The Marvelous Mrs. Maisel
The Marvelous Mrs. Maisel is an American period comedy-drama television series, created by Amy Sherman-Palladino, that premiered on March 17, 2017, on Amazon Prime Video. Set in the late 1950s and early 1960s, it stars Rachel Brosnahan as Miriam "Midge" Maisel, a New York housewife who discovers she has a knack for stand-up comedy and pursues a career in it. It also stars Alex Borstein, Michael Zegen, Marin Hinkle, Tony Shalhoub, Kevin Pollak, Caroline Aaron, Jane Lynch and Luke Kirby. The pilot episode received critical acclaim and the series was picked up by Amazon Studios. On February 17, 2022, Amazon renewed the series for a fifth and final season.
The Marvelous Mrs. Maisel | |
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Created by | Amy Sherman-Palladino |
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Country of origin | United States |
Original language | English |
No. of seasons | 4 |
No. of episodes | 34 |
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Executive producers |
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Producers |
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Production location | New York City |
Cinematography |
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Camera setup | Single-camera |
Running time | 43–76 minutes |
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Release | |
Original network | Amazon Prime Video |
Picture format | 4K (UHDTV) |
Audio format | 5.1 Dolby Digital |
Original release | March 17, 2017 – present |
The series has also received critical acclaim. It won the Golden Globe Award for Best Television Series – Musical or Comedy in 2017 and the Primetime Emmy Award for Outstanding Comedy Series in 2018, with Sherman-Palladino receiving the awards for Outstanding Directing and Outstanding Writing at the latter ceremony. Brosnahan won the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series in 2018 and two consecutive Golden Globe Awards for Best Actress – Television Series Musical or Comedy in 2018 and 2019. Borstein won the Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series twice consecutively, in 2018 and 2019; Shalhoub won Outstanding Supporting Actor in a Comedy Series in 2019; and Kirby won Outstanding Guest Actor in a Comedy Series for his role as real-life comedian Lenny Bruce.
Premise
In season one, set in 1958 New York City, Miriam "Midge" Maisel is a young, Jewish-American housewife and mother, living on Manhattan's Upper West Side. Each week, Midge's husband, Joel, performs at The Gaslight Café. Midge considers it a shared hobby, unaware the untalented Joel wants to be a professional comic. After a particularly dismal performance, a dejected Joel leaves Midge for his secretary. Midge, upset and drunk, returns to the Gaslight in her nightgown and stumbles onstage. In a bawdy impromptu set, Midge vents her predicament to the audience, then is arrested for obscenity. In the police car, Midge meets comic Lenny Bruce, also arrested for using obscenity. Gaslight manager Susie Meyerson bails Midge out of jail, and Midge later bails out Lenny. Recognizing Midge's raw talent, Susie coaches her to be a stand-up comic.
In the second season, Midge hones her comic skills at the Gaslight. As Susie works to book paying gigs, Midge hides her new career from family. Susie and Midge hit the road for a short comedy tour. Touring is harder than expected and female comics are discriminated against by their male counterparts. Midge later runs afoul of Sophie Lennon, a famous Great Depression-era female comedian who performs as an uncouth housewife from Queens. Midge rejects Sophie's advice to develop a similar gimmicky persona to compete in the male-dominated field. When Midge ridicules Sophie's corny act during a Gaslight set, a vindictive Sophie has her blacklisted from most clubs. Midge gets a big break when famous singer Shy Baldwin hires her for his upcoming tour.
In the third season, Midge's career is on an upswing touring with Shy Baldwin. Balancing her comedy career and family life is difficult, however. Although Midge and Joel are divorcing, they remain in each other's lives, even as both navigate new romantic relationships. Midge is furious when Susie agrees to manage the eccentric and unpredictable Sophie Lennon, then realizes Susie needs multiple clients to financially survive. Joel forges a different path into the entertainment industry by opening a nightclub in Chinatown, later discovering his landlords run a gambling den downstairs. After carelessly alluding to Shy's homosexuality during her set at the Apollo Theater, Midge is fired from the Baldwin tour.
The fourth season finds Midge enraged and humiliated after being fired. She struggles to restart her career and vows to only do headliner gigs, not opening acts. Complicating matters, a Daily News reporter continually disparages Midge's performances in print. Meanwhile, a jealous Sophie Lennon again thwarts Midge's career. Joel's landlords are unhappy that his successful club draws attention to their illegal activities. Joel also copes with girlfriend Mei's unexpected pregnancy, his mother's meddling, and his father's heart attack. Midge becomes the comic emcee at a strip club, seemingly content to languish there until police raid the place. Lenny Bruce gets Midge out in time, then helps reboot her career.
Cast and characters
Main
- Rachel Brosnahan as Miriam "Midge" Maisel (née Weissman), a Jewish American housewife who discovers her flair for stand-up comedy after her husband leaves her. She finds a job as a make-up counter girl at B. Altman and starts performing stand-up comedy in clubs across New York.
- Alex Borstein as Susie Myerson, an employee of The Gaslight Cafe and Midge's manager.
- Michael Zegen as Joel Maisel, Midge's estranged husband, who leaves Midge for his secretary. He is an aspiring, though untalented, stand-up comic who copies Bob Newhart's routines. Joel quits his uncle's plastics company and ends up working at his father's garment factory. Lenny Palmieri portrays a thirteen-year-old Joel in a guest appearance in the episode "Put That On Your Plate!".
- Marin Hinkle as Rose Weissman (née Lehman), Midge's mother who later becomes a matchmaker.
- Tony Shalhoub as Abraham "Abe" Weissman, Midge's father, a mathematics professor at Columbia University and researcher at Bell Labs. He later begins a new career as the theater critic for The Village Voice.
- Kevin Pollak as Moishe Maisel (season 2–present, recurring season 1), Joel's father, the owner of Maisel and Roth Garment Company.
- Caroline Aaron as Shirley Maisel (season 3–present, recurring seasons 1–2), Joel's mother.
- Jane Lynch as Sophie Lennon (season 3, recurring seasons 2 and 4, guest season 1), a successful stand-up comic who uses a fat suit and schtick gimmicks to portray a frumpy, uncouth housewife from Queens in her act. In reality, she is a rich, snobbish Manhattan socialite with refined tastes.
- Luke Kirby as Lenny Bruce (season 4, recurring seasons 1–3), a well-known New York City comedian and close friend of Midge's.
Recurring
- Introduced in season 1
- Matilda Szydagis as Zelda, the Weissmans' maid.
- Nunzio and Matteo Pascale as Ethan Maisel, Midge and Joel's elder child.
- Brian Tarantina as Jackie, the emcee at The Gaslight. After Tarantina's death, his character dies offscreen of a stroke in season 4.
- Joel Johnstone as Archie Cleary, Imogene's husband and Joel's coworker.
- Bailey De Young as Imogene Cleary, Midge's best friend.
- Cynthia Darlow as Mrs. Moskowitz, Joel's secretary, former childhood nanny, and Penny's replacement.
- Holly Curran as Penny Pann, Joel's former secretary and girlfriend.
- Will Brill as Noah Weissman, Midge's brother. He is secretly an analyst for the CIA.
- Joanna Glushak as Mrs. O'Toole, the floor supervisor at B. Altman.
- Justine Lupe as Astrid, Noah's wife and Midge's sister-in-law. She is very insecure about the fact that she was not born Jewish.
- David Paymer as Harry Drake, a successful manager of comedians with clients including Sophie Lennon.
- David Aaron Baker as Charles Connelly, Abe's boss at Bell Labs.
- Max Casella as Michael Kessler, Midge's lawyer and a former activist acquaintance of Abe's.
- Steven Hauck as Dawes, Sophie Lennon’s acerbic butler
- Introduced in season 2
- Zachary Levi as Dr. Benjamin Ettenberg, a doctor whom Midge meets in the Catskills and later begins to date.
- Erik Palladino as Frank, a low-level mob enforcer partnered with Nicky and later develops a friendship with Susie
- John Scurti as Nick, a low-level mob enforcer partnered with Frank and later develops a friendship with Susie
- Leroy McClain as Shy Baldwin, a singer who gives Midge her big break to be his opening act on tour.
- Emily Bergl as Tessie, Susie's sister.
- Colby Minifie as Ginger, a coworker of Midge's at B. Altman who works at the switchboard.
- Andrew Polk as Fred, an agent that Susie networks with for booking gigs with Midge.
- Connor Ratliff as Chester, a stalker of Susie who later becomes her roommate.
