solo guitar spot. Deacon wrote his first song for the group, "Misfire", while the live favourite "Stone Cold Crazy" was credited to the whole band. Mercury wrote the closing number, "In the Lap of the Gods", with the intention that the audience could sing along to the chorus when played live. This would be repeated later on, more successfully, in songs such as "We Are the Champions.[54]

The single "Killer Queen" was written by Mercury about a high-class prostitute.[55] It reached number two on the British charts,[33] and became their first US hit, reaching number 12 on the Billboard Hot 100.[56] The song was partly recorded at Rockfield Studios in Wales.[57] With Mercury playing the grand piano, it combines camp, vaudeville, and British music hall with May's guitar. "Now I'm Here" was released as the second single, reached number eleven.[58] In 2006, Classic Rock ranked Sheer Heart Attack number 28 in "The 100 Greatest British Rock Albums Ever",[59] and in 2007, Mojo ranked it No.88 in "The 100 Records That Changed the World".[60] It is also the second of three Queen albums to feature in the book 1001 Albums You Must Hear Before You Die.[49]

In January 1975, Queen left for a world tour with an upgraded light show. They toured the US as headliners, and played in Canada for the first time.[61] Several dates were cancelled after Mercury contracted laryngitis.[62] The band then toured Japan from mid-April to the beginning of May. They were greeted by thousands of screaming fans, and played eight times in seven cities.[63][64] Despite the success, Queen were still tied to the original Trident deal and wages. They were all living in relative poverty in bedsits, while Deacon was refused money for a deposit on a house. EMI contacted lawyer Jim Beach, who tried to find a way of extracting them from their contract. Trident complained that they had invested £200,000 in Queen and wanted their money back first.[65] In August, after an acrimonious split with Trident, the band negotiated themselves out of their contract and searched for new management.[66] One of the options they considered was an offer from Led Zeppelin's manager, Peter Grant, who wanted them to sign with Led Zeppelin's own production company, Swan Song Records. The band were concerned about being a lower priority than Zeppelin and Bad Company (also signed to Swan Song) and instead contacted Elton John's manager, John Reid, who accepted the position.[66][67] Reid's first instruction to the band was "I'll take care of the business; you make the best record you can".[68]

Queen started work on their fourth album A Night at the Opera, taking its name from the popular Marx Brothers movie. At the time, it was the most expensive album ever produced, costing £40,000 and using three different studios.[69] Like its predecessor, the album features diverse musical styles and experimentation with stereo sound. Mercury wrote the opening song "Death on Two Legs", a savage dig at perceived wrongdoers (and later dedicated to Trident in concert)[70][61] and the camp vaudeville "Lazing on a Sunday Afternoon" and "Seaside Rendezvous".[70] May's "The Prophet's Song" was an eight-minute epic; the middle section is a canon, with simple phrases layered to create a full-choral sound. The Mercury penned ballad, "Love of My Life", featured a harp and overdubbed vocal harmonies.[71]

He knew exactly what he was doing. It was Freddie's baby. We just helped him bring it to life. We realized we'd look odd trying to mime such a hugely complex thing on TV. It had to be presented in some other way.

—Brian May on Mercury writing "Bohemian Rhapsody" and the groundbreaking music video.[72]

The best-known song on the album, "Bohemian Rhapsody", originated from pieces of music that Mercury had written at Ealing College. Mercury played a run-through of the track on piano in his flat to Baker, stopping suddenly to announce, "This is where the opera section comes in".[73] When the rest of the band started recording the song they were unsure as to how it would be pieced together. After recording the backing track, Baker left a 30-second section of tape to add the operatic vocals. Reportedly, 180 overdubs were used, to the extent that the original tape wore thin.[73] EMI initially refused to release the single, thinking it too long, and demanded a radio edit which Queen refused. Mercury's close friend and advisor, Capital London radio DJ Kenny Everett, played a pivotal role in giving the single exposure.[74] He was given a promotional copy on the condition he didn't play it, but ended up doing so fourteen times over a single weekend.[75] Capital's switchboard was overwhelmed with callers inquiring when the song would be released.[74] With EMI forced to release "Bohemian Rhapsody" due to public demand, the single reached number one in the UK for nine weeks.[33][76] It is the third-best-selling single of all time in the UK, surpassed only by Band Aid's "Do They Know It's Christmas?" and Elton John's "Candle in the Wind 1997", and is the best-selling commercial single (i.e. not for-charity) in the UK. It also reached number nine in the US (a 1992 re-release reached number two on the Billboard Hot 100 for five weeks).[56] It is the only single ever to sell a million copies on two separate occasions,[77] and became the Christmas number one twice in the UK, the only single ever to do so. It has also been voted the greatest song of all time in three different polls.[78][79][80]

"Bohemian Rhapsody" was promoted with a music video directed by Bruce Gowers, who had already shot several of Queen's live concerts. The group wanted a video so they could avoid appearing on the BBC's Top of the Pops, which would clash with tour dates, and it would have looked strange miming to such a complex song.[81] Filmed at Elstree Studios in Hertfordshire, the video cost £3,500, five times the typical promotional budget, and was shot in three hours. The operatic section featured a reprise of the Queen II cover, with the band member's heads animated.[76][82] On the impact of the "Bohemian Rhapsody" promotional video, Rolling Stone states: "Its influence cannot be overstated, practically inventing the music video seven years before MTV went on the air."[83] Ranking it number 31 on their list of the 50 key events in rock music history, The Guardian stated it "ensured videos would henceforth be a mandatory tool in the marketing of music".[84] Radio broadcaster Tommy Vance states, "It became the first record to be pushed into the forefront by virtue of a video. Queen were certainly the first band to create a ‘concept’ video. The video captured the musical imagery perfectly. You cannot hear that music without seeing the visuals in your mind's eye."[86]

A Night at the Opera was very successful in the UK,[33] and went triple platinum in the United States.[34] The British public voted it the 13th-greatest album of all time in a 2004 Channel 4 poll.[87] It has also ranked highly in international polls; in a worldwide Guinness poll, it was voted the 19th-greatest of all time,[88] while an ABC poll saw the Australian public vote it the 28th-greatest of all time.[89] A Night at the Opera has frequently appeared in "greatest albums" lists reflecting the opinions of critics. Among other accolades, it was ranked number 16 in Q magazine's "The 50 Best British Albums Ever" in 2004, and number 11 in Rolling Stone's "The 100 Greatest Albums of All Time" as featured in their Mexican edition in 2004.[90] It was also placed at number 230 on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time" in 2003.[91] A Night at the Opera is the third and final Queen album to be featured in the book 1001 Albums You Must Hear Before You Die.[49] The second single from the album was Deacon's "You're My Best Friend", which peaked at number sixteen on the US Billboard Hot 100,[56] and went on to become a worldwide top-ten hit.[77] The band's A Night at the Opera Tour began in November 1975, and covered Europe, the United States, Japan, and Australia.[92] On 24 December, Queen played a special concert at the Hammersmith Odeon which was broadcast live on the BBC show The Old Grey Whistle Test, with the audio being later broadcast on BBC Radio 1. It became one of the band's most popular bootleg recordings for decades before being officially released in 2015.[93]

1976–1979: A Day at the Races to Live Killers

Queen poster for their 1977 A Day at the Races Tour

By 1976, Queen were back in the studio recording A Day at the Races, which is often regarded as a sequel album to A Night at the Opera.[94][95] It again borrowed the name of a Marx Brothers movie, and its cover was similar to that of A Night at the Opera, a variation on the same Queen logo.[96] The most recognisable of the Marx Brothers, Groucho Marx, invited Queen to visit him in his Los Angeles home in March 1977; there the band thanked him in person, and performed "'39" a cappella.[97] Baker did not return to produce the album; instead the band self-produced with assistance from Mike Stone, who performed several of the backing vocals.[98] The major hit on the album was "Somebody to Love", a gospel-inspired song in which Mercury, May, and Taylor multi-tracked their voices to create a gospel choir.[99] The song went to number two in the UK,[33] and number thirteen in the US.[56] The album also featured one of the band's heaviest songs, May's "Tie Your Mother Down", which became a staple of their live shows.[100][101] Musically, A Day at the Races was by both fans' and critics' standards a strong effort, reaching number one in the UK and Japan, and number five in the US.[33][96]

Queen played a landmark gig on 18 September 1976, a free concert in Hyde Park, London, organised by the entrepreneur Richard Branson.[102] It set an attendance record at the park, with 150,000 people confirmed in the audience.[102][103] Queen were late arriving onstage and ran out of time to play an encore; the police informed Mercury that he would be arrested if he attempted to go on stage again.[95] May enjoyed the gig particularly, as he had been to see previous concerts at the park, such as the first one organised by Blackhill Enterprises in 1968, featuring Pink Floyd.[104]

On 1 December 1976, Queen were the intended guests on London's early evening Today programme, but they pulled out at the last-minute, which saw their late replacement on the show, EMI labelmate the Sex Pistols, give their infamous expletive-strewn interview with Bill Grundy.[105][106] During the A Day at the Races Tour in 1977, Queen performed sold-out shows at Madison Square Garden, New York, in February, supported by Thin Lizzy, and Mercury and Taylor socialised with that group's leader Phil Lynott.[107] They then performed a series of concerts at Earls Court, London, in June. The concerts commemorated the Silver Jubilee of Queen Elizabeth II, and saw the band use a lighting rig in the shape of a crown for the first time, which cost the group £50,000.[108][109][110]

The band's sixth studio album News of the World was released in 1977, which has gone four times platinum in the United States, and twice in the UK.[34] The album contained many songs tailor-made for live performance, including two of rock's most recognisable anthems, "We Will Rock You" and the rock ballad "We Are the Champions", both of which became enduring international sports anthems, and the latter reached number four in the US.[56][111] Queen commenced the News of the World Tour in November 1977, and Robert Hilburn of the Los Angeles Times called this concert tour the band's "most spectacularly staged and finely honed show".[112] During the tour they sold out another two shows at MSG, and in 1978 they received the Madison Square Garden Gold Ticket Award for passing more than 100,000 unit ticket sales at the venue.[113]

Queen in New Haven, Connecticut in November 1977

In 1978, Queen released Jazz, which reached number two in the UK and number six on the Billboard 200 in the US.[114] The album included the hit singles "Fat Bottomed Girls" and "Bicycle Race" on a double-sided record. Critical reviews of the album in the years since its release have been more favourable than initial reviews.[115][116] Another notable track from Jazz, "Don't Stop Me Now", provides another example of the band's exuberant vocal harmonies.[117]

In 1978, Queen toured the US and Canada, and spent much of 1979 touring in Europe and Japan.[118] They released their first live album, Live Killers, in 1979; it went platinum twice in the US.[119] Queen also released the very successful single "Crazy Little Thing Called Love", a rockabilly inspired song done in the style of Elvis Presley.[120][121] The song made the top 10 in many countries, topped the Australian ARIA Charts for seven consecutive weeks, and was the band's first number one single in the United States where it topped the Billboard Hot 100 for four weeks.[56][122] Having written the song on guitar and played rhythm on the record, Mercury played rhythm guitar while performing the song live, which was the first time he ever played guitar in concert.[121] On 26 December 1979, Queen played the opening night at the Concert for the People of Kampuchea in London, having accepted a request by the event's organiser, Paul McCartney.[121] The concert was the last date of their Crazy Tour of London.[123]

1980–1982: The Game, Hot Space and stadium tours

Queen began their 1980s career with The Game. It featured the singles "Crazy Little Thing Called Love" and "Another One Bites the Dust", both of which reached number one in the US.[56] After attending a Queen concert in Los Angeles, Michael Jackson suggested to Mercury backstage that "Another One Bites the Dust" be released as a single, and in October 1980 it spent three weeks at number one.[124] The album topped the Billboard 200 for five weeks,[125] and sold over four million copies in the US.[34] It was also the first appearance of a synthesiser on a Queen album. Heretofore, their albums featured a distinctive "No Synthesisers!" sleeve note. The note is widely assumed to reflect an anti-synth, pro-"hard"-rock stance by the band,[126] but was later revealed by producer Roy Thomas Baker to be an attempt to clarify that those albums' multi-layered solos were created with guitars, not synths, as record company executives kept assuming at the time.[127] In September 1980, Queen performed three sold-out shows at Madison Square Garden.[42] In 1980, Queen also released the soundtrack they had recorded for Flash Gordon.[129] At the 1981 American Music Awards in January, "Another One Bites the Dust" won the award for Favorite Pop/Rock Single, and Queen were nominated for Favorite Pop/Rock Band, Duo, or Group.[130]

Queen with Argentine footballer Diego Maradona (middle) during the South American part of The Game Tour

In February 1981, Queen travelled to South America as part of The Game Tour, and became the first major rock band to play significant shows in Latin America. Tom Pinnock in the March 1981 issue of Melody Maker wrote,

Queen chalked up a major international "first" by becoming the band to do for popular music in South America what The Beatles did for North America 17 years ago. Half a million Argentinians and Brazilians, starved of appearances of top British or American bands at their peak, gave Queen a heroic welcome which changed the course of pop history in this uncharted territory of the world rock map. The ecstatic young people saw eight Queen concerts at giant stadia, while many more millions saw the shows on TV and heard the radio broadcasts live.[131]

The tour included five shows in Argentina, one of which drew the largest single concert crowd in Argentine history with an audience of 300,000 in Buenos Aires[132] and two concerts at the Morumbi Stadium in São Paulo, Brazil, where they played to more than 131,000 people in the first night (then the largest paying audience for a single band anywhere in the world)[133] and more than 120,000 people the following night.[134] A region then largely ruled by military dictatorships, the band were greeted with scenes of fan-fever, and the promoter of their first shows at the Vélez Sarsfield Stadium in Buenos Aires was moved to say: "For music in Argentina, this has been a case of before the war and after the war. Queen have liberated this country, musically speaking."[131] The group's second show at the Vélez Sarsfield Stadium was broadcast on national television and watched by over 30 million. Backstage, the group were introduced to footballer Diego Maradona.[135]

Topping the charts in Brazil and Argentina, the ballad "Love of My Life" stole the show in South American concerts. Mercury would stop singing and would then conduct the audience as they took over, with Lesley-Ann Jones writing "the fans knew the song by heart. Their English was word-perfect."[136] Later that year Queen performed for more than 150,000 fans on 9 October at Monterrey (Estadio Universitario) and 17 and 18 at Puebla (Estadio Zaragoza), Mexico.[137] Though the gigs were successful, they were marred by a lack of planning and suitable facilities, with audiences throwing projectiles on stage. Mercury finished the final gig saying, "Adios, amigos, you motherfuckers!"[138] On 24 and 25 November. Queen played two sell out nights at the Montreal Forum, Quebec, Canada.[139] One of Mercury's most notable performances of The Game's final track, "Save Me", took place in Montreal, and the concert is recorded in the live album, Queen Rock Montreal.[140]

Queen worked with David Bowie on the 1981 single "Under Pressure". The first-time collaboration with another artist was spontaneous, as Bowie happened to drop by the studio while Queen were recording. Mercury and Bowie recorded their vocals on the track separately to each other, each coming up with individual ideas. The song topped the UK charts.[141] In October, Queen released their first compilation album, titled Greatest Hits, which showcased the group's highlights from 1974 to 1981.[142] The best-selling album in UK chart history, it is the only album to sell over seven million copies in the UK.[143] As of July 2022, it has spent over 1000 weeks in the UK Album Chart.[144][145] According to The Telegraph, approximately one in three families in the UK own a copy.[146] The album is certified nine times platinum in the US.[34] As of August 2022, it has spent over 500 weeks on the US Billboard 200.[147] Greatest Hits has sold over 25 million copies worldwide.[148]

We moved out to Munich to isolate ourselves from normal life so we could focus on the music. We all ended up in a place that was rather unhealthy. A difficult period. We weren’t getting along together. We all had different agendas. It was a difficult time for me, personally – some dark moments.

