gold leaf

Examples of gold leaf in the following topics:

• The Spanish Conquest and Its Effects on Incan Art

  • In addition to disease and population decline, a large portion of the Inca population—including artisans and crafts people—was enslaved and forced to work in the gold and silver mines.
  • Its façade is carved in stone, and its main altar is made of carved wood covered with gold leaf.
  • Cusco painting is characterized by exclusively religious subject matter; warped perspective; frequent use of the colors red, yellow, and earth tones; and an abundance of gold leaf.
  • Another unique characteristic of the style was the application of aguada, or watercolor paint, on top of gold leaf or silver paint, giving it a unique metallic sheen.
  • Cusco painting is characterized by exclusively religious subject matter; warped perspective; frequent use of the colors red, yellow, and earth tones; and an abundance of gold leaf.

• Spanish Art in the Americas

  • Cuzco painting is characterized by exclusively religious subject matter, warped perspective, frequent use of the colors red, yellow and earth tones, as well as an abundance of gold leaf .
  • Another unique characteristic of the style was the application of "aguada," or watercolor paint, on top of gold leaf or silver paint, giving it a unique metallic sheen.
  • Cuzco painting is characterized by exclusively religious subject matter, warped perspective, frequent use of the colors red, yellow and earth tones, as well as an abundance of gold leaf.

• The Early Middle Ages

  • The Codex is decorated with gems and gold relief, and can be accurately dated to 870, although the workshop in which it was made remains unknown.
  • Gold was also used to create sacred objects for churches and palaces, as a solid background for mosaics, or applied as gold leaf to miniatures in manuscripts and panel paintings.
  • Gold and gem-encrusted cover of the Codex Aureus of St.

• Romanesque Illustrated Books

  • Alban's Psalter, Hunterian Psalter, Winchester Bible (the "Morgan Leaf"), Fécamp Bible, Stavelot Bible, and Parc Abbey Bible.
  • These are the earliest English miniatures to have gold-leaf backgrounds incised with patterns of lines and dots.
  • All the psalms have a large illuminated initial, often historiated, and each verse starts with an enlarged gold initial.
  • Each book of the Bible and the major sections of Psalms are introduced by a large historiated initial in colors and gold, with the exception of the books of Deuteronomy, Isaiah, and Haggai.

• Italian Painting: 1200–1400

  • The work retains the gold background that was familiar in Byzantine icons, and his figures are rendered in a Byzantine style.
  • His work was often ornate with the use of gold leaf and jewels, demonstrating how Siena was focused on the physical materiality of work.
  • While his work retains the gold background and gold halos so important in Byzantine art (and to Sienese patrons), this art acts as a bridge between the late Medieval era and Early Renaissance.
  • Duccio's work demonstrates the emerging Renaissance style, as seen in the developed form of the figures, as well as the older Byzantine styles and the Sienese preference for materiality with the use of gold.

• Mycenaean Metallurgy

  • The rhyton consists primarily of silver with gold-leaf accents.
  • Gold. c. 1600-1500 BCE.
  • Gold. c. 1600-1500 BCE (?).
  • Gold. c. 1600-1500 BCE.
  • Bronze with gold, silver, and niello inlay. c. 16th century BCE.

• Jain Illustrated Manuscripts

  • Jain illustrated manuscripts, originally painted on palm leaf, were characterized by sharp outlines and depictions of Jain saviors.
  • Painted on palm leaf, these illustrations relied on sharp outlines for effect, becoming progressively more angular and wiry until barely a trace of naturalism is left.
  • The text is written in gold and the margins are illuminated with figural patterns.
  • Paintings in lavish blue, gold, and red, testifying to the wealth of the patron, often take up an entire page.
  • It uses opaque watercolor and gold on paper.

• Leaf Structure and Arrangment

  • Each leaf typically has a leaf blade called the lamina, which is also the widest part of the leaf.
  • The edge of the leaf is called the margin .
  • Within each leaf, the vascular tissue forms veins.
  • The arrangement of veins in a leaf is called the venation pattern.
  • A leaf may seem simple in appearance, but it is a highly-efficient structure.

• Types of Leaf Forms

  • In a simple leaf, such as the banana leaf, the blade is completely undivided.
  • The leaf shape may also be formed of lobes where the gaps between lobes do not reach to the main vein.
  • An example of this type is the maple leaf.
  • In a compound leaf, the leaf blade is completely divided, forming leaflets, as in the locust tree.
  • In a pinnately compound leaf, the middle vein is called the midrib.

• Stem-and-Leaf Displays

  • A basic stem-and-leaf display contains two columns separated by a vertical line.
  • This can be done most easily, if working by hand, by constructing a draft of the stem-and-leaf display with the leaves unsorted, then sorting the leaves to produce the final stem-and-leaf display.
  • The stem-and-leaf display is drawn with two columns separated by a vertical line.
  • This allows the stem-and-leaf plot to retain its shape, even for more complicated data sets:
  • This is an example of a stem-and-leaf display for EPA data on miles per gallon of gasoline.