Esther Williams

Williams (in swimsuit) at the Los Angeles Athletic Club in 1939

Williams was enthusiastic about swimming in her youth. Her older sister, Maurine, took her to Manhattan Beach and to the local pool. She took a job counting towels at the pool to pay the five-cent entry fee, and while there, had swimming lessons from the male lifeguards. From them, she learned the "male only" swimming strokes, including the butterfly, with which she would later break records.[14]

Her medley team set the record for the 300-yard relay at the Los Angeles Athletic Club in 1939,[15] and was also national AAU champion in the 100 meter freestyle, with a record-breaking time of 1 minute 9.0 seconds.[16] By age 16, Williams had won three US national championships in breaststroke and freestyle swimming.[17]

Williams graduated from Washington High School (now known as Washington Preparatory High School) in Los Angeles, 1939, where she served as class vice president, and later president.[18][19][20] However, Williams never trained in swimming while there.[21]

During her senior year of high school, Williams received a D in her algebra course, preventing her from getting a scholarship to the University of Southern California.[22] She enrolled in Los Angeles City College to retake the course. In 1939, Williams expressed interest in pursuing a degree in physical education in order to teach it one day.[21] To earn money for tuition, Williams worked as a stock girl at the I. Magnin department store, where she also modeled clothing for customers and appeared in newspaper advertisements.[23]

While Williams was working at I. Magnin, she was contacted by Billy Rose's assistant and asked to audition as a replacement for Eleanor Holm in his Aquacade show. Williams impressed Rose and she got the role.[1][24] The Aquacade was part of the Golden Gate International Exposition, and Williams was partnered with Olympic swimmer and Tarzan star Johnny Weissmuller,[25] who, Williams wrote in her autobiography, repeatedly tried to seduce her. Despite this, Williams remained with the show until it closed on September 29, 1940.[26] Williams had planned to compete in the 1940 Summer Olympics, which were cancelled due to the outbreak of World War II.

It was at Aquacade that Williams first attracted attention from Metro-Goldwyn-Mayer scouts. MGM's head, Louis B. Mayer, had been looking for a female sports star for the studio to compete with Fox's figure skating star, Sonja Henie.[27] Williams signed her contract with MGM in 1941. [28]

In her contract were two clauses: the first being that she receive a guest pass to The Beverly Hills Hotel where she could swim in the pool every day, and the second that she would not appear on camera for nine months to allow for acting, singing, dancing, and diction lessons. Williams wrote in her autobiography, "If it took nine months for a baby to be born, I figured my 'birth' from Esther Williams the swimmer to Esther Williams the movie actress would not be much different."[29]

A pin-up of Williams from a 1945 issue of Yank, the Army Weekly

Esther Williams in Thrill of a Romance (1945)

While top stars at the studios such as Judy Garland, Betty Grable, and Shirley Temple took part in bond tours during the war, Williams was asked to take in hospital tours. At this point, Williams had achieved pin-up status because of the number of photographs of her in bathing suits.[30] To prepare, Williams and her publicity assistant would listen to Bob Hope and Jack Benny's radio programs, retelling the funniest jokes while at the hospitals. Williams also invited GIs to dance with her on stage and take part in mock screen tests. The men would receive a card telling them their lines, and they would act out the scene in front of the other soldiers. These tests were always romantic scenes to which the men were required to refuse multiple times. When the men said the final, "No", Williams would pull at her tear-away skirt and sweater leaving nothing but a gold lamé swimsuit. The scenes would always end with the men giving in and kissing her after that stunt.[31] Her hospital tours continued into the 1950s.[32][33] A (forged) signed, waterproof portrait of Williams was circulated among men in the United States Navy for a "capture the Esther" competition.[18] This competition continues to this day in the Royal Australian Navy, which holds in its archives an "original" forged signed portrait while maintaining a "capturable" image for use in the fleet.