— May on the recording of Hot Space during a difficult period for the band.[149]

In 1982, the band released the album Hot Space, a departure from their trademark seventies sound, this time being a mixture of pop rock, dance, disco, funk, and R&B.[150] Most of the album was recorded in Munich during the most turbulent period in the band's history.[151] While Mercury and Deacon enjoyed the new soul and funk influences, Taylor and May were less favourable, and were critical of the influence Mercury's personal manager Paul Prenter had on him.[152] According to Mack, Queen's producer, Prenter loathed rock music and was in Mercury’s ear throughout the Hot Space sessions.[153] May was also scathing of Prenter—Mercury's manager from 1977 to 1984—for being dismissive of the importance of radio stations and their vital connection between the artist and the community, and for denying them access to Mercury.[154] May states, "this guy, in the course of one tour, told every record station to fuck off".[153] Queen roadie Peter Hince wrote "None of the band cared for him [Prenter], apart from Freddie", with Hince regarding Mercury's favouring of Prenter as an act of "misguided loyalty".[153] During the Munich sessions, Mercury spent time with Mack and his family, becoming godfather to Mack's first child.[155] Q magazine would list Hot Space as one of the top fifteen albums where great rock acts lost the plot.[156] Though the album confused some fans with the change of musical direction, it still reached number 4 in the UK.[157]

Queen toured to promote Hot Space, but found some audience unreceptive to the new material. At a gig in Frankfurt, Mercury told some people heckling the new material, "If you don't want to listen to it, go home!"[158] Former Mott The Hoople keyboardist Morgan Fisher joined as an additional touring member.[159] Shows were planned at Arsenal Stadium and Old Trafford, but these were cancelled as Pope John Paul II was touring Britain, leading to a lack of available outdoor facilities such as toilets. The gigs were moved to the Milton Keynes Bowl and Elland Road, Leeds instead. The Milton Keynes concert was filmed by Tyne Tees Television and later released on DVD.[157] On 14 and 15 September 1982, the band performed their last two gigs in the US with Mercury on lead vocals, playing at The Forum in Inglewood, California.[160] Fisher was replaced as touring keyboardist by Fred Mandel for the North American shows.[161] The band stopped touring North America after their Hot Space Tour, as their success there had waned, although they would perform on American television for the only time during the eighth-season premiere of Saturday Night Live on 25 September of the same year;[162] it became the final public performance of the band in North America before the death of their frontman. Their fall in popularity in the US has been partially attributed to a homophobia:[163] "At some shows on the band’s 1980 American tour, fans tossed disposable razor blades onstage: They didn’t like this identity of Mercury—what they perceived as a brazenly gay rock & roll hero—and they wanted him to shed it."[164] The group finished the year with a Japanese tour.[165]

1983–1984: The Works

After the Hot Space Tour concluded with a concert at Seibu Lions Stadium in Tokorozawa, Japan in November 1982, Queen decided they would take a significant amount of time off. May later said at that point, "we hated each other for a while".[165] The band reconvened nine months later to begin recording a new album at the Record Plant Studios, Los Angeles and Musicland Studios, Munich.[166] Several members of the band also explored side projects and solo work. Taylor released his second solo album, Strange Frontier. May released the mini-album Star Fleet Project, collaborating with Eddie Van Halen.[167] Queen left Elektra Records, their label in the US, Canada, Japan, Australia, and New Zealand, and signed onto EMI/Capitol Records.[153]

Queen on stage in Frankfurt on 26 September 1984. Compatible with his performance and compositions, Mercury was also a multi-instrumentalist.

In February 1984, Queen released their eleventh studio album, The Works. Hit singles included "Radio Ga Ga", which makes a nostalgic defence of the radio format, "Hammer to Fall" and "I Want to Break Free".[168][169] Rolling Stone hailed the album as "the Led Zeppelin II of the eighties."[153] In the UK The Works went triple platinum and remained in the albums chart for two years.[170] The album failed to do well in the US, where, in addition to issues with their new record label Capitol Records (who had recently severed ties with their independent promotions teams due to a government report on payola),[153] the cross-dressing video for "I Want to Break Free", a spoof of the British soap opera Coronation Street, proved controversial and was banned by MTV.[171] The concept of the video came from Roger Taylor via a suggestion from his girlfriend.[153] He told Q magazine: "We had done some really serious, epic videos in the past, and we just thought we'd have some fun. We wanted people to know that we didn't take ourselves too seriously, that we could still laugh at ourselves."[172] Director of the video David Mallet said Mercury was reluctant to do it, commmeting "it was a hell of a job to get him out of the dressing room".[153]

That year, Queen began The Works Tour, the first tour to feature keyboardist Spike Edney as an extra live musician. The tour featured nine sold-out dates in October in Bophuthatswana, South Africa, at the arena in Sun City.[173][174] Upon returning to England, they were the subject of outrage, having played in South Africa during the height of apartheid and in violation of worldwide divestment efforts and a United Nations cultural boycott. The band responded to the critics by stating that they were playing music for fans in South Africa, and they also stressed that the concerts were played before integrated audiences.[175] Queen donated to a school for the deaf and blind as a philanthropic gesture but were fined by the British Musicians' Union and placed on the United Nations' blacklisted artists.[176]

1985–1986: Live Aid, A Kind of Magic and tours

In January 1985, Queen headlined two nights of the first Rock in Rio festival at Rio de Janeiro, Brazil, and played in front of over 300,000 people each night.[177] The Boston Globe described it as a "mesmerising performance".[178] Highlights from both nights were released on VHS as Queen: Live in Rio, which was broadcast on MTV in the US.[178][179] In April and May 1985, Queen completed the Works Tour with sold-out shows in Australia and Japan.[180]

Queen were absolutely the best band of the day ... they just went and smashed one hit after another ... it was the perfect stage for Freddie: the whole world.

Bob Geldof, on Queen's performance at Live Aid.[181]

At Live Aid, held at Wembley on 13 July 1985, in front of the biggest-ever TV audience of an estimated 1.9 billion, Queen performed some of their greatest hits. Many of the sold-out stadium audience of 72,000 people clapped, sang, and swayed in unison.[182][183] The show's organisers, Bob Geldof and Midge Ure; other musicians such as Elton John and Cliff Richard; and journalists writing for the BBC, CNN, Rolling Stone, MTV, The Guardian and The Daily Telegraph, among others, described Queen as the highlight.[184][185][186] Interviewed backstage, Roger Waters stated: "Everybody's been buzzing about Queen that I've run into. They had everybody completely spellbound."[187] An industry poll in 2005 ranked it the greatest rock performance of all time.[184][188] Mercury's powerful, sustained note—"Aaaaaay-o"—during the call-and-response a cappella segment came to be known as "The Note Heard Round the World".[189][190] The band were revitalised by the response to Live Aid—a "shot in the arm" Roger Taylor called it—and the ensuing increase in record sales.[191] In 1986 Mercury commented: "From our perspective, the fact that Live Aid happened when it did was really lucky. It came out of nowhere to save us. For sure that was a turning point. Maybe you could say that in the history of Queen, it was a really special moment."[192]

Queen recorded six studio albums at Mountain Studios in Montreux, Switzerland from 1978 to 1995. In December 2013, the studio was opened to fans. Queen: The Studio Experience is free, with fans asked for a donation to the Mercury Phoenix Trust charity.[193]

Queen ended 1985 by releasing the single "One Vision" and a limited-edition boxed set of Queen albums, The Complete Works. The package included the 1984 Christmas single "Thank God It's Christmas" and previously unreleased material.[194] In early 1986, Queen recorded the album A Kind of Magic, containing several reworkings of songs written for the fantasy action film Highlander.[195] The album was successful in the UK, Germany and several other countries, producing a string of hits including "A Kind of Magic", "Friends Will Be Friends", "Princes of the Universe" and "Who Wants to Live Forever"; the latter featuring an orchestra conducted by Michael Kamen. The album was less successful in North America, reaching 46 in the US, and was described by biographer Mark Blake as "a so-so album" and "a somewhat uneven listening experience".[196]

In mid-1986, Queen went on the Magic Tour, their final tour with Mercury.[197] They once again hired Spike Edney.[198][199] Queen began the tour at the Råsunda Stadium in Stockholm, Sweden, and later performed a concert at Slane Castle, Ireland, in front of an audience of 95,000, which broke the venue's attendance record.[200] The band also played behind the Iron Curtain when they performed to a crowd of 80,000 at the Népstadion in Budapest (released in the concert film Hungarian Rhapsody: Queen Live in Budapest), in what was one of the biggest rock concerts ever held in Eastern Europe.[201] More than one million people saw Queen on the tour—400,000 in the UK alone, a record at the time.[174] The Magic Tour's highlight was at Wembley Stadium and resulted in the live double album Queen at Wembley, released on CD and as a live concert VHS/DVD, which has gone five times platinum in the US and four times platinum in the UK.[34][202] Queen could not book Wembley for a third night, but played at Knebworth Park on 9 August. The show sold out within two hours and over 120,000 fans packed the park for what was Queen's final performance with Mercury.[203][204] Roadie Peter Hince states, "At Knebworth, I somehow felt it was going to be the last for all of us", while Brian May recalled Mercury saying "I’m not going to be doing this forever. This is probably the last time."[153]

1988–1992: The Miracle, Innuendo and Mercury's final years

There was all that time when we knew Freddie was on the way out, we kept our heads down.

—Brian May[205]

After fans noticed Mercury's increasingly gaunt appearance in 1988, the media reported that Mercury was seriously ill, with AIDS frequently mentioned as a likely illness. Mercury denied this, insisting he was merely "exhausted" and too busy to provide interviews; he was now 42 years old and had been involved in music for nearly two decades.[206] Mercury had in fact been diagnosed as HIV positive in 1987, but did not make his illness public, with only his inner circle of colleagues and friends aware of his condition.[205]

After working on various solo projects during 1988 (including Mercury's collaboration with Montserrat Caballé, Barcelona), the band released The Miracle in 1989. The album continued the direction of A Kind of Magic, using a pop-rock sound mixed with a few heavy numbers. It spawned the hit singles "I Want It All"—which became an anti-apartheid anthem in South Africa—"Scandal", and "The Miracle".[207][208] The Miracle also began a change in direction of Queen's songwriting philosophy. Beforehand, nearly all songs had been written by and credited to a single member. With The Miracle, their songwriting became more collaborative, and they vowed to credit the final product only to Queen as a group.[209]

In 1990, Queen ended their contract with Capitol and signed with Hollywood Records; through the deal, Disney acquired the North American distribution rights to Queen's catalogue for $10 million, and remains the group's music catalogue owner and distributor in the United States and Canada.[210][211] In February that year, Mercury made his final public appearance when he joined the rest of Queen onstage at the Dominion Theatre, London to collect the Brit Award for Outstanding Contribution to British Music.[212]

Their fourteenth studio album, Innuendo, was released in early 1991 with "Innuendo" and other charting singles released later in the year. The single "The Show Must Go On", released as a forerunner to Greatest Hits II, featured archive footage of Queen's performances between 1981 and 1989, and along with the manner of its lyrics, fuelled reports that Mercury was dying.[213][214] Mercury was increasingly ill and could barely walk when the band recorded "The Show Must Go On" in 1990. Because of this, May had concerns about whether he was physically capable of singing it, but May recalled that he "completely killed it".[215] The rest of the band were ready to record when Mercury felt able to come into the studio, for an hour or two at a time. May says of Mercury: "He just kept saying. 'Write me more. Write me stuff. I want to just sing this and do it and when I am gone you can finish it off.' He had no fear, really."[193] The band's second-greatest hits compilation, Greatest Hits II, followed in October 1991; it is the tenth best-selling album in the UK,[216] the seventh best-selling album in Germany,[217] is certified Diamond in France where it is one of the best-selling albums,[218] and has sold 16 million copies worldwide.[219][220]

Following Mercury's death on 24 November 1991, his tribute concert was held at the original Wembley Stadium in London on 20 April 1992, the same venue where Queen performed at Live Aid in July 1985

On 23 November 1991, in a prepared statement made on his deathbed, Mercury confirmed that he had AIDS.[221] Within 24 hours of the statement, he died of bronchial pneumonia, which was brought on as a complication of the disease.[222] His funeral service on 27 November in Kensal Green, West London was private, and held in accordance with the Zoroastrian religious faith of his family.[223][224] "Bohemian Rhapsody" was re-released as a single shortly after Mercury's death, with "These Are the Days of Our Lives" as the double A-side. The music video for the latter contains Mercury's final scenes in front of the camera. This track had featured at the beginning of the year on the Innuendo album, and the video for it was recorded on 30 May 1991 (which proved to be Mercury's final work with Queen).[225] The single went to number one in the UK, remaining there for five weeks—the only recording to top the Christmas chart twice and the only one to be number one in four different years (1975, 1976, 1991, and 1992).[226] Initial proceeds from the single—approximately £1,000,000—were donated to the Terrence Higgins Trust, an AIDS charity.[227]

Queen's popularity was stimulated in North America when "Bohemian Rhapsody" was featured in the 1992 comedy film Wayne's World.[228] Its inclusion helped the song reach number two on the Billboard Hot 100 for five weeks in 1992 (including its 1976 chart run, it remained in the Hot 100 for a combined 41 weeks),[228] and won the band an MTV Award at the 1992 MTV Video Music Awards.[229] The compilation album Classic Queen also reached number four on the Billboard 200, and is certified three times platinum in the US.[34][228] Wayne's World footage was used to make a new music video for "Bohemian Rhapsody", with which the band and management were delighted.[230]

On 20 April 1992, The Freddie Mercury Tribute Concert was held at London's Wembley Stadium to a crowd of 72,000.[231] Performers, including Def Leppard, Robert Plant, Tony Iommi, Roger Daltrey, Guns N' Roses, Elton John, David Bowie, George Michael, Annie Lennox, Seal, Extreme, and Metallica performed various Queen songs along with the three remaining Queen members (and Spike Edney.) The concert is listed in the Guinness Book of Records as "The largest rock star benefit concert",[232] as it was televised to over 1.2 billion viewers worldwide,[174] and raised over £20,000,000 for AIDS charities.[227]

1995–2003: Made in Heaven to 46664 Concert

Statue of Mercury overlooking Lake Geneva in Montreux, Switzerland

Queen's last album with Mercury, titled Made in Heaven, was released in 1995, four years after his death.[233] Featuring tracks such as "Too Much Love Will Kill You" and "Heaven for Everyone", it was constructed from Mercury's final recordings in 1991, material left over from their previous studio albums and re-worked material from May, Taylor, and Mercury's solo albums. The album also featured the song "Mother Love", the last vocal recording Mercury made, which he completed using a drum machine, over which May, Taylor and Deacon later added the instrumental track.[234] After completing the penultimate verse, Mercury had told the band he "wasn't feeling that great" and stated, "I will finish it when I come back, next time". Mercury never returned to the studio afterwards, leaving May to record the final verse of the song.[193] Both stages of recording, before and after Mercury's death, were completed at the band's studio in Montreux, Switzerland.[235] The album reached number one in the UK following its release, their ninth number one album, and sold 20 million copies worldwide.[236][237] On 25 November 1996, a statue of Mercury was unveiled in Montreux overlooking Lake Geneva, almost five years to the day since his death.[235][238]

You guys should go out and play again. It must be like having a Ferrari in the garage waiting for a driver.

Elton John, on Queen being without a lead singer since the death of Freddie Mercury.[239]

In 1997, Queen returned to the studio to record "No-One but You (Only the Good Die Young)", a song dedicated to Mercury and all those who die too soon.[240] It was released as a bonus track on the Queen Rocks compilation album later that year, and features in Greatest Hits III.[241] In January 1997, Queen performed "The Show Must Go On" live with Elton John and the Béjart Ballet in Paris on a night Mercury was remembered, and it marked the last performance and public appearance of John Deacon, who chose to retire.[242] The Paris concert was only the second time Queen had played live since Mercury's death, prompting Elton John to urge them to perform again.[239] Brian May and Roger Taylor performed together at several award ceremonies and charity concerts, sharing vocals with various guest singers. During this time, they were billed as Queen + followed by the guest singer's name. In 1998, the duo appeared at Luciano Pavarotti's benefit concert with May performing "Too Much Love Will Kill You" with Pavarotti, later playing "Radio Ga Ga", "We Will Rock You", and "We Are the Champions" with Zucchero. They again attended and performed at Pavarotti's benefit concert in Modena, Italy in May 2003.[243] Several of the guest singers recorded new versions of Queen's hits under the Queen + name, such as Robbie Williams providing vocals for "We Are the Champions" for the soundtrack of A Knight's Tale (2001).[244]

Queen's star on the Hollywood Walk of Fame at 6358 Hollywood Boulevard

In November 1999, Greatest Hits III was released. This featured, among others, "Queen + Wyclef Jean" on a rap version of "Another One Bites the Dust". A live version of "Somebody to Love" by George Michael and a live version of "The Show Must Go On" with Elton John were also featured in the album.[245] By this point, Queen's vast amount of record sales made them the second-bestselling artist in the UK of all time, behind the Beatles.[237] In November 2000, the band released the box set, The Platinum Collection. It is certified seven times platinum in the UK and five times platinum in the US.[246][247] On 18 October 2002, Queen were awarded the 2,207th star on the Hollywood Walk of Fame, for their work in the music industry, which is located at 6358 Hollywood Blvd.[248] On 29 November 2003, May and Taylor performed at the 46664 Concert hosted by Nelson Mandela at Green Point Stadium, Cape Town, to raise awareness of the spread of HIV/AIDS in South Africa.[249] A new song, "Invincible Hope", featuring Mandela's speech and credited to Queen + Nelson Mandela, was performed during the concert and later released on the 46664: One Year On EP.[250] During that period May and Taylor spent time at Mandela's home, discussing how Africa's problems might be approached, and two years later the band were made ambassadors for the 46664 cause.[249]

2004–2009: Queen + Paul Rodgers

Queen performing with Paul Rodgers during their 2005 tour

At the end of 2004, May and Taylor announced that they would reunite and return to touring in 2005 with Paul Rodgers (founder and former lead singer of Free and Bad Company). Brian May's website also stated that Rodgers would be "featured with" Queen as "Queen + Paul Rodgers", not replacing Mercury. Deacon, who was retired, did not participate.[251] In November 2004, Queen were among the inaugural inductees into the UK Music Hall of Fame, and the award ceremony was the first event at which Rodgers joined May and Taylor as vocalist.[249]

Between 2005 and 2006, Queen + Paul Rodgers embarked on a world tour, which was the first time Queen toured since their last tour with Freddie Mercury in 1986.[252] Taylor said: "We never thought we would tour again, Paul came along by chance and we seemed to have a chemistry. Paul is just such a great singer. He's not trying to be Freddie."[252] The first leg was in Europe, the second in Japan, and the third in the US in 2006.[253] Queen received the inaugural VH1 Rock Honors at the Mandalay Bay Events Center in Las Vegas, Nevada, on 25 May 2006.[254] Foo Fighters paid homage, performing "Tie Your Mother Down" to open the ceremony before being joined on stage by May, Taylor, and Rodgers, who played a selection of Queen hits.[255]