- Teddy Coluca as Manny, a worker at Maisel & Roth.
- Introduced in season 3
- Sterling K. Brown as Reggie, Shy Baldwin's manager.
- Stephanie Hsu as Mei Lin, a mysterious Chinese-American woman who has connections to an illegal gambling ring underneath Joel's new club.
- Liza Weil as Carole Keen, a bass player in Baldwin's orchestra who becomes a friendly mentor to Midge; she is very loosely modeled on renowned bassist Carol Kaye, though Kaye found the character an insulting representation.[1]
- Cary Elwes as Gavin Hawk, Sophie Lennon's co-star in Miss Julie.
- Jason Alexander as Asher Friedman, Abe's old friend who is a playwright.
- Wanda Sykes as comedian Moms Mabley.
- Introduced in season 4
- Kayli Carter as Gloria, a burlesque dancer at The Wolford
- Reid Scott as Gordon Ford, a talk show host
- Gideon Glick as Alfie, a magician who Susie manages
- Santino Fontana as Boise, the stage manager at a Manhattan burlesque club called The Wolford
- Alfie Fuller as Dinah Rutledge, Susie’s receptionist
- Hari Nef as L. Roy Dunham, a newspaper critic reviewing Midge’s acts
- Jason Ralph as Mike Carr, a booker on the Gordon Ford Show
- Kelly Bishop as Benedetta, a leader of a matchmaking consortium based in NYC
- Jackie Hoffman as Gitta, a NYC matchmaker
- Patrice Johnson Chevannes as Miss Em, a NYC matchmaker
- Marceline Hugot as Molly, a NYC matchmaker
Episodes
Season | Episodes | Originally released | ||
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First released | Last released | |||
1 | 8 | 1 | March 17, 2017 | |
7 | November 29, 2017 | |||
2 | 10 | December 5, 2018 | ||
3 | 8 | December 6, 2019 | ||
4 | 8 | February 17, 2022 | March 11, 2022 |
Season 1 (2017)
No. overall | No. in season | Title | Directed by | Written by | Original release date | |
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1 | 1 | "Pilot" | Amy Sherman-Palladino | Amy Sherman-Palladino | March 17, 2017 | |
In 1958 New York City, Miriam "Midge" Maisel is a young Jewish-American housewife living on Manhattan's Upper West Side. Married for four years to Joel, who works at his uncle's plastics company, she enjoys a busy social life while raising two children. She also facilitates her untalented husband's weekly stand-up comedy routine at the Gaslight Cafe, unaware he wants to be a professional comic. After a particularly lousy performance, Joel upends their idyllic life by leaving Midge for his secretary, Penny Pann. Midge drunkenly returns to the Gaslight in her nightgown and gets on stage. In a spontaneous and profanity-laced rant, she unloads her misery onto the audience, giving a hilarious performance. After baring her breasts, Midge lands in a police car with comedian Lenny Bruce, who was arrested for obscenity in his act. Gaslight manager Susie Meyerson, recognizing Midge's natural talent, bails her out of jail. The next morning, Midge bails out Lenny Bruce. | ||||||
2 | 2 | "Ya Shivu v Bolshom Dome Na Kholme" | Amy Sherman-Palladino | Amy Sherman-Palladino | November 29, 2017 | |
Susie encourages Midge to perform comedy professionally, but Midge is adamant she will never get onstage again. Midge and Joel's breakup upsets both families. Midge's parents, Abe and Rose Weissman, blame Midge for the break-up and want her to fix the marriage. In an effort to calm everyone, Midge invites her parents, in-laws Moishe and Shirley Maisel, and Joel to dinner to discuss the situation. Midge is shocked when Moishe announces that he owns Joel and Midge's apartment and that Joel is nearly broke. Also, Moishe is evicting Midge. A stunned Midge leaves and returns to the Gaslight where she gives another impromptu performance; she is arrested a second time for obscene language. | ||||||
3 | 3 | "Because You Left" | Daniel Palladino | Daniel Palladino | November 29, 2017 | |
Lenny Bruce bails Midge out of jail. Midge starts performing at the Gaslight, leaving her parents baffled by their daughter's new single life and late-night hours. During her court appearance, Midge clashes with the judge, landing her in jail for contempt until paying a $200 fine and she apologizes. Joel agrees to give Midge the money without any questions. Joel's father, Moishe, accepts Abe's offer to buy half of Midge and Joel's apartment, in the event the couple should reconcile. Midge joins Lenny Bruce at the Village Vanguard where she does a short set. Susie barges into the Friars Club to talk with talent agent Harry Drake (David Paymer) about Midge's career. Later, Joel wants to reconcile with Midge, but she refuses; her reason being is because he left. | ||||||
4 | 4 | "The Disappointment of the Dionne Quintuplets" | Amy Sherman-Palladino | Amy Sherman-Palladino | November 29, 2017 | |
Midge moves in with Abe and Rose. Midge discovers that Joel's fancy new apartment is only a few blocks from their old one, which he shares with Penny. She is furious at seeing him living a nearly identical life as when they were married. Susie takes Midge to a used record store to buy underground comedy records and they go to different nightclubs to study other comics, including Red Skelton. Midge wants her and Susie to be friends, but Susie prefers a professional relationship. Midge keeps her budding comedy career secret from her family, but when she arrives home particularly late, Abe and Rose are unreasonably angry. When Abe refuses to buy a second TV so Midge's young son, Ethan, can watch his programs, she decides to get a job. | ||||||
5 | 5 | "Doink" | Amy Sherman-Palladino | Daniel Palladino | November 29, 2017 | |
Midge now works at B. Altman's cosmetics counter during the day and performs at the Gaslight at night. After bombing during a set, Midge hires comedy writer Herb Smith (Wallace Shawn). When she bombs even worse using his corny jokes, Midge wants to quit stand-up. Susie assures Midge it is only a minor setback. Meanwhile, Penny Pann meets Joel's parents, who find her charming but unsuitable for him. Joel's coworker, Archie, has to cancel a double date with Joel and Penny after his wife, Imogene (Midge's close friend), angrily refuses to socialize with them. At a party with her work friends, Midge entertains guests with an impromptu comic routine. To act as Midge's agent, Susie has a telephone installed in her tiny apartment and types her own business cards. | ||||||
6 | 6 | "Mrs. X at the Gaslight" | Scott Ellis | Sheila Lawrence | November 29, 2017 | |
Midge regularly entertains (unpaid) at parties hosted by her new B. Altman friends, performing alongside Randall (Nate Corddry), a comic who later introduces her to his William Morris agent. Abe, a Columbia University math professor, is recruited to join Bell Labs. Midge, Abe and Rose, and Midge's brother, Noah, and his wife, Astrid (a gentile who converted to Judaism, celebrate at a Chinese restaurant. The occasion turns awkward when the family realizes that Joel and Penny Pann are also dining there. Susie sternly tells Midge to stop entertaining at parties and start seriously pursuing a comedy career. Midge apologizes after Susie discovers Midge talked to another agent. They agree to formalize their partnership. As the episode ends, Virgil and Oz from the record store are seen laughing at a tape recording of Midge's earlier comic performances. They label the tape as "Mrs. X at the Gaslight", intending to sell it. | ||||||
7 | 7 | "Put That On Your Plate!" | Daniel Palladino | Daniel Palladino | November 29, 2017 | |
Midge hones her comedy act and tries out different stage names. Susie works to get Midge to open for comedian Sophie Lennon. Rose seeks consolation from her psychic after Miriam refuses to reconcile with Joel. Joel breaks up with Penny Pann. After receiving a big work promotion, he outlines to Abe how he will support Midge and the children, though Abe notes it leaves little for Joel. Midge visits Sophie Lennon, discovering that the beloved comedian "from Queens" is a rich and arrogant Yale drama graduate. Onstage "Sophie" is a gimmicky character in a fat suit. She tells Midge that female comics need a fake persona to succeed in comedy. Later at the Gaslight, Midge lampoons expectations imposed on female comedians. She ridicules Sophie Lennon's corny act and also exposes her real life. Sophie's agent, Harry Drake, in the audience to watch Midge perform, is furious and walks out. | ||||||
8 | 8 | "Thank You and Good Night" | Amy Sherman-Palladino | Amy Sherman-Palladino | November 29, 2017 | |