Three weeks after Williams signed her contract, George Sidney directed her first screen test. According to Williams's autobiography, the studio used this test to get Lana Turner back in line with the terms of her contract and as a punishment for Lana Turner eloping with Artie Shaw. Williams screen tested with the leading man, Clark Gable, for the film Somewhere I'll Find You.[34] However, when Turner divorced Shaw after four months of marriage, she rejoined the film.[35] Following several short subject films, Williams appeared as Sheila Brooks in Andy Hardy's Double Life. Sheila was a coed with whom Andy falls in love.[36][37] Next was a small part in the film A Guy Named Joe, starring Spencer Tracy and Irene Dunne. It was here she first worked with Van Johnson, with whom she would partner in five films.[38]

Bathing Beauty, previously titled Mr. Coed, starred Red Skelton as a man who enrolls in a women's college to win back his swimming instructor fiancée, played by Williams. This was her first Technicolor musical. The studio changed the title of the film to showcase Williams. Almost all of the film's posters featured Williams in a bathing suit, though the swimming sequences make up a small portion of the film. Her date to the premiere at the Astor Theater in New York City was future husband Ben Gage. For the event, MGM publicity set up a six-story-tall billboard of Williams diving into Times Square with a large sign that said "Come on in! The story's fine!"[39]

Williams, Van Johnson and Carleton G. Young in Thrill of a Romance (1945)

Williams appeared in the film Ziegfeld Follies as herself.[40] This was followed by the musical Thrill of a Romance. Van Johnson co-starred as a decorated war veteran who falls in love with Williams while on her honeymoon. Thrill of a Romance was the 8th highest-grossing film of 1945.[2] Williams had to help Johnson swim, and she placed her hand under his back to keep him afloat. The studio's publicity department tried to put the two together in public as much as possible in the hopes of encouraging a romance, even though Williams was involved with Gage at the time. When asked why they didn't date, Johnson replied, "because I'm afraid she can't get her webbed feet into a pair of evening sandals."[41]

Williams tried a more serious role in The Hoodlum Saint (1946), with William Powell. Audiences expected Powell's Nick Charles persona and rejected the idea of a romance between Williams and Powell onscreen due to their age difference.[42] She also appeared in Easy to Wed, a remake of 1936's Libeled Lady, with Johnson and Lucille Ball.[43] It was the first singing part in a film for Williams, who had Harriet Lee as her singing teacher.[44]

Williams as Maria in Fiesta (1947)

Fiesta (originally called Fiesta Brava)[45] starred Williams as Ricardo Montalbán's twin sister, Maria, who pretends to be her bullfighting brother in hopes of luring him back home. Audiences, and Williams, thought the film was silly, as Williams and Montalbán had vastly different accents. Montalbán was born in Mexico and was a native Spanish speaker while Williams had a mid-western accent picked up from her Kansas-born parents. Production was difficult with a multitude of problems. By 1947, Gage and Williams were married. Gage had traveled to Mexico for the making of the film. He got into a fight with an employee of the cast's hotel, was arrested, and subsequently thrown out of the country.[46]The director of photography, Sidney Wagner, and one other crew member died of cholera from eating contaminated street food. Many of the film's stuntmen were sent to the hospital after being gored by bulls. Director Dick Thorpe hadn't wanted the bulls killed (as they usually were at the end of a bullfight) because he believed them to be too expensive to replace.[47]

After filming was completed on Fiesta, Williams appeared in the romance This Time for Keeps (1947) with singer Johnnie Johnston. In 1948, Williams signed a contract with swimwear company Cole of California to appear as their spokesperson, and Williams and the other swimmers in her films wore Cole swimsuits. Since the aqua-musicals were an entirely new genre, the studio's costume designers had little experience creating practical swimsuits.[48] William's plaid flannel swimsuit for This Time for Keeps was so heavy that she was dragged to the bottom of the pool, and had to unzip the suit, swimming naked to the edge of the pool to avoid drowning. Cole swimsuits used latex, which meant zippers were no longer necessary. While filming Skirts Ahoy! (1952), Williams discovered that members of the WAVES program received thin, cotton, shapeless swimsuits as part of their uniforms. Williams modeled a Cole swimsuit for the Secretary of the Navy and explained that the new swimsuits helped support women's figures. The United States Navy ordered 50,000 suits immediately.[49]