Queen + Paul Rodgers concert in Kharkiv's Freedom Square, Ukraine, 12 September 2008

On 15 August 2006, May confirmed through his website and fan club that Queen + Paul Rodgers would begin producing their first studio album beginning in October, to be recorded at a "secret location".[256] Queen + Paul Rodgers performed at the Nelson Mandela 90th Birthday Tribute held in Hyde Park, London on 27 June 2008, to commemorate Mandela's ninetieth birthday, and again promote awareness of the HIV/AIDS pandemic.[257] The first Queen + Paul Rodgers album, titled The Cosmos Rocks, was released in Europe on 12 September 2008 and in the United States on 28 October 2008.[236] Following the release of the album, the band again went on a tour through Europe, opening on Kharkiv's Freedom Square in front of 350,000 Ukrainian fans.[258] The Kharkiv concert was later released on DVD.[258] The tour then moved to Russia, and the band performed two sold-out shows at the Moscow Arena.[259] Having completed the first leg of its extensive European tour, which saw the band play 15 sold-out dates across nine countries, the UK leg of the tour sold out within 90 minutes of going on sale and included three London dates, the first of which was the O2 Arena on 13 October.[260] The last leg of the tour took place in South America, and included a sold-out concert at José Amalfitani Stadium, Buenos Aires.[259]

Queen and Paul Rodgers officially split up without animosity on 12 May 2009.[261] Rodgers stated: "My arrangement with [Queen] was similar to my arrangement with Jimmy [Page] in The Firm in that it was never meant to be a permanent arrangement".[261] Rodgers did not rule out the possibility of working with Queen again.[262][263]

2009–2011: Departure from EMI, 40th anniversary

On 20 May 2009, May and Taylor performed "We Are the Champions" live on the season finale of American Idol with winner Kris Allen and runner-up Adam Lambert providing a vocal duet.[264] In mid-2009, after the split of Queen + Paul Rodgers, the Queen online website announced a new greatest hits compilation named Absolute Greatest. The album was released on 16 November and peaked at number 3 in the official UK Chart.[265] The album contains 20 of Queen's biggest hits spanning their entire career and was released in four different formats: single disc, double disc (with commentary), double disc with feature book, and a vinyl record. Before its release, Queen ran an online competition to guess the track listing as a promotion for the album.[266] On 30 October 2009, May wrote a fanclub letter on his website stating that Queen had no intentions to tour in 2010 but that there was a possibility of a performance.[267] On 15 November 2009, May and Taylor performed "Bohemian Rhapsody" live on the British TV show The X Factor alongside the finalists.[268]

Many of you will have read bits and pieces on the internet about Queen changing record companies and so I wanted to confirm to you that the band have signed a new contract with Universal Music ... we would like to thank the EMI team for all their hard work over the years, the many successes and the fond memories, and of course we look forward to continuing to work with EMI Music Publishing who take care of our songwriting affairs. Next year we start working with our new record company to celebrate Queen's 40th anniversary and we will be announcing full details of the plans over the next 3 months. As Brian has already said Queen's next moves will involve 'studio work, computers and live work.

—Jim Beach, Queen's Manager, on the change of record label.[269]

On 7 May 2010, May and Taylor announced that they were quitting their record label, EMI, after almost 40 years.[270] On 20 August 2010, Queen's manager Jim Beach put out a Newsletter stating that the band had signed a new contract with Universal Music.[269] During an interview for HARDtalk on the BBC on 22 September, May confirmed that the band's new deal was with Island Records, a subsidiary of Universal Music Group.[271][272] Hollywood Records remained as the group's label in the United States and Canada, however. As such, for the first time since the late 1980s, Queen's catalogue now has the same distributor worldwide, as Universal distributes for both the Island and Hollywood labels (for a time in the late 1980s, Queen was on EMI-owned Capitol Records in the US).[273]

On 14 March 2011, which marked the band's 40th anniversary, Queen's first five albums were re-released in the UK and some other territories as remastered deluxe editions (the US versions were released on 17 May).[274] The second five albums of Queen's back catalogue were released worldwide on 27 June, with the exception of the US and Canada (27 September).[275][276] The final five were released in the UK on 5 September.[277]

In May 2011, Jane's Addiction vocalist Perry Farrell noted that Queen are currently scouting their once former and current live bassist Chris Chaney to join the band. Farrell stated: "I have to keep Chris away from Queen, who want him and they're not gonna get him unless we're not doing anything. Then they can have him."[278] In the same month, Paul Rodgers stated he may tour with Queen again in the near future.[279] At the 2011 Broadcast Music, Incorporated (BMI) Awards held in London on 4 October, Queen received the BMI Icon Award in recognition for their airplay success in the US.[280][281] At the 2011 MTV Europe Music Awards on 6 November, Queen received the Global Icon Award, which Katy Perry presented to Brian May.[282] Queen closed the awards ceremony, with Adam Lambert on vocals, performing "The Show Must Go On", "We Will Rock You" and "We Are the Champions".[282] The collaboration garnered a positive response from both fans and critics, resulting in speculation about future projects together.[283]

2011–present: Queen + Adam Lambert, Queen Forever

Queen + Adam Lambert concert at the TD Garden, Boston in July 2014

On 25 and 26 April, May and Taylor appeared on the eleventh series of American Idol at the Nokia Theatre, Los Angeles, performing a Queen medley with the six finalists on the first show, and the following day performed "Somebody to Love" with the 'Queen Extravaganza' band.[284] Queen were scheduled to headline Sonisphere at Knebworth on 7 July 2012 with Adam Lambert[285] before the festival was cancelled.[286] Queen's final concert with Freddie Mercury was in Knebworth in 1986. Brian May commented, "It's a worthy challenge for us, and I'm sure Adam would meet with Freddie's approval."[283] Queen expressed disappointment at the cancellation and released a statement to the effect that they were looking to find another venue.[287] Queen + Adam Lambert played two shows at the Hammersmith Apollo, London on 11 and 12 July 2012.[288][289] Both shows sold out within 24 hours of tickets going on open sale.[290] A third London date was scheduled for 14 July.[291] On 30 June, Queen + Lambert performed in Kyiv, Ukraine at a joint concert with Elton John for the Elena Pinchuk ANTIAIDS Foundation.[292] Queen also performed with Lambert on 3 July 2012 at Moscow's Olympic Stadium,[293][294] and on 7 July 2012 at the Municipal Stadium in Wroclaw, Poland.[295]

Queen performing with Adam Lambert during their 2017 tour

On 12 August 2012, Queen performed at the closing ceremony of the 2012 Summer Olympics in London.[296] The performance at London's Olympic Stadium opened with a special remastered video clip of Mercury on stage performing his call and response routine during their 1986 concert at Wembley Stadium.[297] Following this, May performed part of the "Brighton Rock" solo before being joined by Taylor and solo artist Jessie J for a performance of "We Will Rock You".[297][298]

On 20 September 2013, Queen + Adam Lambert performed at the iHeartRadio Music Festival at the MGM Grand Hotel & Casino in Las Vegas.[299] Queen + Adam Lambert toured North America in Summer 2014[300][301] and Australia and New Zealand in August/September 2014.[302] In an interview with Rolling Stone, May and Taylor said that although the tour with Lambert is a limited thing, they are open to him becoming an official member, and cutting new material with him.[303]

In November 2014 Queen released a new album Queen Forever.[304] The album is largely a compilation of previously-released material but features three new Queen tracks featuring vocals from Mercury with backing added by the surviving members of Queen. One new track, "There Must Be More to Life Than This", is a duet between Mercury and Michael Jackson.[305] Queen + Adam Lambert performed in the shadow of Big Ben in Central Hall, Westminster, central London at the Big Ben New Year concert on New Year's Eve 2014 and New Year's Day 2015.[306]

In 2016, the group embarked across Europe and Asia on the Queen + Adam Lambert 2016 Summer Festival Tour. This included closing the Isle of Wight Festival in England on 12 June where they performed "Who Wants to Live Forever" as a tribute to the victims of the mass shooting at a gay nightclub in Orlando, Florida earlier that day.[307] On 12 September they performed at the Yarkon Park in Tel Aviv, Israel for the first time in front of 58,000 people.[308] As part of the Queen + Adam Lambert Tour 2017–2018, the band toured North America in the summer of 2017, toured Europe in late 2017, before playing dates in Australia and New Zealand in February and March 2018.[309] On 24 February 2019, Queen + Adam Lambert opened the 91st Academy Awards ceremony held at the Dolby Theatre in Hollywood, Los Angeles.[310] In July 2019 they embarked on the North American leg of The Rhapsody Tour, with the dates sold out in April.[311] They toured Japan and South Korea in January 2020 followed by Australia and New Zealand the following month.[312][313][314] On 16 February the band reprised their Live Aid set for the first time in 35 years at the Fire Fight Australia concert at ANZ Stadium in Sydney to raise money for the 2019–20 Australian bushfire crisis.[315]

Because Queen were not able to tour due to the COVID-19 pandemic, they released a live album with Adam Lambert on 2 October 2020. The 20-plus song collection, titled Live Around the World, contains personally selected highlights by the band members from over 200 shows throughout their history. It marked their first live album with Lambert who, as of 2020, has played 218 shows with the band.[316] On 31 December 2020, Queen performed on the Japanese New Year's Eve television special Kōhaku with composer Yoshiki and vocalist Sarah Brightman.[317] In 2021 Queen received the Japan Gold Disc Award for the fourth time (having previously won it in 2005, 2019 and 2020) as the most popular Western act in Japan.[318]

On 4 June 2022, Queen + Adam Lambert opened the Platinum Party at the Palace outside Buckingham Palace to mark the Queen's Platinum Jubilee.[319] Performing a three-song set, they opened with "We Will Rock You" which had been introduced in a comedy segment where Queen Elizabeth II and Paddington Bear tapped their tea cups to the beat of the song.[320][321]

A previously unheard Queen song with Mercury's vocals, "Face It Alone", recorded over thirty years ago and originally thought "unsalvageable" by May and Taylor, was released on 13 October 2022, with five more songs — "When Love Breaks Up", "You Know You Belong to Me", "Dog With a Bone", "Water", and "I Guess We're Falling Out" — to be released on 18 November 2022 as part of The Miracle Collector’s Edition box set.[322]

Music style and influences

Brian May playing his custom-made Red Special at the O2 Arena in London in 2017. He has used this guitar almost exclusively since the band's advent in the early 1970s.

Queen drew artistic influence from British rock acts of the 1960s and early 1970s, such as the Beatles, the Kinks, Cream, Led Zeppelin, Pink Floyd, the Who, Black Sabbath, Slade, Deep Purple, David Bowie, Genesis and Yes,[323] with Mercury also inspired by the rock and roll singers Little Richard,[324] Elvis Presley[325] and the gospel singer Aretha Franklin.[326] On the Beatles, Brian May stated they "built our bible as far as musical composition, arrangement and production went. The White Album is a complete catalogue of how you should use a studio to build songs."[327] Mercury said, "John Lennon was larger than life, and an absolute genius. Even at a very early stage when they were the Beatles, I always preferred John Lennon's things. I don't know why. He just had that magic."[325] May and Mercury were influenced by Jimi Hendrix, with Mercury saying "he really had everything any rock 'n' roll star should have",[328] and May saying "Jimi is, of course, my number one. And I've always said that [...] I never stop learning from Jimi."[329] Mercury's thesis for his Ealing College degree was on Hendrix, and Mercury and Taylor closed their Kensington Market stall on 18 September 1970 to commemorate his death.[330]

At their outset in the early 1970s, Queen's music has been characterised as "Led Zeppelin meets Yes" due to its combination of "acoustic/electric guitar extremes and fantasy-inspired multi-part song epics".[331] Although Mercury stated Robert Plant as his favourite singer and Led Zeppelin as "the greatest" rock band, he also said Queen "have more in common with Liza Minnelli than Led Zeppelin. We're more in the showbiz tradition than the rock'n'roll tradition".[325] In his book on Essential Hard Rock and Heavy Metal, Eddie Trunk described Queen as "a hard rock band at the core but one with a high level of majesty and theatricality that delivered a little something for everyone", as well as observing that the band "sounded British".[332] Rob Halford of Judas Priest commented, "It's rare that you struggle to label a band. If you're a heavy metal band you're meant to look and sound like a heavy metal band but you can't really call Queen anything. They could be a pop band one day or the band that wrote 'Bicycle Race' the next and a full-blown metal band the next. In terms of the depth of the musical landscape that they covered, it was very similar to some extent to the Beatles."[333] While stating they were influenced by various artists and genres, Joe Bosso of Guitar World magazine writes, "Queen seemed to occupy their own lane."[334]

Queen composed music that drew inspiration from many different genres of music, often with a tongue-in-cheek attitude.[335] The music styles and genres they have been associated with include progressive rock (also known as symphonic rock),[336] art rock,[45][337] glam rock,[338] arena rock,[336] heavy metal,[336] operatic pop,[336] pop rock,[336] psychedelic rock,[339] baroque pop,[340] and rockabilly.[340] Queen also wrote songs that were inspired by diverse musical styles which are not typically associated with rock groups, such as opera,[341] music hall,[341] folk music,[342] gospel,[343] ragtime,[344] and dance/disco.[345] Their 1980 single "Another One Bites the Dust" became a major hit single in the funk rock genre.[346] Several Queen songs were written with audience participation in mind, such as "We Will Rock You" and "We Are the Champions".[347] Similarly, "Radio Ga Ga" became a live favourite because it would have "crowds clapping like they were at a Nuremberg rally".[348]

In 1963, the teenage Brian May and his father custom-built his signature guitar Red Special, which was purposely designed to feedback.[349][350] May has used Vox AC30 amplifiers almost exclusively since a meeting with his long-time hero Rory Gallagher at a gig in London during the late 1960s/early 1970s.[351] He also uses a sixpence as a plectrum to get the sound he wants.[352] Sonic experimentation figured heavily in Queen's songs. A distinctive characteristic of Queen's music are the vocal harmonies which are usually composed of the voices of May, Mercury, and Taylor best heard on the studio albums A Night at the Opera and A Day at the Races. Some of the ground work for the development of this sound is attributed to the producer Roy Thomas Baker and engineer Mike Stone.[353][354] Besides vocal harmonies, Queen were also known for multi-tracking voices to imitate the sound of a large choir through overdubs. For instance, according to Brian May, there are over 180 vocal overdubs in "Bohemian Rhapsody".[355] The band's vocal structures have been compared with the Beach Boys.[337][356]

Media

Queen logo (without the crest)

Having studied graphic design in art college, Mercury also designed Queen's logo, called the Queen crest, shortly before the release of the band's first album.[357] The logo combines the zodiac signs of all four members: two lions for Leo (Deacon and Taylor), a crab for Cancer (May), and two fairies for Virgo (Mercury).[357] The lions embrace a stylised letter Q, the crab rests atop the letter with flames rising directly above it, and the fairies are each sheltering below a lion.[357] There is also a crown inside the Q and the whole logo is over-shadowed by an enormous phoenix. The whole symbol bears a passing resemblance to the royal coat of arms of the United Kingdom, particularly with the lion supporters.[357] The original logo, as found on the reverse-side of the cover of the band's first album, was a simple line drawing. Later sleeves bore more intricate-coloured versions of the logo.[357][358]

Music videos

Mercury performing in a Harlequin outfit. He appeared in a half black, half white version in the music video for "We Are the Champions".