Susie and Midge fear Harry Drake's retribution after Midge lambasted Sophie Lennon during her set. Midge hosts her son Ethan's birthday party where she reconnects with Joel. They end up secretly sleeping together in her childhood bedroom, and it appears they may reconcile. Later, while at Virgil and Oz's record shop, Joel overhears the bootleg tape of Midge's boozy first Gaslight appearance. He storms out upset, then quits his job. Meanwhile, Harry Drake gets Midge blacklisted from most New York clubs. Susie persuades Lenny Bruce to perform at the Gaslight to draw in crowds and help Midge. Midge's opening act for him is a huge hit. Joel, secretly watching, is stung by her unflattering comments about their marriage and leaves dejected. Outside, he attacks a heckler while proclaiming that Midge is great. Midge ends the set by introducing herself as "Mrs. Maisel". |
Season 2 (2018)
No. overall | No. in season | Title | Directed by | Written by | Original release date | |
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9 | 1 | "Simone" | Amy Sherman-Palladino | Amy Sherman-Palladino | December 5, 2018 | |
Midge is demoted to switchboard operator after Penny Pann makes a scene at B. Altman, blaming Midge for Joel leaving her. When an unhappy Rose makes an impromptu move to Paris, Midge and Abe follow to persuade her to return home, but to no avail. Susie is abducted by Nicky and Frank, two hoodlums working for Harry Drake, as retaliation for Midge's dissing Sophie Lennon during her act. Susie befriends them after learning they are all from the same neighborhood. They release her, warning that other thugs may come looking for her. Midge calls Joel from Paris, wanting to reconcile; although he is supportive of her comedy career, he cannot be the subject of her stand-up routines. He will only come back if she agrees to quit. Midge refuses to give up her career. | ||||||
10 | 2 | "Mid-way to Mid-town" | Amy Sherman-Palladino | Amy Sherman-Palladino | December 5, 2018 | |
Midge lands a gig at a comedy club, but realizes male comics considered their female counterparts inferior. After the other comics sabotage Midge and bump her to the last slot, she hilariously retaliates during her act. Meanwhile, in Paris, Rose and Abe acclimate to Parisian life while reconnecting with each other. Abe eventually persuades Rose it is time to return home. Back in New York, Joel, temporarily living with his parents, discovers some questionable business practices behind the scenes at his father's garment factory, though his stubborn parents resist changes. Joel shows Midge an apartment he wants for her and their children, saying she would no longer have to work. Midge refuses his offer. | ||||||
11 | 3 | "The Punishment Room" | Scott Ellis | Daniel Palladino | December 5, 2018 | |
Midge receives a temporary promotion from switchboard operator to coat check girl, though things quickly go awry. Midge also helps plan her B. Altman friend Mary's wedding, but at the couple's reception, she impulsively gives a risqué speech that inadvertently reveals it is a shotgun wedding. Abe pulls strings for Rose to audit art classes at Columbia. However, Rose receives a shock on her first day in life-drawing class, then later finds herself and Abe in trouble with the dean after she disillusions her fellow female students regarding their dismal future prospects with an art degree. Joel decides to explore Shirley's "treasure maps", of where his parents have stashed money over the years. Susie berates Virgil and Oz after discovering the two are selling bootleg recordings of Midge's first Gaslight act at their record store. | ||||||
12 | 4 | "We're Going to the Catskills!" | Daniel Palladino | Daniel Palladino | December 5, 2018 | |
The Weissmans and Midge depart for their annual two-month vacation at Steiner's Resort in the Catskill Mountains. Joel and the Maisels are also vacationing there. Susie, angry that Midge is interrupting her comedy career, follows her to the resort. She poses as a staff member while working to book Midge comedy gigs in the area. Joel inadvertently discovers Abe's secret early-morning exercise routine, embarrassing his father-in-law. Midge resists her parents maneuvering her into meeting Benjamin Ettenberg, an eligible New York doctor staying at the resort. | ||||||
13 | 5 | "Midnight at the Concord" | Amy Sherman-Palladino | Amy Sherman-Palladino | December 5, 2018 | |
Midge rushes back to New York when B. Altman calls needing a temporary fill-in at the cosmetics counter. She also begins dating Benjamin, despite her original misgivings. After taking him to see Lenny Bruce perform, she reveals she is also a stand-up comic. She returns to the Catskills for a late-night gig at a hotel. Her set includes risqué material, including about her parents' sex life, then discovers mid-act that Abe is in the audience. | ||||||
14 | 6 | "Let's Face the Music and Dance" | Daniel Palladino | Daniel Palladino | December 5, 2018 | |
Tension between Midge and Abe increases following his discovery that she is a stand-up comedian, though he agrees to keep her career a secret. To worsen matters, Abe, who had hoped to have his son, Noah, work at Bell Labs, discovers he works for a government agency on a secret project. Abe's superiors warn him to cease talking so much to others about Noah. Joel continues adjusting to renewed bachelorhood. Susie becomes overly immersed in her Steiner staff persona. | ||||||
15 | 7 | "Look, She Made a Hat" | Jamie Babbit | Amy Sherman-Palladino | December 5, 2018 | |
Declan Howell, a well-known but eccentric artist, propositions Midge after Benjamin introduces her to New York's art world. During Yom Kippur dinner, on the anniversary of Midge and Joel's separation, Midge finally tells her family that she has been pursuing a career in stand-up comedy; she then rushes off for a performance. Susie wants to book a short comedy tour for Midge. Needing funds, Susie turns to her dysfunctional family for help. | ||||||
16 | 8 | "Someday..." | Jamie Babbit | Kate Fodor | December 5, 2018 | |
Midge and Susie hit the road in a vintage Model A Ford that Susie's sister, Tess, "borrowed" from their mother. Touring is harder than either Midge or Susie expected, and is made worse by the discrimination against female comics they encounter. Joel intervenes on Midge's behalf when a club owner refuses to pay her. Midge wonders if her growing comic success is worth personal and family sacrifice. | ||||||
17 | 9 | "Vote for Kennedy, Vote for Kennedy" | Daniel Palladino | Daniel Palladino | December 5, 2018 | |
Midge's first television appearance on a fundraising telethon is marred when she and Susie discover that Sophie Lennon is also appearing. Joel, working for his father, immerses himself into turning Maisel & Roth around. Joel's father offers him $60,000 to leave the company to instead pursue something he really wants to do in life. Joel considers opening a nightclub. Abe is not as happy at Bell Labs as he originally thought he would be. After a still-vengeful Sophie uses her influence to bump Midge to the telethon's latest time slot, Susie angrily confronts Sophie. Midge perseveres and turns Sophie's "punishment" into a huge hit. | ||||||
18 | 10 | "All Alone" | Amy Sherman-Palladino | Amy Sherman-Palladino | December 5, 2018 | |
Rose's psychic "sees" Midge in front of a large crowd, which Rose interprets as a wedding. A flashback shows Joel proposing to Midge (without first asking her father's permission). Meanwhile, Benjamin asks for Abe's consent to marry Midge, despite her still being married to Joel. Abe requires Ben's personal details before consenting. Abe wants to quit Bell Labs and Columbia University and return to social activism. Sophie Lennon asks Susie to be her manager, saying no one fights for her like Susie does for Midge. Singing star Shy Baldwin, impressed by Midge's telethon performance, hires her as his opening act for a six-month tour in the US and Europe. After being pulled offstage for discussing pregnancy, a dejected Midge encounters Lenny Bruce in a bar. Lenny, equally dejected and nearly broke, has arrest warrants out for him for using obscene language in his act. Lenny's All Alone monologue on The Steve Allen Show incites Midge's own fears. After, Midge goes to see Joel saying she needs to spend the night with someone who loves her. |
Season 3 (2019)
No. overall | No. in season | Title | Directed by | Written by | Original release date | |
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19 | 1 | "Strike Up the Band" | Amy Sherman-Palladino | Amy Sherman-Palladino | December 6, 2019 | |