Filming Take Me Out to the Ball Game (1949) was, according to Williams in her autobiography, an experience of "pure misery." A period musical starring Gene Kelly and Frank Sinatra, the two male leads' characters were players in a baseball team owned by K.C. Higgins, Williams's role. She claimed that Kelly and co-writer Stanley Donen treated her with contempt and went out of their way to make jokes at her expense. The film was well-received critically and became a major commercial success, raking in $3.4 million in rentals and becoming the 11th highest-earning film of the year.[6] Williams made Neptune's Daughter (also 1949) around the same time with co-stars Ricardo Montalbán, Red Skelton and Betty Garrett, who had also been in Take Me Out to the Ball Game. [50] In the film, Williams sings "Baby, It's Cold Outside" with Montalbán. The song won the Academy Award for Best Original Song at the 22nd Academy Awards. Williams and Montalbán were originally slated to sing "(I'd Like to Get You on a) Slow Boat to China", but studio censors thought the song was too sexual (interpreting the word "get" as "have") and instead gave them "Baby, It's Cold Outside."[51] Neptune's Daughter became the 10th highest-grossing film of 1949.[6]

Williams as Annette Kellermann in Million Dollar Mermaid (1952)

Williams made Duchess of Idaho (1950), shot on location in Sun Valley, Idaho, co-starring Van Johnson and John Lund.[52] MGM paired her with Howard Keel for three films, Pagan Love Song (also 1950), Texas Carnival (1951) and later Jupiter's Darling (1955). They both had cameos in the film Callaway Went Thataway (1951).[53]

In Million Dollar Mermaid (1952), Williams portrayed Annette Kellermann, a real-life Australian swimming and diving star. Williams co-starred with Victor Mature, who played Kellermann's husband and manager, James Sullivan. The two engaged in a passionate affair during filming. Williams often called this her favorite film and named her autobiography after it.[54] Williams also won the Henrietta Award at the 1952 Golden Globes, for World Film Favorite – Female.[55] Easy to Love (1953), also with Van Johnson, was filmed on location in Cypress Gardens, where a swimming pool in the shape of the state of Florida had been built specifically for the film. Williams was pregnant during shooting, but still performed all her own waterskiing stunts.[56]

In Dangerous When Wet (also 1953), Williams worked with three important males – Tom and Jerry and future husband Fernando Lamas. During casting, Lamas told Williams he did not want to star in the film with her because he only wanted to be involved in "important pictures". His part had to be rewritten to persuade him to take part in the film.

In 1953, Williams had been on maternity leave for three months while pregnant with daughter Susan, and assumed she would go straight to work on the film Athena when she returned.[57] However, production started without her, and the studio cast Jane Powell in the lead role,[58] rewriting much of the premise that Williams and writers Leo Pogostin and Chuck Walters had come up with. The studio moved her to Jupiter's Darling. Two more films were planned, Bermuda Encounter and Olympic Venus, about the first Olympic swimmers; however, these were never made.[59][60][61]

Many of her MGM films, such as Million Dollar Mermaid and Jupiter's Darling, contained elaborately staged synchronized swimming scenes, with considerable risk to Williams. She broke her neck filming a 115 ft dive off a tower during a climactic musical number for the film Million Dollar Mermaid and was in a body cast for seven months. She subsequently recovered, although she continued to suffer headaches as a result of the accident. Her many hours spent submerged in a studio tank resulted in ruptured eardrums numerous times. She also nearly drowned after not being able to find the trapdoor in the ceiling of a tank. The walls and ceiling were painted black and the trapdoor blended in. Williams was pulled out only because a member of the crew realized the door was not opening.

After 15 years of appearing in films, Williams was threatened with contract suspension from MGM after refusing the lead role in The Opposite Sex (eventually released in 1956), a musical remake of 1939's The Women. The role of Mary would have been rewritten to be an aquacade star (and was eventually filled by June Allyson as "Kay", a nightclub singer). Williams redecorated her dressing room to accommodate returning star Grace Kelly, packed her terry cloth robes and swimsuits and drove off the studio lot. As a result of leaving her contract, Williams lost almost $3 million in deferred contract payments, which had been taken from her paychecks over the previous 14 years and put aside as both a nest egg and a tax deferral. She was, however, still able to collect on the $50,000 signing bonus from when she first signed her contract.[62]