Directed by Bruce Gowers, the groundbreaking "Bohemian Rhapsody" promotional video sees the band adopt a "decadent 'glam' sensibility".[359] Replicating Mick Rock's photograph of the band from the cover of Queen II—which itself was inspired by a photo of actress Marlene Dietrich from Shanghai Express (1932)—the video opens with "Queen standing in diamond formation, heads tilted back like Easter Island statues" in near darkness as they sing the a cappella part.[359]

One of the industry's leading music video directors, David Mallet, directed a number of their subsequent videos. Some of their later videos use footage from classic films: "Under Pressure" incorporates 1920s silent films, Sergei Eisenstein's Battleship Potemkin and F. W. Murnau's Nosferatu; the 1984 video for "Radio Ga Ga" includes footage from Fritz Lang's Metropolis (1927); "Calling All Girls" was a homage to George Lucas's THX 1138;[360] and the 1995 video "Heaven for Everyone" shows footage from Georges Méliès' A Trip to the Moon (1902) and The Impossible Voyage (1904).[361] The first part of Mallet's music video for "I Want to Break Free" spoofed the popular long-running British soap opera Coronation Street.[362]

The music video for "Innuendo" combines stop motion animation with rotoscoping and band members appear as illustrations and images taken from earlier Queen music videos on a cinema screen akin to the dystopian film Nineteen Eighty-Four (1984).[363] The music videos for "Flash" (from Flash Gordon) and "Princes of the Universe" (from Highlander) are themed on the films the band recorded soundtracks for, with the latter featuring Mercury briefly re-enact the sword-fighting scene with the titular character.[364] Queen also appeared in conventional music videos. "We Will Rock You" was filmed outdoors in Roger Taylor's back garden during a cold day in early January 1977.[365] Filmed at the New London Theatre later that year, the music video for "We Are the Champions" features the band—with Mercury in a trademark Harlequin outfit—performing in front of an enthusiastic crowd who wave Queen scarves in a manner similar to English football fans.[365] The last music video of the group while Mercury was alive, "These Are the Days of Our Lives", was filmed in black-and-white to hide the full extent of his illness.[366]

Musical theatre

Statue of Mercury at the West End's Dominion Theatre where Queen and Ben Elton's musical We Will Rock You was performed from 2002 to 2014

In May 2002, a musical or "rock theatrical" based on the songs of Queen, titled We Will Rock You, opened at the Dominion Theatre in London's West End.[367] The musical was written by British comedian and author Ben Elton in collaboration with Brian May and Roger Taylor, and produced by Robert De Niro. It has since been staged in many cities around the world.[367] The launch of the musical coincided with Queen Elizabeth II's Golden Jubilee. As part of the Jubilee celebrations, Brian May performed a guitar solo of "God Save the Queen",[368] as featured on Queen's A Night at the Opera, from the roof of Buckingham Palace. The recording of this performance was used as video for the song on the 30th Anniversary DVD edition of A Night at the Opera.[369][370] Following the Las Vegas premiere on 8 September 2004, Queen were inducted into the Hollywood RockWalk in Sunset Boulevard, Los Angeles.[371]

We Will Rock You musical in Tokyo, Japan, November 2006

The original London production was scheduled to close on Saturday, 7 October 2006, at the Dominion Theatre, but due to public demand, the show ran until May 2014.[372] We Will Rock You has become the longest running musical ever to run at this prime London theatre, overtaking the previous record holder, the musical Grease.[373] Brian May stated in 2008 that they were considering writing a sequel to We Will Rock You.[374] The musical toured around the UK in 2009, playing at Manchester Palace Theatre, Sunderland Empire, Birmingham Hippodrome, Bristol Hippodrome, and Edinburgh Playhouse.[375]

Sean Bovim created "Queen at the Ballet", a tribute to Mercury, which uses Queen's music as a soundtrack for the show's dancers, who interpret the stories behind tracks such as "Bohemian Rhapsody", "Radio Ga Ga", and "Killer Queen".[376] Queen's music also appears in the Off-Broadway production Power Balladz, most notably the song "We Are the Champions", with the show's two performers believing the song was "the apex of artistic achievement in its day".[377]

Software and digital releases

In conjunction with Electronic Arts, Queen released the computer game Queen: The eYe in 1998.[378] The game received mixed reviews. Several reviewers described the fight sequences as frustrating, due to unresponsive controls and confusing camera angles.[379][380] PC Zone found the game's graphics unimpressive,[379] although PC PowerPlay considered them "absolutely stunning".[380] The extremely long development time resulted in graphic elements that already seemed outdated by the time of release.[381]

2012 DVD and CD set of Hungarian Rhapsody: Queen Live in Budapest

Under the supervision of May and Taylor, numerous restoration projects have been under way involving Queen's lengthy audio and video catalogue. DVD releases of their 1986 Wembley concert (titled Live at Wembley Stadium), 1982 Milton Keynes concert (Queen on Fire – Live at the Bowl), and two Greatest Video Hits (Volumes 1 and 2, spanning the 1970s and 1980s) have seen the band's music remixed into 5.1 and DTS surround sound. So far, only two of the band's albums, A Night at the Opera and The Game, have been fully remixed into high-resolution multichannel surround on DVD-Audio. A Night at the Opera was re-released with some revised 5.1 mixes and accompanying videos in 2005 for the 30th anniversary of the album's original release (CD+DVD-Video set). In 2007, a Blu-ray edition of Queen's previously released concerts, Queen Rock Montreal & Live Aid, was released, marking their first project in 1080p HD.[382]

Queen have been featured multiple times in the Guitar Hero franchise: a cover of "Killer Queen" in the original Guitar Hero, "We Are The Champions", "Fat Bottomed Girls", and the Paul Rodgers collaboration "C-lebrity" in a track pack for Guitar Hero World Tour, "Under Pressure" with David Bowie in Guitar Hero 5,[383] "I Want It All" in Guitar Hero: Van Halen,[384] "Stone Cold Crazy" in Guitar Hero: Metallica,[385] and "Bohemian Rhapsody" in Guitar Hero: Warriors of Rock.[386] On 13 October 2009, Brian May revealed there was "talk" going on "behind the scenes" about a dedicated Queen Rock Band game.[387]

Queen have also been featured multiple times in the Rock Band franchise: a track pack of 10 songs which are compatible with Rock Band, Rock Band 2, and Rock Band 3 (three of those are also compatible with Lego Rock Band). Their hit "Bohemian Rhapsody" was featured in Rock Band 3 with full harmony and keys support. The band also appeared in the video game Lego Rock Band as playable Lego avatars.[388] In March 2009, Sony Computer Entertainment released a Queen branded version of the company's karaoke franchise, SingStar. The game, which is available on PlayStation 2 and PlayStation 3, is titled SingStar Queen and has 25 songs on the PS3 and 20 on the PS2.[389] "We Will Rock You" and other songs by Queen also appear in DJ Hero.[390] "One Vision" was featured on the successful video game Grand Theft Auto IV on the fictional radio station Liberty Rock Radio 97.8,[391] while "Radio Ga Ga" features on Grand Theft Auto V character trailer for Michael and the game's soundtrack.[392]

Bohemian Rhapsody

In a September 2010 BBC interview, Brian May announced that Sacha Baron Cohen was to play Mercury in a biographical film about the band.[393] Time commented with approval on his singing ability and visual similarity to Mercury.[394] However, in July 2013, Baron Cohen dropped out of the role due to "creative differences" between him and the surviving band members.[395] In December 2013, it was announced that Ben Whishaw, known for playing Q in the James Bond film Skyfall, was a possible replacement for Baron Cohen in the role of Mercury,[396] but Whishaw pulled out a few months later amidst uncertainty about how the film was progressing.[397]

The two remaining members of Queen's classic line-up, May and Taylor (pictured in 2017), were creative consultants for Bohemian Rhapsody

The project regained momentum in 2016. It was announced on 4 November that the film had secured the backing of 20th Century Fox, New Regency and GK Films. By this time, the film's working title was Bohemian Rhapsody, after the band's song of the same name. Freddie Mercury was to be played by Rami Malek, and shooting was scheduled to begin in early 2017.[398] The motion picture was written by Anthony McCarten, with a story by McCarten and Peter Morgan, who received Oscar nominations for his screenplays The Queen and Frost/Nixon.[399]

Released in October 2018, Bohemian Rhapsody focuses on Queen's formative years and the period leading up to the celebrated performance at the 1985 Live Aid concert.[400] The film has grossed over $900 million worldwide,[401] making it the highest-grossing musical biographical film of all time.[402] Despite receiving mixed reviews, it won the Golden Globe Award for Best Motion Picture – Drama. Malek received wide acclaim and numerous accolades for his portrayal of Mercury, including the Academy Award for Best Actor.[403] While the Live Aid segment was praised, criticism came from not exploring more complex themes involving Mercury, with the New York Post's Johnny Oleksinski stating, "What we ultimately wanted from Bohemian Rhapsody was not carbon-copied concerts, but behind-closed-doors insight into a deeply private, complicated, internationally beloved superstar."[404] After the release of the film, "Bohemian Rhapsody" re-entered the US Billboard Hot 100 for the third time (having previously charted in 1976 and 1992), charting at number 33 on 12 November 2018.[405] Bohemian Rhapsody: The Original Soundtrack received an American Music Award for Top Soundtrack.[406]

Other films

The soundtrack for the film Flash Gordon (1980) was by Queen. The band also contributed music to Highlander (the original 1986 film),[195][407] with "A Kind of Magic", "One Year of Love", "Who Wants to Live Forever", "Hammer to Fall", and the theme "Princes of the Universe", which was also used as the theme of the Highlander TV series (1992–1998).[408] In choosing music for Highlander, director Russell Mulcahy stated, "I thought about one band – Queen. They write strong, anthemic songs and this movie needs their energy".[153] In the United States, "Bohemian Rhapsody" was re-released as a single in 1992 after appearing in the comedy film Wayne's World.[228] The single subsequently reached number two on the Billboard Hot 100 (with "The Show Must Go On" as the first track on the single) and helped rekindle the band's popularity in North America.[228][409]

Robbie Williams, on stage in 2015 with the Queen image in the background, performed "We Are the Champions" for the 2001 medieval adventure film A Knight's Tale

Several films have featured their songs performed by other artists. A version of "Somebody to Love" by Anne Hathaway was in the 2004 film Ella Enchanted.[410] In 2006, Brittany Murphy also recorded a cover of the same song for the 2006 film Happy Feet.[411] In 2001, a version of "The Show Must Go On" was performed by Jim Broadbent and Nicole Kidman in the film musical Moulin Rouge!.[412] The 2001 film A Knight's Tale has a version of "We Are the Champions" performed by Robbie Williams and Queen; the film also features "We Will Rock You" played by the medieval audience.[413]

Television

"I Was Born to Love You" was used as the theme song of the Japanese television drama Pride on Fuji Television in 2004, starring Takuya Kimura and Yūko Takeuchi. The show's soundtrack also contained other songs by Queen.[414] A song that has grown in popularity four decades since its release, the initial rebirth of "Don't Stop Me Now" has been attributed to its appearance in the 2004 cult classic zombie apocalypse film Shaun of the Dead.[415] The song has featured in the BBC television show Top Gear, and in 2005 it was voted as "The Greatest Driving Song Ever" by the series' viewers.[416]

Keeping in a tradition of naming each season's episodes after songs by 1970s rock bands, the eighth and final season of That '70s Show had episodes named after Queen songs. "Bohemian Rhapsody" served as the season premiere.[417] With an entry for the year 1977, Queen featured in the VH1 series I Love the '70s, broadcast in the US.[418] The Simpsons has made storylines which have featured Queen songs such as "We Will Rock You", "We Are the Champions" (both sung by Homer), and "You're My Best Friend".[419] The latter also appears in Family Guy, as does "Another One Bites the Dust", while an episode of the show, "Killer Queen", is named after (and features) the song.[420] Queen were profiled in season 1, episode 16 of VH1's Legends, broadcast in 1998.[421]

On 11 April 2006, Brian May and Roger Taylor appeared on the American singing contest television show American Idol. Each contestant was required to sing a Queen song during that week of the competition. Songs which appeared on the show included "Bohemian Rhapsody", "Fat Bottomed Girls", "The Show Must Go On", "Who Wants to Live Forever", and "Innuendo". Brian May later criticised the show for editing specific scenes,[422] one of which made the group's time with contestant Ace Young look negative, despite it being the opposite. Taylor and May again appeared on the American Idol season 8 finale in May 2009, performing "We Are the Champions" with finalists Adam Lambert and Kris Allen.[264] On 15 November 2009, Brian May and Roger Taylor appeared on the singing contest television show The X Factor in the UK.[423]

In 2007, Queen featured as one of the main artists in the fifth episode of the BBC/VH1 series Seven Ages of Rock—focusing on stadium rock, the episode itself was named "We Are the Champions".[424] In the autumn of 2009, Glee featured the fictional high school's show choir singing "Somebody to Love" as their second act performance in the episode "The Rhodes Not Taken". The performance was included on the show's Volume 1 soundtrack CD.[425] In June 2010, the choir performed "Another One Bites the Dust" in the episode "Funk".[426] The following week's episode, "Journey to Regionals", features a rival choir performing "Bohemian Rhapsody" in its entirety. The song was featured on the episode's EP. In May 2012, the choir performed "We Are the Champions" in the episode "Nationals", and the song features in The Graduation Album.[427]

Legacy

In 2002, Queen's "Bohemian Rhapsody" was voted "the UK's favourite hit of all time" in a poll conducted by the Guinness World Records British Hit Singles Book.[428] In 2004, the song was inducted into the Grammy Hall of Fame.[429] Many scholars consider the "Bohemian Rhapsody" music video ground-breaking, crediting it with popularising the medium.[83][430][431] Rock historian Paul Fowles stated that the song is "widely credited as the first global hit single for which an accompanying video was central to the marketing strategy".[432] It has been hailed as paving the way for the MTV Generation.[433] In December 2018, "Bohemian Rhapsody" became the most-streamed song from the 20th century, and the most-streamed classic rock song of all time.[434] The number of downloads of the song and original video exceeded 1.6 billion across global on-demand streaming services.[435] In March 2021 it was certified Diamond in the US for combined digital sales and streams equal to 10 million units.[436] Acclaimed for their stadium rock, in 2005 an industry poll ranked Queen's performance at Live Aid in 1985 as the best live act in history.[437] In 2007, they were also voted the greatest British band in history by BBC Radio 2 listeners.[438]

If you have to go back and watch one performance it has to be Queen. That was not just a career-defining moment ... rock 'n' roll might have peaked right there. Freddie Mercury on stage at Live Aid is the summit of rock 'n' roll. For a band some people said was washed up, that was just the most stunning, breathtaking, flawless, powerful, jubilant performance. It was everything you want in rock 'n' roll.

—1980s MTV VJ Martha Quinn speaking in July 2015 on the 30th anniversary of Live Aid.[439]

As of 2005, according to the Guinness Book of World Records, Queen albums have spent a total of 1,322 weeks (twenty-six years) on the UK Album Charts, more time than any other act.[440] Also in 2005, with the release of their live album with Paul Rodgers, Queen moved into third place on the list of acts with the most aggregate time spent on the British record charts.[441] In 2022, Greatest Hits was the best-selling album in UK chart history, and the only album to sell over seven million copies in the UK.[143] As of August 2022, the album has spent over 500 weeks on the US Billboard 200.[147] Their Greatest Hits II album is the UK's tenth best seller, with sales of 3,746,404 copies.[216][442] Based on record sales, Billboard charts performance, online views and popularity on Spotify, in 2018 Business Insider in the US ranked Queen the third most popular rock band of all time, after the Beatles and Led Zeppelin.[443]

Gold and silver discs issued by EMI in 1982 for Greatest Hits (1981). With more than 25 million copies sold it is Queen’s best selling album.

The band have released a total of 18 number-one albums, 18 number-one singles, and 10 number-one DVDs worldwide, making them one of the world's best-selling music artists. Estimates of their record sales range from 250 million to 300 million worldwide.[434][444][445][446] Inducted into the Rock and Roll Hall of Fame in 2001, the band is the only group in which every member has composed more than one chart-topping single, and all four members were inducted into the Songwriters Hall of Fame in 2003.[447][448] In 2009, "We Will Rock You" and "We Are the Champions" were inducted into the Grammy Hall of Fame,[449][450] and the latter was voted the world's favourite song in a 2005 Sony Ericsson global music poll.[451] The band received Ivor Novello Awards for Outstanding Contribution to British Music, in 1987, and Outstanding Song Collection, in 2005, from the British Academy of Songwriters, Composers, and Authors.[452][453] In recognition of the vocal harmonies of Mercury, May and Taylor, in 2006 Queen were inducted into the Vocal Group Hall of Fame.[454] In 2018 they were presented the Grammy Lifetime Achievement Award.[455] In their top 10 list for the Global Recording Artist of the Year, the IFPI named Queen the sixth best-selling artist worldwide in 2018, and the fifth best-selling artist in 2019, in both cases the most popular act of their contemporaries.[456][457] In January 2020, Queen became the first band to join Queen Elizabeth II on a British coin. Issued by the Royal Mint, the commemorative £5 coin features the instruments of all four members of the band.[458] In July 2020, Queen became the third band (after the Beatles and Pink Floyd) to feature on a series of UK postage stamps issued by the Royal Mail.[459]

Queen are one of the most bootlegged bands ever, according to Nick Weymouth, who manages the band's official website.[460] A 2001 survey discovered the existence of 12,225 websites dedicated to Queen bootlegs, the highest number for any band.[461] Bootleg recordings have contributed to the band's popularity in certain countries where Western music is censored, such as Iran.[462] In a project called Queen: The Top 100 Bootlegs, many of these have been made officially available to download for a nominal fee from Queen's website, with profits going to the Mercury Phoenix Trust.[460] In 2004, Queen became the first Western rock act to be officially accepted in Iran following the release of their Greatest Hits album.[463] Rolling Stone ranked Queen at number 52 on its list of the "100 Greatest Artists of All Time",[464] while ranking Mercury the 18th-greatest singer,[215] and May the twenty-sixth-greatest guitarist.[465] Rolling Stone readers voted Mercury the second-greatest frontman.[466] Queen were named 13th on VH1's 100 Greatest Artists of Hard Rock list,[467] and in 2010 were ranked 17th on VH1's 100 Greatest Artists of All Time list.[468] In 2012, Gigwise readers named Queen the best band of the past 60 years.[469] Eddie Trunk argued that Queen's importance, in common with Thin Lizzy and Deep Purple, was "not as fully recognized" in the United States because elsewhere they "often played to much bigger crowds in stadium venues".[332] Queen had stopped touring the US in 1982 as their success there had started to wane, but they remained a touring "juggernaut", filling stadiums and arenas internationally in the 1980s until their final tour (with Mercury) in 1986.[340]

Influence

At 10 years old, Thom Yorke of Radiohead made a homemade guitar in an attempt to emulate Brian May.