Midge and Susie arrive at an Army base for their first USO show with Shy Baldwin. Joel's father, Moishe, gives him a promising lead on a club venue in Chinatown. Susie receives an angry call from Sophie Lennon. Rose tells Abe that her trust fund allowance from her wealthy family has been supplementing their lifestyle. Midge has ended her engagement with Benjamin. Joel is initially impressed with his new nightclub location until he discovers the landlords operate an illegal Chinese gambling den downstairs. Midge and Susie are told to attend a USO dance following the show, discovering they are only there to be dance partners with soldiers. Midge is furious that Susie has become Sophie's new manager. Abe catches Lenny Bruce's nightclub act and supports his quest for free speech. | ||||||
20 | 2 | "It's the Sixties, Man!" | Dan Attias | Daniel Palladino | December 6, 2019 | |
Midge continues fuming over Susie managing Sophie Lennon until Imogene points out that Susie makes little income with only one client. Midge arrives home to find Abe with his new leftist friends, who more than make themselves comfortable. Rose travels to Providence, Oklahoma to request that her wealthy oil family increase her trust fund allowance. After being refused a place on the family board of directors because she is a woman, Rose cuts ties with them, leaving her without any income. Joel's nightclub landlords communicate with Joel through translator Mei Lin, a young Chinese-American woman. They attempt to bribe him into ignoring the gambling downstairs. Susie meets Reggie, Shy Baldwin's no-nonsense manager. Midge comes to terms with Susie over her managing Sophie. | ||||||
21 | 3 | "Panty Pose" | Daniel Palladino | Daniel Palladino | December 6, 2019 | |
Susie meets with Harry Drake and his lawyers regarding Sophie. Harry has a contract with Sophie, which prompts Susie to find a loophole. Abe and Rose bid goodbye to their long-time home now that Abe no longer works for Columbia University, which owns the apartment. Shy and his entourage fly to Las Vegas to kick off the tour. Midge's New York-oriented set receives a cool reception from the Vegas audience. Reggie continues tightly overseeing the tour operations and protecting Shy. After her act bombs, Susie pushes a dejected Midge to do a spontaneous performance in the hotel's bar area, which is well received. Mei encounters Joel eating alone at a Chinese restaurant and joins him. Abe and Rose arrive at the Maisels' new house in Queens. | ||||||
22 | 4 | "Hands!" | Daniel Palladino | Daniel Palladino | December 6, 2019 | |
Midge adapts her act for Las Vegas audiences. Homeless Abe and Rose settle in with Moishe and Shirley Maisel in Queens, but the Maisels' quirky household routines soon annoy them. Susie sees Reggie about Midge's shorted paycheck, but is unnerved by the rough manner he appears to run his business. Joel and Archie are working on the new club when Mei arrives with a donated jukebox containing only Chinese records. Abe focuses on becoming a leftist rebel. Shy invites the women on the tour to an activity in the Nevada desert. Susie works to make Sophie's dream of performing in a serious play on Broadway a reality. Joel visits Midge in Vegas. After a drunken night, they awaken in bed together and discover they have remarried. They quickly agree to divorce. | ||||||
23 | 5 | "It's Comedy or Cabbage" | Amy Sherman-Palladino | Amy Sherman-Palladino | December 6, 2019 | |
Shy's tour performs at the Fontainebleau Hotel in Miami Beach. Rose thinks Shirley has "corrupted" her maid, Zelda, who has become less subservient. Abe harshly criticizes his rebel group's poorly-produced first leftist newspaper issue, exasperating them. Mei overhears Joel telling Archie about his ongoing difficulty in obtaining a liquor license. Susie returns to New York to support Sophie during her Broadway rehearsals of Strindberg's Miss Julie. Midge encounters newly-single Lenny Bruce, who is temporarily living in a Miami hotel; a few days later, a potentially romantic evening ends platonically. Lenny praises Midge's act. | ||||||
24 | 6 | "Kind of Bleau" | Amy Sherman-Palladino | Amy Sherman-Palladino | December 6, 2019 | |
The Weissmans temporarily escape Queens and the Maisels' noisily casual lifestyle and visit Midge in Miami. She insists they watch her act, though Rose gets drunk during her set. Joel's liquor license predicament is quickly resolved, thanks to Mei, but it stirs an argument that appears to break them up. Initially skeptical investors are impressed with Sophie's acting ability during rehearsals. When the rented theater for Sophie's play cancels on them, Susie's thug friends, Nicky and Frank, use their "influence" to obtain another venue with better terms. Midge helps Shy Baldwin after he suffers a nasty scrape, and keeps his homosexuality secret, which would ruin his career if exposed. In Miami, Abe visits his old playwright friend, Asher Friedman, who was blacklisted early in the 1950s and now runs a beachside bait shop. Abe later writes an article about the injustice. | ||||||
25 | 7 | "Marvelous Radio" | Daniel Palladino | Daniel Palladino | December 6, 2019 | |
Between legs of the Shy Baldwin tour, Midge, back in New York, takes on a series of radio gigs ranging from amusing to annoying, and with occasional odd payments. Abe is thrilled that The New York Times published his Asher Friedman article. The Weissmans celebrate the bris of Noah and Astrid's baby. Susie's sports gambling habit worsens. Sophie Lennon's play opens on Broadway, but suffering stage fright mid-performance, she deviates from her role and devolves into her comic character; amid terrible reviews, the play closes the next day. Susie lambastes Sophie for destroying her opportunity to be recognized as a serious actress. | ||||||
26 | 8 | "A Jewish Girl Walks Into the Apollo…" | Amy Sherman-Palladino | Amy Sherman-Palladino | December 6, 2019 | |
Joel's club opening is an initial success until a technical problem arises. Midge saves the night with an impromptu performance. Moishe sells Midge's former apartment to her, using the Shy Baldwin tour contract as collateral. Susie pays off gambling debts with Midge's earnings. Susie, along with her sister, Tess, sets their deceased mother's house on fire to collect the insurance and repay Midge. Susie appoints Joel as Midge's financial custodian. When angry readers splatter Abe with tomatoes, he is pleased his article affected people. Shortly after, The Village Voice offers him a job as a theater critic. Midge is anxious about performing at Shy's big showcase at Harlem's legendary Apollo Theater. Reggie suggests she talk about Shy and the upcoming tour. Her improvised jokes about the effeminate Shy win over the tough Apollo audience. As the tour plane is about to take off for Europe, Midge and Susie are left stranded on the tarmac after Reggie fires Midge for nearly outing Shy. |
Season 4 (2022)
No. overall | No. in season | Title | Directed by | Written by | Original release date | |
---|---|---|---|---|---|---|
27 | 1 | "Rumble on the Wonder Wheel" | Amy Sherman-Palladino | Amy Sherman-Palladino | February 17, 2022 | |
After being dropped from Shy Baldwin's tour, Midge vents her anger and humiliation on stage. She is further enraged that her dismissal was planted in the newspapers. Midge presses Susie for her tour money which, unknown to Midge, Susie gambled away. To repay Midge, Susie attempts to collect the insurance money for her deceased mother's house that she and her sister, Tess, burned down. Susie coerces Tess into having an affair with the insurance agent after he expresses suspicion about the fire's origin. Joel's Chinese landlords are unhappy that his successful club draws unwanted attention to their illegal gambling den; they intend to raise Joel's rent. Susie borrows money from Joel to repay Midge, promising to reimburse him. Midge restarts her comedy career, vowing to only a be headliner and not an opening act. | ||||||
28 | 2 | "Billy Jones and the Orgy Lamps" | Daniel Palladino | Daniel Palladino | February 17, 2022 | |