In 1956, she moved to Universal International and appeared in a non-musical dramatic film, The Unguarded Moment (1956). After that, her film career slowly wound down. She later admitted that husband Fernando Lamas preferred her not to continue in films. She would, however, make occasional appearances on television, including mystery guest appearances for What's My Line?, The Donna Reed Show, The Ed Sullivan Show, and two aqua-specials, The Esther Williams Aqua Spectacle (1956) and Esther Williams at Cypress Gardens which was telecast on August 8, 1960.[63] More than half of all television sets in use in the United States were tuned in to watch the Cypress Gardens special.[64] She starred in an aqua-special at Wembley Stadium in London.[7] In 1966, Williams was inducted into the International Swimming Hall of Fame.[17]

Williams was a registered Republican.[75]

Williams married four times. She met her first husband, Leonard Kovner, while attending Los Angeles City College. She later wrote in her autobiography The Million Dollar Mermaid that "he was smart, handsome, dependable ... and dull. I respected his intelligence, and his dedication to a future career in medicine. He loved me, or so he said, and even asked me to marry him." They were married in the San Francisco suburb of Los Altos on June 27, 1940.[76][77][78] On their split she said "I found, much to my relief, that all I needed for my emotional and personal security was my own resolve and determination. I didn't need a marriage and a ring. I had come to realize all too quickly that Leonard Kovner was not a man I could ever really love."[79] They divorced on September 12, 1944.[78][80]

1945 wedding photo of Williams and her second husband, Ben Gage

She married singer/actor Ben Gage on November 25, 1945;[81][82] they had three children, Benjamin Stanton (born August 6, 1949), [46][83] Kimball Austin (October 30, 1950 – May 6, 2008)[84] and Susan Tenney (born October 1, 1953).[85] In her autobiography, she portrayed Gage as an alcoholic parasite who squandered $10 million of her earnings. Gage and Williams separated in 1952,[86] and divorced in April 1959.[87]

During the filming of Pagan Love Song in Hawaii, Williams learned she was pregnant with her third child, and notified the studio in California. Gage had met a man at the hotel who owned a ham radio and persuaded the man to let them use it to call California. What they failed to realize at the time, though, was that anyone could be listening in on their conversation, and news of her pregnancy was broadcast to the entire West Coast.[88]

She disclosed in her autobiography that she had an affair with actor Victor Mature while they were working on Million Dollar Mermaid, citing that at the time her marriage was in trouble and, feeling lonely, she turned to Mature for love and affection, and he gave her all she wanted. The affair stopped while Williams was recovering from her fall during the shooting of Million Dollar Mermaid. She was romantically linked with Jeff Chandler. She claims in her autobiography that Chandler was a cross-dresser and that she broke off the relationship.[89] According to the Los Angeles Times, many friends and colleagues of Chandler's rebutted Williams' claims. Jane Russell commented, "I've never heard of such a thing. Cross-dressing is the last thing I would expect of Jeff. He was a sweet guy, definitely all man."[90]

She married her former lover, Argentine actor/director, Fernando Lamas on December 31, 1969. She later claimed that for 13 years she lived in total submission to him. She had to stop being "Esther Williams" and could not have her children live with her. In return, he would be faithful.[51][91] Nonetheless, they remained married until Lamas's death from pancreatic cancer on October 8, 1982.[92]

She resided in Beverly Hills with actor husband Edward Bell, whom she married on October 24, 1994.[93]

In September 1959, Cary Grant told Look magazine that he had taken LSD under a doctor's supervision, and it had changed his life. Grant's therapist, Mortimer Hartman, described LSD as "a psychic energizer which empties the subconscious and intensifies emotion and memory a hundred times". Grant said that, with the help of LSD, he had "found that [he] had a tough inner core of strength", and that when he was young, he "was very dependent upon older men and women. Now, people [came] to [him] for help." Williams stated that she wanted to be one of those people. As she said in Million Dollar Mermaid, "At that point, I really didn't know who I was. Was I that glamorous femme fatale? ... Was I just another broken-down divorcée whose husband left her with all the bills and three kids?" Shortly after reading the article, she contacted Grant. He called his doctor and made an appointment for her. Williams said LSD seemed like instant psychoanalysis.[94][95]