Queen have been credited with making a significant contribution to genres such as hard rock and heavy metal.[332][470] The band have been cited as an influence by many other musicians. Moreover, like their music, the bands and artists that have claimed to be influenced by Queen or have expressed admiration for them are diverse, spanning different generations, countries, and genres, including heavy metal: Judas Priest,[471] Iron Maiden,[472] Dream Theater,[473] Trivium,[474] Megadeth,[475] Anthrax,[476] Melvins,[477] Slipknot,[478] Rob Zombie,[479] and Rage Against the Machine;[480] hard rock: Guns N' Roses,[481] Def Leppard,[482] Mötley Crüe,[483] Steve Vai,[484] the Cult,[485] the Darkness,[486] Kid Rock,[487] and Foo Fighters;[488] alternative rock: Nirvana,[489] Trent Reznor of Nine Inch Nails,[490] Muse,[491] Red Hot Chili Peppers,[492] Jane's Addiction,[493] the Flaming Lips,[494] and Billy Corgan of The Smashing Pumpkins;[495] shock rock: Marilyn Manson;[496] pop rock: The Killers,[497] My Chemical Romance,[498] and Panic! at the Disco;[499] country: Faith Hill,[479] and Carrie Underwood;[500] pop: George Michael,[501] Robbie Williams,[502] Adele,[503] Lady Gaga,[504] and Katy Perry;[505] K-pop: Psy,[506] and BTS;[507] and hip hop: Lil Nas X.[508]

Musicians have been saying for decades Queen are in the pantheon of all-time greats. In the countless interviews I have done over the years they have been name checked by numerous superstars. What is most impressive though is the diversity of artists they've influenced. Why Queen were able to cut across such an incredibly wide range of musicians is easy to see – they are one of the most versatile bands that rock has ever had.

Steve Baltin writing for Forbes magazine in January 2019: Queen's Greatest Legacy: Shaping The Last Two Decades Of Pop And Rock Music.[479]

In the early 1970s, Queen helped spur the heavy metal genre's evolution by discarding much of its blues influence.[30][509] Queen's 1974 song "Stone Cold Crazy" has been cited as a precursor of speed metal.[58] Metallica recorded a cover version of "Stone Cold Crazy", which first appeared on the Rubáiyát: Elektra's 40th Anniversary album in 1990, and they still performed it live in the 2000s.[510] Swedish guitarist Yngwie Malmsteen, a pioneer of "neo-classical metal", listened to Queen as a kid, and spoke of Brian May being "very inventive when it comes to tones and having all those pickup configurations. Brian tends not to stick to just pentatonics, either; he mixes it all up, which is how I like to think, too."[511] Thom Yorke of Radiohead received his first guitar at 7 years old, encouraged after seeing May in a broadcast of a Queen concert.[512] At 10 years old, Yorke made his own homemade guitar, trying to imitate what May had done with his Red Special, but he was not satisfied with the result.[513] Subsequently, Queen was one of the first influences of his band.[512]

Band members

Current members

  • Brian May – lead guitar, keyboards, synthesiser, backing and lead vocals (1970–present)
  • Roger Taylor – drums, percussion, backing and lead vocals, keyboards, synthesiser, bass, rhythm guitar (1970–present)

Former members

  • Freddie Mercury – lead and backing vocals, keyboards, piano, occasional acoustic guitar (1970–1991; his death)
  • John Deacon – bass, rhythm guitar, keyboards, synthesiser, occasional backing vocals (1971–1997)

Long-term Queen + vocalists

  • Paul Rodgers – lead vocals, rhythm guitar, keyboards, piano (2004–2009)
  • Adam Lambert – lead vocals (2011–present)

Current touring members

  • Spike Edney – keyboards, piano, synthesiser, rhythm guitar, backing vocals (1984–present)
  • Neil Fairclough – bass, backing vocals (2011–present)
  • Tyler Warren – percussion, drums, backing vocals (2017–present)

Former touring members

  • Morgan Fisher – keyboards, piano, synthesiser (1982)
  • Fred Mandel – keyboards, piano, synthesiser (1982)
  • David Grosman – bass, occasional backing vocals (1998–2004)
  • Jamie Moses – rhythm guitar, backing vocals (1998–2009)
  • Danny Miranda – bass, backing vocals (2005–2009)
  • Neil Murray – bass (substitute 2008)
  • Rufus Tiger Taylor – percussion, drums, backing vocals (2011–2017)

Early members

  • Mike Grose – bass (1970; died 2019)[514]
  • Barry Mitchell – bass (1970–1971)
  • Doug Bogie – bass (1971)

Timeline

Discography

Studio albums

Concert tours

  • Sheer Heart Attack Tour (1974–1975)
  • A Night at the Opera Tour (1975–1976)
  • A Day at the Races Tour (1977)
  • News of the World Tour (1977–1978)
  • Jazz Tour (1978–1979)
  • Crazy Tour (1979)
  • The Game Tour (1980–1981)
  • Hot Space Tour (1982)
  • The Works Tour (1984–1985)
  • The Magic Tour (1986)
  • Queen + Paul Rodgers Tour (2005–2006)
  • Rock the Cosmos Tour (2008)
  • Queen + Adam Lambert Tour 2012 (2012)
  • Queen + Adam Lambert Tour 2014–2015 (2014–2015)
  • Queen + Adam Lambert 2016 Summer Festival Tour (2016)
  • Queen + Adam Lambert Tour 2017–2018 (2017–2018)
  • The Rhapsody Tour (2019–2022)