Midge moves into her old apartment but has little income. Abe and Rose also move in, but insist Midge say that they bought the apartment and she lives with them. Sophie Lennon, at a mental health facility since her Broadway disaster, refuses to dissolve her and Susie's management contract. Harry Drake advises Susie to take on more clients. Shirley tries matching Joel with a widowed pregnant woman. Midge, fed up with less-talented male comics getting gigs, crashes the stage at a club. After mocking another comic's act, she gets thrown out, then is wrongly arrested for prostitution. After Susie bails out Midge and also a stripper, they end up backstage at the Wolford, a Manhattan burlesque club. Midge sees an opportunity when the comic emcee announces it is his last night. Susie gets the insurance money and repays Joel. Abe is happy working at the Village Voice. He gives his first meager paycheck to Midge to help pay household expenses. | ||||||
29 | 3 | "Everything Is Bellmore" | Daniel Palladino | Amy Sherman-Palladino & Daniel Palladino | February 25, 2022 | |
Midge becomes the Wolford's comic emcee. Gaslight employee Jackie dies suddenly; Susie, too upset to remain at their shared apartment, temporarily stays with Midge. Buzz Goldberg, who produced the summer shows at Steiner's Resort, has a musical titled They Came, They Danced, opening on Broadway. The Village Voice assigns Abe to review Buzz's show. The musical is terrible, and, to deflect his harsh criticism, Abe incorporates himself and relevant social issues into the article. Buzz's friends and supporters are furious about the bad review and openly disparage Abe during a Bar Mitzvah ceremony. Susie, disheartened that only she, Midge, Chester, and Jackie's sister attend Jackie's memorial, crashes another in-progress service and eulogizes Jackie to strangers. Lenny visits Midge at Wolford's and offers some helpful advice. Meanwhile, Rose's matchmaking service is growing. Asher Friedman calls Abe regarding his theater review. Abe recounted when the two young anarchists vandalized a Federal building in the 1920s, and now the FBI is investigating. | ||||||
30 | 4 | "Interesting People on Christopher Street" | Amy Sherman-Palladino | Daniel Palladino & Amy Sherman-Palladino | February 25, 2022 | |
Midge pressures Boise, the Wolford's manager, to improve the club's clumsy production. Mei resists meeting Joel's parents. Lawyer Michael Kessler assures Abe and Asher that there is no Federal case against them, but the FBI wants an interview before closing the matter. During dinner at Midge's, Asher and Abe reminisce about their youthful radicalism. Abe is unpleasantly reminded that Asher and Rose briefly dated. Frankie and Nicky find Susie a cheap place to live and also use as a business office. Midge, thinking Susie needs companionship, takes her to a lesbian club, angering Susie. FBI Agent Webber assures Abe and Asher there is no case against them. Abe, still seething over Asher once dating Rose, then implicates Asher in another anarchist incident, possibly opening a new investigation. Abe and Asher's ensuing argument inspires Asher to write a new play. Sophie Lennon asks Susie to revive her ruined career. Meanwhile, Midge has improved Wolford's overall operations. | ||||||
31 | 5 | "How to Chew Quietly and Influence People" | Scott Ellis | Kate Fodor | March 4, 2022 | |
Mei agrees to meet Joel's parents, then cancels. At Shy Baldwin's wedding reception, Midge causes some minor mayhem, then privately confronts Shy, who is unaware she was invited. Midge learns that Shy's new management team fired his old band and replaced Reggie to hide Shy's homosexuality. Midge declines their lucrative offer to sign a non-disclosure agreement regarding Shy. Rose discovers that Midge works at Wolford's and also finds numerous newspaper clippings by L. Roy Dunham, a journalist who disparages Midge's career. Rose secretly watches Midge perform at the Wolford, then worries that her daughter's profession will negatively impact her growing matchmaking business. Susie gets Sophie booked on the nationally televised, The Gordon Ford Show. Sophie wins the audience's sympathy during Ford's interview about her breakdown. To entice Susie to continue being her manager, Sophie sends her elaborate gifts. Susie hires Dinah as her secretary. Late one night, while riding home in a taxi, Midge spies someone on the sidewalk and jumps out. | ||||||
32 | 6 | "Maisel vs. Lennon: The Cut Contest" | Amy Sherman-Palladino | Daniel Palladino & Amy Sherman-Palladino | March 4, 2022 | |
Lenny Bruce awakens hungover and confused in Midge's apartment after she found him passed-out drunk on the pavement. His abrupt departure angers Midge. Susie books Alfie the illusionist at Joel's club, but he is a "no show". Midge has made the Wolford more profitable and Susie wants the owners to pay her more. Abe is writing a book and hires Imogene as his typist. A group of rival New York matchmakers demand that Rose quit. Mei tells Joel she is pregnant. Hoping for national exposure, Susie tries getting Midge booked on The Gordon Ford Show. Midge wants journalist L. Roy Dunham to stop her continual printed attacks, but Dunham refuses, claiming Midge is "good copy." To further entice Susie back as her manager, Sophie, now hosting a TV game show, has Midge hired as the audience warm-up comic. The audience loves Midge, causing a jealous Sophie to jump into her act and triggering a vitriolic comic showdown. | ||||||
33 | 7 | "Ethan...Esther...Chaim" | Daniel Palladino | Daniel Palladino | March 11, 2022 | |
Midge's brief romantic encounter abruptly ends when the man's wife unexpectedly comes home. Joel's Button Club revenue is stolen, straining his finances. Rose's matchmaker rivals accost Abe in another attempt to make Rose quit. Midge performs at a JFK campaign event, but her cheating-husband jokes upsets Jackie Kennedy. Midge, her parents, and Noah and Astrid, attend illusionist Alfie's performance. Alfie hypnotizes Rose on stage and commands she reenact what Midge does. Rose unknowingly mimics Midge's strip club set about the family, humiliating them while shocking Midge that her mother has seen her act. Susie reconsiders firing Dinah after she introduces Susie to a promising new comic. Frank and Nicky warn Midge that Mei's family is dangerous. Lenny Bruce is scheduled to appear at Carnegie Hall. At Joel's club, Joel tells Moishe about him and Mei. Moishe suddenly falls to the floor unconscious. | ||||||
34 | 8 | "How Do You Get to Carnegie Hall?" | Amy Sherman-Palladino | Amy Sherman-Palladino | March 11, 2022 | |
As Moishe lies unconscious in the hospital after a heart attack, Abe ponders the man's legacy and writes a premature obituary. Lenny Bruce visits Midge backstage at the Wolford and apologizes for his earlier behavior and says he has recommended Midge to replace him as Tony Bennett's opening act at the Copacabana. When the police suddenly raid Wolford's, Midge and Lenny flee, ending up at his hotel room and having sex. Midge discovers an injection vial and a syringe in Lenny's travel case, though he brushes off her concern. Moishe recovers and is deeply touched by Abe's obituary. Moishe says Mei must become a Jew before Joel tells his mother, Shirley, about her. With Abe's support, a defiant Rose informs the other matchmakers she will not quit. Lenny's sold-out Carnegie Hall performance is a success. After his act, Lenny rebukes Midge for declining the Tony Bennett and other gigs, telling her to stop fearing failure and start performing. Midge then sets her sights on The Gordon Ford Show. |
Production
Development
In developing the series, Amy Sherman-Palladino was inspired by childhood memories of her father, a standup comedian based in NYC, and an admiration for early female comics such as Joan Rivers and Totie Fields.[2][3][4]
In June 2016, Amazon gave the production a pilot order. The pilot episode was written by Sherman-Palladino, who was also executive producer.[5] It premiered as a part of Amazon's Spring 2017 pilot season on March 17, 2017.[6] On April 10, Amazon gave the production a two-season order, to be executive produced by Sherman-Palladino and Daniel Palladino with Dhana Gilbert as a producer.[7] The series premiered on November 29, 2017.[8]
On May 20, 2018, Amazon renewed the series for a third season of eight episodes.[9][10] The second season premiered on December 5, 2018,[11] and the third season premiered December 6, 2019.[12] One week after season three was released, Amazon renewed the show for a fourth season.[13]
On February 17, 2022, Amazon renewed the series for a fifth and final season.[14]
Casting
On August 5, 2016, Rachel Brosnahan was cast in the pilot's lead role.[15] In September 2016, it was reported that Tony Shalhoub and Michael Zegen had joined the pilot's main cast.[16][17] On October 6, 2016, Marin Hinkle was cast in one of the pilot's main roles.[18] In May 2017, it was reported that Joel Johnstone, Caroline Aaron, Kevin Pollak, and Bailey De Young were set to appear in recurring roles.[19][20]
