Examples of Severe style in the following topics:
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- Early Classical Greek marble sculpture and temple decoration display new conventions to depict the body and severe style facial expressions.
- Most of the figures are shown with the expressionless faces of the Severe style.
- Most figures are depicted in the Severe style.
- This is known as Severe style.
- The figure has a Severe-style face and a contrapposto stance.
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- The art of the Meiji period (1868-1912) was marked by a division between European and traditional Japanese styles.
- In art, this period was marked by the division into competing European and traditional indigenous styles.
- After an initial burst of western style art, however, the pendulum swung in the opposite direction.
- In the 1880s, western style art was banned from official exhibitions and was severely criticized by critics.
- Yōga style painting of the Meiji period by Kuroda Seiki (1893)
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- Venice, the capital of the Veneto, has a rich and diverse architectural style, the most famous of which is the Gothic style.
- The style originated in 14th-century Venice, where the confluence of Byzantine style from Constantinople met Arab influence from Moorish Spain.
- Chief examples of the style are the Doge's Palace and the Ca' d'Oro in the city.
- The city also has several Renaissance and Baroque buildings, including the Ca' Pesaro and the Ca' Rezzonico.
- The front façade of the Villa Foscari features several neoclassical columns.
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- Painters and architects in the 1200s were only beginning to explore styles that characterized shifts from Medieval to Renaissance.
- Painters and architects in the 1200s were only beginning to explore some of the style revolutions that would later cause the shift from the Medieval to the Renaissance period over the next several centuries.
- While the Gothic style was exported to much of Europe, it was never wholeheartedly embraced by Italian architects.
- Instead, local styles and material were favored, and buildings were often a mix of Gothic and Classical styles.
- This altar painting by Duccio di Buoninsegna, c. 1280 demonstrate the Byzantine style.
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- In Italy, some sculptures tended towards the Roman Classical styles that elevated sculpture beyond interior design.
- Leaders of the city-states also used their wealth to act as patrons of the arts, with these artists reviving an interest in classical forms and styles.
- In Italy, some sculptures tended towards the Roman Classical styles that elevated sculpture beyond interior design.
- Pisano's work was not a replication of existing work, but a deft melding of Classical and contemporary Gothic styles.
- Pisano's work foreshadowed the blend of styles that would be present in much of Italian art, architecture and craft for several centuries to come.
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- The Kanō school with its naturalistic style was the dominant style of the Edo period (1603 - 1868).
- The Kanō school (狩) was the dominant style of painting during the Edo period.
- The Kanō family itself produced a series of major artists over several generations, and a large number of unrelated artists trained in workshops of the school.
- Kanō painters worked primarily for the nobility, shoguns, and emperors, covering a wide range of styles, subjects, and formats.
- He used a less bold but extremely elegant style, which tended to become stiff and academic in the hands of less-talented imitators.
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- The transition from the Romanesque to the Gothic style of painting happened quite slowly in Italy, several decades after it had first taken hold in France.
- The initial changes to the Byzantine-inspired Romanesque style were quite small, marked merely by an increase in Gothic ornamental detailing rather than a dramatic difference in the style of figures and compositions.
- Much like Cimabue, Duccio of Siena painted in the Byzantine style but made his own personal contributions in the Gothic style as manifested in the linearity, the rich but delicate detail, and the warm and refined colors of his work.
- While painting in the Gothic style, he is considered the herald of the Renaissance.
- Explain Cimabue's and Duccio's break from Italo-Byzantine style into the Italian Gothic style of painting.
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- South India gave rise to the Dravida style of architecture, and is where most of the largest Hindu Temples can be found.
- However, some temples are dedicated to several deities, and others are dedicated to murtis in an iconic form.
- The main architectural styles are the Dravida style of South India, the Nagara style of North India, and the mixed Vesara style.
- Other styles include the Pahari architectures of Kashmir, Himachal, Uttarakhand, and Nepal; the Kerala rainy style, the Goa European style, the Bali style, the Khmer style, and the modern very basic style of a hall with an altar.
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- South India gave rise to the Dravida style of architecture and is where most of the largest Hindu temples can be found.
- However, some temples are dedicated to several deities, and others are dedicated to murtis in an iconic form.
- The main architectural styles in India are the Nagara style of North India and the Dravida style of South India.
- This style of architecture consists primarily of temples with pyramid-shaped towers constructed of sandstone, soapstone, or granite.
- Identify the primary temple styles of the various regions of India and southeast Asia.
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- There are also three regional styles of cave art:
- The geometric style (known for its concentric circles, arcs, and dots) found in Central Australia, Tasmania, the Kimberly, and Victoria;
- Rock paintings are believed to have served several functions, from ceremonial to merely decorative.
- This led to the development of the Papunya Tulaschool, or dot art, now possibly Australia's most recognizable style of art worldwide.
- Differentiate between the periods and regional styles of Aboriginal Australian rock paintings