References

  1. Blake 2010, pp. 30, 32–33.
  2. Blake 2010, pp. 37, 44, 64.
  3. Blake 2010, p. 59.
  4. Hodkinson 2004, p. 118.
  5. Blake 2010, p. 62.
  6. Blake 2010, p. 44.
  7. "Freddie Mercury's complex relationship with Zanzibar". BBC. Retrieved 28 February 2019.
  8. Blake 2010, p. 56-57.
  9. Blake 2010, p. 65.
  10. Dean 1986, p. 7.
  11. Blake 2010, pp. 92–93.
  12. Blake 2010, p. 95.
  13. Blake 2010, p. 96.
  14. "Heritage award to mark Queen's first gig". bbc.co.uk. 5 March 2013.
  15. Blake 2010, p. 97.
  16. Blake 2010, pp. 102, 105.
  17. Blake 2010, p. 107.
  18. Sutcliffe 2009, p. 26.
  19. Blake 2010, pp. 112–113.
  20. Blake 2010, p. 114.
  21. Blake 2010, pp. 117–118.
  22. "Queen: From Rags to Rhapsody – BBC Four". BBC. Retrieved 9 May 2018.
  23. Blake 2010, pp. 119–120.
  24. Doherty 2011, p. 8.
  25. Baker, J.I. (2019). The Music. The Life. The Rhapsody. LIFE Magazine. p. 31.
  26. Blake 2010, p. 121.
  27. Blake 2010, p. 122.
  28. Dean 1986, p. 17.
  29. Blake 2010, pp. 126–127.
  30. Fletcher, Gordon (6 December 1973). "Queen". Rolling Stone. Archived from the original on 9 April 2018. Retrieved 28 October 2021.
  31. "Queen". Daily Herald. Chicago, IL. 7 December 1973.
  32. "100 Greatest Guitar Songs of All Time". Rolling Stone. June 2008.
  33. Roberts, David (2006). British Hit Singles & Albums. London: Guinness World Records Limited.
  34. "RIAA – Gold and Platinum". riaa. Archived from the original on 4 September 2015. Retrieved 28 September 2014.
  35. Blake 2010, pp. 131–132.
  36. Dean 1986, p. 19.
  37. Blake 2010, pp. 136–137.
  38. Blake 2010, p. 138-139.
  39. Dean 1986, p. 21.
  40. Blake 2010, pp. 137, 142.
  41. Pryor, Fiona (10 May 2007). "Photographer lives the Rock dream". BBC News. Retrieved 25 May 2011.
  42. [128]
  43. Blake 2010, p. 148.
  44. Hodkinson 2004, p. 127.
  45. Stephen Thomas Erlewine (November 2019). "Queen II". AllMusic.
  46. Rusk, Bruce (12 October 2004). "Review: Queen II". Daily Vault. Archived from the original on 28 November 2010 via Queen Archives.
  47. "Review: Queen II". Winnipeg Free Press. Archived from the original on 28 November 2010 via Queen Archives.
  48. Thomas, Stephen (9 April 1974). "link Queen II: Allmusic review". AllMusic. Archived from the original on 2 May 2012. Retrieved 2 June 2010.
  49. "1001 Albums You Must Hear Before You Die". Rocklistmusic.co.uk. Retrieved 2 June 2010.
  50. Blake 2010, p. 147.
  51. Dean 1986, p. 20.
  52. "Queen – Sheer Heart Attack". Official Charts Company.
  53. "Queen Discography". Queen Online. ... and in November released Sheer Heart Attack which was a hit on both sides of the Atlantic.
  54. Blake 2010, p. 155.
  55. Dean 1986, p. 22.
  56. Whitburn, Joel (2006). The Billboard Book of Top 40 Hits. Billboard Books.
  57. Popoff, Martin (2018). Queen: Album by Album. Voyageur Press. p. 36.
  58. Jones, Chris (7 June 2007). "Queen: Sheer Heart Attack Review". BBC. Retrieved 25 May 2011.
  59. "Classic Rock 'The 100 Greatest British Rock Albums Ever'". rocklistmusic. Retrieved 2 June 2010.
  60. Mojo, June 2007, "The 100 Records That Changed the World"
  61. Dean 1986, p. 25.
  62. Dean 1986, pp. 24–27.
  63. Blake 2010, p. 163.
  64. Dean 1986, p. 27.
  65. Blake 2010, pp. 160, 165.
  66. Blake 2010, p. 166.
  67. Hodkinson 2004, p. 166.
  68. Blake 2010, p. 168.
  69. Blake 2010, p. 177.
  70. Blake 2010, p. 178.
  71. Blake 2010, p. 179.
  72. Black, Johnny (2002). "The Greatest Songs Ever! Bohemian Rhapsody". Blender. Archived from the original on 25 January 2010. Retrieved 12 April 2010.
  73. Blake 2010, p. 170.
  74. "Kenny Everett – The best possible way to remember a true pioneer". The Independent. Retrieved 24 January 2015.
  75. Blake 2010, p. 173.
  76. Blake 2010, p. 174.
  77. "Queen Discography: A Night at the Opera". Queen Online.
  78. "Queen rock on in poll". BBC News. 8 May 2002. Retrieved 16 December 2007.
  79. "'Bohemian Rhapsody' Top Chart Topper". CBS News. 9 November 2002. Archived from the original on 2 April 2007. Retrieved 16 December 2007.
  80. "Queen's 'Bohemian Rhapsody' greatest song of all time".
  81. Directed by Carl Johnston (4 December 2004). The Story of Bohemian Rhapsody. (Television production). BBC. Retrieved 9 March 2019
  82. Dean 1986, p. 28.
  83. Sutherland, Mark (30 October 2015). "Party On: Queen's Brian May Remembers 'Bohemian Rhapsody' on 40th Anniversary". Rolling Stone. Archived from the original on 4 January 2016. Retrieved 4 January 2016.
  84. Hann, Michael (12 June 2011). "Queen herald the age of the music video". The Guardian. Retrieved 17 December 2016.
  85. Jones, Lesley-Ann (2012). Mercury: An Intimate Biography of Freddie Mercury. Simon and Schuster.
  86. Jones (2012), pp. 150, 151[85]
  87. "100 Greatest Albums". Channel 4. Archived from the original on 29 April 2009. Retrieved 21 November 2006.
  88. "Guinness poll". London Evening Standard. UK. Archived from the original on 25 December 2010. Retrieved 2 June 2010.
  89. "ABC poll". Australian Broadcasting Corporation. Archived from the original on 5 December 2006. Retrieved 2 June 2010.
  90. "A Night at the Opera". Acclaimed Music. Archived from the original on 12 June 2010. Retrieved 2 June 2010.
  91. "230 – A Night at the Opera". Rolling Stone. Archived from the original on 22 May 2012. Retrieved 2 June 2010.
  92. Dean 1986, pp. 27–31.
  93. "The most bootlegged gig of Queen's career is being released as a film". GigWise. 12 October 2015. Retrieved 1 December 2015.
  94. "A Day at the Races". AllMusic. Archived from the original on 3 September 2011. Retrieved 28 September 2014.
  95. Blake 2010, p. 192.
  96. "A Day at the Races". Queenonline.com. Archived from the original on 15 July 2011. Retrieved 28 September 2014.
  97. Sutcliffe 2009, p. 96.
  98. Blake 2010, pp. 193, 206.
  99. Blake 2010, pp. 193–194.
  100. "Queen Concertography". Queenconcerts.com. "Tie Your Mother Down" has been included in all of the band's tours from the summer of 1976 to the most recent Return of the Champions tour
  101. Rivadavia, Ed. "Song Review: Tie Your Mother Down". AllMusic. Archived from the original on 8 September 2011. Retrieved 31 August 2011.
  102. "Queen play Hyde Park". BBC. Retrieved 9 April 2009.
  103. Blake 2010, p. 191.
  104. Dean 1986, p. 30.
  105. Sutcliffe 2009, p. 119.
  106. "Sex Pistols on Bill Grundy's 'Today' show most requested clip". NME. 28 July 2008.
  107. Blake 2010, pp. 198–199.
  108. Blake 2010, p. 201.
  109. Whitfield, David (3 April 2019). "Freddie Mercury's sister Kashmira on the success of 'Bohemian Rhapsody' – and what happened when the Queen legend used to visit her in Nottingham". Nottingham Post. Retrieved 4 April 2019.
  110. Hilburn, Robert (20 December 1978). "Pop Music Review: Putting Queen in Audio Seat Queen for a Night". Los Angeles Times. Archived from the original on 20 October 2012. Retrieved 4 April 2019.
  111. "We Are the Champions: Song Review". AllMusic. Archived from the original on 12 December 2010. Retrieved 28 September 2014.
  112. Hilburn, Robert (20 December 1977). "Pop Music Review: Queen's Royal Achievement". Los Angeles Times. Archived from the original on 10 February 2013. Retrieved 7 July 2017.
  113. Valdron, Ryan (16 November 2018). "Today in Rock History: November 16th". K106.3 FM. Archived from the original on 16 November 2018. Retrieved 2 April 2019.
  114. "Jazz – Queen: Billboard Albums". AllMusic. Archived from the original on 21 July 2011. Retrieved 28 September 2014.
  115. "Jazz – Queen: Review". AllMusic. Archived from the original on 29 December 2011. Retrieved 28 September 2014.
  116. Greene, Andy (25 July 2016). "10 Classic Albums Rolling Stone Originally Panned". Rolling Stone. Retrieved 2 November 2019.
  117. Donald A. Guarisco, "Don't Stop Me Now". AllMusic. Retrieved 12 July 2011
  118. "About The Band". Queenonline.com. Archived from the original on 2 April 2012.
  119. "RIAA". RIAA. Archived from the original on 26 June 2007. Retrieved 2 June 2010.
  120. "Queen". Billboard. Vol. 92, no. 29. 19 July 1980. p. 33 via Books.google.com.
  121. "Lights! Action! Sound! It's That Crazy Little Thing Called Queen! by Lou O'Neill Jr. (Circus Sept 1980)". Queenonline.com. Archived from the original on 28 June 2011.
  122. Kent, David (1993) (doc). Australian Chart Book 1970–1992. Australian Chart Book, St Ives, N.S.W
  123. Freestone, Peter; Evans, David (2001). Freddie Mercury: An intimate memoir by the man who knew him best. Omnibus Press. p. 18. ISBN 0-7119-8674-6.
  124. Sutcliffe 2009, p. 155.
  125. Whitburn, Joel (2006). The Billboard Albums. Menomonee Falls, Wisconsin: Record Research.
  126. "Inductees – The Vocal Group Hall of Fame Foundation". Vocalgroup.org. Archived from the original on 30 November 2010. Retrieved 2 June 2010.
  127. Cunningham, Mark (October 1995). "AN INVITATION TO THE OPERA: Roy Thomas Baker & Gary Langan: The Making Of Queen's 'Bohemian Rhapsody'". Sound on Sound. There was no stipulation that we wouldn't have any synths, but the statement 'No synths' was printed on the album sleeves because of peoples' lack of intellect in the ears department. Many people couldn't hear the difference between a multitracked guitar and a synthesiser. We would spend four days multi-layering a guitar solo and then some imbecile from the record company would come in and say, 'I like that synth!'
  128. Sutcliffe 2009, pp. 128, 129, 159.
  129. Billboard 12 July 1980. 12 July 1980. Retrieved 28 September 2014.
  130. "8th American Music Awards". Rockonthenet.com.
  131. "Freddie Mercury: "I'm very conscious of the fact that Queen must not get too cerebral"". Melody Maker. Uncut magazine. Retrieved 26 May 2021.
  132. "Queen's Flashy Rock". The Washington Post. 27 July 1982. Retrieved 15 January 2011
  133. Lowry, Max (13 July 2008). "The ones that got away". The Guardian. London.
  134. Henke, James (11 June 1981) "Queen Holds Court in South America" Rolling Stone Retrieved 15 January 2011
  135. Blake 2010, p. 255.
  136. Jones (2012), p. 198[85]
  137. Purvis 2006, p. 315.
  138. Blake 2010, p. 261.
  139. "QUEEN ROCK MONTREAL" (Press release). Eagle Rock Vision. Archived from the original on 10 May 2014. Release date: October 29, 2007
  140. Stephen Thomas Erlewine (30 October 2007). "Queen Rock Montreal". AllMusic. Archived from the original on 18 October 2019. Retrieved 16 July 2011.
  141. Blake 2010, p. 258.
  142. Blake 2010, p. 262.
  143. Smith, Carl (11 July 2022). "Queen's Greatest Hits becomes first album in Official Charts history to reach 7 million UK chart 'sales'". Official Charts Company. Archived from the original on 20 July 2022. Retrieved 19 July 2022.
  144. "Queen head all-time sales chart". BBC. 16 November 2006.
  145. "Queen Greatest Hits". Official Charts Company. Retrieved 23 October 2019.
  146. "Queen's Greatest Hits is first album to sell 6 million UK copies". The Telegraph. Archived from the original on 10 January 2022. Retrieved 10 April 2020.
  147. "Queen Chart History (Billboard 200)". Billboard. Retrieved 21 June 2020.
  148. "In Pictures: 50 years of pop". BBC. Retrieved 28 September 2014.
  149. "Why Queen Struggled With 'Hot Space' Amid a 'Difficult Period'". Ultimate Classic Rock. Retrieved 26 September 2020.
  150. "Queen – Hot Space". Stylusmagazine.com. Archived from the original on 14 June 2007. Retrieved 31 May 2011.
  151. Blake 2010, p. 263.
  152. Blake 2010, pp. 263, 267, 273.
  153. Blake 2016.
  154. "Q Classic: Stone Cold Crazy: Brain May Interview". Brianmay.com.
  155. Blake 2010, p. 264.
  156. "15 Albums Where Great Rock Acts Lost the Plot". Q magazine. July 2004.
  157. Blake 2010, p. 268.
  158. Blake 2010, p. 266.
  159. Blake 2010, p. 265.
  160. Babayan, Siran (18 November 2009). "The Royal Family Album: Queen Gets Definitive Photo Bio". LA Weekly. Retrieved 6 September 2016.
  161. Blake 2010, p. 270.
  162. "Saturday Night Live Season 08 Episode 01 on September 25, 1982 with host Chevy Chase and musical guest Queen". NBC. Retrieved 6 September 2016.
  163. Blake 2010, p. 272.
  164. Gilmore, Mikal (7 July 2014). "Queen's Tragic Rhapsody: Theatrical, brilliant, excessive and doomed — there had never been another band like Queen or a frontman like Freddie Mercury". Rolling Stone. Retrieved 13 July 2020.
  165. Blake 2010, p. 273.
  166. Chapman, Phil (2017). The Dead Straight Guide to Queen. This Day In Music Books.
  167. Andy Doherty (3 September 2009). "Brian May – Star Fleet Project (1983)". Rock Album Reviews. Archived from the original on 8 December 2012.
  168. "10 things you may not know about Queen's biggest 80s hits". BBC. Retrieved 1 July 2022.
  169. Lazell, Barry (1989) Rock movers & shakers p.404. Billboard Publications, Inc.,
  170. Tobler, John Who's who in rock & roll p.1971. Crescent Books, 1991
  171. "100 Best Singles of 1984: Pop's Greatest Year". Rolling Stone. 17 September 2014. Retrieved 6 January 2019.
  172. McAlpine, Fraser (29 November 2018). "10 things you may not know about Queen's biggest 80s hits". BBC. Retrieved 6 January 2019.
  173. "Queen on tour: The Works 1984". Queenconcerts.com.
  174. "Freddie Mercury Biography". Hot Shot Digital.
  175. Sutcliffe 2009, p. .
  176. "The sins of St Freddie". The Guardian. 14 January 2005. Retrieved 18 December 2013.
  177. Billboard 27 May 2006. 27 May 2006. Retrieved 28 September 2014.
  178. "Queen: Rock in Rio". Queenarchives.com. Retrieved 28 September 2014.
  179. "Queen: Live in Rio (1985)". Movies & TV Dept. The New York Times. 2008. Archived from the original on 8 March 2008. Retrieved 16 January 2011.
  180. Grein, Paul. Billboard 4 May 1985. p. 42. Billboard. Retrieved 2 June 2011
  181. "QUEEN's Iconic 'Live Aid' Performance To Be Recreated On 'The Simpsons'". Blabbermouth. Retrieved 14 September 2020.
  182. Minchin, Ryan, dir. (2005) "The World's Greatest Gigs". Initial Film & Television. Retrieved 21 May 2011
  183. "Live Aid 1985: A day of magic". CNN.
  184. "Queen win greatest live gig poll". BBC. 9 November 2005. Retrieved 28 September 2014.
  185. "Flashback: Queen Steal the Show at Live Aid" Archived 29 October 2017 at the Wayback Machine. Rolling Stone. Retrieved 4 April 2013
    "Queen: their finest moment at Live Aid". The Telegraph. 24 September 2011
    "Live Aid 1985: A day of magic". CNN. Retrieved 17 July 2013
    "Live Aid Memories: 'It was life-changing: my life was not all about just me anymore' " Archived 24 September 2015 at the Wayback Machine. The Independent. Retrieved 13 September 2013
    "Queen most loved band". The Guardian. Retrieved 19 April 2009
    Miles, Barry (2008) "Massive Music Moments". p. 159. Anova Books. Retrieved 21 May 2011
  186. "BBC Radio 4: "The Mysterious Mr Mercury"". BBC. 12 November 2011.
  187. "Roger Waters – Backstage Interview (Live Aid 1985)". Live Aid. YouTube. Archived from the original on 11 December 2021. Retrieved 29 April 2021.
  188. Light, Alan (3 June 2011). "The Life and Times of Metallica and Queen". The New York Times. Retrieved 23 December 2013.
  189. "Aaaaaay-o! Aaaaaay-o! Why Live Aid was the greatest show of all". The Independent. Retrieved 13 July 2020.
  190. Thomas, Holly (6 November 2018). "33 years later, Queen's Live Aid performance is still pure magic". CNN. Retrieved 18 November 2018.
  191. Mojo, August 1999, issue number 69. "Their Britannic Majesties Request" by David Thomas, page 87.
  192. Tsukagoshi, Midori. "An Exclusive Interview With Freddie Mercury". Music Life (in Japanese).
  193. "Inside the studio where Freddie Mercury sang his last song". The Telegraph. 25 October 2015. Archived from the original on 10 January 2022.
  194. International who's who in popular music p.129. Routledge, 2002
  195. ""Highlander: Immortal Edition DVD competition". Liverpool Echo". Icliverpool.icnetwork.co.uk.
  196. Blake, Mark (2011). Is This the Real Life?: The Untold Story of Queen. Aurum Press. ISBN 978-1845137137. Archived from the original on 31 December 2018. Retrieved 5 January 2019.
  197. "Queen on tour: Magic tour 1986". Queenconcerts.com.
  198. "Spike 'The Duke' Edney Biography". Ultimatequeen.co.uk. Retrieved 2 June 2010.
  199. "The Mods – A Tribute to an Era 1964–1970 – Spike Edney, Keyboards/Guitar – Special Guest". Themodsband.com. 11 April 2007. Retrieved 2 June 2010.
  200. Musician, Issues 93–98. p.44. Amordian Press, 1986. Retrieved 5 June 2011
  201. Billboard. 16 August 1986.
  202. "Queen Wins 3 DVD Platinum Awards". Queenzone.com. 13 June 2005. Archived from the original on 30 September 2011.
  203. "30 years since Queen's majestic farewell tour". The Sunday Post. 21 March 2018.
  204. "Queen: Live at Wembley Stadium". WLIW. Archived from the original on 28 April 2006.
  205. "Interview with Brian May". Total Guitar Magazine. December 1998. Archived from the original on 29 June 2007. There was all that time when we knew Freddie was on the way out, we kept our heads down.
  206. VH1 Legends: Queen-Viacom International, VH1, 1997.
  207. Jenkins, Jim; Smith, Jacky; Davis, Andy; Symes, Phil (2000). The Platinum Collection (CD booklet). Queen. Parlophone. p. 12. 7243 5 29883 2 7.
  208. "Queen; The Miracle". AllMusic. Archived from the original on 1 January 2011. Retrieved 28 September 2014.
  209. Purvis 2006, p. 67.
  210. "Queen Signs With Disney, Raising Hope For CD Releases". Chicago Tribune. Los Angeles Daily News. 13 September 1990. Retrieved 17 July 2014.
  211. Wilker, Deborah (7 May 1992). "Queen Must Decide On Replacing Freddie Mercury". Sun-Sentinel. Retrieved 17 July 2014.
  212. "The Highs and Lows of the Brit Awards". BBC. 2 December 1999. Retrieved 28 September 2014.
  213. "Queen Online " History " Discography". Queenonline.com. Retrieved 7 November 2010.
  214. Donald A. Guarisco. "The Show Must Go On – Queen". AllMusic. Archived from the original on 4 September 2011. Retrieved 23 May 2011.
  215. "100 Greatest Singers of All Time: Freddie Mercury". Rollingstone.com.
  216. "Top 40 Best Selling Albums 28 July 1956 – 14 June 2009" (PDF). BPI. Archived from the original (PDF) on 22 November 2009.
  217. "Highest Gold Platinum certifications as of 2008" (PDF). International Federation of the Phonographic Industry. Archived from the original (PDF) on 4 January 2011. Retrieved 3 July 2020.
  218. "French album certifications – Queen – Greatest Hits Vol. 2". InfoDisc. Select QUEEN and click OK.
  219. "Queen Greatest Hits I and II Review". BBC.
  220. "Queen; Greatest Hits, Vol. 2". AllMusic. Archived from the original on 7 October 2011. Retrieved 28 September 2014.
  221. Bret, David (1996). Living on the Edge: The Freddie Mercury Story. London: Robson Books. p. 179. ISBN 1-86105-256-1.
  222. "1991: Giant of rock dies". BBC. 24 November 1991. Retrieved 28 September 2014.
  223. "Freddie, I'll Love You Always". The Mirror. 28 November 1991. Archived from the original on 12 October 2014.
  224. "Elton's Sad Farewell". Mr-mercury.co.uk. Archived from the original on 12 October 2014. Retrieved 28 September 2014.
  225. Sherwin, Adam (30 May 2011). "Final Freddie Mercury performance discovered". The Independent. London.
  226. "Queen's Bohemian Rhapsody voted the Nation's Favourite Number 1 Single". Official Charts Company. Retrieved 20 November 2019.
  227. "History of HIV & AIDS in the UK (1981–1995)". Avert. 21 July 2015.
  228. Billboard 25 July 1992. p.8. 25 July 1992.
  229. "1992 MTV Video Music Awards". Rockonthenet.com. Retrieved 28 September 2014.
  230. Made in Heaven video documentary "Champions of the World".
  231. Jackson, Laura (2002). Queen: The Definitive Biography. London: Piatkus. p. 3. ISBN 978-0-7499-2317-4.
  232. Folkard, Claire; Vidal, Oriol (2004). Guinness World Records 2005.
  233. "Made in Heaven". Queenonline.com.
  234. Lemieux, Patrick (2013). The Queen Chronology: The Recording & Release History of the Band. Lulu. p. 86.
  235. "Mercury, heavy metal and a jazz explosion". The Sydney Morning Herald. Archived from the original on 26 April 2014. Retrieved 19 February 2020.
  236. Michaels, Sean (20 March 2008). "We will rock you – again". The Guardian. London. Retrieved 16 January 2011.
  237. Jackson, Laura (2002). Queen: The Definitive Biography. London: Piatkus. p. 2. ISBN 978-0-7499-2317-4.
  238. Montreuxmusic – Freddie Mercury statue. EMI international. Archived 26 March 2012 at the Wayback Machine
  239. "Crowning Glory". Queenzone.com. Archived from the original on 7 December 2010. Retrieved 11 August 2011.
  240. "Queen Press Release – No One But You". Queenarchives.com. Retrieved 28 September 2014.
  241. "Queen: No-one But You/Tie Your Mother Down". Official Charts Company.
  242. Jake Farey (26 February 2009). "John Deacon Bass Tabs and Techniques". Guitar & Bass. Archived from the original on 5 November 2013.
  243. "Brian May + Roger Taylor live at the Parco Novi Sad, Modena, Italy (Pavarotti & Friends) [27.05.2003]". Queenconcerts.com.
  244. "Soundtrack for "A Knight's Tale"". Internet Movie Database.
  245. "Music – John Deacon". BBC. Archived from the original on 24 April 2010. Retrieved 2 June 2010.
  246. "BRIT Certified". BPI. Retrieved 22 September 2021. Select albums in the Format field. Type Queen in the "Search BPI Awards" field
  247. "Queen – The Platinum Collection"". RIAA. Retrieved 22 September 2021.
  248. "Queen honoured with Hollywood star". BBC News. 18 October 2002.
  249. "Brian May – Ambassadors – 46664". 46664.com. 30 November 2003. Archived from the original on 4 October 2011.
  250. "iTunes of Hope". NME. Retrieved 2 June 2019.
  251. "Queen News March 2006". brianmay.com. Archived from the original on 29 August 2013. Retrieved 4 March 2007.
  252. Gibson, Owen (5 July 2005). "Queen most loved band". The Guardian. London.
  253. "Queen + Paul Rodgers Concertography". Ultimatequeen.co.uk.
  254. Cohen, Jonathan (6 April 2006). "VH1 Rock Honors To Salute Kiss, Queen". Billboard. Retrieved 23 December 2017.
  255. "Queen & Foo Fighters "We Will Rock You/We Are The Champions" Live at Rock Honors 2006". VH1. 3 December 2010. Archived from the original on 1 July 2014. Retrieved 27 May 2011.
  256. May, Brian (15 August 2006). "USA Convention Story and Queen and Paul Rodgers Heading Towards a Studio Assignation". Archived from the original on 24 May 2012.
  257. "Mandela concert line-up unveiled". BBC News. 6 May 2008.
  258. "Queen & Paul Rodgers – Live In Ukraine DVDs!". Daily Record. Scotland. Archived from the original on 5 March 2012. Retrieved 28 September 2014.
  259. "Queen on tour: Queen + Paul Rodgers 2008". Queenconcerts.com. Archived from the original on 21 July 2011. Retrieved 16 June 2011.
  260. "QUEEN + PAUL RODGERS: UK Tour Press Release". Queenworld.com. 8 October 2008.
  261. "Queen end collaboration with Paul Rodgers". NME. 14 May 2009.
  262. "Paul Rodgers, Queen Split: "It Was Never a Permanent Arrangement"". idiomag. 13 May 2009. Retrieved 14 May 2009.
  263. "Queen and Paul Rodgers split". idiomag. 14 May 2009. Retrieved 14 May 2009.
  264. Kaufman, Gil (20 May 2009). "Kris Allen, Adam Lambert Tear Up Queen's 'We Are The Champions' – News Story | MTV News". MTV. Retrieved 2 June 2010.
  265. "Chart Archive: Top 40 Official UK Albums Archive – 28th November 2009". Official Charts Company. Retrieved 4 August 2011.
  266. "Absolute Greatest Tracklist Revealed!". www.queenonline.com. Archived from the original on 2 April 2012.
  267. May, Brian. "WHAT'S NEW".
  268. "X Factor twins John and Edward in final six". The Belfast Telegraph. 16 November 2009. Retrieved 16 November 2009.
  269. "Queen News August 2010". Brianmay.com. Archived from the original on 15 November 2018. Retrieved 7 November 2010.
  270. Paphides, Pete (2 June 2010). "Can EMI pick up the pieces?". The Times. London. Retrieved 27 June 2010.
  271. "Hardtalk Interview Part 1". YouTube. Archived from the original on 11 December 2021. Retrieved 20 December 2010.
  272. "Hardtalk Interview Part 2". YouTube. Archived from the original on 11 December 2021. Retrieved 20 December 2010.
  273. Collett-White, Mike (8 November 2010). "Queen Signs To Universal, Preps Remastered Albums". Billboard. Retrieved 17 July 2014.
  274. "First Five Albums Re–Released Today!". Queen. 14 March 2011. Retrieved 25 May 2011.
  275. "Press Release: Second Five Albums Re-Issued on 27th June". Queen. 5 April 2011. Retrieved 25 May 2011.
  276. "Second Set of Re-issues: Out This Week!". Queenonline.com.
  277. "Press Release: Final Five Albums Re-Issued On 5th September". Queenonline.com. Retrieved 22 July 2011.
  278. "Perry Farrell Battles Queen for a Bassist, Plots Dream Lineup for Lollapalooza 2012". Spinner. Archived from the original on 28 May 2011. Retrieved 25 May 2011.
  279. "Paul Rodgers to tour with Queen again?". Queenzone.com. 31 May 2011. Archived from the original on 4 June 2011.
  280. "Queen take the Icon prize at BMI Awards". NME. 5 October 2011.
  281. "Queen, the Script, Andrew Frampton, Fraser T. Smith & more honored at 2011 BMI London Awards". Bmi.com. 4 October 2011.
  282. Source: Penny Newton (6 November 2011). "Katy and Adam Honour Queen". MTV. Archived from the original on 12 September 2012. Retrieved 7 November 2011.
  283. "Adam Lambert to perform with Queen at Sonisphere". BBC. 20 February 2012.
  284. "The Queen Extravaganza: 'Somebody to Love' on American Idol". Rolling Stone. 27 April 2012. Archived from the original on 21 January 2015. Retrieved 10 September 2017.
  285. "Queen + Adam Lambert = Saturday night partytime". Sonisphere.co.uk. Archived from the original on 21 February 2012.
  286. "Sonisphere festival cancelled". sonisphere. Archived from the original on 31 March 2012. Retrieved 29 March 2012.
  287. "Sonisphere – Statement from Queen". Queenonline.com.
  288. "Press Release: Queen To Play Hammersmith". 12 April 2012. Retrieved 12 April 2012.
  289. "Queen + Adam Lambert Playing Four Shows This Summer". Billboard. 9 April 2012.
  290. "Queen + Adam Lambert Hammersmith Shows – SOLD OUT". 19 April 2012. Retrieved 19 April 2012.
  291. "After 'Instant' Sell-out, Queen and Adam Lambert Add Third London Dat ..." 8 July 2012. Archived from the original on 8 July 2012.
  292. "Queen Rock Kiev With Adam Lambert". Ultimate classic rock. 1 July 2012.
  293. "Press Release: Queen + Adam Lambert Will Rock Moscow". 28 February 2012. Retrieved 3 March 2012.
  294. "Adam Lambert has second show with Queen". USA Today. 28 February 2012.
  295. "Press Release: Queen + Adam Lambert Announce Poland Show". 27 April 2012. Retrieved 30 April 2012.
  296. "Olympics Closing Ceremony: Jessie J Joins Queen For 'We Will Rock You' Performance". Capital Radio. 12 August 2012.
  297. Rees, Jasper (13 August 2012). "Olympics closing ceremony: A long goodbye to the Games". BBC.
  298. Silverman, Rosa (13 August 2012). "Record TV audience for Olympics Closing ceremony". The Daily Telegraph. London. Archived from the original on 10 January 2022. Retrieved 22 September 2013.