On May 23, 2018, Zachary Levi was announced to appear in the second season in a recurring capacity.[21] On August 15, 2018, it was reported that Jane Lynch would reprise her role of Sophie Lennon in recurring capacity in season two.[22]
On April 15, 2019, it was announced that Sterling K. Brown would appear in the third season in an undisclosed role.[23] The October 14, 2019, release of the season's teaser trailer revealed that Liza Weil would also play an undisclosed character.[24]
On June 21, 2021, Kayli Carter was announced to appear in the fourth season in a recurring capacity.[25] Other season 4 guest stars include Milo Ventimiglia and Kelly Bishop, who both appeared on Gilmore Girls which was created by Amy Sherman-Palladino.[26][27] Additional season 4 guest stars include Jason Ralph (who is Rachel Brosnahan's real-life husband) and filmmaker John Waters.[28][29]
Filming
Principal photography for the pilot took place from September 27 to October 14, 2016, in Manhattan.[30] Filming for the fourth season began on January 20, 2021[31][32] and wrapped in early July 2021.[33] Filming for the fifth season began in late February 2022 in New York City.[14]
Locations
Exterior shots for the Gaslight Club were filmed in October 2016 outside 96 St. Mark's Place in the Lower East Side, the building featured on the cover of Led Zeppelin's 1975 album Physical Graffiti. The building's residents were reportedly unhappy about the disruption that the production would cause.[34]
Other New York locations included The Village Vanguard jazz club on Seventh Avenue South, a vintage record store on West 4th Street, and butcher's shop on Elizabeth Street in Little Italy which was also used as a location for the 1990 film The Godfather Part III. Exterior scenes set at the B. Altman department store were filmed at the B. Altman and Company Building at Fifth Avenue, while interiors were shot in a disused bank in Brooklyn.[35]
Season 2's scenes set at the holiday resort in the Catskills were filmed on location at a holiday resort on the Oquaga Lake near Deposit. Paris scenes were filmed at various real-life locations in the 2nd arrondissement of Paris, and at the Musée Rodin at Hôtel Biron.[35] One of the hotels in season 3 was the Fontainebleau Miami Beach.[36]
Oners
The show makes frequent use of "oners," extended single-shot scenes. "Going to the Catskills" offers a two-minute oner depicting Midge and her family getting rambunctiously resettled in their summer home in the Catskills. It included a half-dozen overlapping vignettes.[37] In "Strike Up the Band," in a 12-page scene, Midge comes into their apartment to find her parents fighting, with her clothes scattered everywhere. In another, Midge and Susie ride in an open Jeep to an airplane hangar where Midge will later open for Shy. The camera follows them from the Jeep into the hangar, where soldiers manhandle her onto the stage, which she crosses while waving to the nearly 1,000 soldiers facing her before she is lifted back into the Jeep.[38]
Design
The "apartment" where Midge and her husband Joel live was created on the same set as the apartment where Midge's parents live, but with more modern (late-1950s) design, inspired in part by Doris Day movies, according to production designer Bill Groom.[39] The "retro" typeface used for the show's logo is Sparkly by Stuart Sandler of Font Diner.[40] The show's distinctive designs and costumes—most notably the women's hats and dresses—led the Paley Center for Media to create an exhibit called "Making Maisel Marvelous" in 2019.[41]
In December 2019, two costumes from the series were acquired by the National Museum of American History at the Smithsonian Institution.[42]
Release
Marketing
On October 10, 2017, the official trailer for the first season was released.[8] On August 9, 2018, a teaser trailer for the second season was released.[43] On October 24, 2018, the official trailer for season two was released.[11] From December 1–8, 2018, Amazon opened up a pop-up restaurant in Manhattan's Nolita neighborhood modeled after Carnegie Deli as it appeared during the 1950s. The restaurant served a menu much more limited than what was actually offered at the original deli with the only two sandwich options being "The Maisel" and "The Susie." Other items offered included mini knishes, black and white cookies, cheesecake, and pickles. As the restaurant was purely for promotional purposes, nothing on the menu cost more than 99 cents, and all the proceeds went to support the Lower Eastside Girls Club.[44]
In August 2019, to promote the show for the upcoming 71st Primetime Emmy Awards, Amazon partnered with various businesses in and around Santa Monica, California, to provide goods and services at 1959 prices. The offer to sell gasoline at $0.30 per gallon led to long queues and traffic jams in front of the gas station that offered the promotion, forcing police to intervene.[45][46]
Reception
Season | Rotten Tomatoes | Metacritic |
---|---|---|
1 | 94% (82 reviews)[49] | 80 (27 reviews)[50] |
2 | 92% (72 reviews)[51] | 85 (24 reviews)[52] |
3 | 79% (52 reviews)[53] | 75 (19 reviews)[54] |
4 | 91% (46 reviews)[55] | 65 (17 reviews)[56] |
The series has received broad critical acclaim. On Rotten Tomatoes, it received an overall score of 89% and an overall score of 78 on Metacritic.[57][58]
Season 1
On review aggregator Rotten Tomatoes, the first season holds a 94% approval rating, with an average rating of 7.6 out of 10 based on 82 reviews. The website's critical consensus reads, "The Marvelous Mrs. Maisel is an upbeat addition to Amazon's original offerings, propelled by a playful yet poignant performance by Rachel Brosnahan."[49] On Metacritic, the series has an average weighted score of 80 out of 100, based on 27 critics, indicating "generally favorable reviews".[50]
The pilot episode of The Marvelous Mrs. Maisel was one of Amazon Video's most successful ever, achieving an average viewer rating of 4.9 (out of 5).[7] The review of the pilot in The Guardian praised the combination of Sherman-Palladino's "banging dialogue and the utterly winning charm of Brosnahan",[59] while The A.V. Club praised the "outstanding" production design and said "this is a series that's as confident as its heroine—and what a heroine she is."[60] A critic for Slate called the episode "a knockout", stating that the stand-up element "introduces a welcome streak of discipline, both verbal and thematic, into Sherman-Palladino's charming but manic work."[61]
The Jerusalem Post highlighted the exceptionally well done "Jewishness" of the work, calling it a "comedic delight of a show, combining Sherman-Palladino's knack for witty dialogue with the colorful, rich world of 1950s New York and the intensity of family drama and changing times."[62] NPR similarly highlighted the effectiveness of the comedy in the show, calling it "a heroic fantasy."[63]
Season 2
On Rotten Tomatoes, the second season holds a 92% approval rating, with an average rating of 8.2 out of 10 based on 72 reviews. The website's critical consensus reads, "Like Midge herself, The Marvelous Mrs. Maisel charges full speed ahead in a second season brimming with warmth, empowerment, and a whole lot of laughs."[51] Metacritic assigned the season a score of 85 out of 100 based on 24 critics, indicating "universal acclaim".[52] Karen Lehrman Bloch called it "a timeless, transcendent work of art".[41]
Season 3
On Rotten Tomatoes, the third season holds a 79% approval rating, with an average rating of 7.6 out of 10 based on 52 reviews. The website's critical consensus reads, "As visually spectacular as ever, The Marvelous Mrs. Maisel's banter and pace still fly with comedic fury – but shallow social commentary and wandering storylines highlight the show's increasingly superficial tendencies."[53] Metacritic assigned the season a score of 75 out of 100 based on 19 critics, indicating "generally favorable reviews".[54] Alan Sepinwall of Rolling Stone wrote that it offered "a lot of energy and fancy footwork that often makes no sense".[64]
Season 4
On Rotten Tomatoes, the fourth season holds an 91% approval rating, with an average rating of 7.5 out of 10 based on 46 reviews. The website's critical consensus reads, "The Marvelous Mrs. Maisel has seemingly run out of fresh material, but it continues to reward fans with expert delivery and snappy presentation."[55] Metacritic assigned the season a score of 65 out of 100 based on 17 critics, indicating "generally favorable reviews".[56]
