Examples of International Gothic in the following topics:
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- The late fifteenth and early sixteenth centuries mark the transition in sculpture from the International Gothic to a more classical style of the Renaissance.
- Often seen as a revival of the classical style, the International Gothic is defined by a dignified elegance, which replaces monumentality, along with rich decorative coloring, elongated figures and flowing lines.
- The wood sculptures of the German-speaking states of this time display both Italian styles in addition to more traditional International Gothic elements.
- Their long careers covered the transition between the Gothic and Renaissance periods, although their ornament often remained Gothic even after their compositions began to reflect Renaissance principles.
- Its use of drama through gilding, diagonal lines, and expressive body language convey Stoss's loyalty to the International Gothic style, while its naturalistic bodies and drapery point to an adoption of Renaissance attributes.
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- Fourteenth century French art was still dominated by the International Gothic style, even as a new Renaissance style developed in Italy.
- French art in the 14th century was still dominated by the International Gothic style, even as a new Renaissance style developed in Italy.
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- Duccio is considered the founder of the Sienese Gothic school of painting.
- While painting in the Gothic style, he is considered the herald of the Renaissance.
- During the 14th century, Tuscan painting was predominantly accomplished in the International Gothic style, which was prevalent throughout Western Europe at the time.
- The tempera altarpieces of Fra Angelico bridge the gap between the International Gothic and Renaissance styles of painting, making use of Gothic elaboration, gold leaf, and brilliant color.
- Explain Cimabue's and Duccio's break from Italo-Byzantine style into the Italian Gothic style of painting
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- Cathedrals in Europe started to be largely influenced by the gothic style of architecture that emerged from France in the late 12th century.
- Gothic art was a medieval art style that developed in France from Romanesque art in the mid-12th century, led by the concurrent development of Gothic architecture.
- The sophisticated court style of International Gothic spanned from the late 14th century to the late 15th century, and in many areas, especially Germany, Late Gothic art continued well into the 16th century before being subsumed into Renaissance art.
- Though employing Gothic elements, it was distinctly Renaissance in its audacity and the fact that it referenced Roman structural techniques.
- Notre Dame, began in 1163, is widely considered one of the finest examples of French Gothic architecture.
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- A revival of classical style is seen in the International Gothic work of Claus Sluter and his followers in Burgundy and Flanders around 1400.
- Late Gothic sculpture continued in the North, with a fashion for very large wooden sculpted altarpieces with increasingly virtuoso carving and large numbers of agitated expressive figures; most surviving examples are in Germany, a result of extensive iconoclasm (image destruction) elsewhere.
- In Catholic parts of South Germany the Gothic tradition of wood carving continued to flourish until the end of the 18th century, adapting to changes in style through the centuries.
- Veit Stoss (d. 1533), Tilman Riemenschneider (d.1531) and Peter Vischer the Elder (d. 1529) were Dürer's contemporaries, and their long careers covered the transition between the Gothic and Renaissance periods, although their ornament often remained Gothic even after their compositions began to reflect Renaissance principles.
- Compare and contrast the late Gothic and northern Renaissance styles of sculpture in the Holy Roman Empire.
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- Later the Gothic style originated in France and then spread through Germany, which continued to use it long after the rest of Europe had abandoned it.
- The court of the Holy Roman Emperor, then based in Prague, played an important part in forming the International Gothic style in the late 14th century.
- The concept of the Northern Renaissance or German Renaissance is somewhat confused by the continuation of the use of elaborate Gothic ornament until well into the 16th century, even in works that are undoubtedly Renaissance in their treatment of the human figure and other respects.
- The Veil of Veronica is an example of an image that reflected the intensely emotional devotional life of Gothic-style art.
- Locate the Medieval, Romanesque, Gothic, Renaissance, and Baroque styles of art in history, giving examples of each.
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- A clear departure from flat and stylized representations of the Romanesque and Gothic periods, the bodies appear naturalistic and dynamic, with each figure posed in an engaging contrapposto pose.
- It is an intensely emotional work that continues the German Gothic tradition of unrestrained gesture and expression, using Renaissance compositional principles while maintaining the Gothic format of the multi-winged polyptych.
- His later paintings show how he pioneered and led the transformation of German art from the (Late) International Gothic to the Renaissance style.
- Holbein the Elder was a pioneer and leader in the transformation of German art from the Gothic to the Renaissance style.
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- Gothic Revival began in England the the 1740s, swept through Europe, and drew from medieval roots.
- The Gothic Revival is an architectural movement that began in the late 1740s in England.
- Ultimately, the Gothic style became widespread in the third quarter of the 19th century .
- Indeed, the number of Gothic Revival and Carpenter Gothic structures built in the 19th and 20th centuries may exceed the number of authentic Gothic structures that had been built in Gothic's original era.
- Gothic Revival also took on political connotations.
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- The Gothic style was the leading architectural style in Italy during this time period.
- While the French Gothic style gained popularity in many parts of Europe, the Gothic style was interpreted differently in Italy.
- Gothic buildings in cities such as Florence lack the stained glass that characterizes French Gothic structures and as a whole they lack the emphasized verticality of French Gothic Cathedrals.
- The Florence Cathedral is a great example of the Gothic style in Italy.
- As the exterior view of the Cathedral demonstrates, Italian Gothic structures did not incorporate the stained glass windows, which had become so essential to French Gothic structures.
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- The Gothic Revival was primarily an architectural movement that began in 1740s England.
- Also termed Victorian Gothic and Neo-Gothic, the style sought to revive medieval forms, much like the Neoclassical style sought to revive works from classical antiquity.
- Indeed, the number of Gothic Revival and Carpenter Gothic structures built in the 19th and 20th centuries may exceed the number of authentic Gothic structures that had been built in Gothic's original era.
- Gothic revival cottages and smaller buildings also became popular and are referred to as "Carpenter Gothic."
- Pugin designed many churches in England during his career and published a series of volumes of architectural drawings entitled Examples of Gothic Architecture and Specimens of Gothic Architecture that remained in print and were the standards for the Gothic Revival for the next century.