  299. "Lineup announced for the 2013 iHeartRadio festival". CBS News. 15 July 2013. Retrieved 28 September 2014.
  300. "Queen and Adam Lambert reunite for Summer Tour". Rolling Stone. 6 March 2014. Archived from the original on 9 October 2014. Retrieved 28 September 2014.
  301. "Queen + Adam Lambert Announce Summer Tour". Billboard. 6 March 2014. Retrieved 28 September 2014.
  302. "Queen Australian tour announced with best Freddie Mercury replacement". The Sydney Morning Herald. Retrieved 28 September 2014.
  303. "Q&A: Queen, Adam Lambert Talk New Tour, Pressure and John Deacon". Rolling Stone. 6 March 2014. Archived from the original on 22 November 2014. Retrieved 28 September 2014.
  304. "Brian May – BBC Wales Interview". YouTube. Archived from the original on 11 December 2021. Retrieved 28 September 2014.
  305. "Queen Forever". Allmusic. 9 May 2016. Archived from the original on 12 May 2016. Retrieved 9 May 2016.
  306. "Queen and Adam Lambert to perform New Year's Eve concert broadcast on BBC One". BBC. Retrieved 9 January 2019.
  307. "Isle of Wight Festival: Queen pay tribute to Orlando shooting victims". BBC. 14 June 2016.
  308. "After Four Decades, Queen Rock Israel with Help From Adam Lambert". Billboard. 16 September 2016.
  309. "Queen + Adam Lambert Plot U.S. Summer Tour". Rolling Stone. 26 January 2017. Archived from the original on 11 December 2017. Retrieved 3 February 2017.
  310. "Watch Queen and Adam Lambert's Oscars 2019 opening performance". Oscars. Retrieved 28 February 2019.
  311. "Watch "The Queen + Adam Lambert Story" Monday, April 29". ABC. Retrieved 21 April 2019.
  312. "British rock band Queen to bring 2020 Rhapsody Tour to Japan". The Japan Times. Retrieved 21 April 2019.
  313. "British rock band Queen to come to South Korea". The Korea Herald. Retrieved 3 June 2019.
  314. "Queen + Adam Lambert set to tour Australia after Bohemian Rhapsody success". Sydney Morning Herald. Retrieved 21 April 2019.
  315. "Queen reprise 22-minute Live Aid set at Fire Fight Australia concert". BBC. Retrieved 16 February 2020.
  316. Turman, Katherine (20 August 2020). "Queen + Adam Lambert Releasing First-Ever Live Album". Spin. Retrieved 22 August 2020.
  317. "Queen's May + Taylor Perform on Japanese TV on New Year's Eve". Loudwire. Retrieved 6 February 2021.
  318. "Arashi takes home the 'Artist of the Year' at the 'JAPAN GOLD DISC AWARD' for the 7th time". Tokyo Hive. Retrieved 24 July 2021.
  319. "The Queen's Platinum Jubilee 2022: BBC's Platinum Party at the Palace". UK Government. Retrieved 5 June 2022.
  320. "Pop royalty and Paddington star at Queen's Platinum Jubilee concert". BBC. 4 June 2022. Retrieved 6 June 2022.
  321. "Paddington Bear joins the Queen for afternoon tea at Buckingham Palace – video". The Guardian. Retrieved 6 June 2022.
  322. "Queen premiere previously unheard Freddie Mercury song Face It Alone". BBC. Retrieved 13 October 2022.
  323. Queen's influences;
      "Rock Chronicles. 1980s: Queen". ultimate-guitar.com. 3 July 2011. Archived from the original on 17 October 2014.
      Vinnicombe, Chris (24 November 2009). "VIDEO: Queen's Brian May picks his favourite riffs". MusicRadar. Retrieved 27 December 2015.
      Frost, Matt (29 April 2015). "Steve Hackett talks Wolflight, phrasing and the nylon knack". MusicRadar. Retrieved 9 October 2015.
      "Steve Hackett". Inside Out Music. 2015. Archived from the original on 5 September 2015. Retrieved 23 August 2015.
      "Interview with Steve Hackett". dmme.net. January 2001. Archived from the original on 28 September 2015. Retrieved 23 August 2015.
      Marsh, Dave (24 February 1977). "A Day At The Races". Rolling Stone. Archived from the original on 7 October 2017. Retrieved 9 October 2015.
  324. Hodkinson 2004, p. 61.
  325. Chilton, Martin (1 October 2019). "Freddie Mercury's Influences: From David Bowie To Pavarotti And Beyond". udiscovermusic.com. Retrieved 29 October 2019.
  326. Purvis 2006, p. 251.
  327. Kielty, Martin (12 June 2019). "Brian May Says Queen Were 'Always on the Verge of Splitting Up'". Ultimate Classic Rock. Retrieved 7 September 2019.
  328. Blake 2010, p. 25.
  329. "Queen's Brian May Shares Honest Opinion on Jimi Hendrix & Jimmy Page After Triumphing Over Both in Greatest Guitarist Vote". Ultimate Guitar. 9 July 2020. Retrieved 21 September 2020.
  330. Blake 2010, pp. 71, 99–100.
  331. Ramirez, Aj (8 June 2011). "In the Lap of the Gods: The First Five Queen Albums". PopMatters. Retrieved 16 October 2015.
  332. Trunk, Eddie (2011). Eddie Trunk's Essential Hard Rock and Heavy Metal. Abrams. ISBN 978-0810998315. Retrieved 4 January 2019.
  333. Macrow, Alex (2 December 2015). "The Essence And The Purity: Rob Halford Of Judas Priest's Favourite LPs". The Quietus. Retrieved 20 August 2019.
  334. "Queen's Brian May on Freddie Mercury's guitar skills, Bohemian Rhapsody actors and the most difficult song to play live". Guitar World. Retrieved 11 June 2021.
  335. Masters, Tim (13 October 2009). "Queen star May hails Muse album". BBC News.
  336. Erlewine, Stephen Thomas. "Queen biography". AllMusic. Retrieved 13 August 2020.
  337. Marsh, Dave (24 February 1977). "A Day At The Races". Rolling Stone. Archived from the original on 7 October 2017. Retrieved 9 October 2015.
  338. "Queen join rock royalty". BBC. 20 March 2001. Retrieved 14 December 2019.
  339. Scoppa, Bud (6 December 1973). "Sheer Heart Attack". Rolling Stone. No. 186. Archived from the original on 30 June 2007.
  340. Gilmore, Mikal (7 July 2014). "Queen's Tragic Rhapsody". Rolling Stone. Retrieved 6 January 2019.
  341. Erlewine, Stephen Thomas. "A Night at the Opera". AllMusic. Archived from the original on 2 January 2016. Retrieved 28 December 2015.
  342. Erlewine, Stephen Thomas. "A Day at the Races". AllMusic. Archived from the original on 19 December 2013. Retrieved 28 December 2015.
  343. Knowles, Christopher (2010). The Secret History of Rock 'n' Roll. Viva Editions. p. 162. ISBN 978-1573444057.
  344. Blake, Mark (2011). Is This the Real Life?: The Untold Story of Queen. Aurum Press Ltd. ISBN 978-1845137137. Retrieved 28 December 2015.
  345. Prato, Greg. "Hot Space". Allmusic.
  346. Schaffner, Nicholas (1982). The British Invasion: From the First Wave to the New Wave. New York: McGraw-Hill. p. 254.
  347. LG (6 October 1977). "Queen – Royal Legend: Detailed information about albums: News Of The World". Queen.musichall.cz. Archived from the original on 18 July 2011. Retrieved 11 August 2011.
  348. Simpson, Paul (2003). The Rough Guide to Cult Pop. Rough Guides Ltd. p. 153. ISBN 978-1843532293.
  349. "Brian May Interview, The Music Biz (1992)". Youtube.com. 16 July 2011. Archived from the original on 11 December 2021.
  350. McNamee, David (11 August 2010). "Hey, what's that sound: Homemade guitars". Guardian. London.
  351. "Pro's Reply: Brian May". Guitar Player. August 1975. p. 154. (repr. January 2014)
  352. "Brian May explains why he uses a sixpence as a pick". Guitar World. Retrieved 25 December 2021.
  353. "Roy Thomas Baker". AllMusic. Archived from the original on 8 November 2010. Retrieved 12 July 2010.
  354. "Mike "Clay" Stone, credits". AllMusic.com. Retrieved 12 July 2010.
  355. Black, Johnny (February–March 2002). "The Greatest Songs Ever! Bohemian Rhapsody". Blender. Archived from the original on 2 February 2007.
  356. Cavanagh, David (11 March 2011). "Queen – The First Five Albums". Uncut. Archived from the original on 11 July 2015. Retrieved 16 October 2015.
  357. "Queen Logo". Famouslogos.net. Archived from the original on 18 October 2012. Retrieved 28 January 2011.
  358. "Queen Crest (Original)". Retrieved 7 June 2011.
  359. Hamrogue, Sasha; Bottomley, C. (22 July 2004). "Mick Rock: Shooting Up". VH1. Archived from the original on 8 August 2007. Retrieved 9 March 2019.
  360. Chantler, Chris (5 July 2016). "The Top 10 Best Queen Videos". Louder. Retrieved 28 August 2019.
  361. Lemieux, Patrick (2013). The Queen Chronology: The Recording & Release History of the Band. Lulu. p. 40.
  362. Sutcliffe 2009, p. 180.
  363. Queen – Champions of the World video (1995)
  364. "17 Music Videos Starring Movie Characters". Townsquare Media. Screen Crush. Retrieved 25 June 2021.
  365. McLeod, Ken (2013). We are the Champions: The Politics of Sports and Popular Music: The Politics of Sports and Popular Music. Ashgate Publishing. p. 124.
  366. "Freddie Mercury's Final Bow: Director Rudi Dolezal Recalls the Queen Legend's Poignant Last Video". People. Retrieved 23 June 2021.
  367. "Another one bites the dust: 'We Will Rock You' prepares for its last performances". The Independent. Archived from the original on 27 May 2017. Retrieved 20 November 2019.
  368. May, Brian (April 2004). "Biography". brianmay.com.
  369. "A Night at the Opera, 30th Anniversary CD/DVD". AllMusic. Archived from the original on 27 March 2011. Retrieved 28 September 2014.
  370. "God Save The Queen". Ultimatequeen.co.uk. Retrieved 28 September 2014.
  371. "RockWalk Inductees: Queen. Guitar Center's Hollywood Rockwalk". Rockwalk.com.
  372. "Queen musical We Will Rock You to close after 12 years". BBC. Retrieved 28 October 2014
  373. "We Will Rock You". London Theatre. 8 June 2016. Archived from the original on 20 August 2011. Retrieved 26 November 2006.
  374. "Queen plan second stage musical". BBC News. 15 April 2008.
  375. "We Will Rock You UK Tour". Wewillrockyou.co.uk.
  376. Sewpersad, Roshan (21 October 2004). "Too little balls for balletomanes". LitNet. Teater. South Africa. Archived from the original on 10 October 2006.
  377. Christopher Isherwood (19 August 2010) Here They Go Again: Head-Banging Anthems of Their Youth The New York Times
  378. "Queen: The Eye". Ultimatequeen.co.uk. 13 July 2013.
  379. Rose, Paul (May 1998). "Queen: The Eye". PC Zone. No. 63. Dennis Publishing. p. 102.
  380. Boxer, Steve (June 1998). "QUEEN: The Eye". PC PowerPlay. No. 25. Next Media Pty Ltd. pp. 88–89.
  381. PC Review: Queen: The Eye Review Archived 4 April 2011 at the Wayback Machine
  382. "Queen Rock Montreal (& Live Aid)". Ultimatequeen.co.uk.
  383. "Rock Band's Queen 10-Pack in All Its Glory". Kotaku.com. 2 October 2009. Retrieved 2 June 2010.
  384. "Exclusive: 'Guitar Hero: Van Halen' Song List". Multiplayerblog.mtv.com. 5 August 2009. Archived from the original on 10 September 2015.
  385. "Guitar Hero Metallica Track List: Queen – Stone Cold Crazy". Guitarherosongs.co.uk.
  386. "'Guitar Hero: Warriors of Rock' Track List". Multiplayerblog.mtv.com. 4 June 2010.
  387. Masters, Tim (13 October 2009). "Queen star May hails Muse album". BBC News.
  388. "Queen Playable in Lego Rock Band along with their songs "We Will Rock You and We Are The Champions"". 1up.com. 20 October 2009. Archived from the original on 15 May 2013. Retrieved 2 June 2010.
  389. Previous post Next post (3 February 2009). "Singstar Queen Track Listing Revealed | GameLife". Wired. Retrieved 2 June 2010.
  390. "Music, Current Set List". DJ Hero. Archived from the original on 23 July 2010. Retrieved 2 June 2010.
  391. "Grand Theft Auto IV soundtrack". GTAIV.net. Archived from the original on 14 February 2017. Retrieved 1 May 2013.
  392. "GTA V What You Need to Know About The New Trailers". IGN. Retrieved 1 May 2013.
  393. "Sacha Baron Cohen to play Freddie Mercury". BBC News. 17 September 2010. Retrieved 22 September 2010.
  394. @megancarol (17 September 2010). "Sacha Baron Cohen to Play Freddie Mercury". Newsfeed.time.com.
  395. Finke, Nikki (22 July 2013). "Sacha Baron Cohen Exits Freddie Mercury Biopic Over Creative Differences With Queen". Deadline Hollywood. Retrieved 22 July 2013.
  396. "Ben Whishaw joins Freddie Mercury biopic". BBC News. 10 December 2013. Retrieved 10 December 2013.
  397. Chow, Andrew R. (16 July 2017). "Queen Biopic Will Happen, Band Says". The New York Times. Retrieved 15 November 2018.
  398. Mike Fleming Jr (4 November 2016). "Queen Movie Amping Up With Bryan Singer & Rami Malek As Freddie Mercury". Deadline. Archived from the original on 5 November 2016. Retrieved 5 November 2016.
  399. "Queen's Freddie Mercury: taming the madness for Bohemian Rhapsody". The Times. Retrieved 14 November 2018.
  400. ""Is it because I has a mankini?" Ali G creator to take on Queen". The Independent. London. 17 September 2010. Archived from the original on 1 July 2017. Retrieved 22 September 2010.
  401. "Bohemian Rhapsody". Box Office Mojo. Retrieved 14 April 2019
  402. "Bohemian Rhapsody: Queen biopic surpasses $900m at box office". BBC. Retrieved 15 April 2019.
  403. Aridi, Sara (24 February 2019). "2019 Oscar Winners: The Full List". The New York Times. Retrieved 11 March 2019.
  404. "Bohemian Rhapsody: Critics say Freddie Mercury film is a kind of magic". BBC. Retrieved 31 October 2018.
  405. "Queen's 'Bohemian Rhapsody' Makes Rare Third Visit to Billboard Hot 100". Billboard. Retrieved 14 November 2018.
  406. "American Music Awards winners announced". CNN. Retrieved 25 November 2019.
  407. Prato, Greg (27 January 1981). "Flash Gordon (Original Soundtrack): Queen". Allmusic.
  408. Bartkowiak, Mathew J. (10 March 2010). Sounds of the Future: Essays on Music in Science Fiction Film. p.19. ISBN 9780786456505.
  409. Olson, James Stuart (1999). Historical dictionary of the 1970s p.292. Greenwood Publishing Group, 1999. Retrieved 30 May 2011
  410. Phares, Heather (6 April 2004). "Ella Enchanted Original Soundtrack". Allmusic.com. Archived from the original on 16 May 2012. Retrieved 4 September 2011.
  411. Other reviews by Mike Brennan (14 November 2006). "Happy Feet Soundtrack". Soundtrack.net.
  412. Stephen Thomas Erlewine (26 February 2002). "Moulin Rouge, Music from the Motion Picture". Allmusic.
  413. "A Knight's Tale OST". AllMusic. Archived from the original on 12 July 2015. Retrieved 13 July 2015.
  414. Yukari Shima (14 November 2005) Japan Report BrianMay.com. Retrieved 11 June 2011
  415. "The Evolution of Queen's 'Don't Stop Me Now': How a Minor Hit Became One of The Band's Most Beloved (And Inescapable) Songs". Billboard. Retrieved 23 August 2019.
  416. "Queen win Top Gears Best Driving Song ever poll". Queenzone.com. 7 August 2005. Archived from the original on 30 September 2011. Retrieved 11 August 2011.
  417. "Episode Guide". That '70s Show. Archived from the original on 6 March 2008.{{cite web}}: CS1 maint: unfit URL (link)
  418. "VH1 Takes Trip to The 1970s". The Ledger. Retrieved 5 April 2019.
  419. "The Simpsons Archive: Music Featured on the Simpsons". Snpp.com. 14 November 2012. Archived from the original on 11 May 2008.
  420. McFarland, Kevin (11 March 2012). "Killer Queen". The A.V. Club. Retrieved 5 April 2019.
  421. Ariano, Tara (2006). Television Without Pity: 752 Things We Love to Hate (and Hate to Love) about TV. Quirk Books. p. 286.
  422. Lyndsey, Parker (13 April 2006). "Queen's Brian May Addresses 'Idol Fallout'". Archived from the original on 27 December 2009. Retrieved 28 May 2011 via Yahoo!.
  423. "X Factor twins John and Edward in final six". Belfast Telegraph. 16 November 2009. Retrieved 16 November 2009.
  424. "Seven Ages of Rock". BBC. Retrieved 14 June 2019.
  425. "'GLEE: The Music, Volume 1' Track Listing Revealed". Broadwayworld.com. Archived from the original on 24 July 2012. Retrieved 16 July 2011.
  426. "Funk: Featured Music". Fox Retrieved 3 July 2011
  427. "Glee: The Music, The Graduation Album". The Official Music for Glee Site. Retrieved 28 September 2014.
  428. "Queen rock on in poll". BBC News. 8 May 2002.
  429. "GRAMMY Hall Of Fame Award". Archived from the original on 24 December 2010.
  430. Welch, Andy (5 November 2015). "Queen's landmark single Bohemian Rhapsody turns 40 this week". The Belfast Telegraph. Retrieved 4 January 2016.
  431. Beebe, Roger; Middleton, Jason (2007). Medium cool: music videos from soundies to cellphones. Duke University Press. p. 157. ISBN 978-0822390206.
  432. Fowles, Paul (2009). A Concise History of Rock Music. Mel Bay Publications, Inc. p. 243. ISBN 978-0786666430.
  433. Newcomb, Alyssa (11 December 2018). "And the most streamed song of the century is ... 'Bohemian Rhapsody'". NBC News. Retrieved 27 September 2020.
  434. Thompson, Simon (10 December 2018). "Queen's 'Bohemian Rhapsody' Is Officially The World's Most-Streamed Song". Forbes. Retrieved 16 December 2018.
  435. "Queen's Bohemian Rhapsody becomes most-streamed song from the 20th century | Music". The Guardian. 11 December 2018. Retrieved 16 December 2018.
  436. "Queen's "Bohemian Rhapsody" becomes first song by a British band to be RIAA-certified Diamond". ABC News. Retrieved 22 July 2021.
  437. "Queen win greatest live gig poll". BBC. 9 November 2005.
  438. "Queen declared 'top British band'". BBC. 2 January 2007.
  439. "Live Aid Turns 30: The Backstage Scoop From The People Who Were There". MTV. 11 July 2015.
  440. "Queen top UK album charts league". News.bbc.co.uk. 4 July 2005. Retrieved 28 September 2014.
  441. Noah, Sherna (10 December 2005). "Queen closer to King as UK chart-toppers". The Scotsman. Edinburgh.
  442. Brown, Mark (16 November 2006) Queen are the champions in all-time album sales chart The Guardian Retrieved 16 February 2011
  443. "The 100 most popular rock bands of all time". Business Insider. Retrieved 11 June 2021.
  444. Caldwell, Nicole (24 August 2022). "Freddie Mercury: The life story you may not know". The Buffalo News. Retrieved 6 September 2022.
  445. "BBC BREAKFAST NEWS VIDEO". BBC News. 6 November 2009. Archived from the original on 29 August 2012. Retrieved 6 November 2009.
  446. "Queen Getting 'Global Icon' Nod at MTV Europe Awards". Billboard. 19 October 2011. Retrieved 28 September 2014.
  447. "Rock and Roll Hall of Fame: Queen". 2007. Retrieved 6 February 2010.
  448. "2003 Award and Induction Ceremony: Queen". Songwritershalloffame.org. Archived from the original on 17 December 2010. Retrieved 28 September 2014.
  449. "Grammy Hall of Fame Award". The GRAMMYs. Archived from the original on 22 January 2011. Retrieved 28 September 2014.
  450. "Queen enter Grammy Hall of Fame". News.bbc.co.uk. 1 December 2008. Retrieved 28 September 2014.
  451. Haines, Lester (29 September 2005) 'We Are The Champions' voted world's fave song (Sony Ericsson world music poll) Retrieved 16 February 2011
  452. "The 32nd Ivor Novello Awards" Archived 1 February 2019 at the Wayback Machine. The Ivors. Retrieved 3 January 2018
  453. "The 50th Ivor Novello Awards" Archived 12 June 2018 at the Wayback Machine. The Ivors. Retrieved 3 January 2018
  454. "The Vocal Group Hall Of Fame – Album Categories 2006 Inductee". vocalgroup.org. Retrieved 31 March 2020.
  455. "Queen, Tina Turner to Receive Grammy Lifetime Achievement Award" Archived 19 June 2018 at the Wayback Machine. Rolling Stone. Retrieved 8 March 2018
  456. "Drake named Global Recording Artist of 2018". IFPI. Retrieved 12 March 2020.
  457. "Top 10 global recording artists 2019". IFPI. Archived from the original on 19 March 2020. Retrieved 12 March 2020.
  458. "Royal Mint unveils new £5 coin celebrating Freddie Mercury and Queen". The Independent. Retrieved 22 January 2020.
  459. "Queen – not that one – to appear on postage stamps". The Guardian. Retrieved 28 June 2020.
  460. "Queen embrace new technology: whether it's remixing for DVD or releasing live sets online, the band have stayed at the forefront of change". Music Week. 12 November 2005. Archived from the original on 15 May 2013. Retrieved 28 May 2011.
  461. "Classic bands top net bootleg chart". BBC News. 22 March 2001.
  462. "People Watch". Fort Worth Star-Telegram. 26 August 2004.
  463. "Queen album brings rock to Iran". BBC. Retrieved 31 March 2020.
  464. Way, Gerard (29 April 2011). 100 Greatest Artists Of All Time: Queen Rolling Stone. Retrieved 23 May 2011
  465. "100 Greatest Guitarists of All Time: Brian May". Rollingstone.com.
  466. "Readers Pick the Best Lead Singers of All Time — 2. Freddie Mercury". Rolling Stone. 12 April 2011. Archived from the original on 15 April 2011. Retrieved 16 December 2018.
  467. "VH1: '100 Greatest Hard Rock Artists'". www.rockonthenet.com. Retrieved 2 June 2010.
  468. "VH1 Listed 100 Greatest Artists Of All Time". Today24news.com. Retrieved 28 September 2014.
  469. "Queen named best band of the past 60 years". Gigwise. 4 June 2012.
  470. "Queen, first non-blues based heavy metal band". Rolling Stone, Dec 1973.
  471. "Rob Halford Tells Nikki Sixx That Adam Lambert Is Doing An 'Extraordinary' Job Fronting Queen". Blabbermouth.net. 10 July 2014. Retrieved 8 September 2015.
  472. "Queen, 50 greatest songs as voted for by Maiden, Priest, Kiss, etc". Classic Rock magazine, October 2006.
  473. "Dream Theater: Dragon Attack – A Tribute To Queen". Archived from the original on 20 September 2010.
  474. "TRIVIUM Frontman: 'If It Weren't For JAMES HETFIELD, I Literally Wouldn't Be Here'". BLABBERMOUTH.NET. 13 May 2010. Retrieved 17 April 2016.
  475. "Baker's Dozen | Th1rt3en Best: Dave Mustaine Of Megadeth's Favourite Albums". The Quietus. Retrieved 17 April 2016.
  476. "MP3 David Lee Roth Queen review". Retrieved 2 June 2010.
  477. "Melvins' King Buzzo Talks About Queen's Influence in Exclusive Video". Ultimate Classic Rock. Retrieved 17 April 2016.
  478. Sutcliffe. 2015. page 227. Corey Taylor: "The older I got, the more I got into Queen, and I got into the harmonies, which were just unreal ... It was one of those things where you go, 'Man I wish I would've started listening to this earlier.' I think Freddie Mercury was one of the best singers ever lived. I think he would look around at a lot of this stuff today and laugh his ass off 'cause it would be so funny to him. Then again, he'd probably be a god to some of these people because he was such a great frontman, such a good singer, and just incredibly gifted man."
  479. "Queen's Greatest Legacy: Shaping The Last Two Decades Of Pop And Rock Music". Forbes. Retrieved 13 June 2021.
  480. Sutcliffe. 2015. page 3. Tom Morello: "There is no band remotely like them. There aren't even imitators that come within a hundred city blocks of Queen, and that can be said about very, very few bands. It's one of the few bands in the history of rock music that was actually best in a stadium. And I miss Freddie Mercury very much."
  481. Ressner, Jeffrey (9 January 1992). "Queen singer is rock's first major AIDS casualty". Rolling Stone. No. 621. p. 13. Archived from the original on 12 March 2007.
  482. "Def Leppard on Queen and Their Rock and Roll Hall of Fame Induction". Rolling Stone. Retrieved 8 June 2021.
  483. Sutcliffe 2009, p. 27.
  484. "Steve Vai On Brian May". Archived from the original on 26 April 2016. Retrieved 26 April 2016.
  485. "The Cult's Ian Astbury still seeking in this amazing interview – Louder Than War". Louder Than War. 19 January 2011. Retrieved 17 April 2016.
  486. Trendell, Andrew. "The Darkness on the magic of Queen | Gigwise". gigwise.com. Retrieved 17 April 2016.
  487. Sutcliffe, 2015. page 242. Kid Rock: "I love Queen. The more you listen to Queen, the more you realize, especially if you're a musician, how much of a genius Freddie Mercury was, and Brian May and those guys are."
  488. Arjun S Ravi (12 October 2007). "They're back: And thank God for the Foo Fighters". Screen Weekly. Retrieved 2 December 2009.
  489. Byrne, Ciar (21 March 2008). "The last days of Kurt Cobain, in his own words". The Independent. London. Retrieved 28 September 2014.
  490. "Nine Inches of Love". TheNINHotline.com. March 1992. Archived from the original on 23 March 2010. Retrieved 7 December 2009.
  491. Fisher, Jonathan (17 June 2006). "Muse talk to DiS: new album, Western films and WIN! WIN! WIN! / Music News // Drowned In Sound". Drownedinsound.com. Archived from the original on 10 June 2010. Retrieved 2 June 2010.
  492. "RHCP's Chad Smith | Modern Drummer Magazine". Modern Drummer Magazine. 17 August 2011. Retrieved 17 April 2016.
  493. Caplan, B. "Surfing, Pinball, and Weed: Perry Farrell on His Teen Years in Miami". Miami New Times. Retrieved 17 April 2016.
  494. Sutcliffe, 2015. page 2. Wayne Coyne: "Musically they really are phenomenal. Freddie Mercury was just a beautiful singer, and they all are so great as musicians and have so many great moments where it's like, oh my God, here's a band that didn't hold back."
  495. "Billy Corgan of Smashing Pumpkins talks about the records that changed his life" (Queen II). Melody Maker. 14 August 1993.
  496. Childers, Chad (15 September 2015). "17 Years Ago: Marilyn Manson Goes Glam With 'Mechanical Animals'". Loudwire. Townsquare Media. Retrieved 30 August 2016.
  497. "The Killers channel Queen, Meat Loaf, for new album" Archived 15 March 2018 at the Wayback Machine. Rolling Stone. Retrieved 13 July 2015
  498. La Bella, Laura (2008). My Chemical Romance. he Rosen Publishing Group, Inc. p. 24.
  499. "Panic! at the Disco's Brendon Urie Talks the Influence of Bowie, Queen and Sinatra on Death of a Bachelor". Abcnewsradioonline.com. Retrieved 18 January 2016.
  500. "Guns N' Roses joined by Carrie Underwood at London concert". Blabbermouth. Retrieved 2 July 2022.
  501. Michael sang several Queen songs in concert. This is mentioned in: Patrick Lemieux, Adam Unger. "The Queen Chronology (2nd Edition)" – Page 137.
  502. People, Sunday (18 June 2011). "Robbie Williams turned to Freddie Mercury for tour inspiration". mirror. Retrieved 17 April 2016.
  503. Sutcliffe, 2015. page 3. Adele: "I love them. I'm the biggest Queen fan ever ... They're the kind of band that's just in your DNA, really. Everyone just knows who they are."
  504. Dingwall, John (27 November 2009). "The Fear Factor; Lady Gaga used tough times as inspiration for her new album". Daily Record. pp. 48–49. Retrieved 25 January 2011.
  505. Schneider, Marc (12 May 2012). "Katy Perry Wants a 'Fucking Vacation' After Next Single". Billboard. Archived from the original on 13 July 2014. Retrieved 8 June 2021.
  506. Ryzik, Melena (11 October 2012). "His Style Is Gangnam, and Viral Too". The New York Times. Retrieved 31 August 2016.
  507. Savage, Mark (2 June 2019). "BTS are the first Korean band to headline Wembley Stadium". BBC News. Archived from the original on 4 June 2019. Retrieved 2 July 2022.
  508. "Lil Nas X's Latest Tweet Sparked A Heated Twitter Debate Over Freddie Mercury's Sexuality". The Things. 25 July 2021.
  509. Classic Rock magazine, October 2006.
  510. "Metallica – Stone Cold Crazy [Live Nimes 2009]". Youtube. Archived from the original on 11 December 2021. Retrieved 2 June 2020.
  511. "Yngwie Malmsteen: the 10 guitarists who impressed me most". MusicRadar. Retrieved 20 March 2020.
  512. McLean, Craig (18 June 2006). "All messed up". The Guardian. London.
  513. "Here's The Thing with Alec Baldwin: interview with Thom Yorke". WNYC. 1 April 2013. Archived from the original on 21 June 2015. Retrieved 22 June 2015.
  514. "Mike Grose, Queen's First Bassist, Dies". ultimateclassicrock.com. Retrieved 9 March 2019.