Awards and nominations
Year | Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|---|
2018 | Golden Globe Awards | Best Television Series – Musical or Comedy | The Marvelous Mrs. Maisel | Won | [65][66][67][68] |
Best Actress – Television Series Musical or Comedy | Rachel Brosnahan | Won | [69][70][71][72] | ||
Critics' Choice Television Awards | Best Comedy Series | The Marvelous Mrs. Maisel | Won | [73] | |
Best Actress in a Comedy Series | Rachel Brosnahan | Won | |||
Best Supporting Actress in a Comedy Series | Alex Borstein | Nominated | |||
Producers Guild of America Awards | Outstanding Producer of Episodic Television – Comedy | Amy Sherman‐Palladino, Daniel Palladino, Dhana Rivera Gilbert & Sheila Lawrence | Won | [74][75] | |
Directors Guild of America Awards | Outstanding Directorial Achievement for a Comedy Series | Amy Sherman-Palladino (for "Pilot") | Nominated | [76] | |
Costume Designers Guild Awards | Excellence in Period Television | Donna Zakowska | Nominated | [77] | |
Location Managers Guild Awards | Outstanding Locations in Period Television | Amanda Foley-Burbank & Jose Guerrero | Nominated | [78] | |
Peabody Awards | Entertainment, children's and youth honoree | The Marvelous Mrs. Maisel | Won | [79] | |
Television Critics Association Awards | Outstanding Achievement in Comedy | The Marvelous Mrs. Maisel | Nominated | [80] | |
Outstanding New Program | Nominated | ||||
Individual Achievement in Comedy | Rachel Brosnahan | Won | |||
Primetime Emmy Awards | Outstanding Comedy Series | The Marvelous Mrs. Maisel | Won | [81][82] | |
Outstanding Lead Actress in a Comedy Series | Rachel Brosnahan | Won | |||
Outstanding Supporting Actor in a Comedy Series | Tony Shalhoub | Nominated | |||
Outstanding Supporting Actress in a Comedy Series | Alex Borstein | Won | |||
Outstanding Directing for a Comedy Series | Amy Sherman-Palladino (for "Pilot") | Won | |||
Outstanding Writing for a Comedy Series | Won | ||||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actress in a Comedy Series | Jane Lynch (for "Put That on Your Plate!") | Nominated | [82][83] | |
Outstanding Casting for a Comedy Series | Meredith Tucker, Jeanie Bacharach & Cindy Tolan | Won | |||
Outstanding Cinematography for a Single Camera Series | M. David Mullen (for "Pilot") | Nominated | |||
Outstanding Hairstyling for a Single Camera Series | Francesca Paris, Christine Cantrell, Cassie Hurd & Reo Anderson (for "Pilot") | Nominated | |||
Outstanding Music Supervision | Robin Urdang, Amy Sherman-Palladino & Daniel Palladino (for "Pilot") | Won | |||
Outstanding Period Costumes | Donna Zakowska, Marina Rei, Ginnie Patton & Sheila Grover (for "The Disappointment of the Dionne Quintuplets") | Nominated | |||
Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) | Bill Groom, Neil Prince & Ellen Christiansen (for "Ya Shivu v Bolshom Dome Na Kholme") | Nominated | |||
Outstanding Single-Camera Picture Editing for a Comedy Series | Brian A. Kates (for "Pilot") | Won | |||
People's Choice Awards | The Bingeworthy Show of 2018 | The Marvelous Mrs. Maisel | Shortlisted | [84][85] | |
American Film Institute Awards | Top 10 TV Programs of the Year | The Marvelous Mrs. Maisel | Won | [86] | |
2019 | Golden Globe Awards | Best Television Series – Musical or Comedy | The Marvelous Mrs. Maisel | Nominated | [87] |
Best Actress – Television Series Musical or Comedy | Rachel Brosnahan | Won | |||
Best Supporting Actress – Series, Miniseries or Television Film | Alex Borstein | Nominated | |||
Dorian Awards | TV Comedy of the Year | The Marvelous Mrs. Maisel | Nominated | [88][89] | |
TV Performance of the Year – Actress | Rachel Brosnahan | Nominated | |||
Critics' Choice Television Awards | Best Comedy Series | The Marvelous Mrs. Maisel | Won | [90] | |
Best Actress in a Comedy Series | Rachel Brosnahan | Won | |||
Best Supporting Actor in a Comedy Series | Tony Shalhoub | Nominated | |||
Best Supporting Actress in a Comedy Series | Alex Borstein | Won | |||
Producers Guild of America Awards | Outstanding Producer of Episodic Television – Comedy | Amy Sherman‐Palladino, Daniel Palladino, Dhana Rivera Gilbert & Sheila Lawrence | Won | [91] | |
Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Comedy Series | Caroline Aaron, Alex Borstein, Rachel Brosnahan, Marin Hinkle, Zachary Levi, Kevin Pollak, Tony Shalhoub, Brian Tarantina & Michael Zegen | Won | [92] | |
Outstanding Performance by a Male Actor in a Comedy Series | Tony Shalhoub | Won | |||
Outstanding Performance by a Female Actor in a Comedy Series | Alex Borstein | Nominated | |||
Rachel Brosnahan | Won | ||||
Artios Awards | Outstanding Achievement in Casting – Television Pilot & First Season – Comedy | Jeanie Bacharach, Cindy Tolan, Anne Davison (Associate) & Betsy Fippinger (Associate) |
Won | [93] | |
American Cinema Editors Eddie Awards | Best Edited Comedy Series for Non-Commercial Television | Kate Sanford (for "Simone") | Won | [94] | |
Tim Streeto (for "We're Going to the Catskills!") | Nominated | ||||
Art Directors Guild Awards | Excellence in Production Design for a One-Hour Period or Fantasy Single-Camera Series | Bill Groom (for "Simone" & "We're Going to the Catskills!") | Won | [95] | |
Directors Guild of America Awards | Outstanding Directorial Achievement in Comedy Series | Daniel Palladino (for "We're Going to the Catskills!") | Nominated | [96] | |
Amy Sherman-Palladino (for "All Alone") | Nominated | ||||
American Society of Cinematographers Awards | Outstanding Achievement in Cinematography for a Movie, Miniseries, or Pilot for Television | M. David Mullen (for "Pilot") | Nominated | [97] | |
Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for a Television Series – One Hour | Mathew Price, Ron Bochar, Michael Miller, David Boulton & Steven Visscher (for "Vote for Kennedy, Vote for Kennedy") | Won | [98] | |
Make-Up Artists and Hair Stylists Guild Awards | Television Series, Television Mini Series or Television New Media Series – Best Period and/or Character Make-up | Patricia Regan, Claus Lulla & Joseph A. Campayno | Won | [99] | |
Television Series, Television Mini Series or Television New Media Series – Best Period and/or Character Hair Styling | Jerry DeCarlo, Jon Jordan & Peg Schierholz | Won | |||
Golden Reel Awards | Broadcast Media Longform Music / Musical | Annette Kudrak (for "We're Going to the Catskills") | Won | [100] | |
Writers Guild of America Awards | Television: Comedy Series | Kate Fodor, Noah Gardenswartz, Jen Kirkman, Sheila Lawrence, Daniel Palladino & Amy Sherman-Palladino | Won | [101] | |
Costume Designers Guild Awards | Excellence in Period Television | Donna Zakowska | Won | [102] | |
Television Critics Association Awards | Outstanding Achievement in Comedy | The Marvelous Mrs. Maisel | Nominated | [103] | |
Primetime Emmy Awards | Outstanding Comedy Series | The Marvelous Mrs. Maisel | Nominated | [104] | |
Outstanding Lead Actress in a Comedy Series | Rachel Brosnahan | Nominated | |||
Outstanding Supporting Actor in a Comedy Series | Tony Shalhoub | Won | |||
Outstanding Supporting Actress in a Comedy Series | Alex Borstein | Won | |||
Marin Hinkle | Nominated | ||||
Outstanding Directing for a Comedy Series | Amy Sherman-Palladino (for "All Alone") | Nominated | |||
Daniel Palladino (for "We're Going to the Catskills!") | Nominated | ||||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actor in a Comedy Series | Luke Kirby (for "All Alone") | Won | [105] | |
Rufus Sewell (for "Look, She Made a Hat") | Nominated | ||||
Outstanding Guest Actress in a Comedy Series | Jane Lynch (for "Vote for Kennedy, Vote for Kennedy") | Won | |||
Outstanding Casting for a Comedy Series | Cindy Tolan | Nominated | |||
Outstanding Cinematography for a Single-Camera Series (One Hour) | M. David Mullen (for "Simone") | Won | |||
Outstanding Hairstyling for a Single Camera Series | Jerry DeCarlo, Jon Jordan, Peg Schierholz, Christine Cantrell & Sabana Majeed (for "We're Going to the Catskills!") | Won | |||
Outstanding Make-up for a Single-Camera Series (Non-Prosthetic) | Patricia Regan, Joseph Campayno & Claus Lulla (for "We're Going to the Catskills!") | Nominated | |||
Outstanding Music Supervision | Robin Urdang, Amy Sherman-Palladino & Daniel Palladino (for "We're Going to the Catskills!") | Won | |||