Bibliography

  • Blake, Mark (2016). Freddie Mercury: A Kind of Magic. Omnibus Press.
  • Blake, Mark (2010). Is This The Real Life? The Untold Story of Queen. Arum Press. ISBN 978-1-84513-713-7.
  • Brooks, Greg (1995). Queen Live: A Concert Documentary. London: Omnibus Press. ISBN 978-0-7119-4814-3.
  • Dawson, Mike (2008). Freddie & Me. London: Jonathan Cape. ISBN 978-0-224-08193-1.
  • Dean, Ken (1986). Queen : A Visual Documentary. Omnibus Press. ISBN 978-0-7119-0857-4.
  • Dean, Ken; Charlesworth, Chris (1991). Queen: The New Visual Documentary. London: Omnibus Press. ISBN 978-0-7119-2828-2.
  • Doherty, Harry (2011). 40 Years of Queen. St. Martin's Press.
  • Goodall, Nigel; Lewry, Peter (1998). The Ultimate Queen. London: Simon & Schuster. ISBN 978-0-684-82149-8.
  • Gunn, Jacky; Jenkins, Jim (1992). Queen: As It Began. London: Sidgwick & Jackson. ISBN 978-0-330-33259-0.
  • Hodkinson, Mark (2004). Queen: The Early Years. London: Music Sales Limited. ISBN 978-0-7119-6012-1.
  • Hogan, Peter (1994). The Complete Guide to the Music of Queen. London: Omnibus Press. ISBN 978-0-7119-3526-6.
  • Jackson, Laura (2002). Queen: The Definitive Biography. London: Piatkus. ISBN 978-0-7499-2317-4.
  • Jones, Lesley-Ann (2012). Mercury: An Intimate Biography of Freddie Mercury. Simon and Schuster.
  • Michael, Mick (1992). Queen, In Their Own Words. London: Omnibus Press. ISBN 978-0-7119-3014-8.
  • Nester, Daniel (2003). God Save My Queen: A Tribute. Brooklyn, NY: Soft Skull Press. ISBN 978-1-887128-27-8.
  • Nester, Daniel (2004). God Save My Queen II: The Show Must Go On. Brooklyn, NY: Soft Skull Press. ISBN 978-1-932360-51-6.
  • Prato, Greg (2018). Long Live Queen: Rock Royalty Discuss Freddie, Brian, John & Roger. self-published. ISBN 978-1-726879-40-8.
  • Purvis, Georg (2006). Queen: Complete Works. Richmond: Reynolds & Hearn. ISBN 978-1-905287-33-8.
  • Sutcliffe, Phil (2009). Queen: The Ultimate Illustrated History of the Crown Kings of Rock. Voyageur Press. ISBN 978-0-7603-3719-6.
  • Sutcliffe, Phil (2015). Queen, Revised Updated: the Ultimate Illustrated History of the Crown Kings of Rock. Voyageur Press. ISBN 978-0-7603-4947-2.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.