Outstanding Period Costumes | Donna Zakowska, Marina Reti & Tim McKelvey (for "We're Going to the Catskills!") | Won | |||
Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) | Bill Groom, Neil Prince & Ellen Christiansen (for "Simone" & "We're Going to the Catskills!") | Nominated | |||
Outstanding Single-Camera Picture Editing for a Comedy Series | Kate Sanford (for "Simone") | Nominated | |||
Tim Streeto (for "We're Going to the Catskills!") | Nominated | ||||
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) | Ron Bochar, Mathew Price, David Bolton & George A. Lara (for "Vote for Kennedy, Vote for Kennedy") | Nominated | |||
2020 | Golden Globe Awards | Best Television Series – Musical or Comedy | The Marvelous Mrs. Maisel | Nominated | [106] |
Best Actress – Television Series Musical or Comedy | Rachel Brosnahan | Nominated | |||
Critics' Choice Television Awards | Best Comedy Series | The Marvelous Mrs. Maisel | Nominated | [107] | |
Best Actress in a Comedy Series | Rachel Brosnahan | Nominated | |||
Best Supporting Actress in a Comedy Series | Alex Borstein | Won | |||
Producers Guild of America Awards | Outstanding Producer of Episodic Television – Comedy | Amy Sherman-Palladino, Daniel Palladino, Dhana Gilbert, Daniel Goldfarb, Kate Fodor, Sono Patel & Matthew Shapiro | Nominated | [108] | |
Directors Guild of America Awards | Outstanding Directorial Achievement in Comedy Series | Dan Attias (for "It's the Sixties, Man!") | Nominated | [109] | |
Daniel Palladino (for "Marvelous Radio") | Nominated | ||||
Amy Sherman-Palladino (for "It's Comedy or Cabbage") | Nominated | ||||
Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Comedy Series | Caroline Aaron, Alex Borstein, Rachel Brosnahan, Marin Hinkle, Stephanie Hsu, Joel Johnstone, Jane Lynch, Leroy McClain, Kevin Pollak, Tony Shalhoub, Matilda Szydagis, Brian Tarantina & Michael Zegen | Won | [110] | |
Outstanding Performance by a Male Actor in a Comedy Series | Tony Shalhoub | Won | |||
Outstanding Performance by a Female Actor in a Comedy Series | Alex Borstein | Nominated | |||
Rachel Brosnahan | Nominated | ||||
American Society of Cinematographers Awards | Outstanding Achievement in Cinematography in Regular Series for Non-Commercial Television | M. David Mullen (for "Simone") | Nominated | [111] | |
Costume Designers Guild Awards | Excellence in Period Television | Donna Zakowska (for "It's Comedy or Cabbage") | Won | [112] | |
Casting Society of America | Television Series – Comedy | Cindy Tolan, Juliette Ménager & Anne Davison | Won | [113] | |
Art Directors Guild Awards | Excellence in Production Design for a One-Hour Period or Fantasy Single-Camera Series | Bill Groom (for "Panty Pose" & "It's Comedy or Cabbage") | Won | [114] | |
Writers Guild of America Awards | Television: Comedy Series | Kate Fodor, Noah Gardenswartz, Daniel Goldfarb, Alison Leiby, Daniel Palladino, Sono Patel, Amy Sherman-Palladino & Jordan Temple | Nominated | [115] | |
Television: Episodic Comedy | Amy Sherman-Palladino (for "It's Comedy or Cabbage") | Nominated | |||
Primetime Emmy Awards | Outstanding Comedy Series | The Marvelous Mrs. Maisel | Nominated | [116] | |
Outstanding Lead Actress in a Comedy Series | Rachel Brosnahan | Nominated | |||
Outstanding Supporting Actor in a Comedy Series | Tony Shalhoub | Nominated | |||
Sterling K. Brown | Nominated | ||||
Outstanding Supporting Actress in a Comedy Series | Alex Borstein | Nominated | |||
Marin Hinkle | Nominated | ||||
Outstanding Directing for a Comedy Series | Amy Sherman-Palladino (for "It's Comedy or Cabbage") | Nominated | |||
Daniel Palladino (for "Marvelous Radio") | Nominated | ||||
Primetime Creative Arts Emmy Awards | Outstanding Guest Actor in a Comedy Series | Luke Kirby (for "It's Comedy or Cabbage") | Nominated | [116] | |
Outstanding Guest Actress in a Comedy Series | Wanda Sykes (for "A Jewish Girl Walks Into the Apollo...") | Nominated | |||
Outstanding Casting for a Comedy Series | Cindy Tolan | Nominated | |||
Outstanding Cinematography for a Single-Camera Series (One Hour) | M. David Mullen (for "It's Comedy or Cabbage") | Won | |||
Outstanding Music Supervision | Robin Urdang, Amy Sherman-Palladino & Daniel Palladino (for "It's Comedy or Cabbage") | Won | |||
Outstanding Original Music and Lyrics | Thomas Mizer & Curtis Moore (for "Strike Up the Band") | Nominated | |||
Outstanding Period and/or Character Hairstyling | Kimberley Spiteri, Michael S. Ward & Tijen Osman (for "A Jewish Girl Walks Into the Apollo...") | Nominated | |||
Outstanding Period and/or Character Make-up (Non-Prosthetic) | Patricia Regan, Claus Lulla, Joseph Campayno, Margot Boccia, Michael Laudati, Tomasina Smith, Roberto Baez & Alberto Machuca (for "It's Comedy or Cabbage") | Won | |||
Outstanding Period Costumes | Donna Zakowska, Marina Reti, Sheila Grover & Ginnie Patton (for "It's Comedy or Cabbage") | Nominated | |||
Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) | Bill Groom, Neil Prince & Ellen Christiansen (for "It's Comedy or Cabbage" & "A Jewish Girl Walks Into the Apollo...") | Nominated | |||
Outstanding Single-Camera Picture Editing for a Comedy Series | Kate Sanford & Tim Streeto (for "A Jewish Girl Walks Into the Apollo...") | Nominated | |||
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour) | Mathew Price, Ron Bochar, George A. Lara & David Bolton (for "A Jewish Girl Walks Into the Apollo...") | Won | |||
2021 | Hollywood Music in Media Awards | Best Original Song in a TV Show/Limited Series | Thomas Mizer & Curtis Moore (for "One Less Angel") | Nominated | [117] |
American Society of Cinematographers Awards | Outstanding Achievement in Cinematography in an Episode of a One-Hour Television Series – Non-Commercial | M. David Mullen (for "It's Comedy or Cabbage") | Nominated | [118] | |
Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for Television Series – One Hour | Mathew Price, Ron Bochar, Stewart Lerman, David Boulton and George A. Lara (for "A Jewish Girl Walks Into the Apollo...") | Won | [119] | |
2022 | Set Decorators Society of America Awards | Best Achievement in Décor/Design of a One Hour Period Series | Ellen Christiansen and Bill Groom | Won | [120] |
Hollywood Critics Association TV Awards | Best Streaming Series, Comedy | The Marvelous Mrs. Maisel | Nominated | [121] | |
Best Actress in a Streaming Series, Comedy | Rachel Brosnahan | Nominated | |||
Best Supporting Actor in a Streaming Series, Comedy | Tony Shalhoub | Nominated | |||
Best Supporting Actress in a Streaming Series, Comedy | Alex Bornstein | Nominated | |||
Primetime Emmy Awards | Outstanding Comedy Series | The Marvelous Mrs. Maisel | Nominated | [122] | |
Outstanding Lead Actress in a Comedy Series | Rachel Brosnahan (for "How Do You Get to Carnegie Hall?") | Nominated | |||
Outstanding Supporting Actor in a Comedy Series | Tony Shalhoub (for "Everything Is Bellmore") | Nominated | |||
Outstanding Supporting Actress in a Comedy Series | Alex Borstein (for "Everything Is Bellmore") | Nominated | |||
Primetime Creative Arts Emmy Awards | Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) | Bill Groom, Neil Prince & Ellen Christiansen (for "Maisel vs. Lennon: The Cut Contest" & "How Do You Get to Carnegie Hall?") | Nominated | ||
Outstanding Cinematography for a Single-Camera Series (One Hour) | M. David Mullen (for "How Do You Get to Carnegie Hall?") | Nominated | |||
Outstanding Period Costumes | Donna Zakowska, Moria Sine Clinton, Ben Philipp, Ginnie Patton, Dan Hicks & Mikita Thompson (for "Maisel vs. Lennon: The Cut Contest") | Nominated | |||
Outstanding Period and/or Character Hairstyling | Kimberley Spiteri, Barbara Dally & Daniel Koye (for "How Do You Get to Carnegie Hall?") | Nominated | |||
Outstanding Period and/or Character Makeup (Non-Prosthetic) | Patricia Regan, Claus Lulla, Margot Boccia, Tomasina Smith, Michael Laudati, Roberto Baez & Alberto Machuca (for "How Do You Get to Carnegie Hall?") | Nominated | |||
Outstanding Original Music and Lyrics | Thomas Mizer & Curtis Moore (for "How to Chew Quietly and Influence People") | Nominated | |||
Outstanding Music Supervision | Robin Urdang (for "How Do You Get to Carnegie Hall?") | Nominated | |||
Artios Awards | Outstanding Achievement in Casting – Television Comedy Series | Cindy Tolan, Anne Davison | Pending | [123] | |
Hollywood Music in Media Awards | Best Original Song – TV Show/Limited Series | Thomas Mizer & Curtis Moore (for "Myabe Monica") | Pending | [124] | |
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